| The Right and the Wrong | |
|---|---|
| Directed by | Harbance Kumar |
| Screenplay by | Freddy Kisoon |
| Starring |
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| Music by |
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| Production companies |
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| Distributed by | Anglo-Overseas Film Distributors |
| Release dates |
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| Running time | 103 minutes |
| Country | Trinidad and Tobago |
| Language | English |
| Budget | US$50,000 |
The Right and the Wrong is a 1970 Trinidadian drama film directed by Harbance Kumar, in which Trinidadian slaves revolt against their cruel white master. Along with The Caribbean Fox (also directed by Kumar), it was one of the first films natively produced not only in Trinidad and Tobago, but also the English-speaking West Indies. Despite mediocre reception, it was a hit in its native country and was screened in several other Caribbean nations.
Synopsis
During the age of slavery, Indian and African slaves on a Trinidad plantation revolt against their cruel white master. Infighting between two factions of rebels—one yearning for the creation of a maroon community and peaceful ethnic unity, the other demanding an overthrow of the system—stands in the way of the campaign.
Cast
Taken from the British Film Institute (BFI) database.- Angela Seukaran as Chanda
- Gloria David as Didi
- Ralph Maharaj as Shyam
- Jesse Macdonald as Jojo
Guyanese actor Marc Mathews also appeared in a lead role.
Production
The Right and the Wrong was the first feature film to be natively produced in Trinidad and Tobago, and in turn the English-speaking West Indies. It was also one of the first two productions in either regard, the other being The Caribbean Fox; both were directed in 1970 by Harbance Kumar. Their production company, De Luxe Films, was a Trinidadian/Guyanese distributor of Indian cinema; Kumar also formed an outlet named Anglo-Overseas Film Distributors to produce them. Prior to their filming, Kumar supervised local subtitling of Indian films, and director of photography Robert Hawkins was an employee of Pearl & Dean's Trinidadian unit. Made for US$50,000, The Right and the Wrong was shot on an agricultural estate in Arouca with amateur actors and crewmembers.
Themes
The London-area Kensington Post newspaper wrote that the film "comes out strongly in favour of non-violence and the teachings of Martin Luther King". Critic Bob Geurink of The Atlanta Journal-Constitution observed that "The mystique of Gandhi prevails throughout."
Release and reception
Both of Kumar's features became popular in their native Trinidad and Tobago and in other Caribbean territories, even receiving a double-feature release overseas. Marketed as "a story of lust, passion and violence set in Trinidad at the time of slavery", The Right and the Wrong was also a hit in Guyana, Grenada, and Suriname, breaking box-office records in the latter two territories. The film received support from native audiences who were "proud that a small country could produce a feature film". Concerns over its "problematic representation of history and plantation life" led to Black Power demonstrations during its Guyanese run. At the Atlanta Film Festival, the film won a Gold Medal for photography.
Despite its financial success, The Right and the Wrong was criticised for its poor production values and acting, as well as its below-average script. Reviewers gave less than positive notices, but nonetheless supported the Caribbean's efforts to make their own films. In its native country, the Trinidad Express said that "the abominable low quality of its product is obvious to everybody." During its U.S. arthouse run in Atlanta, Bob Geurink found it "overdone" and said, " takes a commendably strong line against violence, shows much less depth...when it deals with that always-complex topic: people." When released in Britain, the Monthly Film Bulletin's Richard Combs called it "penny dreadful material". In a 2009 issue of the Black Camera journal, Bruce Paddington and Keith Q. Warner found the premise of African and East Indian slaves working together anachronistic; the latter group did not arrive in Trinidad until emancipation was proclaimed.
Legacy
At the time of his films' release, director Kumar was touted as the pioneer of Trinidad's nascent cinema industry. While his ambitions to make his country "the Hollywood of the West Indies" bore little fruit in the decades afterward, it would inspire others in the region to make their own productions. In a 2010 Caribbean Beat article, The Right and the Wrong was cited as one of several films spearheading the short-lived "Caribbean New Wave" movement.
See also
- List of Trinidad and Tobago films
- The Harder They Come (1972), Jamaica's first feature film
References
- ^ "The Right and the Wrong (1970)". British Film Institute (BFI). Archived from the original on 14 May 2022. Retrieved 14 May 2022.
- ^ Keresztesi, Rita (11 November 2020). "5: Caribbean Black Power in cinema and fiction". Literary Black Power in the Caribbean: Fiction, Music and Film. Routledge. p. 148. ISBN 978-1-00-022162-6. Retrieved 14 May 2022 – via Google Books.
- ^ "pioneers of caribbean film". trinidad+tobago film festival. 12 April 2022. Archived from the original on 30 March 2024. Retrieved 27 August 2024.
- ^ "Golly Moses! It's the Sparrow in drag". Kensington Post. 3 September 1971. p. 1. Retrieved 27 August 2024 – via Newspapers.com.
- ^ "The Right and the Wrong (X)". British Board of Film Classification (BBFC). 15 July 1971. Archived from the original on 14 May 2022. Retrieved 14 May 2022.
- Paddington & Warner 2009, pp. 94, 98–99.
- ^ Warner, David Q. (1999). "Creativity, Spirituality, and Identity". In Okpewho, Isidore; Davies, Carole Boyce; Mazrui, Ali Al'Amin (eds.). The African Diaspora: African Origins and New World Identities. Indiana University Press. p. 478. ISBN 0-253-33425-X. Retrieved 27 August 2024 – via Google Books.
- ^ Paddington & Warner 2009, p. 99.
- ^ Paddington & Warner 2009, p. 98.
- Paddington & Warner 2009, p. 94.
- ^ Paddington & Warner 2009, pp. 98–99.
- ^ Geurink, Bob (23 November 1971). "Movie Review: It's Overdone: 'Right and Wrong' Comes Off Too Strong on Peace". The Atlanta Journal-Constitution. p. 7-B. Retrieved 27 August 2024 – via Newspapers.com.
- Ali, Jonathan (September–October 2010). "Riding the new wave of Caribbean cinema". Caribbean Beat. No. 105. Caribbean Airlines/Media & Editorial Projects Ltd (MEP). ISSN 1680-6158. Archived from the original on 27 August 2024. Retrieved 27 August 2024.
Sources
- Paddington, Bruce; Warner, Keith Q. (Winter 2009). "The Emergence of Caribbean Feature Films". Black Camera. 1 (1). Indiana University Press: 91–108. doi:10.2979/blc.2009.1.1.91. JSTOR 10.2979/blc.2009.1.1.91. S2CID 144560687. Retrieved 14 May 2022 – via JSTOR.