In flamenco a tango (Spanish pronunciation: [ˈtaŋɡo]) is one of the flamenco palos closely related in form and feeling to the rumba flamenca. It is often performed as a finale to a flamenco tiento. Its compás and llamada are the same as that of the farruca and share the farruca's lively nature. However, the tango is normally performed in the A Phrygian mode. In some English sources the flamenco tango is written with an -s; "the tangos is..."
The flamenco tango is distinct from the flamenco rumba primarily through the guitar playing. In Rumba the guitar flows more freely, whereas in Tangos the accents on beats 2, 3, and 4 are marked clearly with heavy strumming.
Tangos is only vaguely related to Argentine tango, and objectively they only share compás binario or double stroke rhythm. The fact that Argentine tango is one of the first couple dances in America has led historians to believe that both could be based in a minuet-style European dance, therefore sharing a common ancestor, while those who compare the present day forms do not see them as related.
Tango_de_triana Traditional Tango de triana.Problems playing this file? See media help.
Example Lyrics
Triana, Triana,
qué bonita está Triana, (Triana, how beautiful it is!)
qué bonita está Triana, qué bonita está Triana
cuando le ponen al puente
la banderita gitana (when we put the gypsy banners on the bridge.)
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Palos in flamenco | |
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Cantes a palo seco | |
Cantes related to soleá | |
Cantes related to seguiriya | |
Cantes derived from fandangos | |
Cantes related to tangos | |
Cantes de ida y vuelta | |
Other palos |
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