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Stillmatic
Studio album by Nas
Released	December 18, 2001
Recorded	2000–2001
Genre	East Coast hip hop
Length	56:34
Label	Ill Will Columbia
Producer	Megahertz Baby Paul Chucky Thompson DJ Premier Hangmen 3 L.E.S. Large Professor Lofey Mike Risko Nas Ron Browz Salaam Remi Trackmasters Precision
Nas chronology
Nastradamus (1999) Stillmatic (2001) The Lost Tapes (2002)
Singles from Stillmatic
"Rule" Released: October 6, 2001 "Got Ur Self a Gun" Released: December 4, 2001 "The Flyest" Released: December 16, 2001 "One Mic" Released: April 16, 2002

Stillmatic is the fifth studio album by American rapper Nas, released on December 18, 2001, by Ill Will and Columbia Records. In contrast to his previous work's gangsta rap themes, the album contains socially conscious and philosophical themes similar to that of his 1994 debut Illmatic. Nas' lyrics address topics such as ghetto life, American politics, and his feud with rapper Jay-Z.

Stillmatic was a commercial and critical success and helped re-establish Nas' career, following a period of critical disappointment with his previous album Nastradamus (released in 1999). It debuted at number 8 on the US Billboard 200 and sold over 342,600 in its first week of sales, eventually going on to sell over 2,026,000 copies in the United States. It has been certified Platinum by Recording Industry Association of America.

Background

Though he had gained critical acclaim with his classic debut album Illmatic in 1994, Nas' image had been quickly deteriorating in the hip-hop community with his change of theme, from the philosophical topics of Illmatic to the gangsta rap and commercialized sound that became the focus of his later albums. While his second album, It Was Written received positive reviews and introduced him to a greater audience, the follow-ups I Am... and Nastradamus were considered mediocre in comparison by critics. The release of Stillmatic was an attempt by Nas to reestablish his credibility in the hip-hop community, with the title signifying his intentions to continue where Illmatic left off.

Feud with Jay-Z

Jay-Z had previously dissed Nas in his song "Takeover", taken from his September 2001 release, The Blueprint. On Stillmatic, Nas retaliated with the anticipated song, "Ether," a response to "Takeover" which insinuated that Jay-Z had stolen lyrics from The Notorious B.I.G. several times, that he had sold out, and that he was a misogynist, among other things. Several hip-hop aficionados believe Nas won the feud based on this track, which many felt was much more vicious and ruthless than "Takeover", although this is still a subject of debate within hip-hop circles. Jay-Z would respond with "People Talkin", "Don't You Know", "Blueprint 2" from The Blueprint 2: The Gift and the Curse and the radio freestyle "Supa Ugly."

Singles

The first single from Stillmatic was "Rule" featuring R&B singer Amerie. It was not heavily promoted but still managed to reach number 67 on the Hot R&B/Hip-Hop Singles & Tracks chart. It did not receive a video and was issued on compact disc, so many are unaware that it was a single. "Got Ur Self A..." was believed to have been the first single from Stillmatic. "Got Ur Self A...", produced by Megahertz, contains a sample from the theme song to the HBO crime drama The Sopranos. The third single was "One Mic", which received acclaim for its content and video.

Critical reception

Professional ratings

Aggregate scores
Source	Rating
Metacritic	69/100
Review scores
Source	Rating
AllMusic
Blender
Los Angeles Times
NME	7/10
Pitchfork	9.1/10
Rolling Stone
The Source
Spin	7/10
USA Today
Vibe

Stillmatic was met with generally positive reviews. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 69, based on 12 reviews.

The Source awarded the album a perfect "five-mic" rating, and Blender's Alex Pappademas praised it as "a surprising return to form". Reviewing for The Village Voice, Selwyn Seyfu Hinds said: "Stillmatic isn't merely a reunion or rehash of Illmatic themes. The Nas on this record has grown, with the emotional expansion such maturation suggests. For one, he has never before drawn upon his anger, with a burning focus and controlled intensity that underscores nearly every song. Some of it can surely be ascribed to the Jay-Z battle, but more seems due to the deeper, internal struggle Nas has waged against the fallout from his early, precocious success". Steve Jones of USA Today stated, "diss songs aside, Nas' strength has always been his incisive lyrical analyses of current events." John Bush from AllMusic said: "Dropping many of the mainstream hooks and featured performers in order to focus his rapping, Nas proves he's still a world-class rhymer, but he does sound out of touch in the process of defending his honor. Despite the many highlights, a few of the tracks just end up weighing him down". Elizabeth Mendez Berry of Vibe called it "infuriatingly inconsistent" but also "an exercise in lyrical courage and musical might".

Some reviewers were more critical. Rolling Stone magazine's Kathryn McGuire said: "Striving to maintain street cred while reaching for pop success has left Nas vacillating clumsily on past projects, and this record is riddled with similar inconsistencies. One moment he casts himself as a gritty cat who feels most at home on a project bench, calling out neighborhood snakes ('Destroy and Rebuild') and ducking gunshots ('One Mic'). The next, he's delivering dumbed-down verses over the Track Masters' rinky-dink rendition of Tears for Fears' 'Everybody Wants to Rule the World.'" In The Village Voice's "Consumer Guide", Robert Christgau found the release unworthy of a review and instead relegated it to a listing of ungraded "duds" in the column.

Retrospective appraisals have been relatively positive. In The New Rolling Stone Album Guide (2004), Chris Ryan wrote that Stillmatic "finds Nas sticking with what works, creative storyraps and trenchant social commentary. He still errs when he makes attempts at club tracks, but the album is largely a success." Writing in the Encyclopedia of Popular Music, Colin Larkin commended Nas for "rebuilding his creative and commercial standing" in the early 2000s with Stillmatic. In 2005, Chris Rock compiled a list of his Top 25 Hip-Hop Albums of all time, to which he ranked Stillmatic at number 20, commenting "It's like Mama Said Knock You Out eleven years earlier, where a guy just reclaimed his spot with some great records".

Track listing

Notes

• "Got Ur Self a Gun" was later retitled "Got Ur Self A..." on the clean version of the album.
• The track "Braveheart Party", written by Nasir Jones and Jean-Claude Olivier and produced by Swizz Beatz, was removed from later pressings of Stillmatic at Mary J. Blige's request.
• The Japanese release of Stillmatic features three additional tracks: "No Idea's Original", "Everybody's Crazy" and "Black Zombies". Each can also be found on The Lost Tapes, a compilation album that was released in 2002.
• A limited edition version of Stillmatic contains a bonus disc with snippets from five songs on The Lost Tapes.

Samples

• "Stillmatic (The Intro)" contains a sample from "Let Me Be Your Angel" by Stacy Lattisaw.
• "Ether" contains dialogue from "Fuck Friendz" by 2Pac, and gunshot samples from "Knuckleheadz" by Raekwon and "Who Shot Ya?" by The Notorious B.I.G.
• "Got Ur Self A..." contains a sample from "Woke Up This Morning" by Alabama 3.
• "You're Da Man" contains a sample from "Sugar Man" by Sixto Diaz Rodriguez (sometimes misattributed to DJ David Holmes), "Am Fenster" by the German band City, and "Theme from Exodus" by Pat Boone & Ernest Gold.
• "Rewind" contains a sample from "It's Yours" by T La Rock, "Monkey Island" by The J. Geils Band, and "I'm Not Rough" by The J. Geils Band.
• "One Mic" contains a sample from "In the Air Tonight" by Phil Collins, and "I'm Gonna Love You Just a Little More Baby" by Barry White.
• "2nd Childhood" contains a sample from "Born to Love" by Peabo Bryson & Roberta Flack, "Da Bridge 2001" by Nas & Ill Will Records Presents QB's Finest, and "N.Y. State of Mind Pt. II" by Nas.
• "Destroy & Rebuild" contains an interpolation from "The Bridge is Over" by Boogie Down Productions.
• "The Flyest" contains a sample from "Night Moves" by Frank McDonald and Chris Rae, and "Child of Tomorrow" by Badder Than Evil.
• "Rule" contains an interpolation from "Everybody Wants to Rule the World" by Tears for Fears.
• "Every Ghetto" contains a sample from "Main Title" (The Eiger Sanction) by John Williams.

Personnel

Charts

Weekly charts

Year-end charts

Certifications

References

1. ^ Ryan, Chris (2004). Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide. New York: Fireside Books. p. 569. ISBN 0-7432-0169-8. Retrieved January 21, 2024 – via Internet Archive.
2. Leroy, Dan. "Nas Reviews". Yahoo! Music. Yahoo!. Archived from the original on 2013-01-02. Retrieved 2012-06-15.
3. "More Than Words". Billboard (Nielsen Business Media) 120 (27): 33. Retrieved 2011-08-12.
4. "RIAA". Recording Industry Association of America. Archived from the original on June 26, 2007. Retrieved February 13, 2009.
5. ^ Birchmeier, Jason. Biography: Nas. Allmusic. Retrieved on 2009-11-21.
6. ^ Hinds, Selwyn Seyfu. Review: Stillmatic. The Village Voice. Retrieved on 2009-11-21.
7. Billboard Singles: Stillmatic. Allmusic. Retrieved on 2009-11-22.
8. ^ "Stillmatic by Nas". Metacritic. Retrieved August 1, 2024.
9. ^ Bush, John. Stillmatic at AllMusic
10. ^ Pappademas, Alex (February 2002). "Review: Stillmatic". Blender. No. 5. Alpha Media Group. p. 114.
11. Baker, Soren (December 23, 2001). "A Return to Aggressive Form for Nas". Los Angeles Times. p. F.71.
12. Needham, Alex (January 11, 2002). "Review: Stillmatic". NME. Archived from the original on October 2, 2002. Retrieved August 1, 2024.
13. Thompson, Paul A. (January 29, 2023). "Nas: Stillmatic Album Review". Pitchfork. Retrieved January 29, 2023.
14. ^ McGuire, Kathryn (January 31, 2002). "Recordings: Nas – Stillmatic". Rolling Stone. No. 888. p. 53. Retrieved August 1, 2024.
15. ^ Osorio, Kim (February 2002). "Record Report: Nas – Stillmatic". The Source. No. 149. New York. p. 127. Archived from the original on September 28, 2012. Retrieved August 1, 2024.
16. Ryan, Chris (February 2002). "Reviews". Spin. p. 107.
17. ^ Jones, Steve (December 18, 2001). "Put musical trust in 'R' and Nas, Gene and Ginny ; Hits keep coming for Lil' Bow Wow, Bell Biv DeVoe and 8-Ball". USA Today. p. D.06. Archived from the original on January 31, 2013. Retrieved August 1, 2024.
18. ^ Berry, Elizabeth Mendez (February 2002). "Revolutions: Nas – Stillmatic". Vibe. New York. p. 120. Archived from the original on April 22, 2022. Retrieved August 1, 2024.
19. Christgau, Robert (March 12, 2002). "Consumer Guide". The Village Voice. Retrieved September 17, 2019 – via robertchristgau.com.
20. Larkin, Colin (2011). The Encyclopedia of Popular Music (5th ed.). Omnibus Press. p. 1993. ISBN 978-0857125958.
21. Rock, Chris (December 15, 2005). "The Chris Rock 25". Rolling Stone. No. 989. New York. pp. 98–99. ISSN 0035-791X.
22. Reid, Shaheem. "Mary J. Blige Track On Nas' Stillmatic To Be Cut For 'Personal Reasons'". MTV.com. January 25, 2002. Retrieved August 11, 2008.
23. Ryan, Gavin (2011). Australia's Music Charts 1988–2010 (PDF ed.). Mt Martha, Victoria, Australia: Moonlight Publishing. p. 199.
24. "Albums : Top 100". Jam!. January 10, 2002. Archived from the original on December 10, 2004. Retrieved April 11, 2023.
25. "R&B : Top 50". Jam!. February 14, 2002. Archived from the original on February 14, 2002. Retrieved January 27, 2023.
26. "Dutchcharts.nl – Nas – Stillmatic" (in Dutch). Hung Medien. Retrieved November 12, 2013.
27. "Lescharts.com – Nas – Stillmatic". Hung Medien. Retrieved November 12, 2013.
28. "Officialcharts.de – Nas – Stillmatic". GfK Entertainment Charts. Retrieved November 12, 2013.
29. "スティルマティック | Nas". Retrieved November 12, 2013.
30. "Swisscharts.com – Nas – Stillmatic". Hung Medien. Retrieved November 12, 2013.
31. "Nas Chart History (Billboard 200)". Billboard. Retrieved November 12, 2013.
32. "Nas Chart History (Top R&B/Hip-Hop Albums)". Billboard. Retrieved November 12, 2013.
33. "Canada's Top 200 R&B; albums of 2002". Jam!. Archived from the original on October 12, 2003. Retrieved March 27, 2022.
34. "Top 100 rap albums of 2002 in Canada". Jam!. Archived from the original on October 12, 2003. Retrieved March 27, 2022.
35. "Billboard 200 Albums – Year-End 2002". Billboard. Retrieved January 29, 2023.
36. "Top R&B/Hip-Hop Albums – Year-End 2002". Billboard. Retrieved January 29, 2023.
37. "Canadian album certifications – Nas – Stillmatic". Music Canada.
38. "British album certifications – Nas – Stillmatic". British Phonographic Industry.
39. "American album certifications – Nas – Stillmatic". Recording Industry Association of America.

Notes

• Brackett, Nathan; Hoard, Christian, eds. (2004). The New Rolling Stone Album Guide: Completely Revised and Updated 4th Edition. Simon and Schuster. ISBN 0-7432-0169-8.

External links

• Stillmatic at Discogs
• Background on 5 mic rating — Straight from the Source

• 2001 albums
• Albums produced by Da Beatminerz
• Albums produced by DJ Premier
• Albums produced by L.E.S. (record producer)
• Albums produced by Large Professor
• Albums produced by Ron Browz
• Albums produced by Salaam Remi
• Albums produced by Trackmasters
• Columbia Records albums
• Nas albums
• Sequel albums
• Albums produced by Megahertz (record producer)