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Two Boys is an opera in two acts by American composer Nico Muhly, with an English-language libretto by American playwright Craig Lucas. The opera's story is based on real events in Manchester, England, in 2001 as described in a 2005 Vanity Fair article titled "You Want Me 2 Kill Him?"

Muhly's opera was first performed by the English National Opera (ENO) in London on 24 June 2011, directed by Bartlett Sher. It was performed by the Metropolitan Opera in New York in October and November 2013. The ENO and the Met shared the initial production costs.

Using the narrative structure of a police investigation into a violent crime, the opera explores the world of online relationships and chatrooms, and was billed by the ENO as "a cautionary tale of the dark side of the internet."

Nonesuch Records released the first recording of the piece, from the Metropolitan Opera production, in 2014.

Roles

Reception

Two Boys opened to mixed reviews from the British press. William Hartstone in the Daily Express called it "thoroughly modern opera, both disturbing and challenging". Edward Seckerson writing in The Independent praised the composition, libretto and staging, calling it "an auspicious operatic debut."

George Hall, writing in The Stage, praised the libretto, but called Muhly's music "a commonplace and ultimately thin soundtrack accompaniment". Rupert Christiansen, writing in The Daily Telegraph, described it as "a bit of a bore – dreary and earnest rather than moving and gripping, and smartly derivative rather than distinctively individual". He continued, "It sounds more intriguing than it is, because Muhly signally fails to build the narrative into a sound melodramatic structure. Although the opera isn't long, it seems so, plodding along without substantial contrast of pace or mood, and never reaching a satisfactory climax."

In the New York Times, Zachary Woolfe wrote: "Serious and radiant, Two Boys is a landmark in the career of an important artist. Confidently staking his claim to the operatic tradition, Mr. Muhly has added to it a work of dark beauty." The Bloomberg review began by quoting Muhly's PR tagline as "the hottest composer on the planet", concluding "Whichever planet that is, it must be a pretty tepid one." The review also faulted the libretto which "moves with such exasperating slowness, that if the audience hasn't worked things out by Act II, then they're probably asleep or sensibly diverting their mental energy elsewhere." The opera elicited unkind comparisons to police procedurals on TV. The Independent dismissed it as "Prime Suspect with a soundtrack of semi-skimmed Glass." In The Guardian, which has frequently commissioned guest columns from Muhly, Andrew Clements dismissed the opera as "a bland mid-Atlantic compromise" with a musical idiom "pitched somewhere between recent Philip Glass and the John Adams of The Death of Klinghoffer." Writing in The Londonist, Sam Smith concurred, "Muhly's music...is interesting but can feel underwhelming and derivative." So So Gay panned the production as "an operatic misadventure" and "a dreary letdown", and agreeing that the music "is minimalist to the point of being unexciting". In The Financial Times, Andrew Clark felt the opera was underwhelming and that "the fault lies in Muhly's generic minimalism. The orchestral accompaniment, rarely breaking out of a steady moderato, has the quality of a soundtrack. Vocal lines are singable but impersonal...'Accessible' hovers over every bar."

Recording

Nonesuch Records released the first recording of Two Boys, from the Metropolitan Opera production, on September 30, 2014.

References

1. Bachrach, Judy (February 2005). "You Want Me 2 Kill Him?". Vanity Fair.
2. ^ Two Boys production details, English National Opera
3. Wakin, Daniel J. (13 February 2010). "Muhly and Lucas's Opera First Met-Lincoln Center Project". The New York Times. Retrieved 20 May 2010.
4. "Sher to Stage Lucas-Muhly Opera at the Met and English National Opera" Archived 2012-10-13 at the Wayback Machine by Adam Hetrick, Playbill (12 February 2010)
5. ^ "Recording of Metropolitan Opera Production of Nico Muhly's Two Boys Out Now on Nonesuch". Retrieved October 29, 2014.
6. "Nico Muhly's Two Boys at English National Opera" by Mark Berry, 27 June 2011
7. "Archived copy" (PDF). Archived from the original (PDF) on 2016-09-23. Retrieved 2016-02-15.{{cite web}}: CS1 maint: archived copy as title (link)
8. William Hartston (29 June 2011), "Opera Review: Two Boys, English Nantional Opera", Daily Express
9. Edward Seckerson (25 June 2011), "Two Boys, English National Opera", The Independent
10. George Hall (27 June 2011), "Two Boys", The Stage
11. Rupert Christiansen (27 June 2011), "Two Boys, ENO, review", The Daily Telegraph
12. Woolfe, Zachary, "On the Internet, Nobody Knows You're a Youngster With Issues", The New York Times, June 30, 2011
13. Bloomberg (26 June 2011), "Psychopaths Haunt Classrooms in Nico Muhly's Two Boys: Review", SF Gate
14. Picard, Anna (26 June 2011), "Two Boys, Coliseum, London – Seven Angels, CBSO Centre, Birmingham – Das Rheingold, Town Hall, Leeds", The Independent
15. Clements, Andrew (25 June 2011), "Two Boys - review", The Guardian
16. Smith, Sam (28 June 2011), "Opera Review: Two Boys @ Coliseum", The Londonist
17. Waygood, James (4 July 2011), "Opera Review: Two Boys", So So Gay, archived from the original on 2011-07-06, retrieved 2011-07-04
18. Clark, Andrew (27 June 2011), "Two Boys, Coliseum, London", The Financial Times, archived from the original on 2011-06-30, retrieved 2011-07-04

v t e Nico Muhly
Operas	Two Boys (2011) Marnie (2017)
Concertante	Edge of the World (2011) Cello Concerto (2012) Viola Concerto (2014) Register (Concerto for Organ and Orchestra) (2017) In Certain Circles (2020)
Orchestral	It Remains to Be Seen (2006) Mixed Messages (2015)
Other works	Bright Mass with Canons (2005) Sentences (2014)
Category

• 2011 operas
• Operas by Nico Muhly
• English-language operas
• Operas
• Operas set in the British Isles
• Operas set in the 21st century
• Operas based on actual events
• Nonesuch Records albums
• Opera world premieres at the English National Opera