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Sohrai is a harvest festival of the Indian states of Jharkhand, West Bengal, Chhattisgarh, Odisha, and Bihar. It also called cattle festival. It is celebrated after harvest and coincide with Govardhan Puja of Diwali festival. In Santal Parganas it is celebrated in the Month of January. It is celebrated by Bhumij, Sadan, Oraons, Ho, Munda and Santal among others.

It is celebrated on Amavasya of the Hindu month Kartik in the month of October–November. In Santal Parganas it is celebrated in the month of January between 10th to 15th. In this festival, people fast, paint house, prepared food. In night, they light earthen lamps in the cattle-sheds and offered sacrifice to deity of animals Gaurea also known as Pasupati.

Celebration

Sohrai is harvest festival celebrated after harvest. The festival is celebrated on Amavasya(new moon) in the Hindu month of Kartik(October–November). The feast is celebrated in the honour of cattle especially bullocks, buffalos, goats and sheep. On the day people fast throughout the day, earthen lamps lits on homes, cattle sheds, kitchen and garden. On the festival day, those animals are bathed, their horn and foreheads are anointed with vermillion diluted in oils. They are offered special food of rice and vegetables. Sacrifice is offered to deity Gaurea (Spirit of cowshed) of black chicken and Tapan (Fermentated rice drink) in evening. Then the meat of chicken is eaten with bread and Tapan. Sohrai is day to express gratitude and affection for livestocks. The harvest festival is the time of the year when they exhibit their artistic skills and expressions. Every year, after the festival is over, the drawings and patterns created during this time are erased. This festival usually takes place in the month October or November for three days. The festival coincide with Diwali. Santals living in Santal Parganas celebrate in January.

Arts

An indigenous art form is practised by the women. Ritualistic art is done on mud walls to welcome the harvest and to celebrate the cattle. The women clean their houses and decorate their walls with murals of Sohrai arts. This art form has continued since 10,000–4,000 BC. It was prevalent mostly in caves, but shifted to houses with mud walls.

This Sohrai art form can be monochromatic or colorful. The people coat the wall with a layer of white mud, and while the layer is still wet, they draw with their fingertips on it. Their designs range from flowers and fruits to various other nature-inspired designs. The cow dung that was earlier used to cake the walls of the house is used to add colour. The dark outline is visible due to the previously applied contrasting white mud coat. Sohrai artists are spontaneous in their drawing. Little pre-planning is evident. The canvases range up to 12 x 18 feet. The designs are usually drawn from the artist's memory. The personal experience of the artist and their interaction with nature are the biggest influence.

References

1. "दिवाली पर झारखंड में मनता है चित्रों का पर्व सोहराय". livehindustan. 8 November 2018.
2. ^ Xalxo, Prem (2007). Complementarity of Human Life and Other Life Forms in Nature: A Study of Human Obligations Toward the Environment with Particular Reference to the Oraon Indigenous Community of Chotanagpur, India. Gregorian Biblical BookShop. p. 58. ISBN 978-88-7839-082-9.
3. Manish Ranjan (2022). JHARKHAND GENERAL KNOWLEDGE 2021. Prabhat Prakashan. ISBN 9789354883002.
4. "SOHRAI: THE TRADITIONAL HARVEST ART OF JHARKHAND". shuru-art.com.
5. "Sohrai, A festival and an art". indroyc.com. 10 November 2015.
6. Gupta, Narendra Kumar Das (1963). Problems of Tribal Education and the Santals. Bharatiya Adimjati Sevak Sangh. p. 50.
7. "SOHRAI PAINTINGS OF JHARKHAND". maatighar.com.
8. Dr Manish Ranjan (2021). JHARKHAND PUBLIC SERVICE COMMISSION PRELIMS EXAMS COMPREHENSIVE GUIDE PAPER. Prabhat Prakashan. p. 50. ISBN 978-9390906321.
9. Sevartham. St. Albert's College. 2005. p. 28.
10. Xalxo, Prem (2007). Complementarity of Human Life and Other Life Forms in Nature: A Study of Human Obligations Toward the Environment with Particular Reference to the Oraon Indigenous Community of Chotanagpur, India. Gregorian Biblical BookShop. ISBN 978-88-7839-082-9.
11. Sachchidananda (1979). The Changing Munda. Concept. p. 291. ISBN 9780391019324.
12. Krishna, Sumi (13 January 2004). Livelihood and Gender: Equity in Community Resource Management. SAGE Publications India. p. 268. ISBN 978-81-321-0385-1.
13. Singh, Ajit Kumar (1997). Land use, environment and economic growth in India. MD Publ. ISBN 8175330252. OCLC 313224070.

• Festivals in India
• Festivals in Jharkhand
• Culture of Jharkhand
• Nagpuri culture
• Tribal festivals in India