Categories | Literary magazine |
---|---|
Frequency | Monthly |
Publisher | Edizioni di Solaria |
Founder |
|
Founded | 1926 |
Final issue | 1936 |
Country | Kingdom of Italy |
Based in | Florence |
Language | Italian |
Solaria was a modernist literary magazine published in Florence, Italy, between 1926 and 1936. The title is a reference to the city of sun. The magazine is known for its significant influence on young Italian writers. It was one of the publications which contributed to the development of the concept of Europeanism.
History and profile
Solaria was established in Florence in 1926. It was inspired from two magazines: La Voce and La Ronda. The founders were Alessandro Bonsanti and Alberto Carocci. Its publisher was Edizioni di Solaria, and the magazine was published on a monthly basis. As of 1929 Giansiro Ferrata served as the co-editor of the magazine. Alessandro Bonsanti replaced him in the post in 1930 which he held until 1933.
The major goal of Solaria was to Europeanize Italian culture and to emphasize the contributions of Italian modernist writers such as Svevo and Federigo Tozzi to the European modernism. It adopted a modernist approach. The magazine had an anti-fascist stance. Its contributors were mostly the short story writers. They included Alberto Carocci, Eugenio Montale, Elio Vittorini, Carlo Emilio Gadda. and Renato Poggioli. The novel of Elio Vittorini, Il garofano rosso, was first published in the magazine. The magazine also featured poems by young Italian artists, including Sandro Penna. Gianna Manzini published her first short stories in the magazine. It also featured translations of modernist writers, including Virginia Woolf, Ernest Hemingway, William Faulkner, James Joyce, T. S. Eliot, Marcel Proust, Rainer Maria Rilke, Franz Kafka, and Thomas Mann. Solaria was harshly criticized by other Italian literary circles and magazines, including Il Selvaggio, Il Bargello and Il Frontespizio, due to its frequent coverage of the work by Jewish writers.
After producing a total of forty-one volumes Solaria ceased publication in 1936. Its final issue was dated 1934, although it was published in 1936. In fact, it was censored by the fascist authorities partly due to the serialization of Elio Vittorini's novel, Il garofano rosso, in the magazine.
References
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- Daria Ricchi (2021). "'Andare verso il popolo (Moving Towards the People)': Classicism and Rural Architecture at the 1936 VI Italian Triennale". Architectural Histories. 9 (1). doi:10.5334/ah.451.
- ^ Carmine Paolino (January 1980). La Narrativa di Alessandro Bonsanti (PhD thesis). University of Connecticut.
- Lorenzo Salvagni (2013). In the Garden of Letters: Marguerite Caetani and the International Literary Review Botteghe Oscure (PhD thesis). University of North Carolina at Chapel Hill. doi:10.17615/qxd3-0x37.
- ^ Vanessa Santoro (2019). Fashioning sensibility: emotions in Gianna Manzini's fashion journalism (MA thesis). University of Glasgow. p. 21.
- ^ Mathijs Duyck (2015). "The Modernist Short Story in Italy" (PDF). University of Ghent. Retrieved 8 January 2017.
- Remo Cesarani; Pierluigi Pellini (2003). "The Belated Development of a Theory of Novel in Italian Literary Culture". In Peter Bondanella; Andrea Ciccarelli (eds.). The Cambridge Companion to the Italian Novel. Cambridge, UK: Cambridge University Press. p. 7. ISBN 978-0-521-66962-7.
- ^ Ernesto Livorni (Winter 2009). "The Giubbe Rosse Café in Florence. A Literary and Political Alcove from Futurism to Anti-Fascist Resistance". Italica. 86 (4): 604. JSTOR 20750654.
- Gaetana Marrone, ed. (2007). Encyclopedia of Italian Literary Studies: A-J. New York; London: Routledge. p. 1898. ISBN 978-1-57958-390-3.
- ^ Eric Jon Bulson (2016). Little Magazine, World Form. New York: Columbia University Press. pp. 120–121. doi:10.7312/buls17976. ISBN 9780231542326.
- Tiffany J. Nesbit (31 October 2007). "Cafe' society: The Giubbe Rosse". The Florentine. No. 66. Retrieved 8 January 2017.
- Maria Belén Hernández-González (2016). "The Construction of the Memory of Italy in Argentina through a Choice of Translated Essays". CALL: Irish Journal for Culture, Arts, Literature and Language. 1 (1). doi:10.21427/D7V88R.
- ^ Roberto Ludovico (2013). "Renato Poggioli. Between History and Literature". Studi Slavistici: 301–310. doi:10.13128/Studi_Slavis-14150.
- Jane Dunnett (2002). "Foreign Literature in Fascist Italy: Circulation and Censorship". TTR: Traduction, terminologie, rédaction. 15 (2): 97–123. doi:10.7202/007480AR.
- Livio Loi (October 2015). "Fame or Freedom? 'Resistance' to Fame and the search for Happiness of Italian modern poet Sandro Penna" (PDF). International Journal of Arts and Commerce. 4 (8). ISSN 1929-7106.
- Lynn M. Gunzberg (1992). Strangers at Home: Jews in the Italian Literary Imagination. Berkeley, CA: University of California Press. p. 244. ISBN 978-0-520-91258-8.
- Christopher Rundle (2000). "The Censorship of Translation in Fascist Italy". The Translator. Studies in Intercultural Communication. 6 (1): 67–86. doi:10.1080/13556509.2000.10799056. hdl:11585/877981. S2CID 143704043.
- 1926 establishments in Italy
- 1936 disestablishments in Italy
- Anti-fascism in Italy
- Banned magazines
- Censorship in Italy
- Defunct literary magazines published in Italy
- Defunct Italian-language magazines
- Magazines established in 1926
- Magazines disestablished in 1936
- Magazines published in Florence
- Literary modernism
- Monthly magazines published in Italy
- Poetry literary magazines