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Thai three-color fabric belief is a symbolic item in Thai culture, often used to represent tradition, spirituality, and connection to the spiritual realm.
When traveling or visiting various locations in Thailand, one often notices large trees adorned with three-colored fabric wraps. In some instances, even seven-colored fabric may be used, sometimes there are also some food items and animal statues nearby.
In Thailand, the three-color fabric is very important. It shows tradition, belief, and history. People can see it in markets, shops, tied to trees, and even on vehicles. with common colors being yellow, pink, green, white, red, and blue. Furthermore, these colors are associated with Hindu beliefs that have had a long-standing influence on Thai society and culture.
This fabric represents how people, spirits, and sacred things are all connected in Thai culture. It shows respect for the spiritual world that Thai people believe in. Seeing this fabric everywhere reminds everyone of the strong connection between their past, their beliefs, and the natural world around them. This is a simple way of showing how deeply spiritual Thai culture is and how this belief is a part of everyday life.
History
The original believe (Hindu)
In Thailand, wrapping fabric around vehicles or trees is a symbolic gesture known as "Ruk Kha Thewada", venerating sacred entities deeply ingrained in Thai society and widely familiar to all. This tradition, rooted in Thai culture for generations, likely stems from the historical influences of Hinduism and Buddhism from South Asia, both of which reference these divine beings. While the practice of honoring "Ruk Kha Thewada" in Thai society originated from the influence of these religions, its actual implementation evolved from the longstanding belief in spirits inherent in Southeast Asia's natural world or from spirit worship traditions. Over time, as both religions exerted their influence, these spirits became integrated into Hindu and Buddhist beliefs, often symbolically represented. This amalgamation resulted in the fusion of beliefs related to Buddha, spirits, and deities to the extent that they became inseparable (This information is based on the website of the Journal of Cultural and Art Institute, Srinakharinwirot University). Moreover, ceremonies often incorporate 3 colors fabric to bestow auspiciousness upon worshippers and pay homage to the revered deities.
Thai culture
Currently, Hinduism plays a role in various ceremonies in Thailand culture, particularly those related to the monarchy, auspicious occasions, and festivals. These include royal ceremonies like the Royal Ploughing Ceremony, the Royal Kathin Ceremony, the First Furrowing Ceremony, the Tri-Yampawai-Tri-Pawa Ceremony, as well as cultural events like Songkran, Loy Krathong, and rituals involving objects such as the worship of household spirits (an expression of gratitude and seeking blessings from the deity residing in the objects).
In many of these ceremonies, there is the use of three-color fabric( In Thai culture, there are seven colors of fabric used in rituals, but some simplify it to three, calling it "three-color fabric." ), which symbolizes the different deities in Hinduism. However, in the past, numerous events have occurred that have led to relatively little knowledge about the correct practices according to Hindu customs. As for the Thai people of Malay-Muslim descent who have converted to Islam, some communities still maintain rituals or cultural traditions based on animistic beliefs until the present day.
Spirits
Three-color fabric is deeply rooted in animistic beliefs and is a common sight throughout Thailand, particularly in rural areas.
Animism is a belief that says everything in nature, like plants, animals, and even rocks, has a special spirit inside. This is an ancient idea found in many cultures. In animism, everything, from big mountains to tiny flowers, is thought to have its own soul or spirit. This includes things that might seem lifeless, like stones and rivers.
In Thai culture, animistic beliefs have been closely intertwined with Buddhism, the primary religion in Thailand. Animism manifests in various forms, often merging with Buddhist practices and local customs.
Nature spirit
Thai people often see three-colored fabric tied at the base of many trees until it becomes a familiar sight. The belief is that trees are inhabited by spirits, known as "Nang Mai" or "Phii Mai," which can be benevolent or malevolent. By tying the colorful fabric around the trunk of a tree, people believe they can appease these spirits and invoke their protection.
Furthermore, in Thai folklore, there are several specific tree spirits known as Nang Ta-Khian, Phosop, and Nang Tani. These spirits are believed to inhabit certain types of trees and are revered in local traditions.
Ancestor spirit
In Thai culture, respecting ancestor spirits is deeply ingrained, being a key aspect of religious and family customs. Ancestor veneration involves honoring deceased family members through rituals, offerings, and prayers.
Ancestral spirits, known as "Phii Puu" or "Phii Khao" in Thai, are believed to continue to exist in the afterlife and maintain a connection with their living descendants. It is thought that these spirits can influence the fortunes and well-being of their living relatives, either by providing protection and blessings or by causing misfortune if they are neglected or offended.
Deities spirit
In Thailand, spirits and deities play significant roles in religious and cultural practices. Thai spirituality is rich with belief in various supernatural beings, including deities and spirits.
Mae Yanang is well known for three-color fabric. Mae Yanang is a deities spirit that Thai people respect as protecting vehicles such as cars and boats or is believed to reside in cars and boats. Mae Yanang also can punish bad drivers. Thai people often use three-color fabric to tie knots on their vehicles. This practice is rooted in the belief that by doing so, they can invoke the protection and care of Mae Yanang, ensuring the safety of their journeys. There are many legends and beliefs about Mae Yanang according to the beliefs of each locality.
Fabric
Weaving accessories is a delicate task, requiring meticulous attention to detail. The ancient people had a unique talent for creating fabric, and once they successfully wove a piece, they often gifted it to loved ones like parents, monks, or revered figures, including deities spirits. Presenting woven fabric was a heartfelt expression of love, as each woven item symbolized significant effort and dedication.
Giving the fabric is thus a way of expressing emotions and showing respect. In ancient times, people considered fabric as a crucial element in various ceremonies and used it to demonstrate their reverence for sacred matters. Tying fabric of seven colors was believed to be a form of worship to the gods throughout the week. This practice involved arranging garlands with seven different colors, each representing a specific day as follows:
Sunday : red
Monday : soft white
Tuesday : Pink
Wednesday : Green
Thursday : Yellow or areca nut color.
Friday : Blue
Saturday : black
Black or very dark tones are uncommon, as there are no colors considered inauspicious.
References
- "ผ้า 3 สี วัฒนธรรมความเชื่อที่อยู่คู่คนไทยมาช้านาน". common: Knowledge, Attitude, make it Simple. Retrieved 2024-04-19.
- ผ่องสวัสดิ์, ชนินทร์. "คติความเชื่อเกี่ยวกับการบูชารุกขเทวดาในสังคมไทยมีอิทธิพลมาจากศาสนาฮินดูหรือพุทธศาสนากันแน่? where does a worship of Rukkhatewada in Thai society get an influence from Hinduism or Buddhism?". วารสารสถาบันวัฒนธรรมและศิลปะ. Retrieved 2024-04-19.
- "ตำนานความเชื่อของคนไทย". www.sanook.com/horoscope (in Thai). 24 August 2011. Retrieved 2024-04-19.
- Taylor, Bron. "Chidester--Animism" (PDF). Retrieved 2024-04-19.
- กองบรรณาธิการศิลปวัฒนธรรม. ""ผีบรรพบุรุษ" รอยต่อโลกวิญญาณ และการจัดระเบียบทางสังคม". ศิลปวัฒนธรรม. Retrieved 2024-04-19.
- ThaiTicketMajor. "ตำนานแม่ย่านาง! เทพผู้ปกป้องคุ้มครองนักเดินทาง". www.thaiticketmajor.com. Retrieved 2024-04-19.
- "ทำไมต้อง ๗ สี ๗ ศอก การผูกผ้าแพรกับสิ่งศักดิ์สิทธิ์". www.horonumber.com. Retrieved 2024-04-19.