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Even the Rain

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(Redirected from También la Lluvia)

2010 film
Even the Rain
Theatrical release poster
SpanishTambién la lluvia
Directed byIcíar Bollaín
Written byPaul Laverty
Based on2000 Cochabamba protests
Produced by
  • Juan Gordon
  • Pilar Benito
  • Eric Altmayer
  • Monica Lozano Serrano
  • Emma Lustres
Starring
CinematographyAlex Catalán
Edited byÁngel Hernández Zoido
Music byAlberto Iglesias
Production
companies		Morena Films
Alebrije Cine y Video
Mandarin Cinema
Distributed byVitagraph Films
Release dates
  • September 16, 2010 (2010-09-16) (TIFF)
  • January 5, 2011 (2011-01-05) (France and Spain)
Running time104 minutes
Countries
  • Spain
  • Mexico
  • France
Languages
Box office$5.8 million

Even the Rain (Spanish: También la lluvia) is a 2010 drama film directed by Icíar Bollaín and written by Paul Laverty. It is one of Icíar Bollaín's most ambitious films, internationally co-produced film by companies from Spain, Mexico and France. Shot in Bolivia, in the Chapare jungle, and in the city of Cochabamba, the film is a large production with more than 4,000 extras in total, with about 300 of the extras being indigenous people, as well as a team of 130 people and more than 70 locations, almost all of them outdoors.

The film received nominations and awards internationally, including an Ariel Award for Best Ibero-American Film and three Goya Awards. It was selected as the Spanish entry for the Best Foreign Language Oscar for the 83rd Academy Awards, making the January shortlist.

Plot

Mexican filmmaker Sebastián and his Spanish executive producer Costa arrive in Cochabamba, Bolivia, accompanied by the cast and crew, to create a historical film depicting Christopher Columbus's first voyage to the New World, the imposition of Spanish authority over the natives of Hispaniola, and the subsequent indigenous rebellion by Hatuey. Cognizant of his limited budget, Costa decides to film in Bolivia, the poorest country in South America. Hundreds of Bolivian locals show up and wait in long lines in response to the open casting pamphlet. Costa is enthusiastic about saving thousands of dollars by having underpaid extras perform tasks on set meant to be done by experienced engineers.

Sebastián casts Daniel, a local man, in the role of Hatuey, the Taíno chief who led a rebellion against Columbus. Daniel's daughter Belén lands a crucial role as well. Their first encounter with Daniel is during the casting process. When casting directors start to turn people away in line, Daniel makes a scene and states that everyone should get a chance to audition, as the pamphlet advertised. This makes Costa oppose the hiring of Daniel, but Sebastian sees Daniel's fire and liveliness as perfect for the role. Sebastián is unaware that Daniel is leading demonstrations against the new government-protected water company during the water privatisation plan. Filming begins smoothly despite the alcoholism of Anton, the actor cast as Columbus, but when Costa observes Daniel's revolutionary involvement, he becomes increasingly uneasy about Sebastián's decision.

While filming, Costa starts speaking badly of the natives in English, not knowing that Daniel understands that language. Because of this, Daniel becomes more aware of how Costa and the rest of the crew are taking advantage of the natives. After seeing that Daniel understands that abuse, Costa becomes more cognizant of it himself and starts feeling guilty.

As the crew begins to wrap up the film, the exasperation of the natives intensifies. They begin to consider fighting for their rights to water by protesting in the streets. All these efforts are led by Daniel, who, despite being asked to lie low in exchange for a bigger pay, continues to protest. Costa reaches his breaking point with Daniel when the latter gets beaten by the police during the riots. He tries to bribe Daniel, offering him several thousand dollars to stay silent for a few weeks. Daniel accepts the money but uses it to fund the protesters and remain involved, eventually becoming imprisoned. Sebastián experiences moral conflict and begins to doubt the likelihood of the film's completion, but is reassured by Costa, who bribes the police for Daniel's temporary release to film a key scene, in which Colón and his conquistadors execute Hatuey and his rebels. Upon this scene's completion, the police arrive and detain Daniel again, but are besieged by the film's extras, who allow him to escape.

That night, actors Juan and Alberto see the news reports of violence in Cochabamba and become worried, demanding to leave. Sebastián begs them to stay, and they agree begrudgingly. The next day, as the cast and crew prepare to depart for filming, Costa is met by Daniel's wife, Teresa, who implores him to assist her in finding Belén, who has disappeared into the protests and is reportedly wounded and in need of hospitalization. Despite Costa trying to turn her down he is eventually won over by Teresa's persistence, and despite Sebastián's equally impassioned insistence against it, he leaves with her.

Riding through the streets of Cochabamba, Costa sees the damage done to the city, finally realizing the seriousness of their current situation.

After Costa and Teresa's obstacle-laden drive, Belén's life is saved, but her leg is badly injured and may never fully heal. Meanwhile, the rest of the crew is stopped by a military blockade, and all except Antón leave Sebastián to journey home. The revolution ends shortly thereafter with the departure of the multinational water company, but Cochabamba is left in ruins from the conflict. Costa expresses hope that the film will be finished after all, and Daniel emotionally presents him with a vial of Bolivian water in appreciation for saving his daughter.

Cast

Release

On 16 September 2010, the film premiered at the Toronto International Film Festival. In October, it released in the United States (Los Angeles, California), Britain (London Film Festival), and Spain (Valladolid Film Festival). It made its French debut at the Les Arcs Film Festival in December 2010. It was screened in the Panorama section at the 61st Berlin International Film Festival, followed by the 2011 Sydney Film Festival. After special screenings in Cochabamba's Southern Zone and for the Bolivian press, it opened in Bolivia on twelve screens on March 17, 2011.

Reception

Critical response

The film received generally positive reviews. Even the Rain has an approval rating of 88% on review aggregator website Rotten Tomatoes, based on 64 reviews, and an average rating of 7/10. Metacritic assigned the film a weighted average score of 69 out of 100, based on 20 critics, indicating "generally favourable reviews".

Roger Ebert admires the filmmakers' courage in choosing the Bolivian water crisis as subject matter, but notes potential hypocrisy, writing, "…at the end I looked in vain for a credit saying, 'No extras were underpaid in the making of this film.'" The New York Times writer Stephen Holden also raises this concern, asserting, "You can't help but wonder to what degree its makers exploited the extras recruited to play 16th-century Indians." Also, Holden addresses Costa's transformation, writing, "Mr. Tosar goes as far as he can to make the character's change of heart believable, but he can't accomplish the impossible." Contrarily, Marshall Fine of the Huffington Post views Tosar's efforts as praiseworthy, calling him "perfect as the producer: bull-headed, charming, conniving and wheedling when he needs to be – but a man with a vision, who ultimately gets his mind changed. Tosar makes his conflict not only credible but palpable." Praising the film overall, Ann Hornaday of The Washington Post calls Even the Rain "a story in which personal connections can transcend even the most crushing structures of history and politics."

Awards and nominations

Academy Award Entry

The film was selected in September 2010 over Daniel Monzón's Cell 211 which also stars Luis Tosar, as the Spanish entry for the Best Foreign Language Film category at the 83rd Academy Awards. In January 2011, it landed a spot on the list of the top nine films in its category. However, it was not selected to be among the final five films nominated for the Oscar.

Ariel Awards

Berlin International Film Festival

  • Panorama Audience Award, Fiction Film

Cinema Writers Circle Awards

Won

Nominated

  • Best Actor (Luis Tosar)
  • Best Editing (Ángel Hernández Zoido)

European Film Awards Nomination

  • Audience Award, Best Film

Goya Awards

Won

Nominated

  • Best Actor (Luis Tosar)
  • Best Costume Design (Sonia Grande)
  • Best Director (Icíar Bollaín)
  • Best Editing (Ángel Hernández Zoido)
  • Best Film (Juan Gordon)
  • Best Make-Up and Hairstyles (Karmele Soler & Paco Rodríguez)
  • Best New Actor (Juan Carlos Aduviri)
  • Best Original Screenplay (Paul Laverty)
  • Best Sound (Nacho Royo, Emilio Cortés, & Pelayo Gutiérrez)
  • Best Special Effects (Gustavo Harry Farias & Juan Manuel Nogales)

Palm Springs International Film Festival

  • Bridging the Borders Award

Latin ACE Awards

Spanish Music Awards

Historical context

Main article: Cochabamba Water War

The mayor and the Bolivian government were wrong to insist on an expensive and unnecessary dam. But the bigger problem was that Semapa's water tariffs had been too low for too long, starving the system of investment. Had the tariffs been raised earlier, more cash would have been available to improve service. These twin failings meant that any new contract, public or private, was bound to lead to unacceptable price rises.

— The Economist

The restoration of civilian rule to Bolivia in 1982 ended decades of military dictatorships, but did not bring economic stability. In 1985, with hyperinflation at an annual rate of 25 thousand percent, few foreign investors would do business in the country. The Bolivian government turned to the World Bank as a last refuge against economic meltdown. For the next 20 years, successive governments followed the World Bank's provisions in order to qualify for continued loans from the organization. In order to move towards independent development, Bolivia privatised its railways, telephone system, national airlines, and hydrocarbon industry. In October 1999, the privatization of Cochabamba's municipal water supply followed, allowed by a new law and the investment of a new firm, Aguas del Tunari – a joint venture involving San Francisco-based Bechtel Corporation. The agreement involved the firm investing in a long-envisioned dam so they dramatically raised water rates.

Protests, largely organized through the Coordinadora in Defense of Water and Life, a community coalition, erupted in January, February, and April 2000, culminating in tens of thousands marching downtown and battling police in the 2000 Cochabamba protests. In April 2000, the national government reached an agreement with the Coordinadora to reverse the privatization. The wave of demonstrations and police violence was described as a public uprising against water prices.

Fact and fiction

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Even the Rain is a movie within a movie. It follows the production of a period film about the myth of Christopher Columbus, whom few paint as he really was: a man obsessed with gold, a slave hunter, and a repressor of ethnic groups. The story's context is based on real events in the year 2000, the Cochabamba Water War, when the population of one of the poorest nations in South America rose up against a powerful American company, Bechtel, and recovered a basic good: water. The strikes and protests of citizens were left ignored for days after the American company tried to raise the price of water. The scale of the protest was such that Bechtel eventually abandoned the Bolivian market, the water contract was cancelled, and a new company was installed under public control. In 2005, half of the 855,000 people in Cochabamba were still without water and the rest only received intermittent service (some for as little as three hours a day). The film portrays the lasting impacts of colonialism on native people on multiple levels, as well as the continuation of colonialism in today's society. In many ways, the film can refer back to the deep historical roots about resistance against colonialism. Even in an entirely different time period, the Bolivian people still resist Western influence and political corruption to gain rights.

See also

Further reading

  • "Bolivia: The state of siege is no excuse for human rights violations" by Amnesty International, April 2000.
  • Violence Erupts in Bolivia by BBC in April 2000
  • "Return to Cochabamba," a 2008 report by Jean Friedman-Rudovsky on post-revolutionary Bolivia
  • ¡Cochabamba! Water War in Bolivia by Oscar Olivera in collaboration with Tom Lewis
  • Timeline: Cochabamba Water Revolt,
  • Water Privatization Case Study: Cochabamba, Bolivia by Public Citizen
  • "Cochabamba – Water War," a June 2000 report commissioned and published by the U.K.-based Public Services International Research Unit
  • "The Politics of Water" in Bolivia by Jim Shultz in January 2005 for The Nation.
  • "Letter from Bolivia: Leasing the Rain," by William Finnegan in 2002 for The New Yorker

References

  1. "Even The Rain". Box Office Mojo. Retrieved January 22, 2016.
  2. Prádanos, Luis (2014). "Iluminando el lado oscuro de la modernidad occidental: colonialismo, neocolonialismo y metalepsis en "También la lluvia" de Icíar Bollaín". Confluencia. 30 (1). Colorado State University: 87–100. doi:10.1353/cnf.2014.0013. JSTOR 43490075. S2CID 161634794.
  3. "'También la lluvia', a los Oscar". El Pais. 28 September 2010. Retrieved 5 December 2021.
  4. ^ "Even the Rain". Chicago Sun Times. rogerebert.suntimes.com. 2011-02-24. Retrieved 2011-11-15.
  5. ^ Holden, Stephen (2011-02-17). "Discovering Columbus's Exploitation". The New York Times. Retrieved 2011-11-15.
  6. ^ "Even The Rain Release Dates". IMDb.com. Retrieved 2011-11-15.
  7. "Panorama 2011 with Renowned Directors, Three Films on India and Many New Discoveries". berlinale.de. 2011-01-19. Retrieved 2011-02-19.
  8. ""También la lluvia" se estrena oficialmente en Cochabamba". Los Tiempos. Cochabamba. 2011-03-15. Archived from the original on 2016-03-03. Retrieved 2012-11-24.
  9. "Even the Rain (Meme La Pluie) (2011)". Rotten Tomatoes. Retrieved 2011-11-18.
  10. "Even the Rain (Tambien la Lluvia)". Metacritic.
  11. Fine, Marshall (2011-02-18). "HuffPost Review: Even the Rain". Huffington Post. Retrieved 2011-11-18.
  12. "A perfect storm of past and present". The Washington Post. 2011-02-25. Archived from the original on 2011-01-22. Retrieved 2011-02-25 – via washingtonpost.com.
  13. "Bollaín's Even the Rain joins Oscar race". cineuropa. 29 September 2010. Retrieved 2010-10-09.
  14. "9 Foreign Language Films Continue to Oscar Race". oscars.org. Retrieved 2011-01-19.
  15. "Private passions". The Economist. 17 July 2003. Retrieved 16 April 2012.
  16. ^ William Finnegan (2002-04-08). "Leasing The Rain". The New Yorker. Archived from the original on September 29, 2007. Retrieved February 15, 2007.
  17. "Private passions". The Economist. 2003-07-17. Retrieved 16 April 2012.
  18. "Bolivia's War Over Water | The Democracy Center". Democracyctr.org. Archived from the original on 2012-10-31. Retrieved 2016-10-16.
  19. Javier Abellán (6 November 2017). "¿Doble conquista? El cine y la guerra por el agua en Bolivia".
  20. "Film Analysis by Ian Hyslop – Water and Society".
  21. "THE CORPORATION [18/23] Expansion Plan". YouTube. 2007-01-26. Retrieved 2016-10-16.
  22. Joshua Clover, "Cinema for a Grand New Game," Film Quarterly, Vol. 62, No. 4, Summer 2009.
  23. ^ "FRONTLINE/WORLD . Bolivia - Leasing the Rain . Timeline: Cochabamba Water Revolt". PBS.org. Retrieved 2016-10-16.
  24. "Bolivia: The state of siege is no excuse for human rights violations - Amnesty International". Archived from the original on November 19, 2006. Retrieved February 16, 2007.
  25. "AMERICAS | Violence erupts in Bolivia". BBC News. 2000-04-08. Retrieved 2016-10-16.
  26. By Jean Friedman-Rudovsky. "Return to Cochabamba | Earth Island Journal | Earth Island Institute". Earthisland.org. Retrieved 2016-10-16.
  27. Oscar Olivera; Tom Lewis; Vandana Shiva (2004). ¡Cochabamba! Water War in Bolivia. South End Press. ISBN 9780896087026. Retrieved 2016-10-16 – via Amazon.com.
  28. "Water Privatization Case Study : Cochabamba, Bolivia" (PDF). Citizen.org. Retrieved 2016-10-16.
  29. "FRONTLINE/World Links & Resources". pbs.org. Retrieved 2011-11-16.
  30. "Archived copy". Archived from the original on 2012-04-15. Retrieved 2011-11-18.{{cite web}}: CS1 maint: archived copy as title (link)
  31. Mulvaney, Patrick (2005-01-28). "The Politics of Water in Bolivia". The Nation. Retrieved 2016-10-16.
  32. Remnick, David. "Leasing the Rain". The New Yorker. Retrieved 2016-10-16.

External links

Spanish submissions for Academy Award for Best International Feature Film
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