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St James' Church, High Melton
St James' Church, High Melton
53°30′38″N 1°14′02″W / 53.5105°N 1.2338°W / 53.5105; -1.2338
OS grid reference	SE 50917 01811
Denomination	Church of England
Churchmanship	Broad Church
Website	www.barnburghandharlington.co.uk
History
Dedication	St. James
Administration
Province	York
Diocese	Sheffield
Archdeaconry	Doncaster
Parish	High Melton
Clergy
Priest(s)	Interregnum

St James' Church, High Melton is a parish church of the Church of England in High Melton, South Yorkshire, England.

Background

The Church of St James dominates the village of High Melton, near Doncaster, in South Yorkshire. The church has Saxon origins but the main part of the existing building was established about 1100 AD and handed over to Avice de Tania in 1153 AD to be put under the care of the Cistercian nuns at Hampole. It was originally intended as a Chapel of Ease to the Priory at Hampole, which had been founded a few years earlier by Avice de Tania with her husband, William (de) Clairfait, whose gift and that of the churches of Adwick and Melton were later confirmed by Archbishop Roger of York.

Until at least the reign of Richard II (1377–1400), the church was known as the "Church of All Hallows" and served by nuns from the Hampole Priory, along with Chaplains appointed by them. About this time, a tower was added and a Lady Chapel to the south-east. As a result, the ground plan is rather unusual, having two aisles – one through a short nave within the chancel and the western tower, and also a continuous south aisle to the whole length of the church leading to the Lady Chapel.

Before the Reformation there was no ecclesiastical parish of High Melton (then known as Melton-super-Montem or Melton-on-the-Hill), remaining under the spiritual direction of the Priory at Hampole, which appointed a Curate and claimed the income from the lands. No Vicar was appointed until following the Civil War, when John Norobolt was installed as first Vicar of Melton-on-the-Hill in 1660 following the Restoration.

Benefactors

It has had several generous benefactors over the years, including the Fountayne family and its descendants, the Wilson family, which changed its name to Montagu following an inheritance. There are substantial memorials to members of these families in the church. Several members of the Fountayne family are interred beneath the chancel whilst the Carrara marble graves of the Montagues are located in the northern section of the churchyard.

Another local family which were connected to the church were the Levetts of High Melton, who settled there after leaving nearby Normanton, where they had been prominent since the 13th century. John Levett of High Melton had married Mary, the daughter of Emmanuel Mote, who owned the manor of High Melton, having inherited it from his wife's family, the Copleys. The coat of arms of the Levetts of High Melton and Normanton appear, like those of several prominent local families, in a stained glass window of St James' Church.

Benefactors helped to improve the state of the church in the early 20th century. In particular, there is a spectacular rood screen bearing a crucifixion set of figures (1905), a reredos and altar frontals (1907) which are the work of Sir John Ninian Comper, who also did much work for York Minster. The rood screen hides a notable chancel arch, which is thought to be one of the earliest specimens of Norman work in the district.

Stained glass windows

St James' is also known for its beautiful windows, one of which is also from the Comper Studio. John Fountayne, DD, Dean of York, installed several pieces of mediaeval stained glass obtained from throughout the county, most notably a window depicting William de Melton, the 43rd Archbishop of York (1317–1340) and fragments of a 'doom scene' from the Jesse Tree window of York Minster.

Fountayne, who was Lord of the Manor of High Melton from 1739–1802, also introduced several examples of painted glass by Peckitt and stained glass from the influential 14th-century pioneer Thomas Glazier, giving the church a rich inheritance. Some of the stained glass, including the heraldic panels, were moved from the Great Chamber of the Old Hall when Very Rev. Dr. Fountayne renovated it in the mid-18th century. The two East Windows are examples of work by Kempe.

Parish registers

The Parish Registers of High Melton begin in 1538 (this is unusual as in many other parishes the registers only date back to the beginning of the reign of Elizabeth I, 1558).

Organ

The church has a two manual, tracker action pipe organ by Forster and Andrews dating from 1898. A specification of the organ can be found on the National Pipe Organ Register.

Tower, bells and clock

The tower is constructed in three stages being mainly in perpendicular style, the lower part in the 14th century, with 15th- and 17th-century additional stages. The second stage of the tower, which is the ringing chamber, has a large stone fireplace on its east side and is locally reputed to have housed curates prior to the Restoration. The tower houses three bells, currently unringable. The tenor bell weighs 7cwt, sounds B♭ and was cast in 1636 in Doncaster by William Oldfield of Nottingham (who had branches in York and Doncaster). It bears the inscription "Soli Deo gloria", one of the five solas propounded to summarise the Reformers' basic beliefs during the Protestant Reformation. The second bell sounds C and is the oldest, being a pre-Reformation cast, between 1500 and 1510, by the Seliok family and dedicated Sancti Antonii. The treble bell sounds D and was cast c. 1590 by Henry Dand of Nottingham.

The clock, with its unusual stone face, was constructed in 1788 and has been inactive for many years.

Current use

It is part of the Diocese of Sheffield, now under the joint Benefice of St Peter, Barnburgh, and St James, Melton-on-the-Hill, with St John the Baptist, Adwick-upon-Dearne.

See also

• Grade II* listed buildings in South Yorkshire
• Listed buildings in High Melton

References

1. Ryder, P. F., 'Saxon Churches in South Yorkshire', South Yorkshire County Council, County Archaeology Monograph No 2, 1982, pp 45–61.
2. English Heritage – Heritage Gateway listing, ref. Monument Number SE 50 SW 6
3. Coatsworth, E., 'Corpus of Anglo-Saxon Stone Sculpture' Volume VIII: Western Yorkshire (2008). Although no documentary evidence exists for the establishment of the church in pre-conquest times, early mediaeval architecture, markings and grave slabs indicate that a church existed in the period 1042–1066.
4. Lewis, S., 'A Topographical Dictionary of England' (1848), Institute of Historical Research, Pages 287–291
5. Whiting C. E. Rev. Prof., Excavations at Hampole Priory, Vol XXXIV part 2, Part 134 Yorkshire Arch. Journ. MCMXXIV pp. 204–212.
6. 'Houses of Cistercians nuns: Priory of Hampole', A History of the County of York: Volume 3 (1974), pp. 163–165.
7. Armitage, E. S., 'A Key to English Antiquities: with special reference to the Sheffield and Rotherham District', W Townsend (1897), pp. 261–262. Following Avice de Tania's death, William Clairfait (formal name : Willielmus de Clarofagio filius Godrici) married the Norman heiress of Sprotbrough, Albreda de Lisours, in 1167. Some time after William's death, one year after this marriage, Albreda formally transferred some of the lands she had inherited through her marriage to William (who was Lord of Emley) to the nuns at Hampole. This included the Melton and Adwick churches.
8. Powlett, Catherine, Duchess of Cleveland, The Battle Abbey Roll (with some Account Of The Norman Lineages), Volume I, (1889), John Murray, London
9. The Lady Chapel was founded as a Chantry by the Chaplain appointed by the Cistercian Nuns, known as John de Melton . It is recorded that "this very Chantry founded in the Church was dedicated to the Blessed Virgin". The Chantry was originally endowed by Lords of the Manor Hugh Cressi and William Dronfield with lands at Melton, Cadeby, Bentley, Goldthorpe, Adwick-le-Street and Mexborough. With the passing of the first Chantries Act in 1545, the "clear value" of the Chantry in St James' Church was (in 1546) at £5.9s.6½d and the Cantarist is recorded as being one Richard Mawer.
10. Correspondence between Robert Parkyn Priest of Adwick-le-Street (1541–1569) and William Watson, Curate of Melton on the Hill, see Transactions of the Royal Historical Society (1963), Fifth Series, 13:49–76 Cambridge University Press
11. Dickens, A. G., 'Robert Parkyn's Narrative of the Reformation', The English Historical Review, 1947 LXII (CCXLII), p. 58
12. Doncaster Archives, Records of St James, Ref: P20, Register 1538–1860
13. High Melton, Doncaster and District Family History Society Archived 16 February 2016 at the Wayback Machine
14. Burke, J., A Genealogical and Heraldic History of the Commoners of Great Britain and Ireland, Vol. II (1836), pp.268–270, pub. Henry Colburn, London.
15. Walks in Yorkshire; Wakefield and its Neighbourhood, William Stott Banks, Printed by Longmans, Green, Reader, and Dyer, London, 1871
16. Copley of Sprotborough, RotherhamWeb, rotherhamweb.co.uk Archived 11 May 2008 at the Wayback Machine
17. John Levett, Thomas Levett, Emanuel Mote, High Melton, Cooke of Wheatley Muniments, Sheffield Archives, The National Archives, nationalarchives.gov.uk
18. Levett, High Melton, The New England Historical and Genealogical Register, Henry Fitz-Gilbert Waters, 1913
19. Ralph Levett, the son of Thomas Levett of High Melton, became a well-known vicar in Lincolnshire after graduating from Christ's College, Cambridge, and corresponded with the Puritan Rev. John Cotton of Boston, Lincolnshire. Pedigree of Levett of High Melton, Thurcroftweb.co.uk Archived 6 July 2008 at the Wayback Machine The Levett coat of arms in St James Church is shown impaling the arms of Barnby (pictured right). William Levett of Normanton and High Melton married Anne, daughter of John Barnby in the late 15th century, about the time when the stained glass was created. The stained glass panel was later removed to St James' Church by John Fountayne when he renovated Melton Hall. Another panel in the home, recorded in the Sheffield archives, showed the arms of Levett impaling those of Reresby of Thrybergh. That panel was apparently subsequently lost.
20. Armitage, E. S, ibid, p. 261
21. These were installed when the window was removed from New College, Oxford (where it had been installed for the West Window of the College’s chapel by Thomas Glazier of Oxford in 1390’s) to York Minster in 1789 by Peckitt, when fragments which did not fit the setting were removed. The crowd scene fragment is on the north wall of the sanctuary at St James'. See "Vidimus Archived 1 May 2009 at the Wayback Machine", Issue No. 16 (March 2008) and Reddish, E., The Fourteenth Century Tree of Jesse in the Nave of York Minster, York University.
22. Sprakes, B., 'The Medieval Stained Glass of South Yorkshire' (Corpus Vitrearum Medii Aevi: Great Britain, Summary Catalogue 7.) Oxford and New York: Oxford University Press, 2003.
23. Registers of St James, High Melton, National Archive
24. St James' High Melton, Dove's Guide for Church Bell Ringers

External links

• Some information from "The History of St James' Church, Melton-on-the-Hill", F. Galloway (April 1969).
• Mediaeval Stained Glass, St James' Church, High Melton, CVMA
• Registers of St James, High Melton
• Index of Cartularies, Thomas Phillipps, 1839
• Coat of arms of Levett of High Melton and Normanton impaling Barnby, St James' Church, High Melton, CVMA and Coat-of-arms, Mowbray, St James' Church, High Melton, Flickr.com
• Images of Comper Rood Screen and Reredos, Flickr.com
• High Melton, GENUKI
• Historic England. "Details from listed building database (1192208)". National Heritage List for England.
• Doom crowd scene fragment from sanctuary window, Flickr.com and representation of Archbishop Melton, CVMA

• Christianity
• Yorkshire

• Church of England church buildings in South Yorkshire
• Grade II* listed churches in South Yorkshire
• Buildings and structures in the Metropolitan Borough of Doncaster