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Treble booster

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Effects unit boosting treble frequencies

Treble booster into clean amp A treble booster (Rangemaster clone) into a clean amp. The gain is progressively increased.
Treble booster into crunch amp A treble booster (Rangemaster clone) into a crunch amp. High frequencies and distortion increase a lot.
Treble booster into distorted amp A treble booster (Rangemaster clone) into a distorted amp. High frequencies and distortion increase, giving a very tight and cutting sound.
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Fryer Sound Treble Booster Plus

A treble booster is an effects unit used by guitarists to increase the high end of their tonal spectrum. Many units boost the overall volume as well. Treble boosters were commonly used by guitarists in the 1960s and 1970s. During the last couple of decades, their popularity has increased again and many clones and reissues of the classic circuits have become available.

Many treble boosters made in the 1960s were designed to not boost the signal much. Vox even decreased the output of the American made version of their treble booster because they were afraid that the signal would overload the amplifier's input stage. Today, overdriving the input is considered one of the key features of a treble booster.

Popularized by guitarists such as Tony Iommi, Ritchie Blackmore, Rory Gallagher, Brian May, and Marc Bolan, treble boosters were used to overdrive amplifiers (mostly dark sounding, British tube models such as Marshall Bluesbreakers and Vox AC30s) in order to create a more distorted yet focused sound. They came up in the mid-1960s. By the 1980s they had fallen out of use. Guitarists used overdrive pedals instead, in a similar fashion. But the circuit and its derivatives have experienced a great revival in the 21st century, thanks to the many boutique builders who have rediscovered the circuit. While IC-based overdrive pedals remain far more popular than treble boosters, some players prefer the less compressed and more dynamic response of Rangemaster-family boosters.

BSM Treble Boosters

Dallas Rangemaster

One of the earliest treble boosters was the Dallas Rangemaster. Unlike most of today's clones, the original Rangemaster was not a pedal, but a box meant to be placed on top of the amplifier. The circuit makes use of a single OC71 or OC44 germanium transistor.

The original Rangemaster was an important ingredient for Brian May, Tony Iommi, Billy Gibbons, Marc Bolan or Rory Gallagher in finding their personal signature sound. Later some of these artists switched to close derivative circuits or tweaked clones - Tony Iommi's Rangemaster for example was modified to be full-range.

Hornby Skewes

Just like the Dallas Rangemaster, the Hornby Skewes treble booster was an amp-top unit.

While early Hornby Skewes Treble Booster units used a germanium transistor, the later, better-known version features a silicon transistor. Rumours about a JFET version may source from a misread part number.

It's prominently featured on Jethro Tull's Aqualung album.

It was also used by Ritchie Blackmore during the 1960s until 1974, when it was replaced by a modified AIWA tape recorder.

Hornby Skewes also made a bass booster and a treble and bass booster, the Hornby Selectatone T.B.2.

Vox

Vox made a variety of boosters that were meant to be plugged directly into amps or guitars, including the model V806 Treble Booster. Roger McGuinn installed one into his Rickenbacker guitar in the 1960s.

Electro-Harmonix

Electro-Harmonix used to make treble boosters in two different enclosures. The Screaming Bird was a plug-in device, whereas the Screaming Tree was a foot-pedal. The circuits were supposedly identical. In 2009 the pedal was reissued, bearing the Screaming Bird name.

Colorsound Power Boost

The Colorsound Power Boost is a treble and bass booster that runs on 18 volts, using two nine-volt batteries. David Gilmour used this orange coloured unit, but is often misunderstood to have used an Orange brand Treble Booster. Other notable users include Gary Moore. Later on the circuit was modified to run on 9V and sold as the Colorsound Overdriver.

References

  1. Vox Boosters - Jennings Musical Industries (JMI) 1964–1967
  2. Tony Iommi on Early Black Sabbath: 'People Were Very Frightened of Us' Archived 30 April 2009 at the Wayback Machine. Gibson.com. Retrieved on 7 September 2011.
  3. aNaLoG.MaN Vintage Guitar Effects. Analogman.com. Retrieved on 7 September 2011.
  4. Archived 15 June 2009 at the Wayback Machine
  5. www.dawksound.com – Hornby Skewes Treble Booster JFET. Dawkmods.proboards.com. Retrieved on 7 September 2011.
  6. http://www.martinbarre.com/gear.htm, Martin Barre writing about his gear
  7. Hornby Skewes Bass Booster | DiscoFreq's Effects Database. Effectsdatabase.com (11 September 2007). Retrieved on 7 September 2011.
  8. Hornby T.B. 2. Selectatone | DiscoFreq's Effects Database. Effectsdatabase.com (29 January 2009). Retrieved on 7 September 2011.
  9. Vox V806 Treble Booster | DiscoFreq's Effects Database. Effectsdatabase.com (20 June 2006). Retrieved on 7 September 2011.
  10. Roger McGuinn: Rickenbackers, Martins & Byrds Archived 19 July 2009 at the Wayback Machine. Premier Guitar. Retrieved on 7 September 2011.
  11. Electro-Harmonix Screaming Bird | DiscoFreq's Effects Database. Effectsdatabase.com (17 February 2006). Retrieved on 7 September 2011.
  12. Electro-Harmonix Screaming Tree | DiscoFreq's Effects Database. Effectsdatabase.com (6 November 2005). Retrieved on 7 September 2011.
  13. System Offline. Ehx.com. Retrieved on 7 September 2011.
  14. The Buyer’s Gear Guide : Boosters Archived 8 September 2009 at the Wayback Machine. Gilmourish (5 October 2008). Retrieved on 7 September 2011.
  15. Prown, Pete; Lisa Sharken (2003). Gear Secrets of the Guitar Legends: How to Sound Like Your Favorite Players. Hal Leonard. pp. 9–10. ISBN 9780879307516.

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