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Oṛiśī Sangīta
Odissi music
Mahāprabhu Jagannātha
Composers
Jayadeva Dinakrusna Bhanja Banamali Abhimanyu Kabisurjya Gopalakrusna
Shāstras
Sangita Sara Gita Prakasa Sangita Narayana Sangita Muktabali
Compositions
Gita Govinda Odissi Prabandha Chhanda Champu Chautisa Janana Bhajana Malasri Pallabi Charjyapada
Instruments
Mardala Benu Bina Khol
v t e

The Sangita Narayana (IAST: 'Sangīta Nārāyana') is a 17th-century musical treatise belonging to the tradition of Odissi music (a genre of classical music in India), written by musician Kabiratna Purusottama Misra and attributed to Gajapati Sarbagya Jagannatha Narayana Deva of Paralakhemundi. It is one of the most important musical treatises discovered from Odisha and is one of the fundamental texts followed in Odissi music till date. The treatise was first published by the Odisha Sangeet Natak Akademi in 1966, followed by a critical edition published by the Indira Gandhi National Centre for the Arts in 2009. Manuscripts of the work are found across India, indicating its national circulation. In 1987, Jonathan Katz in his D. Phil. thesis extensively analysed the musicological portions of the Sangitanarayana.

Author

Purusottama Misra hailed from a family of musicians and litterateurs. He is known to have composed another musical treatise by the name of Talasangraha, which is unavailable. In the Sangita Narayana, several older treatises are cited, including Vishnu Purana, Narada Samhita, Shiva Samhita, Parshurama Samhita, Brihaddeshi, Kohaliyam, Sangita Ratnakara, Panchamasara Samhita, Sangita Ratnamala, Sangita Damodara, Sangita Kaumudi, Gita Prakasa among others. The work is dated to 1646-50 AD by Dr. Mamata Mishra based on comparative study with the work of the Narayana Misra's Sangita Sarani, Narayana being the son of Purusottama. Prof. Mandakranta Bose too dates it to the 17th century.

The patron of the work Gajapati Jagannatha Narayana Deva was the erstwhile ruler of Paralakhemundi, one of the largest and most powerful kingdoms in ancient Odisha. The king identifies himself as a disciple of Kabiratna Purusottama Misra in a graceful tribute to his Guru.

Contents

The text deals with the conventional trio of gita, vadya, nrtya that form sangita and it does so in exemplary detail. The example songs given to illustrate points are mostly dedicated to Gajapati Narayana Deva. Like most Odia authors, Misra begins his treatise with a customary invocation to Jagannatha, the venerable deity of Odisha.

He cites certain musicologists preceding him, like Harinayaka, author of Sangitasara and Krusnadasa Badajena Mahapatra, author of Gita Prakasa.

The ragas described in the Sangita Narayana are Sri, Natta, Karnāta, Rebagupta, Basanta, Bhairaba, Bangāla, Soma, Āmrapanchama, Kāmoda, Megha, Drābidagouda, Turaska Gouda, Barādi, Drabida Barādi, Desi Barādi, Suddha Barādi, Gujjari, Sourastra Gujjari, Dakhina Gujjari, Todi, Mālabasri, Saindhabi, Debakiri, Rāmakiri, Prathama Manjari, Nattā, Belābali, Goudi, Gouda, Nāta, Ghantāraba, Nata Nārāyana, Bhupati, Sankarābharana, Madhyamādi, Mallāra, Desapāla, Mālaba, Andolita (Hindola), Nagadhwani, Gundakiri, Khambhābati, Madhyamādi, Mallāra, Desapāla, Mālaba, Megharanji, Manju Kalyānikā, Chhāyātodi, Pratāpabelābali, Pourabi, Nattamallārika, Ballabi, Gouri, Saranga, Āsābari and Mukhābari. Most of these ragas continue to be popular in present-day Odissi music repertoires.

References

1. ^ Misra, Purusottama (2009). Bose, Prof. Mandakranta (ed.). Sangitanarayana (A Seventeenth Century Text on Music and Dance from Orissa). Indira Gandhi National Centre for the Arts and Motilal Banarsidass Publishers Pvt. Ltd. ISBN 9788120832886.
2. Kavi, M. Ramakrishna (1999). Bharatakosa (A Dictionary to Technical Terms with definitions on Music and Dance Collected from the Works of Bharata and Others). Munshiram Manoharlal. ASIN B00GS1O0H4.
3. ^ Badajena Mahapatra, Krusnadasa (1983). Panigrahi, Nilamadhab (ed.). Geeta Prakash. Bhubaneswar: Odisha Sangeet Natak Akademi.
4. ^ Panda, Pt. Gopal Chandra (2004). Odisi Raga Ratnabali ओडिसी राग रत्नावली (in Hindi). Bhubaneswar. OCLC 225908458.{{cite book}}: CS1 maint: location missing publisher (link)
5. Deva, Gajapati Narayana (1966). Acharya, Pt. Banambara; Patnaik, Kabichandra Dr. Kali Charan; Mohapatra, Kedarnath (eds.). Sangita Narayana. Bhubaneswar: Odisha Sangeet Natak Akademi.
6. ^ Parhi, Dr. Kirtan Narayan (2017). The Classicality of Orissi Music. India: Maxcurious Publications Pvt. Ltd. p. 383. ISBN 9788193215128.
7. Misra, Kabiratna Narayana. Mishra, Dr. Mamata (ed.). Sangita Sarani. Bhubaneswar: Odisha Sangeet Natak Akademi.
8. Parhi, Kirtan Narayan (2009). "Odissi Music : Retrospect and Prospect". In Mohapatra, PK (ed.). Perspectives on Orissa. New Delhi: Centre for study in civilizations. pp. 613–626.

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• Sangita Narayana published by Odisha Sangeet Natak Akademi, 1966. Edited by Pt Banambara Acharya, Kabichandra Dr. Kalicharan Patnaik and Pt Kedarnath Mahapatra.

v t e Odissi music
Compositions	Odissi Chhanda Champu Chautisa Bhajana Janana Gita Govinda Malasri Charyapada
Instruments	Mardala Mrudanga (Khola) Khanjani Bina
Composers	Kabirāja Jayadeva Bachha Dasa Damodara Dasa Panchasakha (Balarama Dasa Atibadi Jagannatha Dasa Jasobanta Dasa Sisu Ananta Dasa Achyutananda Dasa) Salabega Dinakrushna Dasa Kabi Samrata Upendra Bhanja Biswanatha Khuntia Brajanath Badajena Banamali Dasa Kabisurjya Baladeba Ratha Utkala Ghanta Jadumani Mahapatra Sadananda Kabisurjya Brahma Bidagdha Kabi Abhimanyu Samantasinghara Bhakta Charana Dasa Kabikalahansa Gopalakrusna Pattanayaka Sadhaka Kabi Gourahari Parichha Kabichandra Raghunatha Parichha Gauracharana Adhikari Benudhara Pattanayaka Gadadhara Singhasamanta Lokanatha Pattnaik Kabichandra Kalicharan Pattnaik
Treatises	Sangita Sara Gita Prakasa Sangita Narayana Sangita Muktabalī Sangita Kalpalatika Sangitarnavachandrika Sangita Koumudi
Gurus	Gokul Srichandan Seikh Khan Mohammed Basudeb Mahapatra Lokenath Kanungo Harihara Rayaguru Gobinda Chandra Suradeo Upendranath Tripathy Prabhupada Mohan Sundar Deb Goswami Gayaka Siromani Apanna Panigrahi Kabichandra Kali Charan Patnaik Shyamsundar Dhir Banikantha Nimai Charan Harichandan Astabadhani Acharya Tarini Charan Patra Adiguru Singhari Shyamsundar Kar Nrusingha Nath Khuntia Jagabandhu Sahu Markandeya Mahapatra Paschimeswar Jena Lokanath Rath Kashinath Pujapanda Biswanatha Pujapanda Lokanath Pala Sangita Sudhakara Balakrushna Dash Sukadeb Patri Bisnupriya Samantasinghar Binapani Mohanty Bina Debi Binapani Mishra Radhamani Mahapatra Suramani Raghunath Panigrahi Shyamamani Devi Akhil Kumar Lenka Padmakesari Damodar Hota Bhajana Samrata Bhikari Charan Bal Gopal Chandra Panda Bhubaneswari Mishra Sudha Mishra Ramarao Patra (Bina) Ramhari Das
Mardala	Singhari Shyamsundar Kar Chakradhar Sahu Padmanabha Panda Mahadev Rout Kashinath Muduli Banamali Maharana Dhaneswar Swain Satchidananda Das
Kabyas	Gita Govinda Usabhilasa Rasakallola Baidehisa Bilasa Koti Brahmanda Sundari Labanyabati Bichitra Ramayana Bidagdha Chintamani Mathura Mangala Kisorachandrananda Champu
Allied artforms	Odissi dance Mahari Goṭipua Pala Prahallada Nataka Radha Prema Lila Dasakathia Bharata Lila Rabana Chhaya

v t e Culture of Odisha
Dance	Classical Gotipua Mahari Odissi Folk Bagha Nacha Chadheia Chaiti ghoda Chhau Chutkuchuta Dalkhai Danda Nata Dhan Koela Dhuduki Ghumura Jhumar Jodi sankha Karma Kandhei nacha Kathi Kandhei Keisabadi Nachni Naga nrutya Pala Rasarkeli Ranapa Sambalpuri Samprada Laudi nata Lankapodi Lila Tamasa Pasu nrutya Patua Sakhi Nata Suanga Tribal Desia Gadaba Kandha Koya Onra Paraja Saura
Music	Odissi Khanjani Kendara Dhumpa
Play, theatre and puppetry	Play and theatre Bharata Lila Dasakathia Dhanu Jatra Jatra Prahallada Nataka Puppetry Ravana chhaya Sakhi kandhei
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Martial arts	Paika akhada
Handlooms	Baleswari bandha Berhampuri Bomkai (Sonepuri) Dhalapathar Gopalpur Tussar Habaspuri Kotpad Ikat Pasapali Sambalpuri
Arts and Handicrafts	Arts Pattachitra Jhoti chita Saura painting Idital Handicrafts Chandua Tarakasi Ganjapa Clay Stoneworks Wooden crafts Bronze & Bell metal works Dhokra
Architecture	Kalinga architecture Deula
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• Odissi music
• Odia literature
• 17th-century Sanskrit literature
• Odia culture