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Gabriel Pierné
Background information
Birth name	Henri Constant Gabriel Pierné
Born	(1863-08-16)16 August 1863 Metz, France
Died	17 July 1937(1937-07-17) (aged 73) Ploujean, Finistère, France
Occupation(s)	Composer, conductor, instrumentalist
Instruments	Piano organ
Years active	1882–1934

Henri Constant Gabriel Pierné (16 August 1863 – 17 July 1937) was a French composer, conductor, pianist and organist.

Biography

Gabriel Pierné was born in Metz. His family moved to Paris, after Metz and part of Lorraine were annexed to Germany in 1871 following the Franco-Prussian War. He studied at the Paris Conservatoire, gaining first prizes for solfège, piano, organ, counterpoint and fugue. He won the French Prix de Rome in 1882, with his cantata Edith. His teachers included Antoine François Marmontel, Albert Lavignac, Émile Durand, César Franck (for the organ) and Jules Massenet (for composition).

He succeeded César Franck as organist at Sainte-Clotilde Basilica in Paris from 1890 to 1898. He himself was succeeded by another distinguished Franck pupil, Charles Tournemire. Associated for many years with Édouard Colonne's concert series, the Concerts Colonne, from 1903, Pierné became chief conductor of this series in 1910.

His most notable early performance was the world premiere of Igor Stravinsky's ballet The Firebird, at the Ballets Russes, Paris, on 25 June 1910. He remained in the post until 1933 (when Paul Paray took over his duties).

He made a few electrical recordings for Odeon Records, from 1928 to 1934, conducting the L'Orchestre Colonne, including a 1929 performance of his Ramuntcho and a 1931 performance of excerpts from his ballet Cydalise et le Chevre-pied.

He died in Ploujean, Finistère.

Music

Pierné wrote several operas, choral and symphonic pieces as well as a good deal of chamber music. His most famous composition is probably the oratorio La Croisade des enfants based on the book by Marcel Schwob. Also notable are such shorter works as his March of the Little Lead Soldiers, which once enjoyed substantial popularity (not only in France) as an encore; the comparably popular Marche des petits faunes is from his ballet Cydalise et le Chèvre-pied. His chamber work Introduction et variations sur une ronde populaire for saxophone quartet is a standard in the saxophone quartet repertoire.

His discovery and promotion of the work of Ernest Fanelli in 1912 led to a controversy over the origins of impressionist music.

Honours

Pierné became a member of the Academie des Beaux Arts in 1925. He was made a Commandeur de la Légion d'Honneur in 1935. His tomb at Père Lachaise Cemetery has a headstone designed by sculptor Henri Bouchard.

Square Gabriel Pierné in Paris is named after him.

Selected compositions

Orchestral works

• Serenade for Strings
• Trois pièces formant suite de concert, 1883
• Suite No. 1, 1883
• Envois de Rome (Suite – Ouverture – Les Elfes), c. 1885
• Ballet de cour, 1901
• Two suites from the incidental music for Ramuntcho, 1910
• Paysages franciscains, Op. 43, 1920
• Divertissement sur un thème pastoral, Op. 49, 1932
• Gulliver au pays de Lilliput, 1935
• Viennoise, suite, Op. 49bis, 1935

Concertante works

• Fantaisie-ballet, for piano and orchestra, 1885
• Piano concerto, Op. 12, 1886
• Scherzo-caprice, for piano and orchestra, 1890
• Concertstück, for harp and orchestra, 1903
• Poème symphonique, for piano and orchestra, 1903
• Fantaisie basque, for violin and orchestra, 1927

Works for band

• Marche des petits soldats de plomb (March of the Little Lead Soldiers), 1887
• Marche solennelle, 1899 (dedicated to Gustave Wettge)
• Petit Gavotte et Farandole
• Ramuntcho (also arranged for orchestra), (published 1908)

Operas

• La Coupe enchantée, 1895
• Vendée (Drame lyrique), 1897
• La Fille de Tabarin (opéra comique), 1901
• On ne badine pas avec l'amour (opéra comique), 1910
• Sophie Arnould (opéra comique), 1927
• Fragonard, 1934

Ballets

• Le Collier de Saphir, 1891
• Les Joyeuses commères de Paris, 1892
• Izéÿl, 1894
• Bouton-d'or, 1895
• Salome, 1895 (premiere starring Loie Fuller at the Comedie-Parisienne, Paris) March 4, 1895 closed 27 April.
• Cydalise et le Chèvre-pied, 1923
• Impressions de music-hall, 1927
• Giration, 1934
• Images, 1935

Music for theatre

• Yanthis, 1894
• La Princesse Lointaine, 1895
• La Samaritaine, 1897
• Francesca da Rimini, 1902
• Ramuntcho, 1908
• Les Cathédrales, 1915

Chamber works

• Sonata in D minor, Op. 36 (violin or flute and piano), 1900.
• Piano Quintet, Op. 41 (2 violins, viola, cello and piano), 1917
• Trio in C minor, Op. 45 (violin, cello and piano), 1920–21
• Sonata in F sharp minor, Op 46 (Sonate en une partie) (cello and piano), 1922
• Sonata da camera, Op.48 (flute, cello and piano), 1926

Piano works

• Étude de concert in C minor, Op. 13, 1887
• Album pour mes petits amis, Op. 14, (published 1887)

Solo works

• Serenade, Op. 7 (violin and piano), 1881
• Impromptu-Caprice, Op. 9 (harp), (published circa 1901)
• Piece in G minor (oboe), 1883
• Solo de concert (bassoon and piano), 1898
• Canzonetta, Op. 19 (clarinet and piano), 1888
• Trois pièces Op. 29 (organ), (published circa 1892)

Choral works

• L'An Mil, (published 1898)
  • no. 1. Miserere Mei
  • no. 2. Fete Des Fous Et de L'ane
  • no. 3. Te Deum
• Les Cathédrales, 1915
  • no. 1. Prélude des cathédrales
  • no. 3. Chanson Picarde
  • no. 7. Épisode des églises
  • no. 8. Épisode des Flandres

Songs

• 6 Ballades françaises de Paul Fort, (circa 1920)
  • No. 1, La Vie
  • No. 2, La Baleines
  • No. 3, Complainte des Arches de Noé
  • No. 4, Le petit rentier
  • No. 5, Les dernières pensées
  • No. 6, La Ronde autour du monde
• Deux mélodies
  • Découragement
  • À Saint Blaise
• Poèmes de Jean Lorrain
  • no. 1. Le Beau Pirate
  • no. 2. Les Petites Ophélies
  • no. 3. Les Petits Elfes
  • no. 4. Une belle est dans la forêt
  • no. 5. Ils étaient trois petits chats blancs
• Soirs de Jadis
  • no. 1. La princesse au bord du ruisseau
  • no. 2. Ils s'aimaient
  • no. 3. Ce qui frappa ses yeux d'abord
  • no. 4. Le soir tombe sur la rivière
• Trois adaptations musicales sur des vers
  • no. 1. La marjolaine
  • no. 2. Nuit divine
  • no. 3. Noël

Bibliography

• Henri Busser: Notice sur la vie et des oeuvres de M. Gabriel Pierné (Paris: Académie des Beaux Arts, 1938).
• Georges Masson: Gabriel Pierné, musicien lorrain (Nancy: Presses Universitaires de Nancy, 1987).

References

1. Richard Nelson Current & Marcia Ewing Current: Loie Fuller. Goddess of Light (Boston: Northeastern University Press, 1997).
2. Some musicians have argued that this work was the model for Proust's Vinteuil Sonata : Thorpe, Vanessa (September 30, 2017). "Virtuoso sisters claim to have solved Proust's musical puzzle". The Guardian. Retrieved September 7, 2021.

External links

• Naxos.com: Gabriel Pierné
• "Of Church and circus": biography a commercial link is here –
• Free scores by Gabriel Pierné at the International Music Score Library Project (IMSLP)
• Free scores by Gabriel Pierné on loumy.org

• 1863 births
• 1937 deaths
• 19th-century French classical composers
• 19th-century French conductors (music)
• 20th-century French classical composers
• 20th-century French conductors (music)
• 20th-century French male musicians
• Burials at Père Lachaise Cemetery
• Knights of the Legion of Honour
• Composers for piano
• Composers for pipe organ
• Concert band composers
• French ballet composers
• French classical organists
• French male conductors (music)
• French opera composers
• French Romantic composers
• Impressionist composers
• French male opera composers
• Musicians from Metz
• Prix de Rome for composition
• French male classical organists