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The Lateness of the Hour
Studio album by Eric Matthews
Released	1997
Label	Sub Pop
Producer	Eric Matthews, Tony Lash
Eric Matthews chronology
It's Heavy in Here (1995) The Lateness of the Hour (1997) Six Kinds of Passion Looking for an Exit (2005)

The Lateness of the Hour is the second album by the American musician Eric Matthews, released in 1997. "My Morning Parade" was originally included as a 7" single with the vinyl version of the album. The album was part of the ork pop trend of the 1990s.

Production

The Lateness of the Hour was produced by Tony Lash and Matthews, who also played flugelhorn and harpsichord, among other instruments. Jason Falkner played guitar on the album; Matthews's younger brother Wes also contributed. Three songs, "Gilded Cages", "To Clear the Air", and "Festival Fun", do not include drums, bass, or guitar. Matthews recorded the vocals and acoustic guitars with Manley microphones.

Critical reception

Professional ratings

Review scores
Source	Rating
AllMusic
The Encyclopedia of Popular Music
Entertainment Weekly	B+
MusicHound Rock: The Essential Album Guide

Salon wrote that "it's ironic that the album's best moments are those when he tears down his Brill Building façade and turns the guitars up a bit, as on 'Everything So Real' and especially 'The Pleasant Kind', the one song where Matthews' melodic sensibility doesn't sound grave-robbed." Entertainment Weekly noted that "this smooth, lovely set of melancholia is never overwhelmed by its ambitions."

The Boston Globe stated that "Matthews' exceptional music is lovely and strange; if only his opaque lyrics were equally evocative." Rolling Stone determined that "the piano, bass and spare percussion on 'No Gnashing Teeth' serve an arrangement that would make Brian Wilson proud." The Dayton Daily News opined that Matthews "sings in a hushed whisper reminiscent of the late folkie Nick Drake."

The St. Catharines Standard listed it among the best 20 albums of 1997. The Philadelphia Inquirer also considered it to be one of 1997's best, deeming it a "florid masterwork."

AllMusic wrote that "the best songs have an effortless grace, while even the weaker moments are enjoyable because of the lavish arrangements."

Track listing

References

1. "Cardinal". Trouser Press. Retrieved 22 March 2022.
2. "Eric Matthews Biography, Songs, & Albums". AllMusic.
3. O'Connell, Sharon (Apr 4, 1998). "The Lateness of the Hour". Melody Maker. Vol. 75, no. 14. p. 45.
4. ^ Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 5. MUZE. p. 573.
5. Punter, Jennie (23 Aug 1997). "Eric Matthews The Lateness of the Hour". Toronto Star. p. J8.
6. ^ MusicHound Rock: The Essential Album Guide. Visible Ink Press. 1999. p. 723.
7. ^ "The Lateness of the Hour". Entertainment Weekly.
8. Wright, Rickey (October 17, 1997). "The Lateness of the Hour". Washington City Paper.
9. Morris, Chris (Aug 23, 1997). "Sub Pop feels the time is right for Eric Matthews". Billboard. Vol. 109, no. 34. pp. 10, 104.
10. Reighley, Kurt B. (Oct 1997). "Seriously Eric Matthews". CMJ New Music Monthly. No. 50. p. 26.
11. Epstein, Dan (Oct 1997). "The magic & craft of classic guitar pop". Guitar Player. Vol. 31, no. 10. pp. 100–108.
12. ^ "The Lateness of the Hour". AllMusic.
13. Athitakis, Mark (September 4, 1997). "The Lateness of the Hour". Salon.
14. Wolff, Carlo (1 Jan 1998). "Eric Matthews The Lateness of the Hour". Calendar. The Boston Globe. p. 25.
15. Greenberger, David (Sep 4, 1997). "The Lateness of the Hour". Rolling Stone. No. 768. p. 70.
16. Underwood, Bob (10 Oct 1997). "Recordings on Review". Go!. Dayton Daily News. p. 20.
17. Crossingham, John (2 Jan 1998). "Best Spins of '97". St. Catharines Standard. p. D1.
18. Moon, Tom (21 Dec 1997). "Music's Hits – and Misses". The Philadelphia Inquirer. p. F1.

• Eric Matthews (musician) albums
• 1997 albums
• Sub Pop albums