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Pintadera

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Clay stamp formerly used in the Sardinia Islands
Globe icon.The examples and perspective in this article deal primarily with Spain and do not represent a worldwide view of the subject. The specific issue is: Pintaderas were not used exclusively in the Canary Islands and evidence points to usage in Neolithic and Bronze Age cultures of Europe and Asia. You may improve this article, discuss the issue on the talk page, or create a new article, as appropriate. (January 2024) (Learn how and when to remove this message)

Pintaderas are a form of stamp used by the pre-Hispanic natives of the Canary Islands. They were commonly made of fired clay. However, a number of wooden pintaderas have also been found. Most pintaderas come from archaeological sites in Gran Canaria, although natives from other islands in the Canarian archipelago used them too. Pintaderas were usually decorated with ornate geometric shapes, including zigzags, triangles, rectangles, squares and circles. These decorative motifs are similar to those found on pre-Hispanic Canarian pottery. Similar geometric patterns can also be seen in pre-Hispanic Canarian rock art (e.g., Painted cave of Galdar)

The size of the pintaderas varies significantly, ranging between 2 and 12 cm. They usually have a small handle, which is sometimes pierced, that allows the owner to hang the stamp from a string.

The function of the pintaderas is unclear. Perhaps they were used by the natives to apply natural dyes to their body as a form of decoration. Alternatively, they may have been used to mark sealed grain silos with the owner's personal emblem.

Collections of pintaderas are housed at the Museo de la Naturaleza y el Hombre (Tenerife), El Museo Canario (Gran Canaria) and Painted cave, Gáldar (Gran Canaria).

Pintadera stamps were also used in the first agricultural settlements in Europe and the Anatolian homeland these farmers came from.

References

  1. ^ Herrera Piqué, Alfredo. "Las "Pintaderas" Canarias". Universidad de Las Palmas de Gran Canaria. Archived from the original on 2013-09-17. Retrieved 17 September 2013.
  2. ^ Jiménez, Mª de la Cruz. "Pintaderas de El Museo Canario" (PDF). El Museo Canario. Retrieved 17 September 2013.
  3. Martín de Guzmán, Celso (1988). "La serie de sellos de madera procedentes de Gáldar, Gran Canaria". Trabajos de Prehistoria. 45: 289–304. doi:10.3989/tp.1988.v45.i0.617.
  4. Wölfel, Dominik (1942). "Ensayo provisional sobre los sellos e inscripciones canarios". Revista de Historia. 58: 106–107.
  5. Jiménez, Mª de la Cruz (1980). El ornamento personal entre los aborígenes canarios. Las Palmas de Gran Canaria: El Museo Canario.
  6. David W. Anthony: The Horse, the Wheel and Language p 146

Further reading

  • Franchy y Roca, José. “Las pintaderas de Gran Canaria”. El Museo Canario, t. X, no. 111 (Las Palmas de Gran Canaria, 1901), pp. 61–62.
  • Hernández Benítez, Pedro. “Vindicación de nuestras pintaderas”. El Museo Canario, año V, no. 10 (Las Palmas de Gran Canaria, 1944), pp. 15–28.
  • Jiménez Gómez, M.a de la Cruz; Arco Aguilar, M.a del Carmen del. “Estudio de los ídolos y pintaderas de la Aldea de San Nicolás, Gran Canaria”. Tabona, no. 5 (La Laguna, 1984), pp. 47–92.
  • Martín de Guzmán, Celso. “La serie de sellos de madera procedentes de Gáldar, Gran Canaria”. Trabajos de Prehistoria, 45 (Madrid, 1988) pp. 289–304.
  • Peinado Rodríguez, Francisco. Pintadera de bailadero.
  • Pérez de Barradas, José. “Catálogo de la colección de cerámica y objetos arqueológicos (Salas Grau y Navarro) de El Museo Canario”. El Museo Canario, anexo no. 1 (Las Palmas de Gran Canaria, 1944), pp. 1–72.
  • Ripoche y Torrens, Diego. “Las pintaderas de Europa, Canarias y América: comunicación al Congreso de Americanistas celebrado en París”. El Museo Canario, t. XI, no. 138 (Las Palmas de Gran Canaria, 1901), pp. 105–109.
  • Rosa Olivera, Leopoldo de la. “Las señales de los antiguos canarios”. Revista de Historia, no. 76 (La Laguna, 1946), pp. 391–398.
  • Verneau, René. Las pintaderas de Gran Canaria. Madrid: Imprenta de Fortanet, 1883.
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