Que Sera, Sera (Whatever Will Be, Will Be)

"Que Será, Será (Whatever Will Be, Will Be)" is a song written by Jay Livingston and Ray Evans and first published in 1955. Doris Day introduced it in the Alfred Hitchcock film The Man Who Knew Too Much (1956), singing it as a cue to their onscreen kidnapped son. The three verses of the song progress through the life of the narrator—from childhood, through young adulthood and falling in love, to parenthood—and each asks "What will I be?" or "What lies ahead?" The chorus repeats the answer: "What will be, will be."

Day's recording of the song for Columbia Records made it to number two on the Billboard Top 100 chart and number one in the UK Singles Chart. It came to be known as Day's signature song. The song in The Man Who Knew Too Much received the 1956 Academy Award for Best Original Song. It was the third Oscar in this category for Livingston and Evans, who previously won in 1948 and 1950. In 2004 it finished at number 48 in AFI's 100 Years...100 Songs survey of top tunes in American cinema. In 2012, the 1956 recording by Doris Day on Columbia Records was inducted into the Grammy Hall of Fame.

It was a number-one hit in Australia for pop singer Normie Rowe in September 1965.

The song popularized the title expression "que sera, sera" to express "cheerful fatalism", though its use in English dates back to at least the 16th century. The phrase is evidently a word-for-word mistranslation of the English "What will be will be", as in Spanish, it would be "lo que será, será".

Title phrase

The phrase "qué será, será" in its Spanish spelling and in the Italian spelling "che sarà sarà" are first documented in the 16th century as an English heraldic motto. The Spanish form appears on a brass plaque in the Church of St. Nicholas, Thames Ditton, Surrey, dated 1559. The Italian form was first adopted as a family motto by either John Russell, 1st Earl of Bedford, or his son, Francis Russell, 2nd Earl of Bedford. It may have been adopted by the elder Russell after his experience at the Battle of Pavia (1525), and to be engraved on his tomb (1555 N.S.). The 2nd Earl's adoption of the motto is commemorated in a manuscript dated 1582. Their successors—the Earls and, later, Dukes of Bedford, sixth creation, as well as other aristocratic families—continued to use the motto. Soon afterwards, it appeared in Christopher Marlowe's play Doctor Faustus (1590), using the archaic Italian spelling "Che sera, sera". Early in the 17th century the saying begins to appear in the speech and thoughts of fictional characters as a spontaneous expression of a fatalistic attitude. The English "what will be, will be" is used in Hard Times by Charles Dickens (1854).

The saying is always in an English-speaking context, and was evidently a word-for-word mistranslation of English "What will be will be", using the free relative pronoun what. In Spanish, Italian, French, or Portuguese, "what" must be translated as "that which" (lo que, quel che, ce qui, o que). The composer Jay Livingston had seen the 1954 Hollywood film The Barefoot Contessa, in which a fictional Italian family has the motto "Che sarà sarà" carved in stone at their ancestral mansion. He immediately wrote it down as a possible song title, and he and the lyricist Ray Evans later gave it a Spanish spelling "because there are so many Spanish-speaking people in the world".

In modern times, thanks to the popularity of the song and its many translations, the phrase has been adopted in countries around the world to name a variety of entities, including books, movies, restaurants, vacation rentals, airplanes, and race horses.

In film and television

The song originally appeared in the Alfred Hitchcock film The Man Who Knew Too Much, where it serves an important role in the film's plot. In the film, Day plays a retired popular singer, Jo Conway McKenna, who, along with her husband (played by Jimmy Stewart) and son, becomes embroiled in a plot to assassinate a foreign prime minister. After foiling the assassination attempt, Jo and her husband are invited by the prime minister to the embassy, where they believe their young son is being held by the conspirators. Jo sits at a piano and plays "Que Sera, Sera", singing loudly in the hope of reaching her son. Upon hearing his mother play the familiar song, her son whistles along, allowing her husband to find and rescue him just before he was to be murdered by the conspirators to the assassination attempt.

"Que Sera Sera" came to be considered Doris Day's signature song, and she went on to sing it in later films and TV appearances. In 1960's Please Don't Eat the Daisies, she sings a snippet of the song to her co-star, David Niven, who plays her husband. In the 1966 film The Glass Bottom Boat she sings a snippet accompanied by Arthur Godfrey on ukulele. From 1968 to 1973, she sang a rerecorded version as the theme song for her sitcom The Doris Day Show. The 1999 Studio Ghibli film My Neighbors the Yamadas features a Japanese cover of the song toward the end of the film. Director Isao Takahata wrote the translation for the lyrics, with an arrangement by Neko Saitou.

Versions of the song have appeared on a number of film and television soundtracks, often juxtaposed with dark or disastrous events to create an effect of black comedy. For example, in The Simpsons episode "Bart's Comet", the song is sung by the citizens of Springfield in anticipation of an impending comet strike that will wipe out the town and kill them all. In an episode of The Muppet Show starring Vincent Price, Shakey Sanchez, a pink/purple red and purple haired Muppet sings the song after Behemoth eats him and sings "I've Got You Under My Skin". Previously, the song was featured over the opening and the ending credits of Heathers, a dark teen comedy dealing with murder and suicide. The version over the opening credits is performed by Syd Straw and the version over the ending credits is performed by Sly and the Family Stone. In Gilmore Girls, the song appeared in a Season 2 episode as a musical cue to juxtapose Lorelai falling through their termite-ridden porch. In 2009, the song appeared in a climactic scene in Mary and Max as Mary is about to commit suicide.

In 1956, the song was covered by The Lennon Sisters on The Lawrence Welk Show. Although it was just another number in the show at the time, during recent years, the song has since gained millions of views on YouTube and is now regarded as a very notable version of the song.

On December 21, 1996, it was covered by the Bina Vokalia Children's Choir under the direction of Pranadjaja on Dendang Buah Hati concert. This song was mentioned in the 2008 Filipino movie My Only Ü.

The phrase, included in the song "Kay Sera Sera", features in the 2000 Bollywood film, Pukar.

The song plays during the intro of the TV series From (2022–present). The song was used in several trailers and TV spots for Evil Dead Rise. The phrase appears in an episode of the Netflix show The Umbrella Academy, used by the character The Handler while talking to Five Hargreeves.

As football chant

"Que Sera, Sera" has been adapted as a popular celebratory football chant, especially in England, typically with the lyrics:

Que sera sera,
Whatever will be will be,
We're going to Wembley,
Que sera sera

This would be sung by fans following a victory that progresses their favoured team to the next round of a competition that will ultimately lead them to Wembley Stadium (typically the FA Cup, the finals of which have been held in Wembley since 1923). Manchester United fans sang it before and during the 1976 FA Cup Final. Although the song became more commonly used to associate a good cup run, Everton fans used it in 1963 to hail their soon to be crowned League Champions, using the phrase win the League instead of Wembley.

"Wembley" may be sung with either melisma on the first syllable, or a schwa epenthesis (often respelled "Wemberley"). Other venues than Wembley may be substituted as appropriate, as when Republic of Ireland fans sang "We're going to Italy" when qualifying for the 1990 World Cup, or when fans of Millwall, about to exit the 2016–17 FA Cup, self-deprecatingly sang "We're going to Shrewsbury", their unglamorous next League One fixture.

1964 version

"Whatever Will Be, Will Be (Que Sera, Sera)"
Song by Doris Day
from the album With a Smile and a Song
Released	October 19, 1964
Recorded	July 1964
Genre	Children's music
Label	Columbia
Producer(s)	Allen Stanton

In 1964, Day re-recorded the song for her 1964 children's album With a Smile and a Song. This version featured Jimmy Joyce and the Children's Chorus, recorded in July 1964, and issued by Columbia Records three months later as the eighth track on the album. This version was produced by Allen Stanton and was arranged and conducted by Allyn Ferguson.

Normie Rowe version

"Que Sera, Sera (Whatever Will Be, Will Be)"

Single by Normie Rowe and the Playboys

B-side

"Shakin' All Over"

Released

September 1965

Normie Rowe and the Playboys singles chronology

"I Confess"
(1965)

"Que Sera, Sera (Whatever Will Be, Will Be)"
(1965)

"Tell Him I'm Not Home"
(1965)

Australian pop singer Normie Rowe's 1965 recording of "Que Sera, Sera", which was produced by Pat Aulton on the Sunshine Record label (Sunshine QK 1103), was the biggest hit of his career, "the biggest Australian rock 'n roll hit of 1965", and is reputed to be the biggest-selling Australian single of the 1960s. The song was "done in the style of "Louie, Louie" and the manner of "Hang On Sloopy", and given a "Merseybeat" treatment (in the manner of The Beatles' "Twist & Shout"), and was backed by Rowe's band The Playboys. It was paired with a version of the Johnny Kidd & The Pirates' classic "Shakin' All Over", and the single became a double-sided No. 1 hit in most capitals (#1 Sydney, #1 Melbourne, #1 Brisbane, #1 Adelaide, and Perth). in September 1965, charting for 28 weeks and selling in unprecedented numbers, with Rock historian Ian McFarlane reporting sales of 80,000 copies, while 1970s encyclopedist Noel McGrath claimed sales of 100,000. Rowe scored another first in October 1965 when "Que Sera Sera" became his third hit single in the Melbourne Top 40 simultaneously. In 1965 Rowe received a gold record for "Que Sera, Sera" at Sydney's Chevron Hotel. In December 1965 the master of Rowe's version was purchased by Jay-Gee Records for release in the United States. In April 1966 Rowe received a second gold record for the sales of "Que Sera, Sera". In August 1966 Rowe won Radio 5KA's annual best male vocal award for "Que Sera, Sera". In 2006 Rowe released a newly recorded version, which was released by ABC via iTunes, and later adding "the whole digital mix with a radio mix and a dance mix".

Other notable versions

In the decades since the song's original release, "Que Sera, Sera" has been covered by dozens of artists. A 1969 cover sung by Mary Hopkin and produced by Paul McCartney reached number 77 on the Billboard Hot 100, and number 7 on the Adult Contemporary chart.

A live version by Shakin' Stevens was featured on The Shakin' Stevens EP which reached No. 2 in the UK Charts during the 1982 Christmas holidays. The studio version of the song is featured on his album Give Me Your Heart Tonight from the same year.

In 1989, a comedy version recorded by "Terence" (John Creedon) in aid of the RTÉ People in Need Telethon reached number 2 in the Irish Singles Chart.

As a result of the song's immediate popularity following the release of The Man Who Knew Too Much, versions were soon written in other languages. An early example was a Dutch version by Jo Leemans which reached the Belgian charts in December 1956. Versions of the song have also been recorded in Danish, French, Mandarin, Spanish, Japanese, and Swedish, among other languages. These in turn have led some non-English speakers to adopt the saying "que sera, sera".

In 1964, a young (~29) Nana Mouskouri performed a German version (Was sein soll, wird sein, though the "Spanish" phrase is also included), as part of a longer TV show nominally about the Oscars.

In 1965, Swedish rock band Lenne and the Lee Kings recorded the song. Upon release as a single during the summer of that year, record label Gazell coupled it with the Titus Turner song "Sticks and Stones" on the B-side. Although it failed to chart in native Sweden, it reached number 38 in Finland in August 1965. Both sides of the single were included on their 1966 album Stop The Music.

In India, the song was first adapted in the Tamil-language film Aaravalli (1957). Later in 1965, the original version was sung by Bhanumathi in the Telugu-language film Thodu Needa, with minor changes in the lyrics. In 2000, a version of the song was included in the Hindi-language movie Pukar.

A Japanese version is featured in the Ghibli Studio animation film My Neighbors the Yamadas, released in 1999.

In 2021, the Pixies recorded a new version of the song for the television horror series From. The song was played in a minor key, giving it a very different mood from other renditions.

References

Notes

"Que Sera, Sera (Whatever Will Be, Will Be)" is the title on the song's official sheet music, but it has been rendered in various ways in other sources. The order of the main title and parenthetical may be swapped, as when the song was nominated for the Academy Award as "Whatever Will Be, Will Be (Que Sera, Sera)". It may also be referred to as simply "Que Sera, Sera", or "Whatever Will Be, Will Be". The title sequence of The Man Who Knew Too Much gives the title as "Whatever Will Be". Rarely, the title is rendered with diacritics as "Que Será, Será".

Footnotes

"Front cover of Livingston & Evans sheet music". Archived from the original on November 16, 2018.
"The 29th Academy Awards | 1957". Oscars.org | Academy of Motion Picture Arts and Sciences. 26 March 2015.
^ Hartman 2013.
^ Roberts (2006:135)
Leigh (2001)
Whitburn (1987)
"Grammy Hall Of Fame - Hall of Fame Artists". Grammy Awards. Retrieved December 5, 2023.
^ Hartman (2013:56-59)
The Italian and Spanish spellings are preceded in history by a French spelling, "quy serra serra", which appears as a marginal gloss to—and contemporary with—a poem written shortly after the 1471 Battle of Barnet. Rare instances of the French-like spelling "qui sera sera" continue to appear up to the present (Hartman 2013: 67-68).
Hartman (2013:69)
Foster (1884:69)
Einstein (1902:98)
Hartman (2013:70–71)
Marlowe, Christopher (1604). The Tragical History of Doctor Faustus. Act 1, Scene 1. Retrieved 10 Nov 2024.
Dickens, Charles (1854). Hard Times (published 1905).
Hartman (2013:51-52)
"Anecdotes" (n.d.)
Pomerance (2001)
Pomerance says "Written one night after they saw The Barefoot Contessa, in which Rossano Brazzi says near the end, 'Che sera sera' . Livingston jotted down the words in the dark and they 'knocked off the song' afterwards. Two weeks later the call from Hitchcock came through. "
Hartman (2013:79–80)
"Doris Day - Que Sera Sera "The Man Who Knew Too Much" | Hitchcock Presents". May 13, 2019. Archived from the original on 2021-11-17 – via YouTube.
Curly B (8 February 2014). "Que Sera Sera". YouTube. Archived from the original on 2021-11-17. Retrieved 27 October 2017.
"Que Será, Será (Whatever Will Be, Will Be) by Doris Day". SongFacts.com. Retrieved 12 October 2023.
"Que Será, Será lyrics". Octoberfest Songs. Retrieved 27 December 2017.
"Credits // My Neighbors the Yamadas // Nausicaa.net". Nausicaa.net. Retrieved 28 April 2021.
"Paket Spesial Menyambut Hari Ibu". Suara Pembaruan. December 15, 1996. Archived from the original on January 31, 1997.
Kelly, Jon (July 2, 2012). "How did football fans come to adopt Seven Nation Army?". BBC News.
Culpepper, Chuck (April 17, 2010). "After Portsmouth's Collapse, Fans Enjoy Final Surprise". The New York Times – via NYTimes.com.
The Listener vol.95 p.566
Myers, Kevin (5 June 1989). "Rome's the ticket as Irish win again". The Irish Times. p. 1. Retrieved 1 March 2021.
Hepworth, David (15 April 2017). "This week's best radio: Mark Radcliffe salutes football fan singalongs". The Guardian. Retrieved 1 March 2021.
^ Eder, Bruce, Normie Rowe, VH1, archived from the original on October 22, 2012.
^ O'Donnell, Creswell & Mathieson (2010:228)
Feature Item, AU: Pop archives.
Normie Rowe & the playboys: Que Sera Sera, AU: Pop archives, archived from the original on 2006-08-22, retrieved 2006-11-08.
McFarlane (1999)
McGrath (1978)
Griffen-Foley (2010:266)
"Jay-Gee Acquires" (1965)
Hilder (1966:266)
"Thorpe Gets Aussie Award" (1966)
Cashmere, Paul (16 November 2006), Normie Rowe Records New Don Walker Song, Undercover, retrieved 8 August 2012.
"Que Sera, Sera : Mary Hopkin", Billboard, pp. 62, 71, 27 June 1970.
"Search for "PEOPLE IN NEED CHARITY"". Irish Charts. Irish Recorded Music Association. Retrieved 9 March 2021.; Cunningham, Michael (14 October 1989). "Talking to Terence". The Irish Times. p. 31. Retrieved 1 March 2021.; "2422/066: Maxi, Terence and Gerry Ryan". RTÉ Archives. 5 July 2012. Retrieved 1 March 2021.
"Jo Leemans - Het Belgisch Pop & Rock Archief". Houbi.com. Retrieved 27 October 2017.
"Nana Mouskouri - Que Sera Sera". YouTube. 2 September 2016.
"Nana Mouskouri - Oscar Melodien 1964". YouTube. 10 March 2021.
"The Lee Kings - Que Sera, Sera". www.svenskpophistoria.se. Retrieved 2022-07-13.
"Que Sera, Sera" (in Swedish). Svensk mediedatabas. Retrieved 17 July 2011.
Nyman, Jake (2005). Suomi soi 4: Suuri suomalainen listakirja (in Finnish) (1st ed.). Helsinki: Tammi. p. 156. ISBN 951-31-2503-3.
"The Lee Kings - Stop The Music (LP)". www.svenskpophistoria.se. Retrieved 2022-07-13.
"Stop The Music (LP)" (in Swedish). Svensk mediedatabas. Retrieved 17 July 2011.
V, Sriram (2019-05-15). "Doris Day sang 'Que Sera Sera' – and so did Telugu star Bhanumathi". Scroll.in. Retrieved 2020-10-11.

Bibliography

"Anecdotes: Ray Evans (1915–2007)", Art Daily (Online), n.d., archived from the original on 2007-07-13{{citation}}: CS1 maint: year (link)
Einstein, Lewis (1902), The Italian Renaissance in England, New York: Burt Franklin
Foster, J. J. (1884), "The Founder of the Russell Family", The Antiquary, 10: 69–71
Griffen-Foley, Bridget (2010), Changing Stations: The Story of Australian Commercial Radio, Sydney: UNSW Press
Gunston, Bill, ed. (2001), Aviation Year by Year, London: Dorling Kindersley
Hartman, Lee (2013), "Que Sera Sera: The English Roots of a Pseudo-Spanish Proverb", Proverbium, 30: 51–104
Hilder, George (9 April 1966), "Sydney", Billboard, p. 52
"Hot 100", Billboard, p. 20, 14 September 1963
"Jay-Gee Acquires", Billboard, p. 4, 11 December 1965
Leigh, Spencer (19 October 2001), "Obituary: Jay Livingston", The Independent
McFarlane, Ian (1999), Encyclopedia of Australian Rock & Pop, Sydney: Allen & Unwin
McGrath, Noel (1978), Australian Encyclopedia of Rock, Coolah, NSW: Outback Press
O'Donnell, John; Creswell, Toby; Mathieson, Craig (2010), The 100 Best Australian Albums, Richmond, Victoria (Australia): Hardie Grant
Pomerance, Murray (2001), "The Future's Not Ours To See: Song, Singer, Labyrinth in Hitchcock's The Man Who Knew Too Much", in Wojcik, Pamela Robertson; Knight, Arthur (eds.), Soundtrack Available: Essays on Film and Popular Music, Durham, N.C.: Duke University Press, pp. 53–73
Roberts, David (2006), British Hit Singles & Albums (19th ed.), London: Guinness World Records, ISBN 1-904994-10-5
"Thorpe Gets Aussie Award", Billboard, p. 66, 13 August 1966
Whitburn, Joel (1987), The Billboard Book of Top 40 Hits (3rd ed.), New York: Billboard Publications, ISBN 0-8230-7520-6

External links

Day, Doris (1956), "Que Sera, Sera", The Man Who Knew Too Much, YouTube.
Rowe, Normie (1965), "Que Sera, Sera", Live TV performance of his covered version, YouTube.

v t e Doris Day
Solo albums	You're My Thrill (1949) Young Man with a Horn (1950) Tea for Two (1950) Lullaby of Broadway (1951) On Moonlight Bay (1951) I'll See You in My Dreams (1951) By the Light of the Silvery Moon (1953) Calamity Jane (1953) Young at Heart (1954) Love Me or Leave Me (1955) Day Dreams (1955) Day by Day (1956) The Pajama Game (1957) Day by Night (1957) Hooray for Hollywood (1958) Cuttin' Capers (1959) What Every Girl Should Know (1960) Show Time (1960) Bright and Shiny (1961) I Have Dreamed (1961) Duet (1962) You'll Never Walk Alone (1962) Billy Rose's Jumbo (1962) Annie Get Your Gun (1963) Love Him (1963) The Doris Day Christmas Album (1964) With a Smile and a Song (1964) Latin for Lovers (1965) Doris Day's Sentimental Journey (1965) The Love Album (1994) My Heart (2011)
Singles	"Again" "Ain't We Got Fun" "Any Way the Wind Blows" "By the Light of the Silvery Moon" "Candy Lips" "Choo Choo Train (Ch-Ch-Foo)" "Confess" "The Deadwood Stage (Whip-Crack-Away!)" "Everybody Loves a Lover" "A Guy Is a Guy" "If I Give My Heart to You" "If You Were the Only Girl (In the World)" "I Speak to the Stars" "It's Magic" "Let's Walk That-a-Way" "Love Somebody" "Lullaby of Broadway" "Mister Tap Toe" "Move Over Darling" "My Darling, My Darling" "My Dreams Are Getting Better All the Time" "My Love and Devotion" "Que Sera, Sera (Whatever Will Be, Will Be)" "Secret Love" "Sentimental Journey" "Sorry" "Sugar Bush" "Thoughtless" "(Why Did I Tell You I Was Going To) Shanghai" "You Should Have Told Me"
Related	Discography Filmography Songs Awards and nominations Doris Day Animal League World Spay Day The Doris Day Show (radio program) The Doris Day Show episodes George Weidler (second husband) Martin Melcher (third husband) Terry Melcher (son) Normal as Blueberry Pie – A Tribute to Doris Day (2009 album)

v t e Academy Award for Best Original Song
1934–1940	"The Continental" Music: Con Conrad Lyrics: Herb Magidson (1934) "Lullaby of Broadway" Music: Harry Warren Lyrics: Al Dubin (1935) "The Way You Look Tonight" Music: Jerome Kern Lyrics: Dorothy Fields (1936) "Sweet Leilani" Music and lyrics: Harry Owens (1937) "Thanks for the Memory" Music: Ralph Rainger Lyrics: Leo Robin (1938) "Over the Rainbow" Music: Harold Arlen Lyrics: E. Y. Harburg (1939) "When You Wish Upon a Star" Music: Leigh Harline Lyrics: Ned Washington (1940)
1941–1950	"The Last Time I Saw Paris" Music: Jerome Kern Lyrics: Oscar Hammerstein II (1941) "White Christmas" Music and lyrics: Irving Berlin (1942) "You'll Never Know" Music: Harry Warren Lyrics: Mack Gordon (1943) "Swinging on a Star" Music: Jimmy Van Heusen Lyrics: Johnny Burke (1944) "It Might as Well Be Spring" Music: Richard Rodgers Lyrics: Oscar Hammerstein II (1945) "On the Atchison, Topeka and the Santa Fe" Music: Harry Warren Lyrics: Johnny Mercer (1946) "Zip-a-Dee-Doo-Dah" Music: Allie Wrubel Lyrics: Ray Gilbert (1947) "Buttons and Bows" Music: Jay Livingston Lyrics: Ray Evans (1948) "Baby, It's Cold Outside" Music and lyrics: Frank Loesser (1949) "Mona Lisa" Music and lyrics: Ray Evans and Jay Livingston (1950)
1951–1960	"In the Cool, Cool, Cool of the Evening" Music: Hoagy Carmichael Lyrics: Johnny Mercer (1951) "High Noon (Do Not Forsake Me, Oh My Darlin')" Music: Dimitri Tiomkin Lyrics: Ned Washington (1952) "Secret Love" Music: Sammy Fain Lyrics: Paul Francis Webster (1953) "Three Coins in the Fountain" Music: Jule Styne Lyrics: Sammy Cahn (1954) "Love Is a Many Splendored Thing" Music: Sammy Fain Lyrics: Paul Francis Webster (1955) "Que Sera, Sera (Whatever Will Be, Will Be)" Music and lyrics: Jay Livingston and Ray Evans (1956) "All the Way" Music: Jimmy Van Heusen Lyrics: Sammy Cahn (1957) "Gigi" Music: Frederick Loewe Lyrics: Alan Jay Lerner (1958) "High Hopes" Music: Jimmy Van Heusen Lyrics: Sammy Cahn (1959) "Never on Sunday" Music and lyrics: Manos Hatzidakis (1960)
1961–1970	"Moon River" Music: Henry Mancini Lyrics: Johnny Mercer (1961) "Days of Wine and Roses" Music: Henry Mancini Lyrics: Johnny Mercer (1962) "Call Me Irresponsible" Music: Jimmy Van Heusen Lyrics: Sammy Cahn (1963) "Chim Chim Cher-ee" Music and lyrics: Richard M. Sherman and Robert B. Sherman (1964) "The Shadow of Your Smile" Music: Johnny Mandel Lyrics: Paul Francis Webster (1965) "Born Free" Music: John Barry Lyrics: Don Black (1966) "Talk to the Animals" Music and lyrics: Leslie Bricusse (1967) "The Windmills of Your Mind" Music: Michel Legrand Lyrics: Alan and Marilyn Bergman (1968) "Raindrops Keep Fallin' on My Head" Music: Burt Bacharach Lyrics: Hal David (1969) "For All We Know" Music: Fred Karlin Lyrics: Robb Royer and Jimmy Griffin (1970)
1971–1980	"Theme from Shaft" Music and lyrics: Isaac Hayes (1971) "The Morning After" Music and lyrics: Al Kasha and Joel Hirschhorn (1972) "The Way We Were" Music: Marvin Hamlisch Lyrics: Alan and Marilyn Bergman (1973) "We May Never Love Like This Again" Music and lyrics: Al Kasha and Joel Hirschhorn (1974) "I'm Easy" Music and lyrics: Keith Carradine (1975) "Evergreen (Love Theme from A Star Is Born)" Music: Barbra Streisand Lyrics: Paul Williams (1976) "You Light Up My Life" Music and lyrics: Joseph Brooks (1977) "Last Dance" Music and lyrics: Paul Jabara (1978) "It Goes Like It Goes" Music: David Shire Lyrics: Norman Gimbel (1979) "Fame" Music: Michael Gore Lyrics: Dean Pitchford (1980)
1981–1990	"Arthur's Theme (Best That You Can Do)" Music and lyrics: Burt Bacharach, Carole Bayer Sager, Christopher Cross and Peter Allen (1981) "Up Where We Belong" Music: Jack Nitzsche and Buffy Sainte-Marie Lyrics: Will Jennings (1982) "Flashdance... What a Feeling" Music: Giorgio Moroder Lyrics: Keith Forsey and Irene Cara (1983) "I Just Called to Say I Love You" Music and lyrics: Stevie Wonder (1984) "Say You, Say Me" Music and lyrics: Lionel Richie (1985) "Take My Breath Away" Music: Giorgio Moroder Lyrics: Tom Whitlock (1986) "(I've Had) The Time of My Life" Music: Franke Previte, John DeNicola and Donald Markowitz Lyrics: Franke Previte (1987) "Let the River Run" Music and lyrics: Carly Simon (1988) "Under the Sea" Music: Alan Menken Lyrics: Howard Ashman (1989) "Sooner or Later (I Always Get My Man)" Music and lyrics: Stephen Sondheim (1990)
1991–2000	"Beauty and the Beast" Music: Alan Menken Lyrics: Howard Ashman (1991) "A Whole New World" Music: Alan Menken Lyrics: Tim Rice (1992) "Streets of Philadelphia" Music and lyrics: Bruce Springsteen (1993) "Can You Feel the Love Tonight" Music: Elton John Lyrics: Tim Rice (1994) "Colors of the Wind" Music: Alan Menken Lyrics: Stephen Schwartz (1995) "You Must Love Me" Music: Andrew Lloyd Webber Lyrics: Tim Rice (1996) "My Heart Will Go On" Music: James Horner Lyrics: Will Jennings (1997) "When You Believe" Music and lyrics: Stephen Schwartz (1998) "You'll Be in My Heart" Music and lyrics: Phil Collins (1999) "Things Have Changed" Music and lyrics: Bob Dylan (2000)
2001–2010	"If I Didn't Have You" Music and lyrics: Randy Newman (2001) "Lose Yourself" Music: Eminem, Jeff Bass and Luis Resto Lyrics: Eminem (2002) "Into the West" Music and lyrics: Fran Walsh, Howard Shore and Annie Lennox (2003) "Al otro lado del río" Music and lyrics: Jorge Drexler (2004) "It's Hard out Here for a Pimp" Music and lyrics: Juicy J, Frayser Boy and DJ Paul (2005) "I Need to Wake Up" Music and lyrics: Melissa Etheridge (2006) "Falling Slowly" Music and lyrics: Glen Hansard and Markéta Irglová (2007) "Jai Ho" Music: A. R. Rahman Lyrics: Gulzar (2008) "The Weary Kind" Music and lyrics: Ryan Bingham and T Bone Burnett (2009) "We Belong Together" Music and lyrics: Randy Newman (2010)
2011–2020	"Man or Muppet" Music and lyrics: Bret McKenzie (2011) "Skyfall" Music and lyrics: Adele Adkins and Paul Epworth (2012) "Let It Go" Music and lyrics: Kristen Anderson-Lopez and Robert Lopez (2013) "Glory" Music and lyrics: John Stephens and Lonnie Lynn (2014) "Writing's on the Wall" Music and lyrics: James Napier and Sam Smith (2015) "City of Stars" Music: Justin Hurwitz Lyrics: Benj Pasek and Justin Paul (2016) "Remember Me" Music and lyrics: Kristen Anderson-Lopez and Robert Lopez (2017) "Shallow" Music and lyrics: Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt (2018) "(I'm Gonna) Love Me Again" Music: Elton John Lyrics: Bernie Taupin (2019) "Fight for You" Music: D'Mile and H.E.R. Lyrics: H.E.R. and Tiara Thomas (2020)
2021–present	"No Time to Die" Music and lyrics: Billie Eilish and Finneas O'Connell (2021) "Naatu Naatu" Music: M. M. Keeravani Lyrics: Chandrabose (2022) "What Was I Made For?" Music and lyrics: Billie Eilish and Finneas O'Connell (2023)

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