Misplaced Pages

This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages) This article's tone or style may not reflect the encyclopedic tone used on Misplaced Pages. See Misplaced Pages's guide to writing better articles for suggestions. (May 2020) (Learn how and when to remove this message) This article possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. (November 2020) (Learn how and when to remove this message) (Learn how and when to remove this message)

Part of a series on
Clothing and the environment
Environmental impact of fashion
Key issues Cotton industry Ecological footprint Fast fashion Fur trade Global trade of secondhand clothing Impact investing Microplastics Textile performance
By type Cashmere Fur farming Leather
Sustainability Anti-fashion Biodegradable athletic footwear Circular fashion Clothing swap Cotton recycling Environmental design Environmental impact design Green textile Public interest design Organic cotton Reconstructed clothing Slow fashion Socially responsible investing Sustainable Advertising Design Fashion Industries Market Procurement Transport Textile recycling Sustainability of vintage fashion Trashion Zero-waste fashion
Related Business ethics Green marketing RiverBlue The True Cost Environmental record of Nike Ecological design Laundry wastewater Vintage clothing
Fashion portal Environment portal
v t e

Part of a series about
Environmental economics
Carbon price Carbon credit Carbon emission trading Carbon fee and dividend Carbon finance Carbon offset Carbon tax Emissions trading Environmental tax Personal carbon trading Pigovian tax Social cost of carbon
Climate change Carbon footprint Climate change mitigation Food miles
Concepts Bright green environmentalism Circular economy Climate finance Corporate sustainability Degrowth Disinvestment Eco-capitalism Eco commerce Eco-innovation Eco-investing Ecological economics Ecological footprint Ecological modernization Ecotechnology Efficient energy use Energy conservation Environmental accounting design enterprise finance full-cost accounting impact design planning Ethical banking Fiscal environmentalism Green accounting building development economy growth job marketing paradox recovery trading vehicle High-performance buildings Impact investing Marginal abatement cost Natural resource economics Pollution haven hypothesis Social accounting Socially responsible business Social return on investment Sustainability accounting organization reporting Sustainable advertising agriculture capitalism consumer behaviour consumption design design standards development development goals energy finance food systems industries livelihood management market procurement refurbishment sourcing tourism transport Thermoeconomics Used good Value of Earth
Energy transition 2000-watt society Alternative fuel, Carbon neutrality Carbon-neutral fuel Environmental technology Feed-in tariff Fossil fuel divestment Fossil fuel phase-out Low-carbon economy Net metering Renewable energy commercialization Sustainable energy
Policies Carbon leakage Environmental pricing reform Environmental tariff Free public transport Green industrial policy Green New Deal Green politics Rail subsidies
v t e

Sustainable fashion is a term describing efforts within the fashion industry to reduce its environmental impacts, protect workers producing garments and uphold animal welfare. Sustainability in fashion encompasses a wide range of factors, including cutting CO₂ emissions, addressing overproduction, reducing pollution and waste, supporting biodiversity and ensuring that garment workers are paid a fair wage and have safe working conditions.

In 2020, it was found that voluntary, self-directed reform of textile manufacturing supply chains by large companies to reduce the environmental impacts was largely unsuccessful. Measures to reform fashion production beyond greenwashing require policies for the creation and enforcement of standardized certificates, along with related import controls, subsidies, and interventions such as eco-tariffs.

Background and history

In the early 1990s, roughly coinciding with the 1992 United Nations Conference on Environment and Development, popularly known as the Rio Earth Summit, 'green issues' (as they were called at the time) made their way into fashion and textile publications. These publications featured companies such as Patagonia and ESPRIT. Doug Tompkins and Yvon Chouinard noted that exponential growth and consumption are not sustainable. In the late 1980s, they commissioned research into the impact of fibers used in their respective companies. Fiber and fabric processing are still the norm in sustainable fashion 30 years on.

In 1992, the ESPRIT e-collection was developed by head designer Lynda Grose and launched at retail. In parallel with industry, research around sustainable fashion has been in development since the early 1990s. The field includes technical projects that try to improve the efficiency of existing operations.

In the European Union, the Registration, Evaluation, Authorization and Restriction of Chemicals (REACH) regulations required in 2007 that clothing manufacturers and importers identify and quantify the chemicals used in their products. In 2012, the world's largest summit on fashion sustainability was held in Copenhagen, gathering more than 1,000 key stakeholders in the industry. The Sustainable Apparel Coalition also launched the Higg Index, a self-assessment standard for the apparel and footwear industries.

In 2019, the UK Parliament's Environment Audit Committee published a report and recommendations on the future of fashion sustainability, suggesting wide-ranging systemic change, such as lowered value-added tax for repair services.

Purpose

Fashion industry followers believe the business sector can act more sustainably by pursuing profit and growth. The movement believes that clothing companies should incorporate environmental, social and ethical improvements on management's agenda. This may include increasing the value of local production and products; prolonging the lifecycle of materials; and reducing waste. Another goal may be to educate people to practice environmentally friendly consumption by promoting the "green consumer".

Critics doubt the effectiveness that this has. The discussions following the Burberry report of the brand burning unsold goods worth around £28.6 million (about $37.8 million) in 2018, which is an overproduction.

Production models

Aesthetic and social preferences of fashion change over time, leading to some items becoming obsolete and affecting garment lifespans. The fast fashion business model became dominant in the 21st century, leading to an increase in consumption of inexpensive garments. This model can disincentives companies from making durable products. It also has significant health and environmental risks impacting developing countries and garment workers. The "slow" movement, particularly slow food, has been proposed as an alternative to improve the sustainability of fashion.

Fast fashion

The current condition of the fashion system is related to the temporal aspects of fashion; the continuous stream of new goods onto the market, or what is popularly called "fast fashion". As a way to conform to the latest fashion styles, current fast fashion trends presuppose selling clothing in large quantities. The quality of a garment does not necessarily translate to a slower pace of consumption and waste. These releases are exasperated by the acceleration of fashion trends. As microtrends are only lasting an average of 3 years, the demand for clothes has also accelerated.

Consumption has risen to 62 million tonnes annually and is projected to reach 102 million tonnes by 2030. Shein alone was responsible for about 706 billion kilograms of greenhouse gases in 2015 from the production of polyester textiles and uses up hundreds of gallons of water per garment. Additionally, leaving an aftermath of 6.3 million tons of carbon dioxide. In January 2021, Shein offered over 121,000 garments made from polyester, making up 61% of their clothing total. The fashion industry has a value of three trillion dollars. It is two percent of the world's gross domestic product.

Most factories that produce "fast" clothing employ workers on low wages. Workers from Shein are reported to make as little as 4 cents per garment produced, as well as operating on 18-hour workdays with 1 day off per month. Exploitative fast fashion production is prevalent in countries like China, Bangladesh and Vietnam.

Slow fashion

Slow fashion is a proposed sustainable alternative to fast fashion. The term was coined by Kate Fletcher of the Centre for Sustainable Fashion and inspired by "slow food". It intends to challenge growth fashion's obsession with mass-production and globalized style.

A slow-fashion garment often consists of durable materials, traditional production techniques, or design concepts that are seasonless or will last for more than a season. From an environmental point of view, it means that there is less industrial waste following transient trends. The Anglo-Japanese brand People Tree was the first fashion company to receive the World Fair Trade Organization product label in 2013.

The concept of slow fashion has been criticized. To stop consuming "fast fashion" strikes against low-income consumers whose only means to access trends is through cheap and accessible goods. Those who are already in a high position in society can afford to slow down and cement their status and position, while those on their way up resent being told to stay at the lower rungs of the status hierarchy.

Garment use and lifespan

The environmental impact of fashion also depends on how much and how long a garment is used. With the fast fashion trend, garments tend to be used half as much as compared to 15 years ago. It has been estimated that each year around $172 million worth of garments is expected to be discarded, many of them after being worn only once. There has been a 7.1 kg increase in global per-capita textile production from 1975 to 2018.

Typically, a garment used daily over years has less impact than a garment used once to then be quickly discarded. Studies have shown that the washing and drying process for a pair of classic jeans is responsible for almost two-thirds of the energy consumed through the whole of the jeans' life, and for underwear, about 80% of total energy use comes from laundry processes. The dyeing process also contributes around 15–20% of wastewater. For this reason, techniques are being introduced to reduce energy and water consumption, such as using CO₂ in the dyeing process, where heat and pressure turn liquid CO₂ into a sustainable solvent for the dye (supercritical CO₂).

Low-quality products that deteriorate rapidly are not as suitable to be "enchanted" with emotional bonds between user and product. According to a study done by Irene Maldini, keeping garments longer does not translate into lower volumes of purchased units.

Concerns

Environmental

The fashion industry is the second largest polluter in the world, just after the oil industry. Globalization has made it possible to produce clothing at increasingly lower prices that many consumers consider fashion to be disposable. Developing countries typically produce the textiles and clothing for developed countries. In 2021, the Changing Markets Foundation released a report on the fashion industry's dependence on oil extraction. The report suggested that synthetic fibers in the textile industry account for 1.35% of global oil consumption.

The usage level of fashion materials is 79 billion cubic meters annually. Only around 20% of clothing is recycled or reused; huge amounts of fashion products end up as waste. It has been estimated that in the UK alone, around 350,000 tons of clothing end up in landfills every year. The average American throws away nearly 70 pounds of clothing per year. Around 5% of the total waste worldwide stems from the textile industry.

Microfibers are tiny threads that are shed from fabric. One study found that 34.8% of microplastics found in oceans come from the textile and clothing industry, and the majority of them were made of polyester, polyethylene, acrylic and elastane; but a study off the coast of the UK and U.S. by the Plymouth Marine Laboratory in May 2020 suggested there are at least double the number of particles as previously thought. Microfibers are also shed during wear and disposal. If no progress is made to reverse the effect, it has been calculated that there will be an increase of 850 metric tons of plastic debris in the ocean by 2050.

Social and ethics

One of the main social issues related to fashion concerns labor. Whilst the majority of fashion and textiles are produced in Asia, Central America and North Africa, there is still production across Europe where exploitative working conditions are also found, such as in Leicester and Central and Eastern Europe. The fashion industry has racial, class and gender inequalities. Local production is engaged in global sourcing of labor exploitation. At least 25 million people, the majority of whom are women, work in garment manufacture. Women and workers in the garment manufacturing industry face serious occupational hazards. Worker exposure to hazardous substances can affect health and lead to long-term occupational diseases, posing major challenges to worker well-being and industry regulation. Employees in their working conditions can be exposed to toxic substances.

Over the last years, over 150 major brands have publicised information about their factories online. Every year, Fashion Revolution publishes a Fashion Transparency Index. The high place of several fast fashion retailers caused controversy regarding the parameters used for such rankings.

In Asia

China has emerged as the largest exporter of fast fashion, accounting for 30% of world apparel exports. The country exports over approximately US$159 billion worth of clothing garments annually. However, some Chinese workers make as little as 12–18 cents per hour working in poor conditions. Each year, Americans purchase approximately 1 billion garments made in China.

The opening up of China and Vietnam in the 1980s to private and foreign capital and investments is part of an effort to boost living standards and capitalism. The retail revolution within the U.S. (example Wal-Mart, Target and Nike) and Western Europe, where companies no longer manufactured but rather contracted out their production and transformed, introducing many different product lines manufactured in foreign-owned factories in China. Countries such as Cambodia and Bangladesh export large amounts of clothing into the United States every year.

Business models

There is a multitude of emerging business models.

Circular models

Some business models go under the name of "circular fashion," inspired by the circular economy. Much of the work on circular fashion builds on initiatives in the 1990s and onwards by scholars such as Lynda Grose, Kate Fletcher, Rebecca Earley, Mathilda Tham and Timo Rissanen, especially the thinking around the "metabolism" of garments and wardrobes, "zero waste" production, and the focus on the whole life cycle of garments.

The "cradle-to-cradle" model, a circular system named after the 2002 book with the same name by Michael Braungart and William McDonough, has been a popular proponent of circular fashion. Most textile fibers in consumer fashion are amalgamations of various materials to achieve flexible or aesthetic properties, and thus not optimal for circular reproduction. Although all work with textile waste as their raw material, it is often from pre-consumer origins as it is easier to sort and process. On March 30, the European Commission published the EU Strategy for Sustainable and Circular Textiles.

Sharing models

Fashion rental and clothing swapping are models that are also known as collaborative fashion consumption; their environmental impact and mitigation of pollution are debated. Transportation between users and storage, dry-cleaning, and repackaging causes more environmental impact than reselling or hand-me-downs. As noted by Levänen et al. (2021), the lowest global warming impacts are achieved by reducing consumption, followed by reusing and recycling. Tailored couture is another approach, with the idea being that tailored clothing can reduce mass-production. Open-source content is a concept that builds on the sharing of patterns of clothing. Examples of open-source fashion range from exchanging production techniques to materials, patterns and makerspaces.

Resale models

The most sustainable fibers in fashion are the ones many people already have. Thus, to recirculate existing garments, new business models engage the resale, revival, and recirculation of used, second-hand or vintage clothing. Other resale models also contain elements of upcycling and repairs.

Processes

A large amount of clothing purchased annually is discarded and eventually ends up in landfill. Charity shops keep a small proportion of donated clothing received. Some efforts have been made to recycle textiles and clothing, as the technology to do this has existed for centuries. However, only around 1% of recycled clothes are turned into new items, primarily due to the difficulty and high cost of separating mixed and blended textiles. Most discarded clothing is recycled for other uses, such as building insulation or carpet.

Textile recycling firms process about 70% of the donated clothing into industrial items such as rags or cleaning cloths. However, 20–25% of the second-hand clothing is sold into an international market. Where possible, used jeans collected from America, for example, are sold to low-income customers in Africa for modest prices, yet most end up in landfills as the average U.S.-sized customer is several sizes bigger than the global average.

Upcycling in fashion is the process of reusing the unwanted and discarded materials into new materials or products without compromising the value and quality of the used material. The definition of textile waste can be production waste, pre-consumer waste and post-consumer waste. Biomimicry suggests a perspective emphasizing the "Wisdom of Nature", where the industry looks into materials in tune with natural cycles. Biomimicry replicates the cycles of nature. Materials should be biocompatible, combining biodegradable fibers with processes of fermentation and gasification. Biofabrication refers to the process of using microorganisms to produce materials used by humans.

Consumption

For some products, the environmental impact can be greater at the use phase than material production, leading, for instance, to the suggestion to wash clothes less. Consumers typically have little incentive to be active with their garments—to repair, swap and learn. There are many ways designers are trying to experiment with new models, often in relation to Alvin Toffler's notion of the "prosumer" (a portmanteau of producer and consumer). Novel technologies for virtual try-ons of clothes sold via e-commerce may enable more sustainable fashion and reduce wasted clothes and related transportation and production expenses.

No brand is considered by environmental experts to be fully sustainable, and controversy exists over exactly how the concept of sustainability can be applied in relation to fashion, if it can be used at all, or if labels such as "slow" and "sustainable" fashion are inherently an oxymoron. Some comparison websites exist that compare fashion brands on their 'sustainability record'.

Materials

In 2013, cotton and polyester accounted for almost 85% of all fibers. Also, many fibers in the finished garments are mixed to acquire desired drape, flexibility or stretch.

Cellulose fibers

Natural fibers are fibers which are found in nature and are not petroleum-based. Natural fibers can be categorized into two main groups, cellulose or plant fiber and protein or animal fiber. Uses of these fibers can be from buttons to eyewear such as sunglasses. Other than cotton, the most common plant-based fiber, cellulose fibers include: jute, flax, hemp, ramie, abaca, soy, maize, banana, pineapple. Bacterial cellulose is currently being tested and developed as a new fiber alternative.

Cotton

Cotton is a major source of apparel fiber. Cotton accounts for over 50% of all clothing produced worldwide. This makes cotton the most widely used clothing fiber. Up to 1 billion people worldwide depend on the cotton industry, including 100 million smallholder farmers. Cotton is one of the most chemical-intensive crops in the world, but growers in California have reduced their dependence on these chemicals. Conventionally grown cotton uses approximately 25% of the world's insecticides and more than 10% of the world's pesticides. For every pound of cotton harvested, a farmer uses up 1/3 lb of chemical, synthetic fertilizer.

Cotton is naturally grown in a variety of colors. Typically, cotton color can come in mauve, red, yellow and orange hues. The use of naturally colored cotton has been historically suppressed, mainly due to the Industrial Revolution. Back then, it was cheaper to have uniformly white cotton. color of fabrics made from naturally colored cotton is harder to fades away compared to synthetically dyed cotton fabrics. Though manufacturers prefer cotton to be white so that cotton can easily be synthetically dyed to any shade of color. During processing, manufacturers may add bleach and various other chemicals and heavy metal dyes to make cotton pure white. Formaldehyde resins would be added in as well to form "easy care" cotton fabric.

Some cotton may be grown without the use of any genetic modification to the crops, fertilizers, pesticides or other agrochemicals. All cotton marketed as organic in the United States is required to fulfill strict federal regulations regarding how the cotton is grown. Organic cotton uses 88% less water and 62% less energy than conventional cotton.

Companies have also produced genetically modified (GMO) cotton plants that are resistant to pest infestations. Among the GMO are cotton crops inserted with the Bt (Bacillus thuringiensis) gene. Bt cotton crops do not require insecticide applications. Insects that consume cotton containing Bt will stop feeding after a few hours and die. As a result, the cost of pesticide applications decreased between $25 and $65 per acre. Bt cotton crops yield 5% more cotton on average compared to traditional cotton crops. Bt crops also lower the price of cotton by 0.8 cents per pound. However, insects are predicted to eventually develop resistance to the Bt strain. Researchers have found that members of a cotton bollworm species, Helicoverpa zea, were Bt-resistant in some crop areas of Mississippi and Arkansas during 2003 and 2006. Though the vast majority of other agricultural pests remain susceptible to Bt.

Soy

Soy fabrics are derived from the hulls of soybeans—a manufacturing byproduct. Soy fabrics can be blended (i.e. 30%) or made entirely out of soy fibers. Soy clothing is largely biodegradable. Although not as durable as cotton or hemp fabrics, soy clothing has a soft, elastic feel. Soy clothing is known as vegetable cashmere for its light and silky sensation. Soy fabrics are moisture-absorbent, antibacterial and UV-resistant. However, soy fabrics fell out of public knowledge during World War II, when rayon, nylon and cotton sales rose sharply.

Bamboo

Bamboo fabrics are made from heavily pulped bamboo grass. Making clothing and textiles needed less pesticide control and agrochemicals. Like cotton fibers, bamboo fibers are naturally yellowish in color and are bleached white with chemicals during processing. Prior to a regulatory change in 2010, the majority of fiber and textile marketed as bamboo on the market was actually viscose rayon derived from bamboo. Now manufacturers need to label such products as rayon from bamboo.

Hemp, like bamboo, is considered a sustainable crop. It requires little water to grow, and it is resistant to most pests and diseases. Hemp fiber comes in two types: primary and secondary bast fibers. Hemp fibers are considered strong enough for construction uses. Compared to cotton fiber, hemp fiber is approximately 8 times the tensile strength and 4 times the durability.

Kombucha (SCOBY)

Furnished by a grant from the U.S. Environmental Protection Agency, associate professor Young-A Lee and her team had grown vats of gel-like film composed of cellulose fiber, a byproduct of the same symbiotic colonies of bacteria and yeast (abbreviated SCOBY) found in kombucha. Once harvested and dried, the resulting material has a look and feel much like leather. The fibers are biodegradable and can foster a cradle-to-cradle cycle of reuse and regeneration. This material takes about three to four weeks under lab-controlled conditions to grow. Tests revealed that moisture absorption from the air softens this material, which makes it less durable. Researchers also discovered that cold conditions make it brittle.

Protein fibers

Protein fibers originate from animal sources and are made up of protein molecules. The basic elements in these protein molecules are carbon, hydrogen, oxygen and nitrogen. Pesticides are conventionally used in the cultivation of wool, although quantities are smaller. Most commercially produced silk involves feeding worms a carefully controlled diet of mulberry leaves grown under special conditions. The fibers are extracted by steaming to kill the silk moth chrysalis and then washed in hot water. Its use in textiles is limited due to its high cost. The silk industry also employs millions of people in rural China.

Cashmere is obtained from the fine, soft hairs of a cashmere goat's underbelly coat. Due to the rarity of the breed, four goats are needed to produce enough cashmere for one sweater. The cashmere industry has been questioned for the working conditions of goat herders and the underpaying of farmers. Oxfam reported in Spring 2021 on a project in Afghanistan being undertaken jointly with the Burberry Foundation and PUR Projet, working with goat farmers.

Manufactured fibers

Manufactured fibers sit within three categories: cellulosic fibers, synthetic fibers and protein fibers (e.g., azlon). Manufactured cellulosic fibers include rayon made from bamboo and wood, lyocell (also known under the brand name Tencel) and polylactic acid. Manufactured synthetic fibers include polyester, nylon, spandex, acrylic fiber, polyethylene and polypropylene.

Other alternative biodegradable fibers being developed by companies include: leather alternative using pineapple leaves; biocomposites, fabrics, and leather alternative using various parts of coconut; and fabric and paper made from banana plant stalks and stems. Rayon is a fiber made out of cellulose sometimes used in fast fashion as it is cheaply manufactured.

PET plastic

Clothing can be made from plastic. Seventy percent of plastic-derived fabrics come from polyester, and the type of polyester most used in fabrics is polyethylene terephthalate. PET plastic clothing comes from reused plastics, often recycled plastic bottles. PET plastics have the recycling code of one. These plastics are usually beverage bottles (i.e., water, soda and fruit juice bottles). Generally, this method is as follows: plastic bottles are compressed, baled and shipped into processing facilities, where they will be chopped into flakes and melted into small white pellets. Then, the pellets are processed again and spun into yarn-like fiber, where it can be made into clothing.

Fungal species

Alexander Bismarck and Mitchell Jones from the University of Vienna have conducted research on the possibility of using fungal species to create sustainable leather alternatives. Leather alternatives can be produced by using byproducts of agricultural products such as sawdust. After a few weeks, the fungal mycelium can be processed and chemically treated into a leather-like material. The process is carbon neutral.

Development

Zero-waste design in fashion is a concept that aims to reduce material waste throughout the textile and fashion production process. The concept has existed for a number of years. Zero-waste pattern making designs patterns for a garment so that when the pattern pieces are cut, no fabric is wasted. One of the approaches is using an alternative method to traditional water dyeing; one example of such is supercritical carbon dioxide dyeing. Different names for this process are Drydye and Colordry.

3D seamless knitting is a technology that allows an entire garment to be knit. 3D seamless knitting creates the entire garment. The garments are designed using 3D software. Shima Seiki and Stoll are currently the two primary manufacturers of the technology. The technology is produced through the use of solar energy, and they are selling to brands like Max Mara.

Controversies

This article's "criticism" or "controversy" section may compromise the article's neutrality. Please help rewrite or integrate negative information to other sections through discussion on the talk page. (October 2023)

Marketing controversies

The increase in western consumers' environmental interest is motivating companies to use sustainable and environmental arguments solely to increase sales. Because environmental and sustainability issues are complex, it is also easy to mislead consumers. Companies can use sustainability as a "marketing ploy", which is something that can be seen as greenwashing. Greenwashing is the deceptive use of an eco-agenda in marketing strategies. It refers mostly to corporations that make efforts to clean their reputation because of social pressure or for the purpose of financial gain.

Greenwashing

A major controversy on sustainable fashion concerns how the "green" imperative is used as a cover-up for systemic labor exploitation, social exclusion and environmental degradation, what is generally labelled as "greenwashing". In this, market-driven sustainability addresses sustainability to a certain degree, as brands still need to sell more products in order to be profitable. Thus, almost any initiative towards addressing ecological and social issues still contributes to the damage. In a 2017 report, the industry projects that the overall apparel consumption will rise by 63%, from 62 million tons today to 102 million tons in 2030.

Materials controversies

Though some designers have marketed bamboo fiber as an alternative to conventional cotton, citing that it absorbs greenhouse gases during its life cycle and grows quickly without pesticides, the conversion of bamboo fiber to fabric is the same as rayon and is highly toxic. The Federal Trade Commission ruled that the labeling of bamboo fiber should read "rayon from bamboo". Bamboo fabric can cause environmental harm in production due to the chemicals used to create a soft viscose from hard bamboo.

Second-hand controversies

In Tanzania, used clothing is sold at Mitumba markets (Swahili for "bundles"). Most of the clothing is imported from the United States. However, there are concerns that trade in secondhand clothing in African countries decreases development of local industries even as it creates employment in these countries. While the reuse of materials brings resource savings, there are some concerns that the influx of cheap.

See also

References

1. "What Does 'Sustainable Fashion' Actually Mean?". British Vogue. April 19, 2021. Retrieved October 24, 2023.
2. "Destination Zero: seven years of Detoxing the clothing industry" (PDF). Greenpeace. Retrieved September 30, 2020.
3. "Greenpeace Calls Out Nike, Adidas and Puma for Toxic Clothing". Reuters. August 9, 2011. Retrieved September 30, 2020.
4. Niu, Baozhuang; Chen, Lei; Zhang, Jie (November 2017). "Punishing or subsidizing? Regulation analysis of sustainable fashion procurement strategies". Transportation Research Part E: Logistics and Transportation Review. 107: 81–96. Bibcode:2017TRPE..107...81N. doi:10.1016/j.tre.2017.09.010.
5. "Increasing Green Credentials beyond Greenwash" (PDF). Retrieved November 22, 2021.
6. Dahl, Richard (June 2010). "Green Washing: Do You Know What You're Buying?". Environmental Health Perspectives. 118 (6): A246-52. doi:10.1289/ehp.118-a246. PMC 2898878. PMID 20515714.
7. Neuman, Salla (2019). "Sustainability in fashion production – How are the pioneers doing it?". www.theseus.fi.
8. Anon (1991). "Textiles and the Environment". International Textiles. 726: 40–41.
9. Anon (1993). "Rethinking Ecology". Textile View. 24: 201–207.
10. Meadows, Donella H. (1982). The Limits to growth : a report for the Club of Rome's project on the predicament of mankind. Universe Books. ISBN 0876631650. OCLC 977611718.
11. ^ Fletcher, Kate (2008). Sustainable fashion and textiles: design journeys (2nd ed.). London; Washington, DC: Earthscan. ISBN 9780415644556.
12. "Lynda Grose – PIONEERING ENVIRONMENTAL STANDARDS FOR THE CLOTHING INDUSTRY – CE NEWS". CE NEWS. Archived from the original on March 12, 2017. Retrieved March 11, 2017.
13. Hethorn, Janet; Ulasewicz, Connie, eds. (2008). Sustainable Fashion: Why Now?. Fairchild Books.
14. ^ Gwilt, Alison; Timo Rissanen (2011). Shaping Sustainable Fashion (1st ed.). Earthscan.
15. Niinimaki, Kirsi (2018). Sustainable Fashion in a Circular Economy. Aalto ARTIS Books.
16. Gardetti, Migel Angel & Ana Laura Torres (2013). Sustainability in Fashion and Textiles. Greenleaf.
17. ^ Fletcher, Kate (2016). Craft of Use: Post Growth Fashion. London: Routledge.
18. ^ Luz, Claudio (2007), "Waste Couture: Environmental Impact of the Clothing Industry", Environmental Health Perspectives, 115 (9) (published September 2007): A448-54, doi:10.1289/ehp.115-a449, PMC 1964887, PMID 17805407
19. "Copenhagen Fashion Summit". Copenhagen Fashion Summit. May 3, 2012. Archived from the original on May 24, 2012. Retrieved May 19, 2012.
20. Clark, Evan. "Sustainability Index Unveiled" Archived 2016-05-29 at the Wayback Machine, Women's Wear Daily, 25 July 2012. Retrieved on 20 December 2012.
21. Binkley, Christina. "Which Outfit Is Greenest? A New Rating Tool" Archived 2013-05-24 at the Wayback Machine, Wall Street Journal, 25 July 2012. Retrieved on 20 December 2012.
22. ^ "Fixing fashion: clothing consumption and sustainability – Report Summary – Environmental Audit Committee". publications.parliament.uk. Archived from the original on March 12, 2021. Retrieved February 26, 2019.
23. Black, Sandy, ed. (2013). The sustainable fashion handbook. Thames & Hudson. ISBN 9780500290569. OCLC 800642264.
24. "Pulse of The Fashion Industry" (PDF). Global Fashion Agenda. Archived from the original (PDF) on March 22, 2019. Retrieved October 13, 2018.
25. Fletcher, Kate; Tham, Mathilda (2019). Earth Logic Fashion Action Research Plan. London: JJ Charitable Trust. ISBN 978-1-5272-5415-2. Archived from the original on February 26, 2020. Retrieved February 26, 2020.
26. Brown, Sass (2010). Eco fashion. Laurence King.
27. ^ Gurova, Olga; Morozova, Daria (August 2018). "A critical approach to sustainable fashion: Practices of clothing designers in the Kallio neighborhood of Helsinki". Journal of Consumer Culture. 18 (3): 397–413. doi:10.1177/1469540516668227. S2CID 151351581.
28. Prant, Dara. "Burberry Under Attack for Burning $37.8 Million Worth of Unsold Products". Fashionista. Retrieved March 12, 2019.
29. Fletcher, Kate (2012). "Durability, Fashion, Sustainability: The Processes and Practices of Use". Fashion Practice. 4 (2). Informa UK Limited: 221–238. doi:10.2752/175693812X13403765252389. S2CID 110677145.
30. ^ Bick, Rachel; Halsey, Erika; Ekenga, Christine C. (December 27, 2018). "The global environmental injustice of fast fashion". Environmental Health. 17 (1): 92. Bibcode:2018EnvHe..17...92B. doi:10.1186/s12940-018-0433-7. ISSN 1476-069X. PMC 6307129. PMID 30591057.
31. Fletcher, Kate (November 2012). "Durability, Fashion, Sustainability: The Processes and Practices of Use". Fashion Practice. 4 (2): 221–238. doi:10.2752/175693812X13403765252389. S2CID 110677145.
32. ^ Clark, Hazel (December 1, 2008). "SLOW + FASHION—an Oxymoron—or a Promise for the Future …?". Fashion Theory. 12 (4): 427–446. doi:10.2752/175174108X346922. ISSN 1362-704X. S2CID 194180788.
33. Willett, Joanie; Saunders, Clare; Hackney, Fiona; Hill, Katie (September 2022). "The affective economy and fast fashion: Materiality, embodied learning and developing a sensibility for sustainable clothing" (PDF). Journal of Material Culture. 27 (3): 219–237. doi:10.1177/13591835221088524. S2CID 247823706.
34. "COMMON OBJECTIVE- Fashion and Waste: An Uneasy Relationship". Retrieved June 8, 2018.
35. Nelson, Mariel. "Micro-Trends: The acceleration of fashion cycles and the rise in waste". Worldwide Responsible Accredited Production, May 17, 2021
36. Shukla, N. (February 21, 2022). "Fast Fashion Pollution and Climate Change". Earth.Org. Retrieved January 13, 2024.
37. Astha Rajvanshi (January 17, 2023). "Shein Is the World's Most Popular Fashion Brand—at a Huge Cost to Us All". Time. Retrieved January 13, 2024.
38. McDonald, C.D. (January 26, 2017). "The History of Fast Fashion". FORÇ Magazine. Retrieved January 13, 2024.
39. Millward-Pena, Isabel (2022). FROM FAST FASHION TO SUSTAINABLE SLOW FASHION (Thesis).
40. "Fashion Industry Waste Statistics". E D G E. July 20, 2016. Retrieved May 4, 2021.
41. Sarah Jackson (October 16, 2022). "Shein factory employees are working 18-hour days for pennies per garment and washing their hair on lunch breaks because they have so little time off, new report finds". Insider Inc. Retrieved November 1, 2023.
42. "Story Map Journal". www.arcgis.com. Retrieved May 4, 2021.
43. Fletcher, Kate (2010). "Slow Fashion: An Invitation for Systems Change". Fashion Practice. 2 (2): 259–265. doi:10.2752/175693810X12774625387594. S2CID 110000414.
44. "What is Slow Fashion? - Good on You". Goodonyou.eco. Archived from the original on December 2, 2020. Retrieved March 4, 2021.
45. Fletcher, K., & Grose, L. (2012). Fashion and sustainability: design for change. Laurence King.
46. Fletcher, Kate. Sustainable Fashion and Textiles- Design Journeys. Earthscan.
47. "People Tree is first clothing brand to receive the new WFTO Fair Trade product mark!". The Thread. October 10, 2013.
48. von Busch, Otto (December 9, 2022). ""What is to be sustained?": Perpetuating systemic injustices through sustainable fashion". Sustainability: Science, Practice and Policy. 18 (1): 400–409. Bibcode:2022SSPP...18..400V. doi:10.1080/15487733.2022.2069996. ISSN 1548-7733.
49. von Busch, Otto (2020). "The chronopolitics of slow fashion" in S. Kipoz (ed) Slowness in Fashion. London: Dixi Books. pp. 169–177.
50. von Busch, Otto (2020). The Chronopolitics of Fashion, in S. Kipoz (ed) Slowness in Fashion. London: Dixi Books. p. 175.
51. Claudio José Galdino da Silva Jr; Alexandre D’Lamare Maia de Medeiros; Julia Didier Pedrosa de Amorim; Helenise Almeida do Nascimento; Attilio Converti; Andrea Fernanda Santana Costa; Leonie Asfora Sarubbo (August 2021). "Bacterial cellulose biotextiles for the future of Sustainable Fashion: A Review". Environmental Chemistry Letters. 19 (4): 2967–2980. Bibcode:2021EnvCL..19.2967D. doi:10.1007/s10311-021-01214-x. S2CID 232215342.
52. Kirsi Niinimäki; Greg Peters; Helena Dahlbo; Patsy Perry; Timo Rissanen; Alison Gwilt (April 2020). "The environmental price of fast fashion". Nature Reviews Earth & Environment. 1 (4): 189–200. Bibcode:2020NRvEE...1..189N. doi:10.1038/s43017-020-0039-9. S2CID 215760302.
53. Centobelli, Piera; Abbate, Stefano; Nadeem, Simon; Reyes, Jose (September 20, 2022). "Slowing the fast fashion industry: An all-round perspective". Current Opinion in Green and Sustainable Chemistry. 38: 100684. Bibcode:2022COGSC..3800684C. doi:10.1016/j.cogsc.2022.100684. S2CID 251697285.
54. "Waterless Dyeing of Textiles Using CO₂". Global Opportunity Explorer. May 6, 2019.
55. Chapman, Jonathan (2015). Emotionally durable design objects, experiences and empathy. Routledge. ISBN 9781315738802. OCLC 1086535559.
56. Maldini, Irene (2019). "From speed to volume: reframing clothing production and consumption for an environmentally sound apparel sector". PLATE. Product Lifetimes and the Environment Conference Proceedings – via PLATE 2019 Berlin.
57. Maldini, Irene (2019). Can design confront consumerism? A critical study of clothing volumes, personalization, and the wardrobe. Amsterdam: VU University Amsterdam. ISBN 9789083002415.
58. "Environmental Impacts of the Fashion Industry". SustainYourStyle. Retrieved August 4, 2021.
59. Niinimäki, Kirsi; Peters, Greg; Dahlbo, Helena; Perry, Patsy; Rissanen, Timo; Gwilt, Alison (April 7, 2020). "The environmental price of fast fashion". Nature Reviews Earth & Environment. 1 (4): 189–200. Bibcode:2020NRvEE...1..189N. doi:10.1038/s43017-020-0039-9. ISSN 2662-138X. S2CID 215760302.
60. Changing Markets Foundation (February 2021). "Fossil Fashion". Changing Markets. Archived from the original on February 17, 2021. Retrieved February 26, 2021.
61. "Pulse of the Fashion Industry" (PDF). Pulse of the Fashion Industry. Global Fashion Agenda and The Boston Consulting Group: 11. 2017.
62. Yan, Ruoh-Nan; Diddi, Sonali; Bloodhart, Brittany (December 1, 2021). "Predicting clothing disposal: The moderating roles of clothing sustainability knowledge and self-enhancement values". Cleaner and Responsible Consumption. 3: 100029. Bibcode:2021CResC...300029Y. doi:10.1016/j.clrc.2021.100029. ISSN 2666-7843.
63. Culp, Alice (July 11, 2014). "Thrift stores sell damaged items to textile recyclers". South Bend Tribune. Archived from the original on November 7, 2019. Retrieved April 25, 2016.
64. Stanescu, Michaela Dina (March 1, 2021). "State of the art of post-consumer textile waste upcycling to reach the zero waste milestone". Environmental Science and Pollution Research. 28 (12): 14253–14270. Bibcode:2021ESPR...2814253S. doi:10.1007/s11356-021-12416-9. ISSN 1614-7499. PMID 33515405. S2CID 231746977.
65. Boucher, D.; Friot, D. "Primary microplastics in the oceans: a global evaluation of sources" (PDF). Primary micro plastics in the oceans: a global evaluation of sources. gland, Switzerland: IUCN. Archived from the original (PDF) on March 1, 2017. Retrieved February 28, 2018.
66. Carrington, Damian (May 22, 2020). "Microplastic pollution in oceans vastly underestimated – study". The Guardian.
67. Harding-Rolls, George. "Fossil fashion". Changing Markets. Archived from the original on March 29, 2021. Retrieved April 16, 2021.
68. Singh, Rojalin (2020). "Synthetic microfibers: Pollution toxicity and remediation". Chemosphere. 257: 127199. Bibcode:2020Chmsp.25727199S. doi:10.1016/j.chemosphere.2020.127199. PMID 32480092. S2CID 219172281. Retrieved April 28, 2023.
69. "New report published on working conditions in Leicester garment sector — University of Leicester". www2.le.ac.uk. Archived from the original on February 26, 2019. Retrieved February 26, 2019.
70. "Living Wage in Eastern Europe and Turkey". Clean Clothes Campaign. 2017. Archived from the original on February 27, 2019. Retrieved February 26, 2019.
71. Entwistle, J (2000). The fashioned body. Cambridge: Polity Press.
72. "Insight – Italy's Chinese garment workshops boom as workers suffer". Reuters. December 30, 2013. Archived from the original on February 27, 2019. Retrieved February 26, 2019.
73. "Cotton farmers | Fairtrade Foundation". www.fairtrade.org.uk. Archived from the original on February 26, 2019. Retrieved February 26, 2019.
74. Kalia, Prateek; Singla, Meenu; Kaushal, Robin (January 1, 2023). "Human resource management practices and employee retention in the Indian textile industry". International Journal of Productivity and Performance Management. 73 (11): 96–121. doi:10.1108/IJPPM-01-2022-0057. ISSN 1741-0401.
75. Geiger, Sonja (2018). "Shopping for Clothes and Sensitivity to the Suffering of Others: The Role of Compassion and Values in Sustainable Fashion Consumption". Environment and Behavior. 50 (10): 1119–1144. Bibcode:2018EnvBe..50.1119G. doi:10.1177/0013916517732109. S2CID 148956057.
76. "The Fashion Transparency Index: 2019 report ranks world's biggest brands". The Guardian. April 24, 2019. Archived from the original on September 20, 2019. Retrieved September 20, 2019.
77. Farmbrough, Heather. "H&M Is Pushing Sustainability Hard, But Not Everyone Is Convinced". Forbes. Archived from the original on January 28, 2021. Retrieved February 14, 2021.
78. Niinimäki, Kirsi; Peters, Greg; Dahlbo, Helena; Perry, Patsy; Rissanen, Timo; Gwilt, Alison (April 7, 2020). "The environmental price of fast fashion". Nature Reviews Earth & Environment. 1 (4): 189–200. Bibcode:2020NRvEE...1..189N. doi:10.1038/s43017-020-0039-9. ISSN 2662-138X. S2CID 215760302.
79. ^ Freeman, Joshua Benjamin (2018). Behemoth : a history of the factory and the making of the modern world (First ed.). New York, NY: WW Norton. p. 274. ISBN 9780393246315. OCLC 988280720.
80. Todeschini, Bruna (2017). "Innovative and sustainable business models in the fashion industry: Entrepreneurial drivers, opportunities, and challenges". Business Horizons. 60 (6): 759–770. doi:10.1016/j.bushor.2017.07.003. hdl:11311/1060972. S2CID 158529625.
81. Cernansky, Rachel (March 18, 2021). "Can an end-to-end sustainability standard change fashion?". Vogue Business.
82. Modefica (February 12, 2020). ""Slow Fashion is not a movement; it's a market": An Interview With Kate Fletcher". Modefica.
83. Earley, Rebecca (January 4, 2021). "Circular Fashion 2070: Clothing and Textile Cycles, Systems, and Services". National Academy of Engineering. 50.
84. Rissanen, Timo (2015). "Zero Waste Fashion Design", in J. Hethorn & C. Ulasewicz (eds.) Sustainable Fashion: What's Next?. London: Bloomsbury. pp. 179–203.
85. Von Busch, Otto (2021). Vistas of Vitality: Metabolisms, Circularity, Fashion-abilities. New York: SelfPassage.
86. "The EU Textiles Strategy in Motion - What does it mean for the future of this sector? | European Circular Economy Stakeholder Platform". circulareconomy.europa.eu. July 8, 2022. Retrieved August 30, 2022.
87. Iran, Samira; Schrader, Ulf (September 11, 2017). "Collaborative fashion consumption and its environmental effects". Journal of Fashion Marketing and Management. 21 (4): 468–482. doi:10.1108/JFMM-09-2016-0086.
88. ^ Levänen, Jarkko; Uusitalo, Ville; Härri, Anna; Kareinen, Elisa; Linnanen, Lassi (May 1, 2021). "Innovative recycling or extended use? Comparing the global warming potential of different ownership and end-of-life scenarios for textiles". Environmental Research Letters. 16 (5): 054069. Bibcode:2021ERL....16e4069L. doi:10.1088/1748-9326/abfac3. S2CID 235289414.
89. Elan, Priya (July 6, 2021). "Renting clothes is 'less green than throwing them away'". The Guardian.
90. Courier (December 27, 2021). "Inside fashion's rental market".
91. Maynard, Margaret (June 3, 2004). Dress and Globalization. Manchester University Press. ISBN 9780719063893. Retrieved January 26, 2024.
92. Farra, Emily (January 15, 2021). ""Open Source Fashion Cookbook Is Sharing "Recipes" for Upcycling at Home, With Patterns by Raeburn, Chromat, and More"". Vogue.
93. Danielepasi_38178 (December 15, 2015). ""5 Projects Leading the Open Source Revolution in Fashion"". Sharable.
94. ^ "Trend report: Future of Sustainable Fashion" (PDF). Archived from the original (PDF) on March 21, 2018.
95. Henninger, Claudia E.; Alevizou, Panayiota J.; Oates, Caroline J. (October 3, 2016). "What is sustainable fashion?" (PDF). Journal of Fashion Marketing and Management. 20 (4): 400–416. doi:10.1108/JFMM-07-2015-0052.
96. Lee, Matilda (February 6, 2009). "What's the Most Sustainable Fabric". The Ecologist. Archived from the original on October 23, 2017. Retrieved April 30, 2019.
97. ^ Beall, Abigail. "Why clothes are so hard to recycle". BBC Future. Retrieved October 25, 2023.
98. ^ Lee, Mike (December 21, 2006). "The Truth About Where Your Donated Clothes End Up". ABC News. Archived from the original on November 16, 2010. Retrieved December 7, 2010.
99. Santi, Ana. "Can clothes ever be fully recycled?". BBC Future. Retrieved October 25, 2023.
100. Chapman, Dan (December 24, 2006). "Your Cast-Offs, Their Profits: Items donated to Goodwill and Salvation Army often end up as part of a $1 billion-a-year used-clothing business". The Atlanta Journal-Constitution. gciatl.com. Archived from the original on November 22, 2010. Retrieved December 7, 2010.
101. Aus, Reet (November 30, 2011). "Trash to Trend". Issuu. Archived from the original on August 7, 2020. Retrieved February 26, 2019.
102. Biomimicry Institute (2020). "The Nature of Fashion".
103. Jewell, Catherine (May 2023). "Designing with life: Biofabricate's Suzanne Lee envisions a "new material world"". WIPO Magazine.
104. "Well dressed? The present and future sustainability of clothing and textiles in the United Kingdom". www.ifm.eng.cam.ac.uk. Archived from the original on February 27, 2019. Retrieved February 26, 2019.
105. Busch, Otto von (2014). "Fashion Hacking". Design as Future-Making: 47–57. doi:10.5040/9781474293907-0009. ISBN 9781474293907.
106. Wills, Jennifer. "Saying farewell to a throwaway fashion industry". Horizon: The EU Research Innovation Magazine. Retrieved November 15, 2021.
107. Fadelli, Ingrid. "DeepDraper: A technique that predicts how clothes would look on different people". Tech Xplore. Retrieved November 15, 2021.
108. "Top brands failing on cotton sustainability | WWF". wwf.panda.org. Archived from the original on February 13, 2020. Retrieved July 16, 2019.
109. Fletcher, Kate (2014). Sustainable fashion and textiles: design journeys (2nd ed.). London: Routledge. ISBN 9780415644556. OCLC 846847018.
110. Capulet, Ian (February 12, 2015). "Go wood: sunglasses for sustainable living". CEFashion.net. Archived from the original on December 11, 2015. Retrieved December 9, 2015.
111. Choi, Soon Mo; Kummara, Madhusudana Rao; Zo, Sun Mi; Shin, Eun Joo; Han, Sung Soo (2022). "Bacteria Cellulose and Its Applications". Polymers. 14 (6): 1080. doi:10.3390/polym14061080. PMC 8949969. PMID 35335411.
112. "Cotton Fabric". 2009. Archived from the original on August 24, 2010. Retrieved December 7, 2010.
113. Voora, V.; Larrea, C.; Bermudez, S. (2020). "Global Market Report: Cotton". State of Sustainability Initiatives. Archived from the original on February 12, 2021.
114. "Sustainable Cotton Project - About". Sustainable Cotton Project. 2023. Archived from the original on February 14, 2005. Retrieved November 1, 2023.
115. "Cotton and the environment". Organic Trade Association. Archived from the original on April 16, 2015. Retrieved December 9, 2015.
116. "Your Grandkids Will Thank You". sayitgreen.com. April 6, 2009. Archived from the original on January 31, 2011. Retrieved December 7, 2010.
117. ^ Vreeland, James M. Jr. (April 1999). "The Revival of Colored Cotton". Scientific American. perunaturtex.com. Archived from the original on July 15, 2011. Retrieved December 7, 2010.
118. Dickerson, Dianne K.; Lane, Eric; Rodriguez, Dolores (October 1999), Naturally Colored Cotton: Resistance to changes in color and durability when refurbished with selected laundry aids (PDF), California Agricultural Technology Institute, p. 5, archived from the original (PDF) on July 19, 2011, retrieved December 7, 2010
119. ^ "What's the Problem With Cotton? Part I". savvybrown.com. May 10, 2010. Archived from the original on July 10, 2010. Retrieved December 7, 2010.
120. "Sustainable Ag Q & A". Central Coast Vineyard Team. Archived from the original on June 23, 2009. Retrieved December 7, 2010.
121. "Production and Handling – Preamble". USDA. Archived from the original on June 14, 2012. Retrieved December 7, 2010.
122. Mankus, Modestas (May 13, 2020). "Sustainable Fashion: What is Organic Cotton?". Our Culture. Archived from the original on August 8, 2020. Retrieved May 13, 2020.
123. "Genetically Modified Organisms (GMO)". University of San Diego. Archived from the original on December 5, 2010. Retrieved December 7, 2010.
124. "How Does Bt Work?". University of San Diego. Archived from the original on December 9, 2010. Retrieved December 7, 2010.
125. ^ "Bt Cotton Data". University of San Diego. Archived from the original on December 13, 2010. Retrieved December 7, 2010.
126. ^ "First Documented Case Of Pest Resistance To Biotech Cotton". Science Daily. February 8, 2008. Archived from the original on December 12, 2010. Retrieved December 7, 2010.
127. "Soy Clothing: The Latest In Eco-Friendly Style". Natural Living for Women. 2010. Archived from the original on January 3, 2011. Retrieved December 7, 2010.
128. ^ "Soy Fabric". the-eco-market.com. 2009. Archived from the original on February 3, 2011. Retrieved December 7, 2010.
129. "Soy Clothing: Superior Softness Feels Like Your Second Skin". Cool Organic Clothing. 2008. Archived from the original on November 21, 2010. Retrieved December 7, 2010.
130. "Bamboo vs. Cotton". D6 Clothing. 2010. Archived from the original on April 11, 2010. Retrieved December 7, 2010.
131. "Bamboo textiles no more 'natural' than rayon". CBC. February 1, 2010. Retrieved October 30, 2023.
132. "Hemp Clothing". eartheasy.com. 2010. Archived from the original on July 10, 2011. Retrieved December 7, 2010.
133. ^ "Hemp Fibres". Natural Fibers. Archived from the original on November 27, 2010. Retrieved December 7, 2010.
134. ^ "Clothing made from tea byproduct could improve health of fashion industry". Iowa State University. April 2016. Archived from the original on April 21, 2019. Retrieved April 30, 2019.
135. Haung, HC (1994). "Classification and general properties of textile fibres" (PDF). Archived (PDF) from the original on March 28, 2018. Retrieved March 1, 2018.
136. truents (October 27, 2010). "Natural Protein Fibres". Textile School. Archived from the original on November 8, 2020. Retrieved October 31, 2020.
137. "Material Guide: Is Silk Sustainable?". Good On You. October 3, 2018. Archived from the original on November 4, 2020. Retrieved October 31, 2020.
138. "Material Guide: How Ethical Is Cashmere?". Good On You. April 11, 2019. Archived from the original on November 6, 2020. Retrieved October 31, 2020.
139. Oxfam News, Spring 2021
140. Annie, Gullingsrud (February 9, 2017). Fashion fibers: designing for sustainability. New York, United States: Bloomsbury Academic. ISBN 9781501306648. OCLC 915250289.
141. ^ "Look Out Cotton, These 3 Fruits Are Shaking Up the Textile Industry". March 12, 2015. Archived from the original on January 19, 2019. Retrieved January 18, 2019.
142. "Designers Create Vegan Leather from Coconut Water". VegNews.com. Archived from the original on January 19, 2019. Retrieved April 23, 2019.
143. "Vegan Leather Made From Coconut Water Launches To Reduce Animal Cruelty". www.plantbasednews.org. May 20, 2018. Archived from the original on January 19, 2019. Retrieved April 23, 2019.
144. Robertson, L. (January 12, 2023). "Material Guide: What Is Viscose and Is It Sustainable?". Good On You. Retrieved January 13, 2024.
145. "Why is Recycled Polyester Considered a Sustainable Textile?". O Ecotextiles. July 14, 2009. Archived from the original on August 24, 2010. Retrieved December 7, 2010.
146. "What is Recycled Polyester?". Natural Environment. Archived from the original on December 30, 2010. Retrieved December 7, 2010.
147. "Clothing Made of Recycled Plastic". yesboleh.blogspot.com. May 8, 2008. Archived from the original on July 8, 2011. Retrieved December 7, 2010.
148. Jones, Mitchell; Gandia, Antoni; John, Sabu; Bismarck, Alexander (January 2021). "Leather-like material biofabrication using fungi". Nature Sustainability. 4 (1): 9–16. doi:10.1038/s41893-020-00606-1. S2CID 221522085.
149. Rissanen, Timo (September 6, 2018). Zero waste fashion design. Bloomsbury Academic. ISBN 978-1350094833. OCLC 1040994499.
150. Rosenbloom, Stephanie (August 13, 2010). "Fashion Tries on Zero Waste Design". The New York Times.
151. Fortunake, J., & Blackburn, R. (2017). Sustainability Challenges of Textiles, Dyeing and Finishing Industries: Opportunities for Innovation. Lecture presented at ACS Webinars.
152. Mutha, Subramaniam (2017). SUSTAINABILITY IN THE TEXTILE INDUSTRY. Singer.
153. Niinimäki, Kirsi (December 2015). "Ethical foundations in sustainable fashion". Textiles and Clothing Sustainability. 1 (1): 3. doi:10.1186/s40689-015-0002-1.
154. Furlow, Nancy E. (March 2010). "Greenwashing in the New Millennium" (PDF). The Journal of Applied Business and Economics. 10 (6): 22–25. ProQuest 506504964.
155. "Pulse Fashion Report 2017" (PDF). Global Fashion Agenda, Pulse Report. 2017. Archived from the original (PDF) on October 4, 2019. Retrieved May 14, 2019.
156. Smith, Ray A. (May 24, 2008). "Shades of green: decoding eco fashion's claims". The Wall Street Journal. Archived from the original on April 28, 2016. Retrieved April 25, 2016.
157. Gould, Hannah (February 26, 2015). "Waste is so last season: recycling clothes in the fashion industry". The Guardian. Archived from the original on March 2, 2018. Retrieved March 1, 2018.
158. Allwood, Julian M. (2006). Well dressed? : the present and future sustainability of clothing and textiles in the United Kingdom. Univ. of Cambridge Inst. for Manufacturing. ISBN 978-1902546520. OCLC 441247814.
159. Fletcher, K. (2013). Sustainable fashion and textiles: design journeys. Routledge.

Further reading

• Black, Sandy (2008). Eco-chic : the fashion paradox. London: Black Dog. ISBN 1-906155-09-7. OCLC 966078563.
• Black, Sandy (2013). The sustainable fashion handbook. New York: Thames & Hudson. ISBN 9780500290569. OCLC 939743661.
• Choi, Tsan-Ming; Cheng, T. C. Edwin, eds. (2015). Sustainable fashion supply chain management: from sourcing to retailing. Springer series in supply chain management. Vol. 1. New York: Springer. doi:10.1007/978-3-319-12703-3. ISBN 9783319127026. OCLC 907012044.
• Farley, Jennifer; Hill, Colleen (2015). Sustainable fashion: past, present, and future. New York: Bloomsbury Academic. ISBN 9780857851857. OCLC 860754344.
• Fletcher, Kate (2014) . Sustainable fashion and textiles: design journeys (2nd ed.). London; Washington, DC: Earthscan. ISBN 9780415644556. OCLC 846847018.
• Fletcher, Kate; Grose, Lynda (2012). Fashion & sustainability: design for change. London: Laurence King Publishing. ISBN 9781856697545. OCLC 778610112.
• Fletcher, Kate; Tham, Mathilda, eds. (2015). Routledge handbook of sustainability and fashion. Routledge international handbooks. London; New York: Routledge. ISBN 9780415828598. OCLC 820119510.
• Friedman, Vanessa (May 7, 2022). "Redefining 'Sustainable Fashion'". The New York Times. ISSN 0362-4331. Retrieved October 3, 2023.
• Gardetti, Miguel Ángel; Torres, Ana Laura, eds. (2013). Sustainability in fashion and textiles: values, design, production and consumption. Sheffield, UK: Greenleaf Publishing. ISBN 9781906093785. OCLC 827952084.
• Gwilt, Alison; Rissanen, Timo (2010). Shaping sustainable fashion: changing the way we make and use clothes. London; Washington, DC: Earthscan. ISBN 9781849712415. OCLC 656849440.
• Shell, Hanna Rose (2020). Shoddy : From Devil's Dust to the Renaissance of Rags. Chicago: University of Chicago Press. ISBN 9-780226-698-22-9.

External links

• UN Alliance for Sustainable Fashion

v t e Fashion articles
Index of fashion articles
General	Environmental impact of fashion Fashion accessory Fashion design Fashion design copyright Fashion matrix Fashion museum Fashion plate Fashion tourism Semiotics of fashion
History	History of clothing and textiles History of Western fashion History of fashion design Timeline of clothing and textiles technology 19th century 21st century
Events	Fashion show Fashion week
Industry	Awards Clothing industry Designer clothing Digital fashion Fashion blog Fashion capital Fashion entrepreneur Fashion editor Fashion forecasting Fashion illustration Fashion influencer Fashion journalism Fashion law Fashion photography Fashion merchandising Fast fashion in China Red carpet fashion Social media in the fashion industry Sweatshop Trickle-up fashion Trickle-down fashion
Traditional clothing	Ceremonial Court Diplomatic Academic Military Full Mess Service Sailor Combat Folk Western dress codes Formal Morning dress White tie Ball gown Semi-formal Black lounge suit Black tie Evening gown Informal Suit Cocktail dress Pantsuit Religious Christian Jewish Islamic Modest fashion
Casual	Smart casual British country clothing Business casual Chic Cruise collection Preppy Ivy League Mod Sloane Ranger Teddy Boys Young fogey Street fashion Streetwear Hip hop Hippie Hipster Sportswear Athleisure Gorpcore Sportswear fashion Surfwear Ghetto fabulous Bling-bling Vintage fashion Alternative Androgyny Bohemian Emo Fetish Gothic Lolita Queer Skinhead Steampunk Thrift store chic Rocker Greaser Glam Grunge Heavy metal Punk Skate Rockabilly
By country	American fashion Canadian fashion Chinese fashion Filipino fashion French fashion German fashion Indian fashion Iranian fashion Israeli fashion Italian fashion History Japanese fashion Nigerian fashion Russian fashion South Korean fashion Swedish fashion Thai fashion Vietnamese clothing
Fashion activism	Anti-fashion Anti-sweatshop movement Circular fashion Environmental sustainability of vintage fashion Ethical consumerism Fair trade certification Sustainable fashion Slow fashion Textile recycling Trashion Zero-waste fashion
Related	Ballet and fashion Capsule wardrobe Chinoiserie in fashion Dress code Undress Fashion victim Genderless fashion in Japan List of individual dresses Music and fashion Tattoo
Fashion portal

v t e Environmental humanities
Art	Crop art Environmental art Environmental sculpture Land art Landscape painting Photography conservation landscape nature wildlife Sculpture trail Site-specific art Sustainable art
Culture	Cultural ecology Cultural landscape Ecolinguistics Ecological anthropology Ecosemiotics Environmental anthropology Ethnoecology Traditional ecological knowledge
Literature	Ecocomposition Ecocriticism Ecopoetry Geocriticism Nature writing Outdoor literature
Philosophy	Aesthetics of nature Critical realism Deep ecology Ecofeminism Ecophenomenology Ecosophy Environmental ethics Environmental justice Environmental philosophy Predation problem Social ecology
Religion	Ecotheology Environmental theology Religion and environmentalism Spiritual ecology Stewardship
Other	Anthrozoology Ecomusicology Environmental communication Environmental education adult arts-based Environmental history Environmental interpretation Environmental journalism Environmental law Outdoor education Psychogeography Thematic interpretation
Related	Animal studies Bioethics Biophilia hypothesis Do it yourself (ethic) Natural history (museums) Popular science Property theory (common property) Sexecology Science, technology and society science studies Simple living Slow food Spirit of place Sustainability studies
Applied	Arts and Crafts movement Acoustic ecology Biomimicry Ecological design Ecomuseum Educational trail Environmental design Landscape architecture assessment planning Nature center New Urbanism Sustainable architecture Sustainable design Sustainable fashion Themed walk
Environment portal Category Commons Journals Degrees

• Fashion
• Clothing and the environment
• Sustainability by subject
• Slow movement
• Sustainable development
• Sustainability
• Environmental economics
• Sustainable business