The Piano Sonata No. 3 in F minor, Op. 14, called "Concerto for piano without orchestra" by Tobias Haslinger, was composed by Robert Schumann in 1836 and dedicated to Ignaz Moscheles, to whom in a letter he comments "what crazy inspirations one can have". Liszt believed that the work was rich and powerful. In 1853 Schumann revised the work and added a Scherzo as a second movement, which the performer could choose to play, or not play. In 1861 it was released into the hands of Johannes Brahms.
The autograph manuscript of the sonata is preserved in the British Library.
Movements
- Allegro brillante (F minor)
- Scherzo. Molto commodo (D-flat major)
- Quasi variazioni. Andantino de Clara Wieck (F minor)
- Prestissimo possibile (F minor, ends in F major)
The work, in general, is a typical sonata with some surprises such as Clara Schumann's andantino. The final movement is reminiscent of his Kreisleriana, Op. 16. This movement ends with a coda in F major concluding the work in a brilliant and powerful way. Many pianists such as Vladimir Horowitz, Grigory Sokolov, András Schiff, and Maurizio Pollini have interpreted it.
References
- Sources
- Anderson, Keith (2002). Robert Schumann Piano Sonatas No.1 & 3 (CD). Naxos Records. 8.554275.
- Donat, Mischa (1996). Robert Schumann: Piano Sonatas (PDF) (CD). Hyperion Records. CDH55300.
- Haywood, Tony (2002). "Review: Robert Schuman Piano Sonatas No. 1 & 3 (Naxos 8.554275)". Musicweb International.
External links
- Piano Sonata No.3, Op.14: Schumann's autograph manuscript in the British Library
- Piano Sonata No. 3, Op. 14: Scores at the International Music Score Library Project
- Schumann: Piano Sonata No.3, Op. 14 on YouTube performed by Friedrich Wührer
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