Misplaced Pages

Trompe-l'œil (mural)

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Artwork by Maria Bettina Cogliatti For the artistic term, see Trompe-l'œil.
Trompe-l'œil
The mural in April 2019
ArtistM. B. Cogliatti
Year1998 (1998)
TypeMural
Mediumacrylic paint
MovementColor field
DesignationOn behalf of the municipal government of Zug
ConditionRenovated
LocationZug
Coordinates47°10′11″N 8°30′50″E / 47.16968°N 8.5138°E / 47.16968; 8.5138

Trompe-l'œil is a 112-meter-long color field painting created in 1998 by Maria Bettina Cogliatti. It overlooks the Katastrophenbucht ("disaster bay") in Zug, Switzerland.

Description

Trompe-l'œil and the Katastrophenbucht, from Rigiecke park

Cogliatti painted Trompe-l'œil in 1998 with acrylic paint on the concrete wall of the Zug Vorstadtbrücke bridge.

In this artwork, she juxtaposed three warm and two cold color fields (or vice versa). 21 color tones are set in contrast to one another in such a way that the colors run from warm yellow-orange on the side of the Vorstadtquai to rich purple, green and red, and finally towards the Alpenquai into a cool blue. Thus, they simulate a colored sky, from dusk to dawn. Cogliatti arranged the colored surfaces in order to create illusionistic interruptions, niches and windows in the wall and thus create an imaginary living space, a “colorful city”.

Trompe-l'œil complements the color of the colorful Vorstadt houses that are still standing (since the 1887 Vorstadtkatastrophe) and thus brings the sunken row of houses to new life. "The colorful reflections from the wall to the ceiling and to the floor create an aquarium feeling on hot days ..." The sequence of colors is also reminiscent of the course of the day, from dusk to dawn. "The large open areas on the mural form an ideal platform for various messages." "There is a place in Zug that leads directly into the soul of young people. A kind of physical Facebook - the great colorful wall in the disaster bay, between Rössliwiese and Alpenquai."

History

Future site of Trompe-l'œil, immediately after the 1887 disaster (lakeshore collapse) that created the namesake bay

In the 1970s, Hans Potthof painted the 112-meter concrete wall of the Vorstadtbrücke bridge with the assistance of children; but graffiti destroyed the painting during decades.

In 1995, Cogliatti instructed 55 children to paint the same concrete wall on behalf of the Zuger Schul– und Stadtbauamt (″Zug school and municipal building authorities″). The leitmotiv theme for the painting work was "Living space", the painting was mainly in shades of blue – allusions to the houses that had sunk into the lake there in 1887. The wall painting was inaugurated on July 6, 1995, one day after the complete renovation of the Rigiplatz above, which is reminiscent of the same disaster.

After the painting had been repeatedly covered in graffiti, the city commissioned Cogliatti to redesign the wall in 1998. With the help of a flat painter and over a period of approximately 140 hours, the artist implemented “her own sculptural and color visions”. One of Cogliatti's artistic goals, among others, was to use painterly means to give the impression of a third dimension. She therefore gave her work the name Trompe-l'œil, which means "eye delusion"; for this, the dominance of the window hatches in the wall had to be broken. Cogliatti completed the work in early August 1998.

References

  1. "Cogliatti, Maria Bettina: Trompe-l'œil (1998)". Municipality of Zug. Retrieved 2020-08-18.
  2. Moser, Brigitte, ed. (2016). "Maria Bettina Cogliatti, Trompe-l'œil". Kunst Im öffentlichen Raum der Stadt Zug [Art in the public space of the city of Zug] (in German). Zürich: Hochparterre (for Zug: Office for Culture). p. 172. ISBN 978-3-909928-37-8. OCLC 962106163. Retrieved 2020-08-18.
  3. Bühlmann, Cécile, ed. (2019). mis lozärn: Neun Streifzüge durch die Zentralschweiz für Frauen [Which Lucerne: Nine forays through Central Switzerland for women] (in German). Zürich: Xanthippe. pp. 106–107. ISBN 978-3-905795-65-3. OCLC 1108275863. Retrieved 2020-08-18.
  4. Faessler, Andreas (2018-07-04). "Ein Tagesverlauf in Farbe" [A Day's Lesson in Colour]. Luzerner Zeitung (in German). Retrieved 2020-08-18.
  5. Cervetto, Renata (2016). "Einige Gedanken zu Zugs Kunst im öffentlichen Raum" [Some Thoughts on Zug's Art in Public Space]. In Moser, Brigitte (ed.). Kunst Im öffentlichen Raum der Stadt Zug [Art in the public space of the city of Zug] (in German). Zürich: Hochparterre (for Zug: Office for Culture). p. 48. ISBN 978-3-909928-37-8. OCLC 962106163. Retrieved 2020-08-18.
  6. Meyer, Falco (2015-07-16). "Jugendgeflüster in der Katastrophenbucht" [Subtle Sounds of Youth in the Katastrophenbucht]. Zentralplus (in German). Retrieved 2020-08-18.
  7. "Offizielle Einweihung der Wandmalereien unter der Vorstadtbrücke: Vernissage für 55 junge Künstler" [Official Inauguration of the Wall Paintings Under the Suburban Bridge: Vernissage for 55 young artists]. Zuger Nachrichten (in German). 1995-07-07.
  8. Potthof, Hans (1995-07-05). "Vorstadt–Malerei: Wo bleibt die Spontanität?" [Suburban Painting: Where is the Spontaneity?]. Zuger Nachrichten (in German).
  9. Setz, Annemarie (1998-07-23). "Zuger Katastrophenbucht: Maria Bettina Cogliatti gestaltet wieder die Quaimauer" [Zug's Disaster Bay: Maria Bettina Cogliatti is Designing the Quay Wall Again]. Luzerner Zeitung (in German).
  10. ^ "Vorstadtbrücke: Maria Bettina Cogliatti war am Werk" [Suburban Bridge: Maria Bettina Cogliatti Work is Complete]. Luzerner Zeitung (in German). 1998-08-13.

External links

Categories: