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The Box of Delights
Based on	The Box of Delights by John Masefield
Screenplay by	Alan Seymour
Directed by	Renny Rye
Starring	Devin Stanfield Patrick Troughton Robert Stephens
Theme music composer	Victor Hely-Hutchinson
Opening theme	Andante quasi lento e contabile from Carol Symphony
Composer	Roger Limb
Country of origin	United Kingdom
No. of episodes	6
Production
Producer	Paul Stone
Running time	30 minutes
Original release
Network	BBC1
Release	21 November (1984-11-21) – 24 December 1984 (1984-12-24)

The Box of Delights is a BBC Television adaptation of John Masefield's 1935 children's fantasy novel The Box of Delights starring Devin Stanfield, Patrick Troughton and Robert Stephens. It was broadcast on BBC1 between 21 November and 24 December 1984. The series was adapted from Masefield's novel by Alan Seymour, directed by Renny Rye and produced by Paul Stone.

The series is a fantasy adventure about a schoolboy who is entrusted with a magical box which allows him to time travel and shapeshift to protect the box from an evil magician. An innovative mixture of live action and animation, the production made extensive use of the Quantel Paintbox and chroma key effects. The series cost £1 million to make in 1984 (£3.23 million in 2023), the most expensive children's series the BBC had made to that date, but it was widely acclaimed and won a number of BAFTA and RTS awards, in particular for its special effects.

Plot

Kay Harker (Devin Stanfield) is returning from boarding school for Christmas 1934 when he finds himself mixed up in a battle to possess a magical box. The current owner of the box is an old Punch and Judy man called Cole Hawlings (Patrick Troughton) whom Kay meets at the railway station. They develop an instant rapport, which leads Cole to confide that he is being chased by a magician called Abner Brown (Robert Stephens) and his gang, which includes Kay's former governess.

The box allows the owner to shrink in size, to shapeshift, to fly, to travel to the past and to experience various magical wonders and creatures, and thus is sought for evil purposes by Abner. Cole (who turns out to be the medieval philosopher and alleged magician Ramon Llull) entrusts the box to Kay. The schoolboy then goes on to have many adventures across time as he protects the box from Abner Brown.

During his travels, Kay encounters many characters drawn from English folklore, history and pagan mythology including Herne the Hunter, King Arthur, Father Christmas, unicorns, Roman soldiers and medieval monks.

Episodes

The series was first shown in six half-hour episodes in November and December 1984. BBC Worldwide released the serial on VHS in the 1980s and 1990s and on DVD in 2004. One of the special features the 2004 DVD included was an interview between Rye and Stanfield as part of the 20th anniversary; this was filmed at Pinewood Studios. The series was released on DVD and Blu ray on 25 November 2024. It contains the same special features as the 2004 DVD release and a new documentary: Time And Tide – Making The Box of Delights. The series was broadcast on BBC Four in December 2024 as part of its 40th anniversary. A nine minute documentary, Renny Rye Remembers... The Box of Delights was broadcast on BBC Four on 7 December 2024.

During December 1986 the series was repeated on BBC1 as three 50-minute episodes:

Cast

• Kay Harker: Devin Stanfield
• Abner Brown: Robert Stephens
• Cole Hawlings: Patrick Troughton
• Foxy Faced Charles: Geoffrey Larder
• Chubby Joe: Jonathan Stephens
• Sylvia Daisy Pouncer: Patricia Quinn
• Inspector: James Grout
• Bishop of Tatchester: John Horsley
• Caroline Louisa: Carol Frazer
• Jemima: Heidi Burton
• Maria: Joanna Dukes
• Susan: Flora Page
• Peter: Crispin Mair
• Herne the Hunter: Glyn Baker
• The Old Lady: Anne Dyson
• Ellen: Helen Fraser
• Chief Constable: Charles Pemberton
• Rat: Bill Wallis
• Pirate Rat: Nick Berry
• The Waterfall Boy: Jason Kemp
• The Bronze Head: Nicholas Chagrin
• Arnold of Todi: Philip Locke
• Greek Captain: Bruce White
• Greek Soldier: Julian Sands
• Greek Soldier: Angus Kennedy
• Mouse: Simon Barry

Production

Development

John Masefield was the Poet Laureate of the United Kingdom between 1930 and his death in 1967, but alongside his poetry he also wrote books for children. The Box of Delights: or When the Wolves Were Running, published in 1935, was the sequel to his 1927 book The Midnight Folk. Masefield's novel had been adapted by the BBC for radio several times; a six-part adaptation, with a script by Robert Holland and John Keir Cross, was produced three times as part of its Children's Hour with different casts in 1943, 1948 and 1955. A new radio adaptation by John Keir Cross had been produced for Saturday Night Theatre in 1966, then remade with a new cast in 1977.

Producer Paul Stone had a longstanding ambition to create "the ultimate in children's drama" after discovering Masefield's 1935 novel The Box of Delights in the 1970s. Stone told Books for Keeps: "as soon as I read it I wanted to make it for television. It's an amazing and singular mixture of adventure story and poetic myth and the writing is packed with visual imagery...television is uniquely able to translate those qualities from one medium to another".

It took Stone ten years to obtain the rights and to get the green light on the production. There had been plans to make a Hollywood feature film of the book, so the rights had to be re-negotiated with the Masefield Trust, who administered the author's estate. Stone said in an interview with the Radio Times that this delay was "a blessing" since the story "call for feats of animation which television simply couldn't realise five, perhaps even two or three years ago."

Director Renny Rye was at that time on staff in the BBC Children's department at Television Centre, but had previous experience from the drama department, so was chosen by Edward Barnes to direct what would be one of their most ambitious children's dramas to date. With a large number of effects shots, coupled with extensive location filming, the production was the most expensive children's drama the BBC had yet created, costing more than £1 million in 1984.

Casting

To play Kay Harker, the main child protagonist, two hundred children were auditioned. Director Renny Rye recalls: "My purist notion was that children's imagination was so great they could do it better if they hadn't been tutored. So I went round lots of schools and saw children from many, many schools." Devin Stanfield was chosen on account of having "a good face without seeming too modern or too handsome...the demands of filming called for someone with a great deal of stamina a ready imagination, especially as he'd be called upon to react to invisible delights that would only afterwards be electronically added to the film." Stanfield was the grandson of the actor Leslie Sands and had previously had a few small parts in television programmes.

The kindly Punch and Judy man Cole Hawlings was played by Patrick Troughton, famous for his portrayal of the Second Doctor in Doctor Who between 1966 and 1969. Renny Rye said that Troughton "was my favourite Doctor Who... had a quality that is unsurpassed, I think, as someone to pull you into a tale." A Blue Peter feature at the time connected Cole Hawlings to the actor's earlier role, observing that Troughton was once again playing a mysterious, scruffy time traveller.

Robert Stephens was cast to play the sinister antagonist Abner Brown. He recalled hearing the 1948 BBC Radio production on Children's Hour when he was seventeen and was so thrilled to be asked to appear in the television version he replied "Of course - for nothing!" At the time, he was portraying one of the ugly sisters in a panto when Rye discussed the role with him. Stephens said that he enjoyed the novel's depiction of the "magician and gangster" Abner dressing as a clergyman, since it upset the expectations of the audience. In a review for Charlie Brooker's Screenwipe, Rhys Thomas said that Stephens "put so much into it...he doesn't camp it up and make it funny, he's just really frightening."

Stephens’ partner and future wife, Patricia Quinn, best known for The Rocky Horror Picture Show, was cast as Brown's own partner in crime, Sylvia Daisy Pouncer.

Herne the Hunter was portrayed by Glyn Baker who previously played an imperial officer, Lieutenant Endicott in Return of the Jedi.

Julian Sands was cast as one of the Greek soldiers. According to Rye, Sands "also loved the story and wanted to be involved."

Filming

Railway station scenes were filmed at Bewdley and Arley on the steam heritage Severn Valley Railway; Tewkesbury became the fictional Tatchester; the bishop's children's party was recorded at Kinlet Hall, Shropshire (the location of Moffats Independent School, whose pupils and staff served as extras); the interior of Hereford Cathedral and its choir were featured extensively in the final episode (although the exterior of "Tatchester Cathedral" was Tewkesbury Abbey). Exterior shots of Abner Brown's theological college were filmed at Eastnor Castle, near Ledbury, Herefordshire. The snowy mountainous landscape of King Arthur's castle was filmed at the Peel of Lumphanan, Lumphanan, Aberdeenshire. During filming, the crew were almost snowed in by 12-foot blizzards. Renny Rye recalls: "We could hardly use any of the locations I'd recced because we couldn't get out of the hotel. Nearly all the locations were unreachable because the snow was so thick (which is why it looks quite magical in the film), so virtually all of it was shot in the hotel gardens."

Visual effects

The production featured an ambitious number of visual effects for its day, particularly the combining of real actors and hand-drawn animation in the Herne the Hunter scenes. These effects were supervised by Tony Harding (visual effects designer) and Robin Lobb (video effects). Paul Stone told the Radio Times that the programme featured "new sophistications of colour separation overlay, of the electronic 'paintbox' and the Quantel technologies." The latter allowed the shrinking of the actor to one-twentieth of the original image size, allowing Kay to shrink to a toy boat or Cole to disappear into a painting. Colour Separation Overlay (the BBC's term for chroma keying) had been in use at the Corporation since the 1970s, but had not been used to the extent of The Box of Delights. Unlike the more common green screen used for digital effects, CSO used blue as the primary keying colour.

When production began, Rye recalls that this process could only be created live in a studio, so the composite background and foreground images had to be fed through a desk. The Visual Effects team designed a system which took a black and white key of the foreground subject at the same time, meaning that images taken some time apart could be combined in post-production. Rye recalls "This was the biggest leap forward technically at the time. It meant that a lot of the things I couldn't work out how to do I could suddenly do.

The post-production process took six months, aided by the BBC developing a new effects studio at Television Centre. The staff were able to use the programme as a test bed for new technology. For example, the Ampex Digital Optics (ADO) machine was purchased for the studio shortly after post-production work began meaning that they would zoom composite video sources during flying sequences. Rye recalls for one effects shot in episode 2 "we had to link up eleven separate inputs into this video studio. Seven or eight of them were video machines, which were downstairs. We were taking machines away from Match of the Day highlights and Top of the Pops, which were being made at the same time, to feed images in to create one image."

Soundtrack

The opening and closing title music features an orchestral arrangement of "The First Nowell" extracted from the third movement of the Carol Symphony (Andante quasi lento e contabile) by Victor Hely-Hutchinson. The movement had previously been used for the 1940s Children's Hour radio adaptation and has become synonymous with the story. Hely-Hutchinson wrote his Carol Symphony in 1927, and had a long association with the BBC, eventually becoming its Director of Music in 1944 until his death aged 45 during the harsh winter of 1947 when he caught pneumonia as a result of refusing to turn on the heating in his office.

Jon Jacob notes describes the work's suitability for the titles: "It's not immediately obvious what we're listening to at the beginning...one steady note in the strings hangs in the air; a harp creates an eerie music-box effect. A counter-melody joins soon after. A vague sense of menace threatens to overpower...The unsettling feeling doesn't last for long: it's resolved with the quietest of bassoons playing one suspended note transforming the moment into a quiet triumph and, the introduction of a familiar carol – The First Noel."

The recording used in the 1984 adaption was from a 1966 EMI recording (LP catalogue No. ESD 7021) featuring the Pro Arte Orchestra conducted by Barry Rose. Incidental music is by Roger Limb of the BBC Radiophonic Workshop using a combination of orchestral and synthesised instruments. Tom Urges notes that Limb's incidental music "adds to the heady mix of ancient and modern, of reality and fantasy, and builds on the atmosphere we are prepared for as viewers by one of the best choices of theme music in the history of British TV."

An extract featuring the "First Nowell" title segment was released as a single by BBC Records. A soundtrack album was released in December 2018 by Silva Screen Records (SILCD1547).

Track listing

All tracks are written by Roger Limb, except where noted

Reception

The BBC TV production of The Box of Delights won three British Academy of Film & Television Arts awards (BAFTAs) and a Royal Television Society award: The serial was nominated for five BAFTAs - for best Children's Programme, Video Cameraman, Graphics, Video Lighting and VTR Editor; and won three - for best Children's Programme, VTR Editor and Video Lighting. The Royal Television Society award was won for Technique, for Robin Lobb and the BBC Special Effects team.

In the mid-1980s the BBC made concerted efforts into making productions for international sale, and the success of The Box of Delights on PBS in the U.S. led to commissioning of further fantasy series, in particular The Chronicles of Narnia (1988–90).

In 2015, Radio Times magazine reported that amongst its audience:

The Box of Delights made a big impression on those who saw it when it originally aired more than three decades ago on BBC1. Mainly because it somehow managed to be the image of snowy Edwardian chocolate-box perfection, and pretty bloody creepy at the same time...The incidental music and special effects — while nostalgic for those who revere, say, Peter Davison-era Doctor Who — do seem dated to 21st-century kids dazzled by CGI. But the whole thing is carried off with such innovative spirit and charm that it really doesn't matter."

The children's author Piers Torday noted that the series was his first experience of "appointment to view" television, stating "The early special effects in the style of Doctor Who were as stardust to my young eyes...It wasn't only the state-of-the-art animation and the compelling performances that captured my imagination, but also the magic of the story."

Simon Brew, reviewing the series for Den of Geek! in 2011 was of the opinion that although dated in some respects, the festive atmosphere and story contribute to its continued appeal:

Inevitably, under greater scrutiny, it's not hard to see the Sellotape holding it all together in places. There's also a lull in the middle of the story that's hard to ignore, and cliffhangers that are barely worthy of the name. But there's also a strong drama, with surprisingly broad appeal here. It benefits from such a large cast...the ambition of the production, and the weaving in of practical effects, animation, and some computer work, is quite excellent...Most of all, though, it just works. It has a strange quality, in that it just feels so right, that it doesn't require being picked at and pulled apart. It is what it is, and in this case, that means it remains one of the most magical Yuletide dramas that the BBC has ever made."

References

1. ^ "The Box of Delights". BBC Cult. Retrieved 14 October 2017.
2. ^ "Leave Us Not Little... Nor Yet Dark". BBC Genome Project. 24 December 1984.
3. "The Box of Delights". British Board of Film Classification. 1 November 2004.
4. Patrick Mulkern (25 November 2024). "What became of the child star of The Box of Delights". radiotimes.com. Radio Times. Retrieved 14 December 2024. I said that I'd already done the 20th anniversary. Back then I'd met Renny Rye at Pinewood and we shot a little interview for a DVD extra.
5. "The Box of Delights Blu-ray". hmm.com. HMV Store. Retrieved 10 December 2024.
6. Morgan Jeffery (19 November 2024). "The Box of Delights 40th anniversary airing confirmed by BBC Four". radiotimes.com. Radio Times. Retrieved 10 December 2024.
7. "Renny Rye Remembers... The Box of Delights". bbc.co.uk. BBC. Retrieved 14 December 2024.
8. "When the Wolves Were Running..." BBC Genome Project. 21 November 1984.
9. "Where Shall the 'Nighted Showman Go?". BBC Genome Project. 28 November 1984.
10. "In the Darkest Cellars Underneath". BBC Genome Project. 5 December 1984.
11. "The Spider in the Web". BBC Genome Project. 12 December 1984.
12. "Beware of Yesterday". BBC Genome Project. 19 December 1984.
13. "The Box of Delights (1986 broadcasts)". BBC Genome Project. 18 December 1986.
14. Lurie, Alison (2003). "John Masefield's Boxes of Delight". Boys and Girls Together. Penguin Books. p. 64.
15. Flynn, Simon (May 2003). "A Magic Curiously Suited to Radio?: The BBC and The Box of Delights". The Journal of the John Masefield Society. 12: 21–35.
16. ^ Triggs, Pat (November 1984). "Sound & Vision Special: The Box of Delights". Books for Keeps.
17. ^ Kingsley, Madeleine (17 November 1984), "A Box Full of Magic", Radio Times, pp. 101–103, retrieved 14 October 2017
18. ^ Allison, Deborah (24 November 2017). "Director Renny Rye On The Box Of Delights". Picturehouse.
19. "Blue Peter". 1984. 19 November 1984. BBC One.
20. ^ Chris Broughton (12 December 2022). "How we made Christmas classic The Box of Delights: 'For the snow scenes, a fire engine followed us around squirting foam'". theguardian.com. The Guardian. Retrieved 14 December 2024.
21. "Charlie Brooker's Screenwipe". Christmas special. A Very Screenwipe Christmas. 22 December 2006. BBC Four.
22. "Broadcast: The Box of Delights". genome.ch.bbc.co.uk. BBC Programme Index. Retrieved 14 December 2024.
23. ^ "The Box Of Delights – 1984 TV Filming Locations". The Box of Delights Archives. 20 November 2014. Retrieved 3 December 2017.
24. "The Box of Delights (1984) Filming Locations". IMDB. Retrieved 3 November 2011.
25. ^ "Hely-Hutchinson: The BBC man who created the ultimate Christmas music". About the BBC. 13 December 2016.
26. "The Box of Delights (1984)". Tom's Watch. 13 December 2017.
27. "The Box Of Delights (Theme From The BBC TV Series)". Discogs. 14 October 2017.
28. "The Box of Delights soundtrack". Silva Screen Records. 9 December 2018.
29. "BAFTA Awards Search the box of delights". www.bafta.org. Retrieved 14 April 2016.
30. "RTS Awards database". Archived from the original on 19 December 2013. Retrieved 31 January 2014.
31. Alistair McGown. "Children's TV Drama". BFI Screenonline. Retrieved 18 November 2017.
32. "What should I watch?: The Box of Delights". Radio Times. 25 November 2015.
33. Torday, Piers (30 November 2017). "Long Before Harry Potter', The Box of Delights Remade Children's Fantasy". The Guardian.
34. "Looking back at The Box Of Delights episode 6: Leave Us Not Little". Den of Geek!. 11 December 2011.

External links

• The Box of Delights at BBC Online
• The Box of Delights at IMDb

• BBC children's television shows
• Television shows based on British novels
• Period television series
• 1984 British television series debuts
• 1984 British television series endings
• British television series with live action and animation
• British children's fantasy television series