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Wally Heider Studios

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Recording studio in San Francisco, CA

Wally Heider Studios
Studio A, Hyde Street Studios
(formerly Wally Heider Studios)
IndustryRecording studio
FoundedUnited States (1960s (1960s))
FounderWally Heider
Defunct1980 (1980)
Successor
HeadquartersSan Francisco, United States

Wally Heider Studios was a recording studio founded in San Francisco in 1969 by recording engineer and studio owner Wally Heider. Between 1969 and 1980, numerous notable artists recorded at the studios, including Creedence Clearwater Revival, Jefferson Airplane, Crosby, Stills, Nash & Young, and The Grateful Dead. The studio changed ownership in 1980 and was renamed Hyde Street Studios, which is still in operation today.

History

Background

Wally Heider had apprenticed with as an engineer and mixer at Bill Putnam's United Western Recorders studio complex in Hollywood in the early 1960s, after which he founded Wally Heider Recording with the opening of Studio 3 at 1604 N. Cahuenga Boulevard in Hollywood. Heider and his crew garnered a high reputation for top notch engineering that resulted in excellent studio and remote location recordings, including sessions with the Beach Boys and Crosby, Stills & Nash.

In 1967, Heider assisted in the live recording of the Monterey Pop Festival. Artists from the Bay Area such as Jefferson Airplane, Quicksilver Messenger Service and the Grateful Dead had been recording in Los Angeles and New York, and Heider saw the need for musicians involved in the nascent San Francisco sound to have their own well-equipped and staffed recording studio close to home.

Hyde Street

In March 1969, Heider opened Wally Heider Studios at 245 Hyde Street, San Francisco, between Turk and Eddy Streets, across the street from Black Hawk jazz club, in a building that had previously been used by 20th Century Fox for film offices, screening rooms and storage. The studios were built by Dave Mancini.

Heider planned four studios—A and B on the ground floor and C and D upstairs. However, studio B was never finished and instead became a game room. The studio commenced operations in May 1969 upon completion of Studio C, with staff that included General Manager Mel Tanner, Booking Agent Ginger Mews, Technician Harry Sitam, and Staff Engineer Russ Gary. Studio C's dimensions were similar to Heider's Studio 3 in Hollywood—though its control room, instead of being at the end the room, was parallel to Studio C's long side. The walls were kept from being parallel with square gypsum devices that were used as mid-range sound diffusers and absorbers. At the Grateful Dead's request, its studio doors were covered with airbrushed paintings. Studios A and D became operational a few months later.

Frank DeMedio, who had designed the 24-channel mixing console and an 8-channel monitor and cue—replicated for Heider's Studio 3 and remote truck in Hollywood, built all of the custom equipment and mixing console for Heider's new Hyde Street studios, using Universal Audio (UA) console components, military grade switches and level controls, and a simple audio path that used one preamp for everything in a channel. Monitor speakers were Altec 604-Es with McIntosh 275 tube power amps.

The first release out of Studio C was Jefferson Airplane’s Volunteers, which was also the first album they recorded in their hometown. Between 1969 and 1970, many other high-profile acts followed, including Harry Nilsson, Crosby, Stills, Nash & Young, the Steve Miller Band. Creedence Clearwater Revival recorded several albums in that room, and named their record, Cosmo's Factory after the "factory" at Studio C (Cosmo's Factory was CCR's rehearsal area). Engineers and staff at the studio during that time included Bill Halverson, Stephen Barncard, and Glyn Johns, and Allen Zentz.

While CSNY were recording, Studio D – an exact replica of Heider's Studio 3 in Hollywood – opened. Among the first things to be recorded in Studio D was Jerry Garcia's pedal steel guitar overdub for "Teach Your Children", while the live recording setup was kept intact in Studio C where CSNY recorded. In that same period, Deane Jensen supervised installation of a new Quad Eight console in Studio A. Santana and John Hall used Studio D a few times. CBS Records had a priority lease on Studio D for a year, before eventually taking over Coast Recorders as their west coast recording facility. Many other artists followed.

In 1978, Heider sold the studio and its name to Filmways, but remained as manager until 1980 when Filmways sold it to a partnership composed of Dan Alexander, Tom Sharples, and Michael Ward. The three partners renamed the business Hyde Street Studios, which is still an operating recording studio as of 2019, now owned solely by Michael Ward.

Albums recorded

1969

1970

1971

1972

1973

1974

1975

1976

1977

1978

1979

1981

1982

References

  1. ^ Barncard, Stephen; Maxwell, Jennifer; Sanchez, Nicole; Levitin, Dan. "Hyde Street Studios History: Early Years p.2". Archived from the original on August 20, 2006. Retrieved February 17, 2017.
  2. Buskin, Richard (August 2010). "Classic Tracks: Crosby, Stills & Nash 'Suite: Judy Blue Eyes'". Sound On Sound. SOS Publications Group. Retrieved March 31, 2022.
  3. Daly, George. "Recording Wally Heider » The Birth of a Studio". Wally Heider. Archived from the original on May 23, 2010.
  4. "Heider Opens New Studios On W. Coast". Billboard. April 26, 1969. Retrieved May 8, 2024.
  5. Barncard, Stephen; Maxwell, Jennifer; Sanchez, Nicole; Levitin, Dan. "Hyde Street Studios History: Early Years p.3". Archived from the original on August 20, 2006. Retrieved February 17, 2017.
  6. Barncard, Stephen; Maxwell, Jennifer; Sanchez, Nicole; Levitin, Dan. "Hyde Street Studios History: Early Years - Page 4". Archived from the original on August 20, 2006. Retrieved February 17, 2017.
  7. Barncard, Stephen; Maxwell, Jennifer; Sanchez, Nicole; Levitin, Dan. "Hyde Street Studios History: The Next Step". Archived from the original on August 20, 2006. Retrieved February 17, 2017.
  8. Barncard, Stephen; Maxwell, Jennifer; Sanchez, Nicole; Levitin, Dan. "Hyde Street Studios History: Turnabout". Archived from the original on August 20, 2006. Retrieved February 17, 2017.
  9. ^ Silvers, Emma (November 10, 2016). "Into The Mix: How One Tenderloin Recording Studio Shaped the 'San Francisco Sound'". KQED. NPR. Retrieved April 4, 2022.
  10. "From the Music Capitals of the World". Billboard. June 27, 1970. p. 55. Retrieved April 24, 2019 – via Google Books.
  11. Bang, Derrick. "Vince Guaraldi Timeline: 1972". FiveCentsPlease. Derrick Bang, Scott McGuire. Retrieved January 16, 2022.
  12. ^ Bang, Derrick. "Vince Guaraldi Timeline: 1973". FiveCentsPlease. Derrick Bang, Scott McGuire. Retrieved January 16, 2022.
  13. ^ Bang, Derrick. "Vince Guaraldi Timeline: 1974". FiveCentsPlease. Derrick Bang, Scott McGuire. Retrieved January 16, 2022.
  14. ^ Bang, Derrick. "Vince Guaraldi Timeline: 1975". FiveCentsPlease. Derrick Bang, Scott McGuire. Retrieved January 16, 2022.
  15. Bang, Derrick. "Vince Guaraldi Timeline: 1976". FiveCentsPlease. Derrick Bang, Scott McGuire. Retrieved January 16, 2022.

Further reading

External links

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