 First edition cover | |
| Author | Paul Beatty |
|---|---|
| Illustrator | Matt Buck |
| Cover artist | Rodrigo Corral |
| Language | English |
| Genre | Fiction |
| Publisher | Farrar, Straus and Giroux |
| Publication date | March 3, 2015 |
| Publication place | United States |
| Media type | Print (Hardback) |
| Pages | 304 pp. |
| ISBN | 978-0374260507 |
The Sellout is a 2015 novel by Paul Beatty published by Farrar, Straus and Giroux, and in the UK by Oneworld Publications in 2016. The novel takes place in and around Los Angeles, California, and muses about the state of racial relations in the U.S. today. In October 2016, it won the Booker Prize, making Beatty the first US writer to win that award.
Background
Published in 2015, The Sellout was the latest in Paul Beatty's body of work that explores racial identity in the United States and the pervasive historical effects of racism. Beatty's other notable works include The White Boy Shuffle, Tuff, and Slumberland. Beatty has stated his motivation for writing the novel was that " was broke". Although The Sellout was not written in response to any specific event, the novel was released during a time of racial reckoning surrounding multiple instances of police brutality and the Ferguson, Missouri protests.
Plot summary
The narrator and most of the characters are African-Americans in an urban farming area in the fictional town of Dickens, California. The story begins with the narrator (referred to as either "me" or "Bonbon") standing trial before the Supreme Court for crimes related to his attempt to restore slavery and segregation in his hometown of Dickens, an "agrarian ghetto" on the outskirts of Los Angeles, California. Sitting before the court, Bonbon starts to reflect on what led up to this moment and recounts his upbringing. Bonbon had a tenuous relationship with his father, an unorthodox sociologist who performed numerous traumatizing social experiments on him as a child and held lofty expectations for Bonbon to become a respected community leader in Dickens. A few years before the Supreme Court case, Bonbon's father is murdered by the police, after which Bonbon struggles to find his identity and a purpose in life. At first, Bonbon is content to withdraw from the community and continue his agricultural endeavors of growing artisanal watermelons and marijuana without his father’s judgement.
One day, however, the town of Dickens spontaneously disappears from the map and becomes unincorporated, a change that Bonbon attributes to Dickens' undesirable socioeconomic and racial demographics. Bonbon sets out to restore Dickens' existence through any means possible. Bonbon enlists the help of Hominy Jenkins, an old man and former child actor, to paint provocative road signs and boundary lines that draw attention to Dickens’ existence. After those attempts are fruitless, Bonbon continues a step further and attempts to reinstitute both slavery and segregation in Dickens and bring back what he believes to be a unifying power structure in the town. He first attempts to re-segregate a public bus driven by his ex-girlfriend by posting "white-only signs" in the front of the bus. He later tries to open an all-white school next to the local high school. Meanwhile, Hominy offers to become Bonbon's slave, to which a reluctant Bonbon eventually agrees. As the absurdity of Bonbon's actions are noticed on a wider scale, Hominy causes a large accident that ultimately leads to the Supreme Court case.
Genre
The Sellout is a fictitious, satirical novel about racial relations in the U.S. Beatty utilizes stereotypes and parody throughout the story to inject social commentary. Beatty's other works are mostly humorous as well, but Beatty has claimed that he does not view himself as a satirical author.
Analysis
The Sellout has been seen by many as a critique of the idea that American society is post-racial. According to literary scholar Henry Ivry, the satirical devices used throughout the book bring attention to the current issues of systemic racism and mock the conventional approaches that American society has taken to remedy these issues. Similarly, University of Albany professor Steven Delmagori notes that the pointed comedy in the novel establishes white privilege as a central issue facing American society, but Beatty simultaneously pokes fun at the overly individualistic view that has dominated the discourse around white privilege. Another scholar, Judit Friedrich, stipulates that Beatty's writing may seem taboo at first, but his flippant treatment of serious racial issues -- from segregation to economic inequality -- call out society's unwillingness to discuss and substantively address these issues.
Reception
The novel was well received by critics, who praised its humor, ostensibly satirical content, and rich social commentary. According to Book Marks the book received "rave" reviews based on twelve critic reviews, with eight being "rave" and four being "positive". On Bookmarks May/April 2015 issue, a magazine that aggregates critic reviews of books, the book received a 
(4.0 out of 5) based on critic reviews with a critical summary saying, "This comic achievement, satirical, profane, and profound, marks Beatty as "today's Twain" (San Francisco Chronicle)".
In The Guardian, Elisabeth Donnelly described it as "a masterful work that establishes Beatty as the funniest writer in America", while reviewer Reni Eddo-Lodge called it a "whirlwind of a satire", going on to say: "Everything about The Sellout's plot is contradictory. The devices are real enough to be believable, yet surreal enough to raise your eyebrows." The HuffPost concluded: "The Sellout is a hilarious, pop-culture-packed satire about race in America. Beatty writes energetically, providing insight as often as he elicits laughs." In Literary Review, Jude Cook described Beatty's narrator Me as irresistible, "a hip, irreverent, salty and above all militant voice," whose "absurdist, carnivalesque rants belie the penetrating social analysis beneath."
Historian Amanda Foreman, chair of the judges of the Man Booker prize, said:
"The Sellout is one of those very rare books that is able to take satire, which is in itself a very difficult subject and not always done well, and it plunges into the heart of contemporary American society and, with absolutely savage wit, of the kind I haven't seen since Swift or Twain, both manages to eviscerate every social taboo and politically correct, nuanced, every sacred cow, and while both making us laugh, making us wince. It is both funny and painful at the same time and it is really a novel of our times."
Beatty has indicated surprise that critics refer to the novel as a comic one, indicating his belief that discussing the comic aspects of the novel prevents critics from having to discuss its more serious themes.
Awards and honors
- 2016 National Book Critics Circle Award (Fiction), winner.
- 2016 Booker Prize, winner.
The Sellout was the first American book to win the prestigious Booker prize, an award traditionally reserved for English-language literature not from the United States. The contest began considering American literature in 2013. In 2024, the New York Times named The Sellout the 17th best book of the 21st century.
Publication
The Sellout was published in 2015 by Farrar, Straus and Giroux and UK publishing house Oneworld Publications.
References
- ^ Garner, Dwight (February 26, 2015). "Review: 'The Sellout,' Paul Beatty's Biting Satire on Race in America". The New York Times. Retrieved January 2, 2016.
- Schaub, Michael (March 2, 2015). "'The Sellout' Is A Scorchingly Funny Satire On 'Post-Racial' America". NPR. Retrieved January 2, 2016.
- ^ Reidy, Darren (24 March 2015). "Paul Beatty on Race, Violence and His Scathing New Novel 'The Sellout'". Rolling Stone. Retrieved 2 January 2016.
- Garner, Dwight (December 10, 2015). "The Top Books of 2015". The New York Times. Retrieved January 2, 2016.
- Dean, Michelle (October 25, 2016). "How Paul Beatty's win shakes the Jonathan Franzen-loving US literati". The Guardian. Retrieved October 26, 2016.
- Master, Tim, "Man Booker Prize: Paul Beatty becomes first US winner for The Sellout", BBC News, October 26, 2016.
- Alter, Alexandra. "Paul Beatty Wins Man Booker Prize with 'the Sellout'." The New York Times, Oct 26, 2016.
- Wolfe, Alexandra. "Novelist Paul Beatty on Writing and Satire; Paul Beatty on His Latest Book, 'the Sellout,' which Tackles Slavery and Segregation with Satire, and Why He Shuns Cellphones." Wall Street Journal (Online), May 22, 2015.
- Young, Kevin. "Paul Beatty's 'The Sellout'."New York Times (Online), Apr 09, 2015.
- "Man Booker Prize: Paul Beatty Becomes First US Winner for the Sellout." Armenpress News Agency, Oct 26, 2016.
- Williams, John. "Paul Beatty, Author of 'the Sellout,' on Finding Humor in Issues of Race." Mar 02, 2015.
- "A Swiftian Hero: Paul Beatty's Fiction." The Economist (Online), Oct 26, 2016.
- ^ Delmagori, Steven. "Super Deluxe Whiteness: Privilege Critique in Paul Beatty's the Sellout." Symploke, vol. 26, no. 1-2, 2018, pp. 417.
- Friedrich, Judit. "Levels of Discomfort: Paul Beatty's the Sellout as the First American Novel to Win the Man Booker Prize." HJEAS : Hungarian Journal of English and American Studies, vol. 25, no. 2, 2019, pp. 267-278,471,479.
- ^ Maus, Derek C. "The Sellout by Paul Beatty (Review)." Callaloo, vol. 39, no. 4, 2016, pp. 954-957.
- Ivry, Henry. "Unmitigated Blackness: Paul Beatty's Transscalar Critique." Elh, vol. 87, no. 4, 2020, pp. 1133-1162.
- ^ Alter, Alexandra. "Paul Beatty Wins Man Booker Prize with 'the Sellout'." The New York Times, Oct 26, 2016.
- Delmagori, Steven. "Super Deluxe Whiteness: Privilege Critique in Paul Beatty's the Sellout." Symploke, vol. 26, no. 1-2, 2018, pp. 417.
- ^ Ivry, Henry. "Unmitigated Blackness: Paul Beatty's Transscalar Critique." Elh, vol. 87, no. 4, 2020, pp. 1133-1162.
- Delmagori, Steven. "Super Deluxe Whiteness: Privilege Critique in Paul Beatty's the Sellout." Symploke, vol. 26, no. 1-2, 2018, pp. 417.
- Friedrich, Judit. "Levels of Discomfort: Paul Beatty's the Sellout as the First American Novel to Win the Man Booker Prize." HJEAS : Hungarian Journal of English and American Studies, vol. 25, no. 2, 2019, pp. 267-278,471,479.
- Delmagori, Steven. "Super Deluxe Whiteness: Privilege Critique in Paul Beatty's the Sellout." Symploke, vol. 26, no. 1-2, 2018, pp. 417.
- Colter Walls, Seth (March 4, 2015). "The Sellout by Paul Beatty review – a galvanizing satire of post-racial America". The Guardian. Retrieved January 2, 2016.
- ^ Crum, Maddie (March 4, 2015). "The Bottom Line: 'The Sellout' By Paul Beatty". The Huffington Post. Retrieved January 2, 2016.
- "The Sellout". Book Marks. Retrieved 16 January 2024.
- "The Sellout". Bookmarks. Retrieved 14 January 2023.
- "The Sellout". Bibliosurf (in French). 2023-10-04. Retrieved 2023-10-04.
- Donnelly, Elisabeth, "Paul Beatty on writing, humor and race: 'There are very few books that are funny'", The Guardian, March 10, 2015.
- Eddo-Lodge, Reni, "The Sellout by Paul Beatty review – a whirlwind satire about racial identity", The Guardian, May 11, 2016.
- Cook, Jude, "All About Me", Literary Review, September 29, 2016.
- Bullen, James, "Man Booker Prize 2016: US author Paul Beatty wins with The Sellout", Evening Standard, October 25, 2016.
- May, Chris (May 7, 2015). "Our Thing: An Interview with Paul Beatty". The Paris Review. Retrieved January 2, 2016.
- Alter, Alexandra (March 17, 2016). "'The Sellout' Wins National Book Critics Circle's Fiction Award". The New York Times. Retrieved March 18, 2016.
- Alice (September 13, 2016). "Man Booker Prize announces 2016 shortlist". Man Booker. Retrieved July 27, 2016.
- Friedrich, Judit. "Levels of Discomfort: Paul Beatty's the Sellout as the First American Novel to Win the Man Booker Prize." HJEAS : Hungarian Journal of English and American Studies, vol. 25, no. 2, 2019, pp. 267-278,471,479.
- Katie Allen (September 18, 2013). "Man Booker Prize reveals criteria changes". Retrieved November 20, 2023.
- "The 100 Best Books of the 21st Century". The New York Times. 8 July 2024. Retrieved 16 July 2024.
External links
- Armitstead, Claire, "The Sellout rips up rulebook for what award-winning fiction looks like Masters", The Guardian, October 25, 2016. Includes video and podcast featuring Paul Beatty.