Misplaced Pages

Victoria Jordanova

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.

Victoria Jordanova is an American composer, harpist, and media artist born in 1952 in former Yugoslavia, active in the field of contemporary classical music, experimental music and media arts. Her work encompasses contemporary classical composition, improvisation and electroacoustic music. According to New Music Box "Jordanova has a tightly controlled focus to her work, a singularity of vision, while melding experimental techniques, electronics and improvisation with her classical music education..."

Jordanova has released six albums on CRI, Innova and Arpaviva labels, and her music was included in "The Composer-Performer (Forty Years of Discovery)" the CRI anniversary anthology release of American music. Her first album "Requiem for Bosnia and other works" was selected as one of the top ten classical releases in 1994 by Tim Page (New York Newsday). In 2007 Jordanova published first recording ever of John Cage's "Postcard from Heaven" for 20 harps and 20 voices, all of the harp parts were recorded by Jordanova and all the voices by Pamela Z. In 2002 Jordanova founded Arpaviva Recordings, a Los Angeles-based independent music and media label.

Jordanova performed at Lincoln Center, Alice Tully Hall, Merkin Concert Hall, MOMA, LACMA, Yerba Buena Center for the Arts, and other venues nationally and internationally. Her compositions were performed/presented by the California EAR Unit, Bang on a Can All Stars, San Francisco Contemporary Music Players, San Francisco Creative Voices, Zeitgeist, pianists Jenny Q. Chai, Anthony DeMare, Michiko Saiki, percussionist Amy Knoles, oboist Libby Van Cleve, flutist Patricia Kaczmarczyk.

References

  1. Schrock, Roddy (September 6, 2005). "San Francisco: Standing Room Only". New Music USA.
  2. https://nwr-site-liner-notes.s3.amazonaws.com/nwcr670.pdf
  3. https://nwr-site-liner-notes.s3.amazonaws.com/nwcr673.pdf
  4. Staff, NewMusicBox (October 1, 2004). "What message does Requiem for Bosnia, which you composed in response to the Yugoslavian Civil War, have for us today? Victoria Jordanova". New Music USA.
  5. "Newsday 04 Dec 1994, page 103". Newspapers.com.
  6. Woodard, Josef (May 26, 1995). "MUSIC REVIEW : E.A.R. Unit Wraps Up Its Season With Absurdist Howler". Los Angeles Times.
  7. Woodard, Josef (November 27, 2002). "California EAR Unit returns to start a lively conversation". Los Angeles Times.
  8. "Mute Dance — CanLand - The Bang on a Can Archives". CanLand – The Bang on a Can Archives. 16 February 2018.
  9. Kozinn, Allan (May 23, 1995). "MUSIC REVIEW; Bang on a Can Uptown Cultivates Crossover". The New York Times – via NYTimes.com.
  10. Schweitzer, Vivien (November 5, 2012). "A Piano, an iPad, a Mirror: Tools for a Modern Recital". The New York Times – via NYTimes.com.
  11. Tommasini, Anthony (May 10, 2001). "MUSIC REVIEW; The Recital as Autobiography". The New York Times – via NYTimes.com.
Categories: