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Eirene was particularly well regarded by the citizens of Athens. After a naval victory over Sparta in 375 BC, the Athenians established a cult for Peace, erecting altars to her. They held an annual state sacrifice to her after 371 BC to commemorate the Common Peace of that year and set up a votive statue in her honour in the Agora of Athens. The statue was executed in bronze by Cephisodotus the Elder, likely the father or uncle of the famous sculptor Praxiteles. It was acclaimed by the Athenians, who depicted it on vases and coins.
Although the statue is now lost, it was copied in marble by the Romans; one of the best surviving copies is in the MunichGlyptothek. It depicts the goddess carrying a child with her left arm—Plutus, the god of plenty and son of Demeter, the goddess of agriculture. Peace's missing right hand once held a sceptre. She is shown gazing maternally at Plutus, who is looking back at her trustingly. The statue is an allegory for Plenty (i.e., Plutus) prospering under the protection of Peace; it constituted a public appeal to good sense. The copy in the Glyptothek was originally in the collection of the Villa Albani in Rome but was looted and taken to France by Napoleon I. Following Napoleon's fall, the statue was bought by Ludwig I of Bavaria.
References
Beekes, R. S. P. (2009). Etymological Dictionary of Greek. Brill. p. 391. No etymology; Pre-Greek origin is very probable, principally because of the ending
Robertson, Martin (1981). A Shorter History of Greek Art. Cambridge University Press. p. 138. but, given Greek practice of handing down names and crafts in the family, it is likely that if not Praxiteles' father, he was a relation.
^ Wünsche, Raimund (2007). Glyptothek, Munich: masterpieces of Greek and Roman sculpture. C. H. Beck. p. 79. ISBN978-3-406-56508-3.
Robinson, Edward (1892). Catalogue of Casts Part III Greek and Roman Sculpture. Houghton, Mifflin & Co. p. 222.