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Scatology
An original Scatology LP cover featuring the "Anal Staircase" postcard
Studio album by Coil
Released	1984
Recorded	1984 (See "Background and recording" section for details)
Studio	Wave Aosis Bar Maldoror (London)
Genre	Industrial post-industrial
Length	41:29
Label	Force & Form Some Bizarre Threshold House
Producer	Coil Clint Ruin
Coil chronology
How to Destroy Angels (1984) Scatology (1984) Horse Rotorvator (1986)
Singles from Scatology
"Panic/Tainted Love" Released: May 1985

Professional ratings

Review scores
Source	Rating
AllMusic
Encyclopedia of Popular Music
Melody Maker	favourable
NME	positive
Sounds	4.75/5
Time Out	positive

Scatology is the debut studio album by English experimental music group Coil. It was recorded at various studios in London during 1984 and produced by the band along with JG Thirlwell; the album features a prominent appearance of Stephen Thrower, who subsequently became an official member of Coil starting with the group's following album, Horse Rotorvator. Despite its title, the album focuses on alchemy, mainly an idea of turning base matter into gold. The record contains a wide array of cultural references, including to people such as Marquis de Sade, Alfred Jarry, Salvador Dalí, Charles Manson, and others.

Scatology was first released in 1985 (with a 1984 copyright date) on LP, by Force & Form and K.422 (Some Bizzare Records sublabel). It was reissued by Force & Form in 1988 on CD and later by Threshold House in 2001. Scatology’s sole single featured the extended remix of "Panic" with a cover version of "Tainted Love" on its B-side. Mainly positively received by critics, Scatology is considered to be one of Coil's essential releases, and moreover of the 1980s industrial scene.

Background and recording

Work on Scatology began in May 1984, soon after the release of Coil's debut EP How to Destroy Angels. Early on, a track entitled "The Sewage Worker's Birthday Party" was recorded during sessions of the abovementioned EP.

Recording sessions were held at Wave Studios, Aosis Studios and Bar Maldoror (all situated in London). Several tracks during these sessions were recorded, but were not released or metamorphosed into other tracks. The core duo of the band, including Peter Christopherson and John Balance, was extended with an appearance of J. G. Thirlwell of Foetus and Stephen Thrower, the latter of whom met Coil for the first time in August 1984.

Packaging

Different editions of the album featured a variety of packaging designs. For the original LP release, the initial black sun design was covered by a postcard with a motif of a swirling staircase known as the "Anal Staircase". The second edition had the "Sexual Architecture" postcard pasted on a random selection of copies with uncovered ones revealing the original black sun design.

The 1988 CD edition featured artwork depicting a naked pair of buttocks enclosed by an upside-down cross, with the original black sun underneath, seemingly inspired by Man Ray's Monument to Sade photography; the 2001 reissue features a revised artwork from the 1988 edition, with a slogan, "Stevo, Pay Us What You Owe Us!", referencing the band's dispute with Stevo Pearce.

Track listing

Original LP release (1984)

All tracks are written by John Balance and Peter Christopherson, except noted

CD releases

Personnel

All information adapted from 1984 release sleeve except where noted.

Charts

References

Notes

1. A copyright date.
2. These titles include "Ergot", "Boy in a Suitcase", "Dream Photography", "120 Dalmations in Sodom", "Thermid’or", "The Pope held Upside Down".

Sources

1. ^ Skip Jansen. "Scatology - Coil". AllMusic. All Media Network. Retrieved May 20, 2017.
2. Jansen, Skip. "Coil - Musick to Play in the Dark". AllMusic. Retrieved 29 November 2018.
3. Larkin, Colin, ed. (1998). "Coil". Encyclopedia of Popular Music. Vol. 2 (3rd ed.). London, New York: Muze, Grove's Dictionaries. pp. 1155–1156. ISBN 1-56159-237-4. LCCN 98-37439. OCLC 1033565487 – via the Internet Archive.
4. ^ Balmer, Mark (January 1985). "Chemistry Set" (scan). Melody Maker. Retrieved April 24, 2018 – via Brainwashed archive.
5. Kopf, Biba (February 9, 1985). "Mined Like a Sewer" (scan). NME. Retrieved March 16, 2018 – via Brainwashed archive.
6. Tibet (February 9, 1985). "Stool Pigeons" (scan). Sounds. Retrieved March 16, 2018 – via Brainwashed archive.
7. Gill, John (January 30, 1985). "Coil 'Scatology' (K422/Rough Trade)" (scan). Time Out. Retrieved March 16, 2018 – via Brainwashed archive.
8. ^ The Feverish (PDF), April 9, 1985
9. Coil 1984, "At the Heart of it All".
10. Coil 1984, "Solar Lodge".
11. Keenan 2003, pp. 123–124.
12. Reynolds 2005, p. 481; Diesel & Gerten 2007, p. 157.
13. Reynolds 2005, p. 489; Reed 2013, p. 144.
14. Coil 1988, track listing.
15. Coil 2001, track listing.
16. Coil 1984.
17. Coil 1988.
18. Reed, Jeremy (1995). The Last Star: A Study of Marc Almond. London; San Francisco: Creation Books. pp. 181. ISBN 1-871592-61-5. OCLC 1035906117 – via the Internet Archive.
19. They Are Going To Take Me Away (PDF), 1984, retrieved September 20, 2017
20. "Coil". Abrahadabra (in Dutch). No. 1. January 1985. Retrieved September 20, 2017 – via the Internet Archive. (See English translation at Brainwashed)
21. Coil 2001.
22. Lazell, Barry (1997). Indie Hits 1980-1989. Cherry Red Books. Archived from the original on 15 February 2009. Retrieved 13 July 2022.
23. Thompson, Dave (2002). Alternative Rock. San Francisco, CA: Miller Freeman. p. 279. ISBN 0-87930-607-6. LCCN 00-58249. OCLC 1193377576 – via the Internet Archive.

Bibliography

Scatology's liner notes

• Scatology (vinyl sleeve). Coil. Force & Form. 1984. FFK1.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
• Scatology (CD booklet). Coil. Force & Form. 1988. FFKCD1.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
• Scatology (CD booklet). Coil. Threshold House. 2001. LOCI CD15.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)

Books

• Bey, Thomas & Bailey, William (2012) . MicroBionic: Radical Electronic Music and Sound Art in the 21st Century (electronic book) (revised and expanded 2nd ed.). United States: Belsona Books. ISBN 9780615736624 – via Google Books.
• Diesel, Andreas; Gerten, Dieter (2007). "Coil  · Elijah's Mantle". Looking for Europe: Neofolk und Hintergründe (in German). Index Verlag. pp. 155–163. ISBN 9783936878028 – via Google Books.
• Keenan, David (2003). England's Hidden Reverse: Coil, Current 93, Nurse with Wound : a Secret History of the Esoteric Underground. SAF Publishing Ltd. ISBN 9780946719402 – via Scribd.
• Neal, Charles, ed. (1987). Tape Delay: Confessions from the Eighties Underground. SAF Publishing Ltd. ISBN 0-946719-02-0 – via the Internet Archive.
• Reed, S. Alexander (2013). Assimilate: A Critical History of Industrial Music. New York: Oxford University Press. ISBN 978-0-19-983260-6. OCLC 1147729910 – via the Internet Archive.
• Reynolds, Simon (2005). Rip It Up and Start Again: Postpunk 1978–1984. London: Faber and Faber. ISBN 0-571-21569-6. OCLC 1036851652 – via the Internet Archive.
• Sanders, John; Gaffney, Mike (1987). A Coil Magazine.

Articles (including reviews)

• "Coil". Interchange. No. 2. February 1984.
• Kopf, Biba (April 20, 1985). "The Soil And Spoil Tactics Of Coil". NME.
• Jon Whitney (1997). "Coil interview". Brainwashed. Brainwashed Inc. Retrieved May 20, 2017.
• David Keenan (July 21, 1998). "Coil Interview". Brainwashed. Brainwashed Inc. Retrieved April 28, 2017.

External links

• Scatology at Discogs (list of releases)
• Scatology at MusicBrainz (list of releases)
• Scatology at Brainwashed

• 1984 debut albums
• Coil (band) albums
• Threshold House albums
• Albums produced by JG Thirlwell