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Richard Nagler (born 1947) is an American businessman and photographer. Four books of his photography have been published. His photography has been exhibited in numerous museum and gallery exhibitions throughout the United States and Europe; and his photography is included in many public and private collections. The work has also been featured in publications including: The New York Times, The Wall Street Journal, Artforum International, Artweek, The Los Angeles Times, Playboy Magazine and the San Francisco Chronicle. Nagler graduated from the University of Pennsylvania in 1969 magna cum laude/Phi Beta Kappa with a B. A. in politics and philosophy, and began his career in photography in the 1970s. NAGLER’s latest book LOOKING AT ART:THE ART OF LOOKING (Heyday Books, 2014) was a finalist for the USA Book Awards/Best Photography Book of 2014, won a Gold Medal for Photography at the Non-Fiction Book Awards in 2014, won First Prize in Photography at the Beverly Hills Book Awards 2014, won the National Independent Book Award for Excellence in Photography, and was a Finalist in the IndieFab Book Awards for 2014. Richard Nagler is also a book reviewer specializing in photography and other fine arts for The New York Journal of Books.

Book reviews

My Love Affair with Miami Beach

The book features photographs that focus on a small Jewish neighborhood; South Beach in Miami Beach, Florida.

Nobel laureate Isaac Bashevis Singer who wrote the introduction and provides commentary throughout the book said: "People in this country have a prejudice about Miami Beach; it means to them vulgar Jews...I say, 'vulgar – shmulgar'...they're only people...when people are on vacation or they retire, they can act a little, as they say, 'out of this world'...I see many funny and silly things here often because many people desire to appear young and not old." The Washington Post gave it a positive review, saying: "It's a marvelous portrait of a neighborhood, with Singer's impassioned commentary – by no means limited to the topic at hand – a fine bonus".

The New York Times called the book "evocative" and said Nagler's photographs reflect a "sense of irony and humor" that's similar to Singer's commentary in the book. They also wrote, "this buoyant blend of words and images captures both the idiosyncratic spirit and the deep sadness of these South Beach survivors."

Oakland Rhapsody: The Secret Soul of an American Downtown

The San Francisco Chronicle''wrote (June 4, 1995) Novelist Ishmael Reed calls Oakland the city that refuses to die, and these richly evocative photographs demonstrate why. "The Oakland Tribune" noted (May 25, 1995) that: On the cover, the vibrant glow of dusk wraps Oakland's downtown in majesty, innocence, and romance. But the image that emerges from the pages of the handsome coffee table art book is not idyllic, but real.

Word on the Street

The success of the photographs depends on what Henri Cartier-Bresson called the ‘decisive moment’.

The word is an equal character in the photograph.

This monograph features photographs taken in various cities in California, and also in New York, Las Vegas, Tel Aviv, London and Paris. Every picture shows the juxtapositions of a single wordand a single person who happens to pass by and is photographed by Nagler.

Allen Ginsberg said of the book, "the photographs of Nagler brought to mind the concentrated, evocative form of haiku", calling the images "picture poems." UK based Digital Photographer was impressed with the work calling the pictures, "compelling, shocking, amusing, and sensitive, each portrait is a visual pun-a wink to the reader and an invitation to create a story to complete the narrative...the magic of his work rests in the serendipitous moment when person and word come together....and reveals that we are all part of an amazing artistic mosaic, even as we blithely stroll down the street".

Sacramento News & Review gave it a positive review stating, "Nagler's rare photos show signs of Henri Cartier-Bresson’s artist sensitivity and Dorothea Lange’s grit and realism...but he is not above making jokes; watch for his wit and ironic wisdom in this insightful collection. Lawrence Ferlinghetti wrote, "Richard Nagler finds ‘Words’ in the streets like objets trouvés, giving each an inscrutable meaning." Ishmael Reed opined that "Nagler is watching the world carefully and seeing what we say about the world and the world says about us, one word at a time."

Looking at Art, the Art of Looking

Nagler got the idea for this book in 2007 when he was at the Museum of Modern Art in New York. The book features photographs of works of art in museums and the patrons who are standing in front on them viewing the artwork.

SF Gate commented on the "startling mirroring elements" of the photographs: "A woman with a patchwork jacket and skullcap blends into Gottfried Helnwein's Epiphany II (Adoration of the Shepherds), and a woman with a geometric-patterned scarf looks like an extension of Ellsworth Kelly's , Cité. Shutterbug Magazine said the images between the viewers and the artwork were "magical moments" and that the "viewer's reaction to the piece is what gives the art its heart and soul, bringing it to life...Nagler masters that task expertly as he links the viewer and the piece together as equals, parts of a greater entity". The San Francisco Examiner noted one minor disappointment in the book: the year the photograph was taken is missing.

Exhibitions

Bibliography

• Nagler, Richard (1991). My Love Affair with Miami Beach. Simon & Schuster. ISBN 978-0-6717-4184-6. Isaac Bashevis Singer (Introduction and commentary)
• Nagler, Richard (1995). Oakland Rhapsody: The Secret Soul of an American Downtown. North Atlantic Books. ISBN 978-1-5564-3197-5. Ishmael Reed (Introduction and commentary)
• Nagler, Richard (2010). Word on the Street. Heyday. ISBN 978-1-5971-4140-6. Foreword by Peter Selz
• Nagler, Richard (2014). Looking at Art, the Art of Looking. Heyday. ISBN 978-1-5971-4266-3.

See also

• 100 Photographs that Changed the World
• Marion Post Wolcott

Notes

1. For example:
   a single word...on a billboard, sign or scratched into a wall...a sign, a T-shirt, gravestone or theater marquee...a street sign, a bit of graffiti, posters, bumper stickers.

References

1. ^ "Richard Nagler". New York Journal of Books.
2. ^ Streitfeld, David (November 17, 1991). "Tomes for the Holidays". The Washington Post.
3. Shapiro, Susan (November 17, 1991). "In Short: Nofiction; Singer on the Sand". The New York Times.
4. ^ Taylor, Tracey (December 6, 2010). "Richard Nagler: Waiting for the decisive moment". Berkleyside.
5. Ollman, Leah (January 2, 2011). "'Word on the Street' collects Richard Nagler's word pictures". Los Angeles Times.
6. Squibb, Amy (January 6, 2011). "Word on the street". Digital Photographer.
7. Biery, Pamela (December 16, 2010). "Startled by every day". Sacramento News & Review.
8. Cornfield, Jim (January 2012). "When the Picture is a Word" (PDF). Rangefinder.
9. ^ Guthrie, Julian (September 1, 2014). "Photographer Richard Nagler captures links between art, viewer". San Francisco Chronicle.
10. Boylan, Cynthia (July 28, 2014). "Photo Book Review: "Looking at Art: The Art of Looking" by Richard Nagler". Shutterbug.
11. ^ "Richard Nagler". George Krevsky Gallery.

Sources

• O'Neill, Claire (January 26, 2011). "Word on the Street: Photos Of People With Words". NPR.
• Josselin-Rufus, Anneli Star (November 24, 2010). "Searching for Words with Richard Nagler". East Bay Express.
• Van Buskirk, Jim (September 4, 2014). "'Looking at Art' a photo book with wit, power". The San Francisco Examiner.

External links

• Official website
• Richard Nagler, Berkeley photographer video at SF Gate
• Richard Nagler at Krevsky Gallery

• Living people
• American male writers
• 1947 births
• Monographs
• Photographers from California