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"The Obvious Child"
Single by Paul Simon
from the album The Rhythm of the Saints
Released	September 1990 (1990-09)
Recorded	Various 1990 The Hit Factory, New York City Estúdio Transamérica, Rio de Janeiro Impressao Digital Studios, Vinhedo, Brazil Studio Guillaume Tell, Suresnes, France
Genre	Pop rock worldbeat
Length	4:10
Label	Warner Bros.
Songwriter(s)	Paul Simon
Producer(s)	Paul Simon
Paul Simon singles chronology
"Under African Skies" (1987) "The Obvious Child" (1990) "Proof" (1991)

"The Obvious Child" is a song recorded by American singer-songwriter Paul Simon. It was the lead single from his eighth studio album, The Rhythm of the Saints (1990), released by Warner Bros. Records. Written by Simon, its lyrics explore mortality and aging. The song is accompanied by a performance from Brazilian drumming collective Olodum in a live recording.

The single, released in September 1990, was commercially successful, performing well on charts worldwide. In the United States, it was mainly successful on the Album Rock Tracks chart, where it peaked at number 21. Outside the US, "The Obvious Child" was a top 15 hit in the United Kingdom and the Netherlands. The song received highly positive reviews upon its release. Simon promoted the song alongside Olodum in a performance on Saturday Night Live. The song also influenced popular culture; it is the namesake of the 2014 film Obvious Child.

Background

The rhythm tracks are performed by Grupo Cultural Olodum, a drumming collective ("bloco afro") directed by "Neguinho do Samba" (Alves de Souza) and also signed to Warner Bros. It, like many songs on The Rhythm of the Saints, was recorded live in the streets of Pelourinho Square of Salvador, Brazil in February 1988. Microphones were hung from windows or on telephone poles to capture the performances. According to Simon, "Hundreds of people gathered. It was an amazing day — an amazing recording experience." The vocal track was recorded at the Hit Factory in New York City.

The music video is bookended by a scene of two men playing capoeira.

Composition

The song's drum introduction is indebted to "Madagascar", a song by Olodum from their 1987 LP Egito Madagáscar. Writer Steve Sullivan writes that the figure is a "standard device" for the group, who also employ abbreviated versions of it elsewhere on the album: "Salvador Nao Inerte" and "Vinheta Cuba-Brasil". Following this, the song breaks into an instrumental fragment that, according to Stephen Holden of The New York Times, echoes the Silhouettes' 1957 doo-wop hit, "Get a Job". Holden also compared the song's conclusion to another doo-wop song, The Charts' "Desirie" (1957).

The song's lyrics thematically relate to a fear of aging and leaving behind the "boldness of youth," according to Sullivan. Holden considered it a story of an everyman pondering the uncertainty of life whilst navigating his high school yearbook. Rolling Stone's John Mcalley too found it an everyman battling the fact that his "days have become defined by their limitations and dogged ordinariness." For The Rhythm of the Saints, Simon was inspired by poet Derek Walcott, and would base first-draft lyrics on his poems. Simon attempted to match the rhythmic quality of the composition with his lyrics, whether that meant a lyric was meaningless or not. A lyric relating to "the cross is in the ballpark," for example, has no meaning; Simon said, "I found to be a satisfying rhythmic phrase against the drums."

Chart performance

"The Obvious Child" performed well on singles charts in several territories worldwide. In the United States, the song reached a peak of number 92 on the Billboard Hot 100 on January 5, 1991; it spent five weeks on the chart as a whole. It performed better on the magazine's Mainstream Rock Tracks chart, where it placed at number 21 on November 10, 1990, and on the Modern Rock Tracks chart, where it reached a peak of number 24 a week earlier on November 3. It had more longevity on the former chart, where it spent ten weeks total. In Canada, the song debuted on the RPM 100 on October 20, 1990 at position 98. It peaked at number 28 during the week of December 8, 1990, and remained at that peak for two weeks.

Internationally, the single performed better. In the United Kingdom, the song premiered on the UK Singles Chart on September 30, 1990 at number 61, and rose over the following weeks to a peak of number fifteen on November 4, 1990. It charted best in the Netherlands' Nationale Top 100, where it reached a peak of number 12. On Belgium's Ultratop 50, it hit number 29. In Australasian territories, it charted right outside the top 40: in Australia, the song reached number 42, and in New Zealand, it peaked at number 46.

Reception

Upon its release, "The Obvious Child" received positive reviews from music critics of the time. Stephen Holden of The New York Times was perhaps the most effusive:

The song "The Obvious Child" sounds like nothing else in contemporary pop. With its juxtaposition of early rock-and-roll and South American percussion that echoes the martial drumbeats on Mr. Simon's 1975 hit, "Fifty Ways to Leave Your Lover", it telescopes pop fragments that span more than three decades and three continents into an allusive musical reverie that is beyond generic designation. Even more than on his 1986 masterpiece, the album Graceland, Mr. Simon has melded, reshaped and refined the roots music of divergent cultures into a studio art song of layered textures and wistful, mysterious poetry.

Greg Sandow of Entertainment Weekly praised the song's "confident drums that resound with special exuberant zing." A reviewer for People felt that "the more exotic musical elements are subsumed by Simon's pretty pop structures You never get the impression that Paul has truly gone native or even considered it. He's more like a kid camping under the stars in his own backyard."

Reviews have remained very positive over time. Writer Steve Sullivan, in his book Encyclopedia of Great Popular Song Recordings, Volume 1 (2013), calls the song "an extraordinary work that surpasses any individual song Paul Simon had ever produced as a solo artist." Cameron Scheetz, in a 2014 article for The A.V. Club, examined the song; he called it "the perfect confluence of the wild, frenetic drumming and Simon's folksy melodies."

Promotion and use in media

Simon performed the song, accompanied by Olodum and Neguinho do Samba, on Saturday Night Live on November 17, 1990.

The song is the namesake for the 2014 film Obvious Child; it appears in a scene in which two characters drunkenly dance together. Director Gillian Robespierre titled the film with hope that its meaning would be ambiguous.

Formats and track listing

All songs written by Paul Simon, except where noted.

Charts

Notes

References

1. ^ Larry Crook (2013). Focus: Music of Northeast Brazil. Scarecrow Press. ISBN 978-0810882959.
2. ^ Kingston 2000, p. 278.
3. ^ Steve Sullivan (2013). Encyclopedia of Great Popular Song Recordings, Volume 1. Scarecrow Press. ISBN 978-0810882959.
4. ^ Stephen Holden (October 14, 1990). "POP; Paul Simon's Journey To Brazil and Beyond". The New York Times. Retrieved August 13, 2015.
5. John Mcalley (November 6, 1990). "The Rhythm of the Saints – Review". Rolling Stone. No. 486. Retrieved August 13, 2015.
6. ^ "Paul Simon Chart History (Hot 100)". Billboard. Retrieved August 13, 2015.
7. ^ "Paul Simon - Chart history". Billboard. Prometheus Global Media. Retrieved August 13, 2015.
8. ^ "Paul Simon - Chart history". Billboard. Prometheus Global Media. Retrieved August 13, 2015.
9. "RPM100: Hit Tracks & Where to Find Them" (PDF). RPM. 52 (23). Ottawa: Library and Archives Canada. October 20, 1990. Retrieved August 13, 2015.
10. ^ "RPM100: Hit Tracks & Where to Find Them" (PDF). RPM. 53 (4). Ottawa: Library and Archives Canada. December 8, 1990. Retrieved August 13, 2015.
11. "RPM100: Hit Tracks & Where to Find Them" (PDF). RPM. 53 (5). Ottawa: Library and Archives Canada. December 15, 1990. Retrieved August 13, 2015.
12. "Archive Chart: 1990-09-30"". Official Charts Company. Retrieved August 13, 2015.
13. ^ "Official Singles Chart Top 100". Official Charts Company. Retrieved August 13, 2015.
14. ^ "Paul Simon – The Obvious Child" (in Dutch). Single Top 100. Retrieved August 13, 2015.
15. ^ "Paul Simon – The Obvious Child" (in Dutch). Ultratop 50. Retrieved August 13, 2015.
16. ^ "Paul Simon – The Obvious Child". ARIA Top 50 Singles. Retrieved August 13, 2015.
17. ^ "Paul Simon – The Obvious Child". Top 40 Singles. Retrieved August 13, 2015.
18. Greg Sandow (October 26, 1990). "The Rhythm of the Saints – Review". Entertainment Weekly. Retrieved August 13, 2015.
19. "Picks and Pans Review: The Rhythm of the Saints". People. 34 (20). November 19, 1990. Retrieved August 13, 2015.
20. ^ Cameron Scheetz (December 9, 2014). ""The Obvious Child" is 24 years old, but it's all about the present". The A.V. Club. The Onion. Retrieved August 13, 2015.
21. Nathan Rabin (June 3, 2014). "Gillian Robespierre and Jenny Slate on finding Obvious Child's voice". The Dissolve. Retrieved August 13, 2015.
22. "Eurochart Hot 100 Singles" (PDF). Music & Media. November 17, 1990. Retrieved June 21, 2021.
23. "Nederlandse Top 40 – week 45, 1990" (in Dutch). Dutch Top 40. Retrieved April 25, 2020.
24. "Top 100-Jaaroverzicht van 1990". Dutch Top 40. Retrieved April 25, 2020.
25. "Jaaroverzichten – Single 1990" (in Dutch). MegaCharts. Retrieved April 25, 2020.

Sources

• Bennighof, James (2007). The Words and Music of Paul Simon. Greenwood Publishing Group. ISBN 978-0-275-99163-0.
• Eliot, Marc (2010). Paul Simon: A Life. John Wiley and Sons. ISBN 978-0-470-43363-8.
• Kingston, Victoria (2000). Simon & Garfunkel: The Biography. Fromm International. ISBN 978-0-88064-246-0.

External links

• Official music video on YouTube

• 1990 singles
• 1990 songs
• Paul Simon songs
• Songs written by Paul Simon
• Song recordings produced by Paul Simon
• Warner Records singles
• Songs about old age