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Paul du Quenoy

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American historian
Paul du Quenoy (center) with Their Imperial Highnesses Prince and Princess Ermias Sahle Selassie of Ethiopia at the Russian Ball of Washington, DC, January 11, 2014

Paul du Quenoy (born November 15, 1977) is an American publisher, critic, historian, and philanthropist. He is President and CEO of Academica Press, an international non-fiction publisher based in Washington, D.C., and London, and President of the Palm Beach Freedom Institute, an advocacy organization that promotes civil rights, constitutional liberties, and the exceptionalism of the American experience.

Background

Paul du Quenoy graduated from George Washington University and received his Ph.D. from Georgetown University, where he was the last Ph.D. graduate of the Russian History scholar Richard Stites. He has taught at multiple universities and was a Fulbright scholar in Russia. He has received fellowships and other awards from the National Endowment for the Arts, the Kennan Institute for Advanced Russian Studies, the American Historical Association, the Andrew W. Mellon Foundation, and the Slavic-Eurasian Research Center at Hokkaido University in Japan.

Academic work

Paul du Quenoy's first book, Stage Fright: Politics and the Performing Arts in Late Imperial Russia, was published in 2009. The book attacks Soviet arguments and demonstrates the vital commercial elements in Russian culture, which du Quenoy argues was relatively free before the Revolution of 1917. According to the Modern Language Review Stage Fright offers "a detailed counter-argument to teleological readings of the cultural and political situation in late imperial Russia." The book was commended by Princeton University Russia scholar Caryl Emerson for "its devastating command of the historical record." Professor E. Anthony Swift of the University of Essex described it as an "important new contribution to the field" that "should be read by anyone interested in the relationship of politics and the arts."

Paul du Quenoy subsequently published Wagner and the French Muse: Music, Society, and Nation in Modern France (2011), an extensively documented narrative of the German composer Richard Wagner's reception in France. Novelist, poet, and Welsh National Opera dramaturg Simon Rees's review in Opera magazine called it a "rattling good read" and "well-written analysis." His third book, Alexander Serov and the Birth of the Russian Modern (2016, rev. 2nd edition 2022) was described by Russian Review as a "new angle" with "views that allow for a reexamination of some of the century's biggest controversies." Music and Letters described it as "ably written, balanced, highly detailed, and documented with care ... As such it outdoes existing Russian efforts." He has also published a volume of selected music criticism. The Royal Opera's chorus director William Spaulding hailed it as "knowledgeable and accessible", adding that "Paul du Quenoy's brilliant reviews reveal the timelessness of opera's core values."

Writing

Paul du Quenoy contributes criticism and commentary on art, society, and politics to a variety of publications. His writing has appeared in the New York Times, Newsweek, New York Post, The Daily Telegraph, Washington Times, the Los Angeles Review of Books, Washington Examiner, The Spectator, New Criterion, Musical America, Tablet, City Journal, Chronicles (magazine), American Conservative, The Critic, The European Conservative, New York Classical Review, and various academic journals, including the American Historical Review, Journal of Modern History, International History Review, and Russian Review. His music criticism has included bylines from New York, London, Paris, Berlin, Vienna, Budapest, San Francisco, Rome, Milan, Venice, Naples, Tokyo, St. Petersburg, Barcelona, Santa Fe, Chicago, Washington, Boston, Houston, Miami, Palm Beach, Beirut, and the Salzburg, Bayreuth, Verona, and Glimmerglass Festivals.

Society

Paul du Quenoy has served as chairman of the Russian Ball, Washington, D.C., a major social event in the U.S. capital, since 2013.

To protest the University of Michigan's disciplinary investigation of the composer Bright Sheng for having screened Sir Laurence Olivier's 1965 film version of Shakespeare's Othello, in which Olivier appeared in dark makeup, du Quenoy commissioned Sheng to compose a symphonic overture on the theme of freedom. The disciplinary investigation was subsequently dropped. The commissioned overture, titled "Triumph of Humanity", premiered at the opening concert of the Palm Beach Symphony's 50th anniversary season on November 19, 2023, under the baton of music director Gerard Schwarz. Du Quenoy conducted the Star-Spangled Banner to open the concert.

In 2024, the Crown Council of Ethiopia granted du Quenoy the Victory of Adwa Centenary Medal in recognition of his advocacy and charitable work. The Council's president Prince Ermias Sahle Selassie recognized du Quenoy among "supporters in the international community who give aid to the patriots struggling to restore peace and freedom."

Select bibliography

Books
  • Stage Fright: Politics and the Performing Arts in Late Imperial Russia (2009)
  • Wagner and the French Muse: Music, Society, and Nation in Modern France (2011)
  • Alexander Serov and the Birth of the Russian Modern (2016/2022)
  • Cancel Culture: Tales from the Front Lines (2021)
  • Through the Years with Prince Charming: The Collected Music Criticism of Paul du Quenoy (2021)
Articles
  • "In the Most Uncompromising Russian Style: The Russian Repertoire at the Metropolitan Opera, 1910–1947". Revolutionary Russia. 28: 1, 2015.
  • "Arabs under Tsarist Rule: The Russian Occupation of Beirut, 1773–1774". Russian History/Histoire Russe. 41: 2, 2014.
  • "Staging Russia: The Russian Repertoire at the Metropolitan Opera, 1943–1972". Beirut Humanities Review. 1: 1, 2014.
  • "'It Could Be A Lot Worse:' Imperial Russian Theatrical Censorship in a Comparative Perspective". Canadian-American Slavic Studies. 46: 3, 2012.
  • "Tidings From A Faraway East: The Russian Empire and Morocco". International History Review. 33: 2, June 2011.
  • "'Honeymoon to Bayreuth:' French Appreciations of Richard Wagner in the Interwar Era". Wagner Journal. 5: 1, March 2011.
  • "Vladimir Solov'ev in Egypt: The Origins of the 'Divine Sophia' in the Development of Russian Religious Philosophy". Revolutionary Russia. 23: 2, December 2010.
  • "The Russian Empire and Egypt, 1900–1915". Journal of World History. 19: 2, June 2008.
  • "Perfecting the Show Trial: The Case of Baron von Ungern-Sternberg". Revolutionary Russia. 19:1, June 2006.
  • "With Allies Like These, Who Needs Enemies?: Russia and the Problem of Italian Entry into World War I". Canadian Slavonic Papers. 45: 3–4, September–December 2003.
  • "Warlordism à la russe: Baron von Ungern-Sternberg's Anti-Bolshevik Crusade, 1917–1921". Revolutionary Russia. 16: 2, December 2003.
  • "The Role of Foreign Affairs in the Fall of Nikita Khrushchev in 1964". International History Review. 25: 2, June 2003.
  • "The Opiate of the Intellectuals?: Reflections on Communism at the Turn of the Millennium". Security Studies. 11: 3, Spring 2002.
  • "Guillaume de Beauplan's Description de l'Ukraine and its Place in Ukrainian Historiography". Ukrainian Quarterly. 57: 3–4, Fall-Winter 2001.
  • "The Skoropadsky Hetmanate and the Ukrainian National Idea". Ukrainian Quarterly. 56: 3, Fall 2000.

References

  1. "Paul du Quenoy".
  2. ^ "Charticle on Paul du Quenoy – Chart". chartcharityart.com. Retrieved 2024-12-19.
  3. Shea, Sydney (2021-11-27). "Palm Beach Freedom Institute aims to cancel cancel culture - Washington Examiner". Retrieved 2024-12-19.
  4. "Paul du Quenoy". Los Angeles Review of Books.
  5. "Spotlight on Research #23: The most famous composer you have never heard of". Hokkaido University. 2015-11-24. Retrieved 2024-12-19.
  6. Thurston, Gary (2012). "Paul du Quenoy . Stage Fright: Politics and the Performing Arts in Late Imperial Russia . University Park: Pennsylvania State University Press. 2009. Pp. Xiii, 290". The American Historical Review. 117: 296–297. doi:10.1086/ahr.117.1.296.
  7. Why-man, Rose (2011). "Review". The Modern Language Review. 106 (2): 617–619. doi:10.5699/modelangrevi.106.2.0617.
  8. Emerson, Caryl (2012-01-01). "Paul du Quenoy, Stage Fright: Politics and the Performing Arts in Late Imperial Russia". European History Quarterly. 42: 190–192. doi:10.1177/0265691411428783ar. S2CID 143769615. Retrieved 2013-04-22.
  9. Swift, Anthony (2012). "Stage Fright: Politics and the Performing Arts in Late Imperial Russia". Revolutionary Russia. 25: 96–98. doi:10.1080/09546545.2012.671456. S2CID 145609833.
  10. "Stage Fright: Politics and the Performing Arts in Late Imperial Russia, Paul du Quenoy". Psupress.org. Retrieved 2013-04-22.
  11. http://www.h-france.net/vol13reviews/vol13no17miner.pdf
  12. "Opera Magazine". Opera.co.uk. Retrieved 2013-04-22.
  13. "Book Reviews". The Russian Review. 76 (2): 352–397. 2017. doi:10.1111/russ.12135.
  14. Helmers, Rutger (2017). "Alexander Serov and the Birth of the Russian Modern. By Paul du Quenoy". Music and Letters. 98 (3): 485–487. doi:10.1093/ml/gcx070. S2CID 191765379.
  15. Through the Years with Prince Charming: The Collected Music Criticism of Paul du Quenoy. Academica Press. April 2021.
  16. "Cold War-Style Posturing Will Intensify". The New York Times.
  17. "Can the U.K. Trust in Truss? | Opinion". Newsweek. 9 September 2022.
  18. "In Florida, we're still seeing a flood of New York refugees". 7 January 2021.
  19. Quenoy, Paul du (2024-11-08). "Trump's Florida landslide is an even bigger nightmare for Democrats than they realise". The Telegraph. ISSN 0307-1235. Retrieved 2024-12-19.
  20. "BOOK REVIEW: 'The Room Where It Happened: A White House Memoir'". The Washington Times.
  21. "The Pleasures of Repose: A New Study of Fragonard". 14 March 2021.
  22. "'Otello' Unmoored". 26 October 2015.
  23. "The dead Kennedys: Joe blows it in Massachusetts". 2 September 2020.
  24. "Exhibition note".
  25. "Articles by Paul du Quenoy | the New Criterion, Musical America Journalist". Muck Rack.
  26. "Freddie deBoer Wants to Make College Even Dumber". 18 June 2021.
  27. "Papers, Please". 20 January 2021.
  28. Quenoy, Paul du (2024-08-01). "A Gilded Cage for an Old-World Aristocrat - Chronicles". chroniclesmagazine.org. Retrieved 2024-12-19.
  29. "Why You Don't See Napoleon's Wars Taught Like This Anymore". June 2020.
  30. "Who's Karen? | Paul du Quenoy". 3 June 2020.
  31. "Where's the Rage? Cherubini's Medea Strikes Out on the Metropolitan Opera's Opening Night". 29 December 2022.
  32. "New York Classical Review".
  33. Quenoy, Paul Du (2003). "The Role of Foreign Affairs in the Fall of Nikita Khrushchev in October 1964". The International History Review. 25 (2): 334–356. doi:10.1080/07075332.2003.9640999. S2CID 154311344.
  34. Quenoy, Paul du (2020). "Beau Monde on Empire's Edge: State and Stage in Soviet Ukraine. By Mayhill C. Fowler.Toronto: University of Toronto Press, 2017. Pp. Xvi+282". The Journal of Modern History. 92: 236–237. doi:10.1086/707303. S2CID 212952290.
  35. du Quenoy, Paul (2011-07-29). "A Frau Without a Production Concept?". ConcertoNet.com. Retrieved 2013-04-22.
  36. du Quenoy, Paul (2012-07-29). "Bayreuth Redeemed". ConcertoNet.com. Retrieved 2013-04-22.
  37. du Quenoy, Paul (2012-07-27). "Getting Over the Rats". ConcertoNet.com. Retrieved 2013-04-22.
  38. du Quenoy, Paul. "Met's venerable "Rosenkavalier" blooms anew".
  39. "Throwback: The Russian Ball". Washington Life Magazine. 7 May 2020.
  40. Kate Warren (2019-01-13). "The Scene: The 2019 Russian Ball". The Washington Post. Washington, D.C. ISSN 0190-8286. OCLC 1330888409.
  41. Loomis, George (2024-01-04). "Bright spot | The New Criterion". Retrieved 2024-12-19.
  42. Shibley, Robert (2021-10-13). "University of Michigan professor no longer teaching composition seminar after students complain about blackface in 1965 Othello film". www.thefire.org. Retrieved 2024-12-19.
  43. Loomis, George (2024-01-04). "Bright spot | The New Criterion". Retrieved 2024-12-19.
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