Park Nohae - Misplaced Pages

Park Nohae
Park Nohae
Born	Park Gi-pyeong (박기평) Hampyeong County, South Jeolla Province, South Korea
Occupations	Poet photographer activist
Board member of	NANUMMUNHWA(Sharing of Culture)

Park Nohae (Korean: 박노해; born 1957) is a South Korean poet, photographer and activist.

At the age of twenty-seven, Park published his first collection of poems, titled Dawn of Labor, in 1984. Despite official bans, this collection sold nearly a million copies, and he became an intensely symbolic figure of resistance, often called the “Faceless Poet.”

In 1991 the scene of him smiling brightly while facing the death sentence still evokes a strong memory. After seven and a half years in prison, he was pardoned in 1998. Thereafter, he was reinstated as a contributor to the democratization movement, but he refused any state compensation, saying “I will not live today by selling the past.”

In 2003, right after the United States’ invasion of Iraq, he flew to the field of war. Since then, he often visits countries that are suffering from war and poverty in order to raise awareness about the situation through his photos and writings. In 2006, he established 〈Zaituna(Olive) Nanum Munhwa School〉 in Ain Al-Hilweh, the world’s largest Palestinian refugee camp in Lebanon, and he has been supporting the school for 18 years.

In 2024, his first collection of poems, Dawn of labor published in United States.

Early life

Park Nohae was born in 1957 in Hampyeong, South Jeolla Province, a southern province of South Korea, and grew up in a farming town, Beolgyo, Goheung. Both his father, a pansori singer, who had participated in Korea's independence and progressive movements, and his mother who was a devout Catholic, greatly influenced him from his childhood. Later, his brother became a priest and headed the Catholic Priests Association for Justice that took a leading role in the democratization of South Korea, and his younger sister became a nun. At the age of seven when his father suddenly died, his fate began to get on a wild journey, as his family became poor, and the family members had to be separated from each other. Such misfortune and solitude at his early age made him get immersed in reading and writing.

Park left his hometown and moved to Seoul, the capital city of South Korea. He worked during daytime and attended the night classes at Seollin Commercial High School. He began to build up a labor activist’s career while working in the fields of construction, textiles, chemicals, metals, and logistics. At that time, Korea was going through a dark period under the military dictatorship; night curfews were in place; freedom of the press, presidential elections, and labor’s primary rights were severely violated.

1980s, "the icon of Revolutionary" in South Korea

There has never been an artistic event
as shocking as ‘Dawn of Labor,’ before or since.

Kang Heon, cultural critic

Park Nohae is a history, a symbol, and a myth.
All the way through the history of literature
and society alike, we may never
meet such a being again.

Doh Jeong-ill, literary critic

The 1980s, when the labor movement was at its most active in South Korea, was also the most active period for the creation of labor poetry. The poetry of this time, represented mainly by Park Nohae and Baek Mu-san. He then took the pseudonym Park Nohae(‘No’ means ‘labor,’ ‘Hae’ means ‘liberation’) and published his first collection of poems, Dawn of Labor, in 1984, under that name. Because it was almost the first collection of poems written by workers from the perspective of workers, it produced a huge shock wave not only in Korean society but also in the literary and intellectual communities. Korea was at that time under the military dictatorship of Chun Doo-hwan, with strict censorship. Despite official bans, this collection sold nearly a million copies and created intense interest. The unknown poet became an intensely symbolic figure of resistance.

The rope of survival for my family of three is held by my boss,
so he’s my heaven.

When I am at the hospital cradling a hand crushed in the press,
the doctor can patch me up or leave me crippled,
so he’s my heaven.

When we are dragged to the police for organizing a union
after two months without pay,
the officer who threatens to lock us up,
though we’ve committed no crime,
is always a frightening heaven.

The judges and lawyers,
who can turn us into criminals or set us free,
are a dreadful heaven.

The bureaucrats, sitting in government offices,
who can make us or break us,
are a fearsome heaven.

People high up, people with power, people with money
all appear to be heaven.
No, they are indeed heaven,
the heaven of darkness controlling our lives.

Will I ever be heaven
for someone somewhere?
I have lived only at the bottom, powerless.
But for one person,
our insanely beautiful baby,
who now begins to walk,
I may be a small, unsteady heaven.

We, too, want to become heaven.
Not a dark clouded heaven
that presses down,
but a clear blue heaven
over a world where we lift one another.
— Park Nohae, Dawn of Labor, Heaven

1990s, Demanded the death sentence, Sentenced to life imprisonment

For many years he was active underground, helping establish the South Korean Socialist Workers' Alliance in 1989. After spending seven years of his life hiding from the police, he was finally arrested in 1991. After twenty-four days of investigation, coupled with cruel, illegal torture, at his trial the state prosecutors even demanded the death sentence for him as an enemy of the state. He was finally sentenced to life imprisonment. Park Nohae said the following in his final statement in court: "Even if I disappear on the scaffold, I hope that more Park No-haes will appear and build a society where the working class is the master."

While he was in prison, a second poetry collection was published, True Beginning(1993) as well as a collection of essays, Only a Person is Hope(1997). He was finally freed in 1998 after being amnestied by President Kim Dae-Jung who was awarded the Nobel Peace Prize. Withdrawing from his previous role, he helped establish a nonprofit social organization "Nanum Munhwa”(Culture of Sharing) with Koreans concerned with the great challenges confronting global humanity.

A person full of hope
is already hope.

A person seeking the way
is already a new way.

A truly good person
is already a good world.

It’s within that person.
It starts with that person.

Once again:
only a person is hope.
— Park Nohae, Only a Person is Hope, Once Again

1999 NHK documentary ‘Park Nohae, Korea's New Hope - Only a Person is Hope’

On 3 May 1999, a documentary titled 'Park Nohae, Korea's New Hope - Only a Person is Hope', produced by Toshiro Kishi, Seoul Bureau Chief of NHK, was broadcast in Japan. He interviewed Park Nohae for seven months, filming more than 50 hours of footage and compressing it into one hour.

2000s, Global Peace Sharing as a photographer as well as an activist

In 2003, at the United States’ invasion of Iraq, he went to protect helpless civilians and promote peace. At that time, he undertook peace activities in Bagdad and in other Middle Eastern countries for 75 days. In 2006, he was in Lebanon on a similar peace-making mission and publicly opposed the dispatch of Korean combat troops to the Middle East. From the start, he combined poetry-writing and photography, as he went to many countries that were suffering from wars and poverty, such as Palestine, Kurdistan, Pakistan, Aceh(Indonesia), Burma, India, Ethiopia, Sudan, Peru and Bolivia. In 2010, he held his first exhibition of photos “Ra Wilderness,” and since then he has continued to hold exhibitions to draw public attention to global issues of poverty, human values, and warfare.

My poetry is a transcript of words
dictated by small and powerless people,
and my photos are portrayals of
their strong prayers of life, and their souls.
— Park Nohae, 2010 Photo exhibition 'Like them, I am there'

Also, in 2010, he finally published a large new collection of poems, So You Must Not Disappear, on themes such as resistance, spirituality, education, living, revolution and love.

On our way to visit the village of the Q’ero tribe
who live in the highest, deepest region
of the perpetually snow-capped peaks of the Andes

In the rarefied air we are panting after only ten steps,
while kicked stones fall over dizzying precipices,
breaking the primeval silence of the highlands in
pitch-dark night.

Has darkness ever been so heavy, dense, and fearful?
Just as we are about to be seized with the fear of
death, overwhelmed by cold and exhaustion

Is that a mirage?
Between the perpetually snow-capped peaks,
a dim light gleams.

We are safe.

The kerosene lamp of a Q’ero youth
calling us, after we have lost our way in the dark,

Though night amidst the snow-capped peaks is vast
and deep,
that small, faint gleam is sufficient.

Though today’s world is dark as pitch
and our hopes grow weak, having lost their way,
so long as there is just one chance glimmer of light
we are not yet finished.

I know there is a light in the world
that darkness cannot understand.*
I know there is a goodness that great evil cannot
understand,
a human spirit that barbarism cannot understand,
a hope that defeat and despair can never understand,
still glimmering,

Even if such a powerful, tenacious spirit of evil rules,
if there is one person who has not lost his soul and
stands as a faint light,
one last person who to the very end refuses to yield,
no matter how powerless, in an age when no hope
can be seen anywhere,

Since one last person is one first person,
if there is just one person, it is sufficient for hope.
Although all the dark and evil in the world are mobilized,
if there is one person alive who will not surrender,
they have completely failed, they are defeated.

Life is a miracle,
Each human person is a mystery,
Hope is imperishable.

So long as you, one faint light, are still alive ….

So you must not disappear.
— Park Nohae, So You Must Not Disappear, So You Must Not Disappear

2014 Raising the Spirit of the Times with the Topic of ‘Another Way’

The photo exhibition "Another Way" held in 2014 brought back the ‘Park No-hae Phenomenon’ by attracting over 35,000 visitors over 27 days. From Tibet, the land that is the roof of the human spirit, to Pakistan, which was once called heaven but is now called hell, to India with its two extreme faces, and further on to Burma, Indonesia, and Laos, a total of 140 carefully selected photos from 6 countries were exhibited.

The rise of the Asian era is not simply a matter of shifting economic power, but rather an event in human history that presents us with the task of ‘civilizational transition.’ What will be left when a huge population community of more than half the world follows the Western path of ‘growth and progress’?
— Park Nohae

The Asia in Park No-hae’s photos is not a ‘land of tears’ or a mystified ‘Oriental’ Asia, but a land where the ‘last seeds’ remain. Through his photographs of ‘another way,’ he presented ‘the prototype of a good life’ and ‘a worldview of hope.’

In our lives, there is something which each of us really wants.
For me, certainly, I have my own way, different from others.

I know that the one who is earnestly searching for a way
already has one's own map of stars shining within one's heart.
I believe that for the one who is searching for
one's true self to go for a good life, certainly, there is another way.

One step on another way, one step toward myself.
— Park Nohae, Another Way, Authour's note

In 2024, 10th anniversary reissue of the photo essay Another Way was published.

2016-2017 Candlelight Revolution

When the citizens of Korea began to hold candlelight demonstrations in protest at the corruption of the Korean government under Park Geun-hae, he and the members of “Culture of Sharing” participated actively, then in 2017 published a large album book Candlelight Revolution for first anniversary of the 2016–17 South Korean candlight protests which contains historical records.

2012-Today

Since then, he continues, with the members of “Culture of Sharing,” to hold photo exhibitions in a dedicated gallery, the Ra Cafe and Gallery, in Seoul. The photo exhibitions are held under the general theme of ‘Questions about Life’, and a photo essay of the same name is published each time. such as One Day(2019), Simply, Firmly, Gracefully(2020), The Path(2020), My Dear Little Room(2021), Children Are Amazing(2022), and Beneath the Olive Tree(2023). All essay texts are in both Korean and English.

2020s, publishing books of various genres and writing books on thought

In 2021, he published a collection of aphorism, Reading While Walking Along which he has been writing every morning for seven years on social media.

Now there are black shadows cast over the world and barriers rise between people. But humans are walking beings, meeting beings, and reading beings.
— Park Nohae, Reading While Walking Along, preface

In 2022, he published a new collection of poems, the first in 12 years, Seeing Your Heaven.

As you walk along a dark path
do not despair and say,
not one star is shining.

It’s because the brightest star
has not yet risen.

It’s not because of clouds,
nor because of bad luck.

The stars you have seen hitherto
are light that set out billions of light years ago.

As you walk through the pathless dark,
do not flop down, complaining
that you do not have the stars’ guidance.

The brightest star is even now
hastening toward you at the speed of light
as you desperately seek a path.
— Park Nohae, Seeing Your Heaven, A Star For You

In 2024, he published a first collection of autobiographical essays, the first in 12 years, The Tear-flowering Boy: Childhood Stories.

In the advanced ‘age of the individual’ standing on the plateau of liberal democracy and equality, the losses are as great and deep as the achievements; the noble human spirit and virtue have fallen to the ground, and the seeds of a hope that has existed for thousands of years are being lost and forgotten. (…) The reason I struggle to write like this again today is because there is an old spark of hope that I have harbored within me. It is because I must remember and pass on the world and times I experienced, the struggles and wonders of the people I met, in that one place and time on Earth, in a corner of the boundless universe. This is because I have my own experience and testimony that no one can replace, and there is a love and secret message that has been passed down to me.
— Park Nohae, The Tear-flowering Boy: Childhood Stories, Author's Note

In 2024, the 40th anniversary of Dawn of Labor, an English version was published in the United States.

Among the works of poet Park Nohae, I wanted to introduce Dawn of Labor overseas first. I thought that there was no poetry as powerful as this, transcending time and borders. Park Nohae cannot be called just a poet. His life is like the history of an era, and his existence gives inspiration and hope to many people.

Brother Anthony, English translator of Dawn of Labor

This translation of Park Nohae’s first collection of poems, Dawn of Labor, could not arrive at a more propitious moment. For this “faceless poet,” this “enemy of the state,” whose writings earned him a death sentence and years in solitary confinement, is not only a legendary figure in Korean letters and society but a prophet of global liberation—a man dedicated to the proposition that a community of kindred poetic spirits can inspire social justice. If the plight of factory workers makes him “think about the eradication/ of the Korean language,” it also leads him to “dedicate these words, like a round of drinks, to working brothers and sisters, who live and act diligently without losing hope and laughter.” These poems clarify what we most need to know, wherever we may find ourselves in the world.

Christopher Merrill, author of Self-Portrait with Dogwood

Now, he is writing a book of reflexions, the only such book he has written during the thirty years since prison, “The Human Path in Space.” Dreaming of the Forest of True People, a life-community living “a graceful life with few possessions,” the poet is still planting and growing flowers and trees in his small garden, advancing along the path toward a new revolution.

List of works

Collections of Poems

The Dawn of Labor (노동의 새벽) (First edition: Pulbit, 1984 / 30th anniversary Revised edition: Slow Walking, 2014) - His first book, sold nearly a million copies despite being banned
True Beginning (참된 시작) (First edition: Changbi Publishers, 1993 / Revised edition: Slow Walking, 2016) - Prison writing, sold over a hundred thousand copies
So You Must Not Disappear (그러니 그대 사라지지 말아라) (Slow Walking, 2010)
Looking Up At Your Sky (너의 하늘을 보아) (Slow Walking, 2022)
Dawn of Labor (English First edition: University of Hawai'i Press, 2024)

Essay

Only a Person is Hope (사람만이 희망이다) (First edition: Hainaim, 1997 / Revised edition: Slow Walking, 2015) - Prison writing
Aceh’s Weeping for Too Long (아체는 너무 오래 울고 있다) (Slow Walking, 2005) - Reportage
It Seems Like Nobody Exists Here (여기에는 아무도 없는 것만 같아요) (Slow Walking, 2007) - Reportage
Another Way (다른 길) (Slow Walking, 2014) - Photographic essay
Reading While Walking Along (걷는 독서) (Slow Walking, 2021)
The Tear-Flowering Boy (눈물꽃 소년) (Slow Walking, 2024) - Autobiographical essays
Another Way (다른 길) (Slow Walking, 2024) - Photographic essay, 10th anniversary revised edtion

Photobook

Ra Wilderness (라 광야) (Slow Walking, 2010)
Like Them, I am There (나 거기에 그들처럼) (Slow Walking, 2010) - Hardcover
Another Way (다른 길) (Slow Walking, 2014) - Hardcover

Supervised and Special Contribution

Candlelight Revolution (촛불혁명) (Slow Walking, 2017)

Photo Essay series

01 One Day (하루) (Slow Walking, 2019)
02 Simply, Firmly, Gracefully (단순하게 단단하게 단아하게) (Slow Walking, 2020)
03 The Path (길) (Slow Walking, 2020)
04 My Dear Little Room (내 작은 방) (Slow Walking, 2022)
05 Children are Amazing (아이들은 놀라워라) (Slow Walking, 2022)
06 Beneath the Olive Tree (올리브나무 아래) (Slow Walking, 2023)

Poetry Picture Book

The Blue Light Girl (푸른 빛의 소녀가) (Slow Walking, 2020)

Exhibitions

Ra Wilderness

(라 광야) (Gallery M, Seoul, Korea, 2010) - His first photo exhibition

Like Them, I am There

(나 거기에 그들처럼) (Sejong Center for the Performing Arts, Seoul, Korea, 2010)

Another Way

(다른 길) (Sejong Center for the Performing Arts, Seoul, Korea, 2014) - Photo exhibition on Asia (Pakistan, Laos, Burma, Indonesia, Tibet, India)

Ra Cafe Gallery Permanent Exhibitions (since 2012)

Photo Exhibition on Pakistan, “A Village Where Clouds Dwell” (April 16 – July 31, 2012)
Photo Exhibition on Burma, “Singing Lake” (August 3 – October 31, 2012)
Photo Exhibition on Tibet, “Bloom and Fall with Nothing Left” (November 2, 2012 – February 27, 2013)
Photo Exhibition on Q’ero in the Andes, “Q’erotica” (March 1 – July 10, 2013)
Photo Exhibition on Sudan “On the Shores of the Nile” (July 12 – November 13, 2013)
Photo Exhibition on the Middle East “Ra wilderness” (November 15, 2013 – March 1, 2014) (Encore)
Photo Exhibition on Ethiopia “Blooming Footsteps” (March 3 – July 23, 2014)
Photo Exhibition on Latin America “Titicaca” (July 25 – November 19, 2014)
Photo Exhibition on Peru “Gracias a la vida” (November 21, 2014 – March 18, 2015)
Photo Exhibition on Aljazeera, titled “Like them beneath the Sun” (March 20, 2015 – July 15, 2015)
Photo Exhibition on India “Dire Dire” (July 17, 2015 – January 13, 2016)
Photo Exhibition on Kashmir, “Kashmir's Spring” (January 15 – June 29, 2016)
Photo Exhibition on Indonesia, “The Caldera's Wind” (July 1, 2016 – December 28)
Photo Exhibition on Kurds "Kurdistan” (December 30, 2016 – June 28, 2017)
Photo Exhibition on Laos "Morning of Laos” (June 30, 2017 – February 28, 2018)
Photo Exhibition on Palestine, “Dream of the Olive Tree” (March 2, 2018 – October 31)
Photo Exhibition titled “Goodbye, and...” (November 2, 2018 – February 10, 2019)
Photo Exhibition titled “One Day”(하루) (Jun 22, 2019 – Jan 10, 2020)
Photo Exhibition titled “Simply, Firmly, Gracefully”(단순하게 단단하게 단아하게) (Jan 15, 2020 – Aug 30, 2020)
Photo Exhibition titled “The Path”(길) (Sep 1, 2020 – Jun 6, 2021)
Text&Photo Exhibition titled “Reading While Walking Along”(걷는 독서) (Jun 8, 2021 – Dec. 31, 2021)
Photo Exhibition titled “My Dear Little Room”(내 작은 방) (Jan 4, 2022 – Sep 18, 2022)
Photo Exhibition titled “Children are Amazing”(아이들은 놀라워라) (Sep 30, 2022 – Oct 1, 2023)
Photo Exhibition titled “Beneath the Olive Tree”(올리브나무 아래) (Oct. 4, 2023 – Aug. 25, 2024)
Photo Exhibition titled “A New Day”(다른 오늘) (Aug. 30, 2024 – Mar. 2, 2025)

References

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"각양각색 세계의 평범한 하루… 그 안의 감동을 담다". Catholic Peace Broadcasting Corporation. 21 July 2019.
"박노해 "내 희망은 단순한 것, 내 믿음은 단단한 것"". Newsis (in Korean). 2020-01-13. Retrieved 2020-09-08.
"박노해 "세상에서 가장 비참한 자는 길을 잃은 자"". The Chosun Ilbo (in Korean). 2020-09-04. Retrieved 2022-04-17.
Hae-yeon, Kim (2021-06-15). "Labor activist-turned-poet chronicles travels in new book, exhibition". The Korea Herald. Retrieved 2021-08-18.
"'혁명시인' 박노해, 흑백카메라로 기록한 '내 작은 방'". Newsis (in Korean). 2021-12-23. Retrieved 2022-04-17.
권근영 (2024-09-06). "'얼굴 없는 시인' 박노해 사진전 '다른 오늘'…내년 3월까지 열린다". 중앙일보 (in Korean). Retrieved 2024-11-26.

External links

Nanum Munhwa (Culture of Sharing) - a nonprofit social organization established by Park Nohae
Instagram <Park Nohae's Reading While Walking Along> - Everyday poem with photo
Facebook page <Park Nohae’s Reading While Walking Along>

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