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Shinichi Suzuki

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(Redirected from Shinichi Suzuki (violinist)) Japanese violinist and pioneer in musical pedagogy (1898–1998) For other uses, see Shinichi Suzuki (disambiguation).

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Shinichi Suzuki鈴木鎮一
Background information
Birth nameShinichi Suzuki
Also known asShin'ichi Suzuki
Born(1898-10-17)17 October 1898
Nagoya, Japan
OriginJapan
Died26 January 1998(1998-01-26) (aged 99)
Matsumoto, Japan
GenresClassical
Occupation(s)Musician, violinist, pedagogue, philosopher
InstrumentViolin
SpouseWaltraud Prange
Musical artist

Shinichi Suzuki (鈴木 鎮一, Suzuki Shin'ichi, 17 October 1898 – 26 January 1998) was a Japanese violinist, philosopher, composer, and educator and the founder of the international Suzuki method of music education and developed a philosophy for educating people of all ages and abilities. An influential pedagogue in music education of children, he often spoke of the ability of all children to learn things well, especially in the right environment, and of developing the heart and building the character of music students through their music education. Before his time, it was rare for children to be formally taught classical instruments from an early age and even more rare for children to be accepted by a music teacher without an audition or entrance examination. Not only did he endeavor to teach children the violin from early childhood and then infancy, his school in Matsumoto did not screen applicants for their ability upon entrance. Suzuki was also responsible for the early training of some of the earliest Japanese violinists to be successfully appointed to prominent western classical music organizations. During his lifetime, he received several honorary doctorates in music including from the New England Conservatory of Music (1956), and the Oberlin College Conservatory of Music, was proclaimed a Living National Treasure of Japan, and in 1993, was nominated for the Nobel Peace Prize.

Biography

Shinichi Suzuki was born on October 17, 1898, in Nagoya, Japan, as one of twelve children. His father, Masakichi Suzuki, was originally a maker of traditional Japanese string instruments but in 1880, he became interested in violins and by Shinichi's birth he had developed the first Japanese violin factory (now Suzuki Violin Co., Ltd.), at that time the largest such factory in the world. Suzuki spent his childhood working at his father's violin factory putting up violin soundposts. A family friend encouraged Shinichi to study Western culture, but his father felt it was beneath Suzuki to be a performer. In 1916, at the age of 17, Suzuki began to teach himself to play the violin after being inspired by a recording of Franz Schubert’s Ave Maria, performed by the violinist Mischa Elman. Without access to professional instruction, he listened to recordings and tried to imitate what he heard. It wasn't until a few years later, at the age of twenty-one, that Suzuki moved to Tokyo and began taking violin lessons from Ko Ando, a former student of Joseph Joachim.

When Suzuki was 22 years old, his friend Marquis Tokugawa persuaded Suzuki's father to let him go to Berlin, where Suzuki studied for eight years under Karl Klingler, another former student of Joachim, with the first four years focusing on études and concertos and the last four years focusing on chamber music. Suzuki also claimed to have spent time there under the tutelage of Albert Einstein, who was an amateur violinist. Several of Suzuki's credentials, such as educational background and endorsements, have been under scrutiny. For example, official school records were found that indicate that Suzuki, playing Handel's Violin sonata in D major, failed his conservatory auditions for Karl Klingler. However, Klingler’s daughter, Marianne Klingler, has said that Suzuki had indeed studied with her father, who did not normally extend his activities to private teaching and thus, Suzuki was Klingler’s only private student. While in Germany, he met and married Waltraud Prange (1905–2000).

On returning to Japan, he formed a string quartet with his brothers and began teaching violin at the Imperial School of Music and at the Kunitachi Music School in Tokyo, and started taking an interest in developing the music education of young students in violin.

During World War II, his father's violin factory was converted into a factory to construct seaplane floats. It was bombed by American warplanes; killing one of Suzuki's brothers. Suzuki and his wife eventually evacuated to separate locations when conditions became too unsafe for her as an ex-German citizen, and the factory was struggling to operate due to a shortage of wood. Suzuki left with other family members for a mountainous region to secure wood from a geta factory, and his wife moved to a "German village" where Germans and ex-Germans were sequestered.

Once the war was over, Suzuki was invited to teach at a new music school, and agreed on condition that he be allowed to develop the teaching of music to children from infancy and early childhood. He adopted into his family, and continued the music education of, one of his prewar students, Koji, on learning that Koji had been orphaned. Suzuki and his wife eventually reunited and moved to Matsumoto, where he continued to teach.

He was a National Patron of Delta Omicron, an international professional music fraternity.

Suzuki died at his home in Matsumoto, Japan, on 26 January 1998, aged 99.

Contributions to pedagogy

Suzuki's experiences as an adult beginner and the philosophies that he held during his life were recapitulated in the lessons he developed to teach his students. Schools of early childhood education have combined his philosophies and approaches with pedagogues such as Carl Orff, Zoltán Kodály, Maria Montessori, Émile Jaques-Dalcroze, and Glenn Doman.

Evelyn Hermann believes that the Suzuki method "can be a philosophy for living. He is not trying to create the world of violinists. His major aim is to open a world of beauty to young children everywhere that they might have greater enjoyment in their lives through the God-given sounds of music."

Suzuki developed his ideas through a strong belief in the ideas of "Talent Education", a philosophy of instruction that is based on the premise that talent, musical or otherwise, is something that can be developed in any child. At the 1958 National Festival, Suzuki said,

Though still in an experimental stage, Talent Education has realized that all children in the world show their splendid capacities by speaking and understanding their mother language, thus displaying the original power of the human mind. Is it not probable that this mother language method holds the key to human development? Talent Education has applied this method to the teaching of music: children, taken without previous aptitude or intelligence test of any kind, have almost without exception made great progress. This is not to say that everyone can reach the same level of achievement. However, each individual can certainly achieve the equivalent of his language proficiently in other fields.

— Shinichi Suzuki, (Kendall, 1966)

Suzuki also collaborated with other thinkers of his time, like Glenn Doman, founder of The Institutes for the Achievement of Human Potential, an organization that studies neurological development in young children. Suzuki and Doman agreed on the premise that all young children had great potential, and Suzuki interviewed Doman for his book Where Love is Deep.

Suzuki employed the following ideas of Talent Education in his music pedagogy schools:

  1. The human being is a product of his environment.
  2. The earlier, the better – with not only music, but all learning.
  3. Repetition of experiences is important for learning.
  4. Teachers and parents (adult human environment) must be at a high level and continue to grow to provide a better learning situation for the child.
  5. The system or method must involve illustrations for the child based on the teacher's understanding of when, what, and how (Kendall, 1966).

The epistemological learning aspect, or, as Suzuki called it, the "mother tongue" philosophy, is that in which children learn through their own observation of their environment, especially in the learning of their first language. The worldwide Suzuki movement continues to use the theories that Suzuki himself put forward in the mid-1940s and has been continuously developed to this day, stemming from his encouragement of others to continue to develop and research the education of children throughout his lifetime.

He trained other teachers, who returned to their respective countries and helped to develop the Suzuki method and philosophy internationally.

Suzuki philosophy

Suzuki Talent Education or the Suzuki Method combines a music teaching method with a philosophy that embraces the total development of the child. Suzuki's guiding principle was "character first, ability second", and that any child can learn.

Awards, honors, and nominations

Bibliography

Suzuki wrote a number of short books about his method and his life, several of which were translated from Japanese to English by his German born wife, Waltraud Suzuki, including Nurtured by Love, Ability Development from Age Zero, Man and Talent: Search into the Unknown, and Where Love is Deep.

References

  1. ^ Suzuki 1978, p. 
  2. Wood, Enid. "Shinichi Suzuki (1898–1998): A Short Biography". Retrieved 19 April 2013.
  3. ^ Kerstin Wartberg (2009). "Suzuki's family background – Life between tradition and progress" (PDF). Shinichi Suzuki: Pioneer of Music Education. Translated by Ursula Mueller-Gaehler. Deutsches Suzuki Institut. pp. 8–29. Retrieved 18 October 2016. Cite error: The named reference "SSvolgensKW" was defined multiple times with different content (see the help page).
  4. 鈴木鎮一 (1966). 「愛に生きる：才能は生まれつきではない」 [Nurtured by Love: Talent Is Not Inborn] (in Japanese). Kodansha. pp. 150–166. ISBN 4-06-115486-9.
  5. "Nurtured by Love: The Classic Approach to Talent Education" by Shinichi Suzuki (The 1983 English translation of the above-mentioned book, 「愛に生きる：才能は生まれつきではない」, translated from Japanese to English by Waltraud Suzuki, with language consultants Masako Kobayashi and Dorothy Guyver Britton), 2nd ed. (ISBN 0-87487-584-6), pp. 75–78
  6. O'Connor, Mark. "Suzuki's BIGGEST Lie". Mark O'Connor blog: Parting Shots: From a Musician's Perspective. 16 October 2014
  7. Delta Omicron Archived 27 January 2010 at the Wayback Machine
  8. ^ Hermann, Evelyn (1996). Shinichi Suzuki: A Man and His Music. Alfred Music. ISBN 978-0-87487-589-8.
  9. D'Ercole, Pat. Suki Association of the Americas. http://suzukiassociation.org/news/3244/
  10. ^ Suzuki, Waltraud (1993). My Life with Suzuki. Alfred Music.
  11. "New England Conservatory of Music: Honorary Doctor of Music". Retrieved 19 April 2013.
  12. "University of Rochester: Honorary Degree Recipients, 1851– present". Retrieved 19 April 2013.
  13. "Cleveland Institute of Music: Youth & Adult Studies". Retrieved 19 April 2013.
  14. Barber, Barbara (September 2009). "Longmont Suzuki Strings: Play for Peace – Pennies for Peace". American Suzuki Journal. 37 (4).

Sources

Further reading

  • Cannon, Jerlene (2002). Diamond in the Sky. Miami, Florida: Summy-Birchard Inc. ISBN 978-1-58951-400-3.
  • Honda, Masaaki (1 February 1995). Shinichi Suzuki: Man of Love: A Suzuki Method Symposium (About Suzuki Series). Suzuki; English language ed edition. ISBN 978-0874871999.
  • Hotta, Eri (2022). Suzuki: The Man and His Dream to Teach the Children of the World. Belknap Press. ISBN 978-0674238237.
  • Wong, Laura J., Brian Neff, Thomas Ball, Pat Morita, and Wakako Yamauchi (2006). Nurtured by Love: the life and work of Shinichi Suzuki (video documentary). Cleveland, Ohio: Cleveland Institute of Music. OCLC 77744489.

External links

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