Ernest Bloch's Violin Sonata No. 1 is a sonata for violin and piano. It is regarded as one of the masterpieces of the violin repertoire.
Composed in Cleveland in 1920, the work makes considerable demands of both technique and endurance from the violinist. Bloch himself described the sonata as a "tormented work", and Roger Sessions described it as having a characteristic "mood of pessimism, irony and nostalgia".
Structure
There are three movements:
The first movement begins with driving, toccata-like idea which transitions to a characteristic Hebrew-inflected melody; these materials are extensively developed leading to a tormented, expressive coda. The second movement begins gently, with a sustained cantilena for the violin over a quiet piano arpeggios, but introduces more agitated material as it proceeds. The final movement is launched with heavily-chorded dance measures, but as the movement proceeds material from the opening two movements is revisited before the work ends quietly.
Premiere performance
The work was premiered in New York City in February 1921 by Paul Kochanski and Arthur Rubinstein.
References
- ^ Walter Simmons (1 February 2004). Voices in the Wilderness: Six American Neo-Romantic Composers. Scarecrow Press. p. 67. ISBN 978-0-8108-4884-9. Retrieved 23 November 2012.
- Robin Stowell (10 December 1992). The Cambridge Companion to the Violin. Cambridge Companions to Music. Cambridge University Press. pp. 189. ISBN 978-0-521-39923-4. Retrieved 26 November 2012.
- Andrea Olmstead (6 August 2012). Roger Sessions: A Biography. Routledge. p. 440. ISBN 978-0-415-97713-5. Retrieved 26 November 2012.
- Whitehouse, Richard (1999). Liner Notes to Bloch: Violin Sonatas Nºs 1 & 2/Suite Hebraique (CD). Naxos Records. 8.554460.