Doraemon - Misplaced Pages

(Redirected from What Am I for Momotaro) Japanese manga series by Fujiko F. Fujio This article is about the media franchise. For the title character, see Doraemon (character). For other uses, see Doraemon (disambiguation).

ドラえもん
Doraemon
First tankōbon volume cover, featuring Doraemon
Genre	Comedy Science fiction
Manga
Written by	Fujiko F. Fujio
Published by	Shogakukan
English publisher	CN: 21st Century Publishing House (bilingual English-Chinese) JP: Shogakukan (bilingual) NA: Fujiko Pro SG: Shogakukan Asia TW: Chingwin Publishing Group (bilingual English-Chinese)
Imprint	Tentōmushi Comics
Magazine	CoroCoro Comic and other Shogakukan children's magazines
Demographic	Children
Original run	1969 – 1997
Anime television series
1973 anime series 1979 anime series 2005 anime series
Other media
List of Doraemon films List of Doraemon video games List of Doraemon soundtrack albums
Spin-off manga
The Doraemons

Doraemon (ドラえもん) is a Japanese manga series written and illustrated by Fujiko F. Fujio. First serialized in 1969, the manga's chapters were collected in 45 tankōbon volumes published by Shogakukan from 1974 to 1996. The story revolves around an earless robotic cat named Doraemon, who travels back from the 22nd century to help a boy named Nobita Nobi.

The manga spawned a media franchise. Three anime TV series have been adapted in 1973, 1979, and 2005. Additionally, Shin-Ei Animation has produced over forty animated films, including two 3D computer-animated films, all of which are distributed by Toho. Various types of merchandise and media have been developed, including soundtrack albums, video games, and musicals. The manga series was licensed for an English language release in North America, via Amazon Kindle, by a collaboration of Fujiko F. Fujio Pro with Voyager Japan and AltJapan Co., Ltd. The anime series was licensed by Disney for an English-language release in North America in 2014, and LUK International in Europe, the Middle East and Africa.

Doraemon was well received by critics and became a hit in many Asian countries. It won numerous awards, including the Japan Cartoonists Association Award in 1973 and 1994, the Shogakukan Manga Award for children's manga in 1982, and the Tezuka Osamu Cultural Prize in 1997. As of 2024, it has sold over 300 million copies worldwide, becoming one of the best-selling manga series of all time. The character of Doraemon has been viewed as a Japanese cultural icon, and was appointed as the first "anime ambassador" in 2008 by the country's Foreign Ministry.

Synopsis

Creation and conception

Development and themes

Doraemon is written and illustrated by Fujiko F. Fujio, the pen name of Japanese manga artist Hiroshi Fujimoto. According to Fujio, it was originally conceived following a series of three events: when searching for ideas for a new manga, he wished a machine existed that would come up with ideas for him, he tripped over his daughter's toy, and heard cats fighting in his neighborhood. To set up the plot and characters, he used some elements from his earlier manga series, Obake no Q-Tarō, which involve an obake living with humans, with a similar formula. Fujio said that the idea for Doraemon came after "an accumulation of trial and error", during which he finally found the most suitable style of manga to him. Initially, the series achieved little success as gekiga was well known at the time, and only became a hit after its adaptation into an anime TV series and multiple feature films.

Doraemon is mainly aimed at children, so Fujio chose to create the character with a simple graphic style, based on shapes such as circles and ellipses. He used the same sequences of cartoons with regularity and continuity to enhance the reader's ease of understanding. In addition, blue, a characteristic color of Doraemon, was chosen as the main color in magazine publications, which used to have a yellow cover and red title. Set in Tokyo, the manga reflected parts of Japan's society, such as the class system and the "ideal" of Japanese childhood. Problems, if occur, were resolved in a way so as not to rely on violence and eroticism, and the stories were integrated with the concept of environmentalism. The manga also insisted on the ethical values of integrity, perseverance, courage, family and respect.

In order to underline the crucial role of the young generation in society, the manga's creator chose to have the act carried out in a "children's domain" where young people can live with happiness, freedom and power without adult's interference. As Saya S. Shiraishi noted, the existence of the "domain" helped Doraemon to have a strong appeal in various Asian countries. During Doraemon's development, Fujio did not express a change in characters; he said, "When a manga hero become a success, the manga suddenly stops being interesting. So the hero has to be like the stripes on a barber pole; he seems to keep moving upward, but actually he stays in the same place."

According to Zensho Ito, Fujio's former student, the "length" of time in the universe is one of the ideas that inspired Fujio to make Doraemon. Frequently displayed in its stories is Nobita's desire to control time, and there exist time-control gadgets that he uses to satisfy that desire, particularly the "Time Machine", which lies in his desk drawer. Unlike Western works on science fiction, the manga did not explain the theory nor the applied technology behind these tools, but instead focusing on how the characters exploit their advantages, making it more children-friendly.

Origin of the name

The name "Doraemon" can be roughly translated to "stray". Unusually, the name "Doraemon" (ドラえもん) is written in a mixture of two Japanese scripts: Katakana (ドラ) and Hiragana (えもん). "Dora" derives from "dora neko" (どら猫, stray cat), and is a corruption of nora (stray), while "-emon" (in kanji 右衛門) is an old-fashioned suffix for male names (for example, as in Ishikawa Goemon). Nobita's home address in Tsukimidai ("moon-view-heights"), Nerima refers to Fujimidai ("Fuji-view-heights"), where Osamu Tezuka's residence and animation studio is based. The name "Nobita Nobi" refers to "nobi nobi", meaning "the way a young child grows up free, healthy, and happy, unrestrained in any sense".

Gadgets

Gadgets, or "himitsu dōgu" (ひみつ道具), are Doraemon's tools from the future, usually used to help the characters. Fujio said that Doraemon has a total of 1,293 gadgets; according to a 2004 analysis by Yasuyuki Yokoyama of Toyama University, there are 1,963 gadgets found in 1,344 sketches. The most important gadgets include "Take-Copter", a small piece of headgear made out of bamboo that can allow its users to fly; "Time Machine", a machine used for time travel; "Anywhere Door", a pink-colored door that allows people to travel according to the thoughts of the person who turns the knob; "Time Kerchief", a handkerchief which can turn an object new or old or a person young or old; "Translator Tool", a cuboid jelly that allow one to converse in any language; and "Designer", a camera used to instantly dress-up the user.

Saya S. Shiraishi wrote that most of the gadgets were "an impressive testimony to the standards of quality control and innovation that exist in the twenty-second century". The gadgets were an essential part of the series so as to reflect a positive point of view about the association of technology in children, and to express the wishes of modern society.

Conclusion

The series ceased its original run in 1994 and was not given an ending before Fujimoto's death in 1996; this has since aroused numerous urban legends throughout the years. One of the most well-known "endings" of the manga was by an amateur manga cartoonist under the pen name "Yasue T. Tajima", first appeared on the Internet in 1998 and made up into a manga in 2005. The story takes place when Doraemon's battery dies, and Nobita later grows up becoming a robot engineer, potentially revive Doraemon and live a happy life. Tajima issued an apology in 2007, and the profits were shared with Shogakukan and the copyright owner, Fujiko F. Fujio Pro.

Ryūichi Yagi and Takashi Yamazaki, the directors of Stand by Me Doraemon, confirmed that it had only one opening, while the ending has been rewritten several times. Because of this, Shogakukan had to clarify that only if the marriage of Nobita and Shizuka is finalized will the mission be accomplished, and then Doraemon will return to the future.

Media

Manga

Main *tankōbon*
Title	Note	Label	Volumes	Chapter count	Publication date	Publisher
Doraemon		The Complete Works of Fujiko F. Fujio	20	1326	2009–2012	Shogakukan
Doraemon		Kindle Edition	200	1311	2013–2016	Shogakukan
Doraemon		Chūkō comics: Fujiko Fujio Land	45	833	1984–1990	Chūōkōronsha
Doraemon	Normal volume	Tentōmushi Comics	45	822	1974–1996	Shogakukan
Doraemon Plus		Tentōmushi Comics	7	145	2005–2006, 2014, 2023	Shogakukan
Doraemon Color Works		Tentōmushi Comics Special	6	119	1999–2006	Shogakukan
Doraemon	Volume 0	Tentōmushi Comics	1	9	2019	Shogakukan

Long Stories

Spin-offs

Several spin-off manga series of Doraemon have been made. The Doraemons, a manga illustrated by Michiaki Tanaka based on Doraemon, was published by Shogakukan in six tankōbon volumes from 1996 to 2001. Between 1997 and 2003, Shogakukan also published fifteen volumes of The Doraemons Special, created by Yukihiro Mitani and Masaru Miyazaki as a complement part of The Doraemons, including twelve from the main series and three from the Robot Training School Edition. Dorabase, a baseball-themed manga written and illustrated by Mugiwara Shintarō, is another spin-off of Doraemon; twenty-three volumes of the manga were published by Shogakukan from April 26, 2001, to October 28, 2011.

Anime

The first attempt of a Doraemon animated series was in 1973, by Nippon Television. After a January 1973 pilot named Doraemon Mirai Kara Yattekuru (ドラえもんが未来からやってくる, Doraemon Coming from the Future), twenty-six episodes, each with two segments, were broadcast on Nippon TV from April 1 to September 30 of the same year. The series was directed by Mitsuo Kaminashi with voice cast from Aoni Production; the character Doraemon was voiced by Kōsei Tomita, then later by Masako Nozawa. Later in the series, the animation studio, Nippon TeleMovie Productions, went bankrupt, and the masters were sold off or destroyed. The series was re-aired on Nippon TV and several local stations until 1979, when Shogakukan requested Toyama Television to cease broadcasting. Some of the segments were found in the archives of Imagica in 1995, and some others were recovered by Jun Masami in 2003. As of 2013, 21 of 52 segments are known to survive, two of which have no audio.

Doraemon remained fairly exclusive in manga form until 1979 when an animation studio, Shin-Ei Animation (now owned by TV Asahi) produced an animated second attempt of Doraemon. The series aired on TV Asahi from April 2, 1979. Ryo Motohira served as chief director from 1981, and Tsutomu Shibayama from 1984. Eiichi Nakamura served as director of character designer, while Shunsuke Kikuchi was the composer. Nobuyo Ōyama voiced Doraemon in the series; because of this, in Asia, this version is sometimes referred to as the Ōyama Edition. In total, 1,787 episodes were produced and released in VHS and DVD by Toho. On April 15, 2005, a major renewal was carried out, including the replacement of voice actors and staff, and updated character designs. The third series is sometimes referred to in Asia as the Mizuta Edition, as a tribute for the voice actress for Doraemon, Wasabi Mizuta. It was released in DVD on February 10, 2006, under the title New TV-ban Doraemon (NEW TV 版ドラえもん, Doraemon NEW TV Version) with Shogakukan Video banner.

In May 2014, TV Asahi Corporation announced an agreement with The Walt Disney Company to bring the 2005 series to the Disney XD television channel and Disney Channel in the United States beginning in the summer of that year. Besides using the name changes that were used in AltJapan's English adaptation of the original manga, other changes and edits have also been made to make the show more relatable to an American audience, such as Japanese text being replaced with English text on certain objects like signs and graded papers, items such as yen notes being replaced by US dollar bills, and the setting being changed from Japan to the United States. Initial response to the edited dub was positive. The Disney adaptation began broadcast in Japan on Disney Channel from February 1, 2016. The broadcast offered the choice of the English voice track or a newly recorded Japanese track by the Japanese cast of the 2005 series.

The anime has also been aired in over sixty countries worldwide. It premiered in Thailand in 1982, the Philippines in 1999, India in 2005, and Vietnam in 2010. Other Asian countries that broadcast the series include China, Hong Kong, Singapore, Taiwan, Malaysia, Indonesia, and South Korea. The series is licensed in EMEA regions by LUK International; it premiered in Spain in 1993 and France in 2003. It has also been distributed in South American countries, including Brazil, Colombia, and Chile. In 2017, POPS Worldwide, a Vietnamese multimedia company, collaborated with TV Asahi to release the anime series on YouTube and other digital platforms.

Films

Further information: List of Doraemon films

By 2024, there have been 43 annual feature-length animated films produced by Shin-Ei Animation and released by Toho. The first twenty-five films are based on the 1979 anime, while the rest are based on the 2005 anime. Unlike the anime and manga series, the films are more action-adventure oriented, taking the familiar characters of Doraemon and placing them in a variety of exotic and perilous settings.

A 3D computer animated film, Stand by Me Doraemon, debuted in Japan on August 8, 2014. Directed by Takashi Yamazaki and Ryūichi Yagi, it combines elements from the short stories of the manga series: "All the Way from the Country of the Future", "Imprinting Egg", "Goodbye, Shizuka-chan", "Romance in Snowy Mountain", "Nobita's the Night Before a Wedding", and "Goodbye, Doraemon ..." into a new complete story, from the first time Doraemon came to Nobita's house to Doraemon bidding farewell to Nobita. The film was a box office success, grossing $183.4 million worldwide. A sequel, Stand by Me Doraemon 2, also directed by Yamazaki and Yagi, was released on November 20, 2020.

Short films, OVA and crossover

Several Doraemon short films were produced and released between 1989 and 2004. These include 2112: The Birth of Doraemon, a film about the life of Doraemon from birth before coming to Nobita; Doraemon: Nobita's the Night Before a Wedding, a film about the events related to the marriage of Nobita and Shizuka; The Day When I Was Born and Doraemon: A Grandmother's Recollections, the films about the relationship between Nobita and his parents along with his grandmother. Other short films focus on Dorami and The Doraemons. In 1981, Toho released What Am I for Momotaro, a film about Momotarō, the hero of Japanese folklore.

In 1994, an educational OVA was made, titled Doraemon: Nobita to Mirai Note (ドラえもんのび太と未来ノート), where the main characters express the hope for a better Earth. The OVA was released in DVD along with the 13th issue of Fujiko F. Fujio Wonderland magazine in September 2004. A crossover episode of Doraemon with AIBOU: Tokyo Detective Duo aired on TV Asahi on November 9, 2018.

Music

Further information: List of Doraemon soundtrack albums

The soundtrack of the 1973 anime series was composed by Nobuyoshi Koshibe, who also arranged the opening theme song "Doraemon" (ドラえもん) and the ending theme song "Doraemon Rumba" (ドラえもんルンバ), both performed by Harumi Naitō. For the 1979 anime, Shunsuke Kikuchi was the composer, who arranged "Doraemon no Uta" (ドラえもんのうた); it had been performed by numerous singers, including Kumiko Ōsugi and Satoko Yamano. When the anime got a reboot in 2005, Kan Sawada was the composer of the series. There are four other opening themes, including an instrumental version of "Doraemon no Uta" performed by Twelve Girls Band; "Hagushichao" (ハグしちゃお) performed by Rimi Natsukawa; "Yume wo Kanaete Doraemon" (夢をかなえてドラえもん), the opening theme broadcast from 2007 to 2018; and "Doraemon" performed by Gen Hoshino, broadcast since October 2019.

Numerous collections of theme songs of the anime series and feature films were initially available in cassettes. Since the 1990s, Doraemon songs have been released in CD, under the type of singles and compilation albums. Soundtracks of Doraemon feature films have been released by Nippon Columbia since 2001 in the album series "Doraemon Soundtrack History" (ドラえもんサウンドトラックヒストリー).

Musical shows

Doraemon has been adapted into a musical, titled Doraemon the Musical: Nobita and the Animal Planet (舞台版ドラえもんのび太とアニマル惑星(プラネット), Butaiban Doraemon: Nobita to Animaru Puranetto). Based on the 1990 anime film of the same name, it debuted at Tokyo Metropolitan Art Space on September 4, 2008, running through September 14. Shoji Kokami was the director and writer, Makoto Sakamoto played Nobita and Reiko Suho as Shizuka; Jaian and Suneo were portrayed by Tomohiro Waki and Kensaku Kobayashi, respectively; Wasabi Mizuta voiced Doraemon. The musical was later revived and ran at Sunshine Theater, Tokyo from March 26 to April 2, 2017, then later in other prefectures including Fukuoka, Osaka, Miyagi and Aichi. The 2017 revival is also directed and written by Kokami, with Mizuta reprising her role; Nobita, Shizuka, Jaian and Suneo were played by Yuuchi Ogoe, Hina Higuchi, Koki Azuma and Shō Jinnai, respectively.

Video games

Many Japanese-only video games based on Doraemon have been developed. For instance, in 1983, Bandai developed Dokodemo Dorayaki Doraemon (どこでもドラヤキドラえもん), an arcade game inspired by Pac-Man. Doraemon, a NES video game made by Hudson Soft, was released on December 12, 1986, and became one of the best-selling games of that year in Japan with over 1.15 million copies sold. On December 6, 2007, Sega published Doraemon Wii, the first Doraemon video game released on Wii. Doraemon can also be seen in Namco's Taiko no Tatsujin rhythm game series, such as in Taiko no Tatsujin: Sesson de Dodon ga Don! (2017). The first Doraemon game to receive a Western release was Doraemon Story of Seasons (2019). Card games with Doraemon themes have also been made in several special occasions, sometimes to exploit the popularity of feature films. In 2016, a special edition of Uno about the series' characters was released exclusively in Japan, as a result of a cooperation between Asatsu-DK and Mattel.

Merchandise

In Japan, the Doraemon merchandising rights belong to Shogakukan-Shueisha Productions, which has produced and distributed a wide range of products under its brand, such as toys, food, stationery, action figures, gashapon, shoes, clothing, and others. Several companies have collaborated on the creation and distribution of products on the series and its characters, including Sanrio, Converse, Moleskine, and ESP Guitars, which has made guitars decorated with Doraemon characters; a further partnership of Doraemon with Uniqlo led to a line of clothing designed by Takashi Murakami. The Doraemon franchise has also collaborated with various Japanese brands, including Tsi Groove & Sports's Jack Bunny!! golf apparel brand, Unicharm's MamiPoko diaper brand, and the video games LINE Pop 2, Monster Strike, and Granblue Fantasy. Viz Media owns the Doraemon merchandising rights in North and Latin America, which has developed Doraemon-themed clothing and collectibles in collaboration with retail chain Hot Topic, and themed Happy Meals in a 2015 collaboration with McDonald's. Viz Media Europe (now Crunchyroll EMEA) manages the merchandising in Europe except Spain and Portugal; LUK International has obtained licenses in these two countries.

Characters from Doraemon have been used in advertising through specific agreements with Shogakukan. For instance, following the Cool Japan initiative promoted by the Japanese government, Sharp Corporation produced a series of commercials featuring the characters of Doraemon and Nobita, which were broadcast in several ASEAN countries. In late 2011, Shogakukan and Toyota Motor Corporation joined forces to create a series of live-action commercials as part of Toyota's ReBorn ad campaign, which depicted the manga's characters two decades after being grown up, where Hollywood actor Jean Reno played Doraemon.

Reception

General

Doraemon is considered one of the best-known manga of all time, a true Japanese cultural icon, and an essential part of family life of the Japanese post-war generation. Akihiro Motoyama observed that "mothers who watched the movies when they were children are now taking their own children to see them". It was also commercially successful: over 108 million books were sold in Japan by 1996. The 1979 and 2005 anime series also achieved high ratings on television. With the film Doraemon: Nobita's Secret Gadget Museum, the Doraemon anime film series reached 100 million tickets sold at the Japanese box office, surpassing Godzilla as the highest-grossing film franchise in Japan. By 2015, it had sold over 103 million tickets, and was the largest franchise by numbers of admissions in the country.

Doraemon was also a hit in Asia in general, and was considered one of the typical cases of Japanese soft power, although it was published without a license in some countries. The anime television series is available in over 60 countries, and reportedly getting high ratings in at least 30 countries. However, Doraemon was less successful in Western countries, because it was viewed as a children-only series, and there were some tight restrictions about publishing manga and broadcasting anime series there. The manga has sold over 170 million copies worldwide by 2012; over 250 million by 2019; and over 300 million by 2024. Estimates show that Doraemon has generated at least more than $4.3 billion in merchandise sales by 2019, and over $1.7 billion from anime feature films by 2020, making it one of the highest-grossing media franchises of all time.

Outside Japan, Doraemon achieved particular success in Vietnam, with a record-breaking 40 million copies sold by 2006. The manga was first launched there in 1992 by Kim Đồng Publishing House, but the copyright from Shogakukan was not fully acquired until 1996. In 1993, the Vietnamese Ministry of Culture considered the manga's publication to be "an impactful event for the improvement of children, youth and adult's likings ... is a comprehensively educational book series which has the effect of developing children's personality". Doraemon is now a cultural icon in Vietnam, having featured in many cultural events.

Critical response and analysis

Doraemon received favorable reviews. Mark Schilling wrote, "For kids whose lives are often so regulated, Doraemon represents a welcome breath of freedom and a glimpse of a funnier, friendlier world where all dreams, even foolish ones, can come true." Italian writer Massimo Nicora wrote that the manga "can be interpreted as a type of book that criticizes, with irony, the omnipotence of science that pretends to solve every problem with its tools", alluding to the fact that Doraemon's gadgets often end up making the problems even worse than they initially were, more than anything else. He added that it represents "the metaphor of the childish imagination, which always manages to find the most bizarre and original solutions, in a continuous game of transformation of reality".

Some critics considered that Nobita's flawed personality and modest background is different from the special or extraordinary characteristics usually seen in other typical anime and manga protagonists; this portrayal has been seen as reasons of its appeal as well as the contrary, especially in the United States. According to the Italian Parents Movement (Moige), in the manga, "the lazy Nobita does not know any kind of appreciable evolution", though there are still good points including "the criticism of bullying, the goodness that transpires from the little Nobita and the positive figure of Shizuka".

In his 2000 article, Leo Ching explained that the success of Doraemon in Asia was because it had reflected the Asian values such as imagination and responsibility, the same reason that Oshin, another Japanese cultural export, became well known there. On the other hand, according to an analysis by Anne Allison, professor of cultural anthropology at Duke University, the strong point of it was not the variety of the gadgets, but the relationship between Doraemon and Nobita, which was particularly appreciated. Jason Thompson praised the "silly situations" and "old fashioned, simple artwork", with Doraemon's expression and comments adding to the "surrounding elementary-school mischief". On the manga's 50th anniversary, an op-ed published on Asahi Shimbun stated that the manga "has already become a contemporary classic".

Awards, accolades and public recognition

Doraemon has received numerous accolades. It won the Japan Cartoonists Association Award twice in 1973 and 1994, the former for Excellence Award while the latter for Minister of Education, Science and Technology Award. In 1982, it received the first Shogakukan Manga Award for children's manga. In 1997, the manga won the Grand Prize at the first Tezuka Osamu Cultural Prize. The 1979 series won the award from the Japanese Agency for Cultural Affairs four times for best television series in 1984, 1985, 1988 and 1989.

A 2006 poll among 80,000 Japanese fans for the 10th anniversary of the Japan Media Arts Festival placed Doraemon at fifth among the top ten best manga of all time. The 2005 and 2006 surveys conducted by TV Asahi found the Doraemon anime ranked fifth and third, respectively, among the 100 most favorite anime series of all time. In 2010, a survey conducted by researchers of Tokyo Polytechnic University found that most responders considered Doraemon, along with Dragon Ball franchise, to be the anime series that represents Cool Japan. In a 2013 survey, Doraemon was found to be the best anime recommended for foreign people.

Criticisms

Doraemon has been blamed for having a negative impact on children, due to the controversial traits of the characters in the anime. The character has received criticism in China, where some media outlets considered Doraemon to be a politically subversive character and that it was a tool of Japan's "cultural invasion". Some education groups in Taiwan demanded the anime to be banned, as the plot involve bullying which would encourage campus bullying. In 2016, a resolution to ban Hindi dubbed Doraemon anime series was submitted in Pakistan. Around the same time, legal notices were served against several companies in India, targeting Doraemon and Crayon Shin-chan for bans (which did not materialize), as having an adverse effect on children. Disney Channel India, the regional broadcaster of the anime, was banned in Bangladesh and Pakistan citing non-availability of localized dubs for content including Doraemon.

Cultural impact and legacy

Shuttle bus featuring Doraemon to Fujiko F. Fujio Museum in Kawasaki

Doraemon at National Museum of Singapore in October 2020

The Doraemon manga has inspired many other mangakas; these include Eiichiro Oda, the creator of One Piece with the idea of "Devil Fruits", and Masashi Kishimoto, the creator of Naruto, who showed interest in drawing characters from anime shows during his childhood, including Doraemon. The manga has also been mentioned in Gin Tama and Great Teacher Onizuka. The character Doraemon is considered one of the cultural icons in Japan, and one of the most well-known characters in manga history; some critics compared his notability with Mickey Mouse and Snoopy. Mark Schilling noted that Doraemon's "Take-Copter" is familiar among Japanese people "just as Snoopy's biplane is familiar to most Americans".

On April 22, 2002, on the special issue of Asian Hero in Time magazine, Doraemon was the only anime character to be named one of the twenty-two Asian Heroes, and was described as "The Cuddliest Hero in Asia". A 2007 poll by Oricon shown that Doraemon was the second-strongest manga character ever, behind only Son Goku of Dragon Ball. Doraemon is also referred as something with the ability to satisfy all wishes.

In 2005, the Taiwan Society of New York selected Doraemon as a culturally significant work of Japanese otaku pop-culture in its exhibit Little Boy: The Arts of Japan's Exploding Subculture, curated by renowned artist Takashi Murakami. In 2008, the Japanese Ministry of Foreign Affairs appointed Doraemon as the first anime cultural ambassador; a Ministry spokesperson explained the decision as an attempt to help people in other countries understand Japanese anime better and to deepen their interest in Japanese culture. On September 3, 2012, Doraemon was granted official residence in the city of Kawasaki, Kanagawa, one hundred years before he was born. In the same year, Hong Kong celebrated the birthday of Doraemon 100 years early with a series of displays of the character. In April 2013, Doraemon was chosen as Japan's ambassador in Tokyo's bid to host the 2020 Summer Olympics and 2020 Summer Paralympics. He appeared in the 2016 Summer Olympics closing ceremony to promote the 2020 Summer Olympics in Tokyo.

A Fujiko F. Fujio museum opened in Kawasaki on September 3, 2011, featuring Doraemon as the star of the museum. The National Museum of Singapore held a time-travelling exhibition in October 2020 as a tribute to the manga. After the 2011 Tōhoku earthquake and tsunami, Shogakukan released an earthquake survival guidebook, which included the main cast of the Doraemon manga series. TV Asahi launched the Doraemon Fund charity fund to raise money for natural disasters in 2004, and in 2011. In 2020, Mumbai's Sion Friends Circle group distributed food and books to kids using mascots, one being Doraemon, to help during the COVID-19 pandemic. In Vietnam, a Doraemon scholarship fund was established in 1996, and the Doraemon character has been used for education of traffic safety. Doraemon's creator, Fujiko F. Fujio, received the Culture Fighter Medal from the Vietnamese Ministry of Culture in 1996 for his contributions to young education through the manga.

Many prominent figures have been nicknamed after the cast of Doraemon: politician Osamu Fujimura is known as the "Doraemon of Nagatacho" due to his figure and warm personality, and sumo wrestler Takamisugi was nicknamed "Doraemon" because of his resemblance to the character. In 2015, a group of people in a drought-affected village in northern Thailand used a Doraemon toy to complete a rain-ritual, in order to avoid controversies that would occur by using real animals.

A parody of Doraemon created by Hikari Fujisaki, titled Nozoemon (のぞえもん), was first serialized in Nihon Bungeisha's Comic Heaven magazine in September 2014, with the compiled book volume released on June 9, 2015; however, it was discontinued in August 2015 due to content issues.

References

Notes

Doraemon licensed merchandise sales:
- Royalties (1979–1994) – ¥15.3 billion ($153 million)
- Japan (1999–2000, 2003, 2005, 2007, 2010) – ¥223.75 billion ($2.549 billion)
  - 1999 – ¥84.21 billion
  - 2000 – ¥50 billion
  - 2003 – ¥30 billion
  - 2005 – ¥24.96 billion
  - 2007 – ¥17.6 billion
  - 2010 – ¥16.98 billion
- Worldwide (2015–2016) – $1.108 billion
  - 2015 – $557 million
  - 2016 – $551 million
- Japan (2018–2019) – ¥64.01 billion ($587 million)

Citations

^ "Shogakukan-Shueisha Productions grants merchandise rights for beloved Doraemon franchise to Viz Media for Americas region". Viz Media. Archived from the original on January 22, 2019. Retrieved January 22, 2019.
Ong, Bang (August 28, 2015). "10 Asian heroes we worshipped while growing up". Stuff. Archived from the original on January 22, 2019. Retrieved January 22, 2019.
Fの森の歩き方 [How to walk in the forest of F] (in Japanese). Tokyo: Shogakukan. 2010. p. 3. ISBN 978-4-091-43434-0.
^ ドラえもん完全作品リスト改訂二版 [Perfect data of the Doraemon] (in Japanese). Tokyo: NeoUtopia. 2000.
IGN Staff (October 1, 1996). "Doraemon Creator Dies". IGN. Archived from the original on June 18, 2013. Retrieved May 25, 2021.
^ Schilling 2004, p. 39
"藤子・F・不二雄(ふじこエフふじお)" [Fujiko F. Fujio]. Doraemon Channel (in Japanese). Archived from the original on December 22, 2012. Retrieved June 4, 2013.
^ Min Chew, Hui (December 23, 2014). "Why Doraemon is blue and 4 other things you might not have known about the cat robot". The Straits Times. Archived from the original on July 5, 2015. Retrieved January 18, 2021.
^ Schodt 1999, p. 218
Schodt 1999, pp. 217–218
Pelliteri 2008, p. 200
^ Fujio, Fujiko F. (September 1999). ドラえもんカラー作品集 1 [Doraemon Color Works 1] (in Japanese). Shogakukan. ISBN 4091495710. Archived from the original on March 28, 2016. Retrieved March 31, 2018. For conception, see pp. 158–159.
^ Shiraishi 1997, p. 238
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External links

Doraemon official TV Asahi website (in Japanese)
Doraemon official US website Archived 2014-11-29 at the Wayback Machine
Doraemon Channel official website (in Japanese)
Doraemon official Shin-Ei Animation website (in Japanese)
Doraemon (manga) at Anime News Network's encyclopedia

Portals:

Doraemon

Characters

Manga

Anime

Films

Feature

1979 series	Nobita's Dinosaur (1980) The Records of Nobita, Spaceblazer (1981) Nobita and the Haunts of Evil (1982) Nobita and the Castle of the Undersea Devil (1983) Nobita's Great Adventure into the Underworld (1984) Nobita's Little Star Wars (1985) Nobita and the Steel Troops (1986) Nobita and the Knights on Dinosaurs (1987) Nobita's Parallel Visit to the West (1988) Nobita and the Birth of Japan (1989) Nobita and the Animal Planet (1990) Nobita's Dorabian Nights (1991) Nobita and the Kingdom of Clouds (1992) Nobita and the Tin Labyrinth (1993) Nobita's Three Visionary Swordsmen (1994) Nobita's Diary on the Creation of the World (1995) Nobita and the Galaxy Super-express (1996) Nobita and the Spiral City (1997) Nobita's Great Adventure in the South Seas (1998) Nobita Drifts in the Universe (1999) Nobita and the Legend of the Sun King (2000) Nobita and the Winged Braves (2001) Nobita in the Robot Kingdom (2002) Nobita and the Windmasters (2003) Nobita in the Wan-nyan Spacetime Odyssey (2004)
2005 series	Nobita's Dinosaur 2006 (2006) Nobita's New Great Adventure into the Underworld (2007) Nobita and the Green Giant Legend (2008) The New Record of Nobita's Spaceblazer (2009) Nobita's Great Battle of the Mermaid King (2010) Nobita and the New Steel Troops—Winged Angels (2011) Nobita and the Island of Miracles—Animal Adventure (2012) Nobita's Secret Gadget Museum (2013) New Nobita's Great Demon—Peko and the Exploration Party of Five (2014) Nobita's Space Heroes (2015) Nobita and the Birth of Japan 2016 (2016) Nobita and the Great Adventure in the Antarctic Kachi Kochi (2017) Nobita's Treasure Island (2018) Nobita's Chronicle of the Moon Exploration (2019) Nobita’s New Dinosaur (2020) Nobita's Little Star Wars 2021 (2022) Nobita's Sky Utopia (2023) Nobita's Earth Symphony (2024) Nobita's Art World Tales (2025)
CGI	Stand by Me Doraemon (2014) Stand by Me Doraemon 2 (2020)

Short

A Grandmother's Recollections (2000)

Video games

Doraemon (1986)
Doraemon: Meikyū Daisakusen (1989)
Nobita to Mittsu no Seireiseki (1997)
Doraemon Wii (2007)
Doraemon Story of Seasons (2019)
Doraemon Story of Seasons: Friends of the Great Kingdom (2022)

Other media

Category

v t e Fujiko Fujio's major works
Collaboration	Obake no Q-Tarō Perman
Fujimoto (Fujiko F. Fujio)	Perman 21 Emon Mojacko Doraemon Kiteretsu Daihyakka Esper Mami Time Patrol Bon Chimpui Pokonyan!
Abiko (Fujiko Fujio A)	Ninja Hattori-kun Kaibutsu-kun The Laughing Salesman Parasol Henbē Ultra B

v t e Shogakukan Manga Award – Children
1980s	Doraemon by Fujiko Fujio (1981) Game Center Arashi and Kon'nichiwa! Mi-com by Mitsuru Sugaya (1982) Panku Ponk by Haruko Tachiiri (1983) Kinnikuman by Yudetamago (1984) Asari-chan by Mayumi Muroyama (1985) Ganbare, Kickers! by Noriaki Nagai (1986) Tsurupika Hagemaru by Shinbo Nomura (1987) Obocchama-kun by Yoshinori Kobayashi (1988) Mari-chan by Kimiko Uehara (1989)
1990s	Amaizo! Dango by Moo. Nenbei (1990) Dojji Donbei by Tetsuhiro Koshita (1991) One More Jump by Michiyo Akaishi (1993) Ore wa Otoko Da! Kunio-kun by Kōsaku Anakubo (1994) Kocchi Muite! Miiko by Eriko Ono (1995) Midori no Makibaō by Tsunomaru (1996) Ninpen Manmaru by Mikio Igarashi (1997) Taro the Space Alien by Yasunari Nadotoshi (1999)
2000s	Seikimatsu Leader den Takeshi! by Mitsutoshi Shimabukuro (2000) Pukupuku Natural Circular Notice by Sayuri Tatsuyama (2001) Croket! by Manavu Kashimoto (2002) Mirmo! by Hiromu Shinozuka (2003) Sgt. Frog by Mine Yoshizaki and Grandpa Danger by Kazutoshi Soyama (2004) Animal Yokochō by Ryō Maekawa (2005) Kirarin Revolution by An Nakahara (2006) Keshikasu-kun by Noriyuki Murase (2007) Naisho no Tsubomi by Yū Yabūchi (2008) A Penguin's Troubles by Yūji Nagai (2009)
2010s	Yumeiro Patissiere by Natsumi Matsumoto (2010) Inazuma Eleven by Tenya Yabuno (2011) Mysterious Joker by Hideyasu Takahashi (2012) Zekkyō Gakkyū by Emi Ishikawa (2013) Yo-kai Watch by Noriyuki Konishi (2014) Usotsuki! Gokuō-kun by Makoto Yoshimoto (2015) Ijime by Kaoru Igarashi (2016) PriPri Chi-chan!! by Hiromu Shinozuka (2017) Age 12 by Nao Maita (2018) My New Life as a Cat by Konomi Wagata (2019)
2020s	Duel Masters by Shigenobu Matsumoto and The Magic of Chocolate by Rino Mizuho (2020) Ui × Kon by Minori Kurosaki (2022)
Categories (until 2022): General Shōnen Shōjo Children 2023–

Tezuka Osamu Cultural Prize

Grand Prize

1990s	Fujiko Fujio for Doraemon (1997) Jiro Taniguchi and Natsuo Sekikawa for the trilogy Bocchan No Jidai (1998) Naoki Urasawa for Monster (1999)
2000s	Daijiro Morohoshi for Saiyū Yōenden (2000) Reiko Okano and Baku Yumemakura for Onmyōji (2001) Takehiko Inoue for Vagabond (2002) Fumiko Takano for The Yellow Book: A Friend Named Jacques Thibault (2003) Kyoko Okazaki for Helter Skelter (2004) Naoki Urasawa for Pluto (2005) Hideo Azuma for Disappearance Diary (2006) Ryoko Yamagishi for Terpsichora (2007) Masayuki Ishikawa for Moyashimon (2008) Fumi Yoshinaga for Ōoku: The Inner Chambers and Yoshihiro Tatsumi for A Drifting Life (2009)
2010s	Yoshihiro Yamada for Hyouge Mono (2010) Motoka Murakami for Jin and Issei Eifuku and Taiyō Matsumoto for Takemitsuzamurai (2011) Hitoshi Iwaaki for Historie (2012) Yasuhisa Hara for Kingdom (2013) Chica Umino for March Comes In like a Lion (2014) Yoiko Hoshi for Aisawa Riku (2015) Kei Ichinoseki for Hanagami Sharaku and Kiyohiko Azuma for Yotsuba&! (2016) Fusako Kuramochi for Hana ni Somu (2017) Satoru Noda for Golden Kamuy (2018) Shinobu Arima for Jitterbug The Forties (2019)
2020s	Kan Takahama for Nyx no Lantern (2020) Kazumi Yamashita for Land (2021) Uoto for Orb: On the Movements of the Earth (2022) Kiwa Irie for Yuria-sensei no Akai Ito (2023) Mari Yamazaki, Miki Tori for PLINIVS (2024)

Special
Award

1990s	Toshio Naiki (1997) Shotaro Ishinomori (1998) Fusanosuke Natsume (1999)
2000s	Frederik L. Schodt (2000) Akira Maruyuma (2001) Shigeru Mizuki (2003) Tarō Minamoto (2004) Kawasaki City Museum (2005) Kousei Ono (2006) International Institute for Children's Literature, Osaka Prefecture (2008)
2010s	Yoshihiro Yonezawa (2010) Weekly Shōnen Jump (2012) Fujiko Fujio (A) (2014) Chikako Mitsuhashi for Chiisana Koi no Monogatari (2015) Kyoto International Manga Museum (2016) Osamu Akimoto for Kochira Katsushika-ku Kameari Kōen-mae Hashutsujo (2017) Tetsuya Chiba for Ashita no Joe (2018) Takao Saito for Golgo 13 (2019)
2020s	Machiko Hasegawa for Sazae-san (2020) Koyoharu Gotouge for Demon Slayer: Kimetsu no Yaiba (2021) Kazuo Umezu for Zoku Shingo: Chiisana Robot Shingo Bijutsukan (2023) COMITIA (2024)

Award for
Excellence

Moto Hagio for A Cruel God Reigns (1997)
Yūji Aoki for Naniwa Kin'yūdō (1998)
Akira Sasō for Shindō (1999)
Minetarō Mochizuki for Dragon Head (2000)
Kotobuki Shiriagari for Yajikita in Deep (2001)
Kentaro Miura for Berserk (2002)

Creative
Award

Yumi Hotta and Takeshi Obata for Hikaru no Go (2003)
Takashi Morimoto for Naniwadora ihon (2004)
Fumiyo Kōno for Town of Evening Calm, Country of Cherry Blossoms (2005)
Asa Higuchi for Big Windup! (2006)
Nobuhisa Nozoe, Kazuhisa Iwata and Kyojin Ōnishi for Shinsei Kigeki (2007)
Toranosuke Shimada for Träumerei (2008)

New Artist
Prize

Suehiro Maruo for The Strange Tale of Panorama Island (2009)
Haruko Ichikawa for Mushi to Uta (2010)
Hiromu Arakawa for Fullmetal Alchemist (2011)
Yu Itō for Shut Hell (2012)
Miki Yamamoto for Sunny Sunny Ann! (2013)
Machiko Kyō for Mitsuami no Kami-sama (2014)
Yoshitoki Ōima for A Silent Voice (2015)
Yuki Andō for Machida-kun no Sekai (2016)
Haruko Kumota for Descending Stories: Showa Genroku Rakugo Shinju (2017)
Paru Itagaki for Beastars (2018)
Sansuke Yamada for Areyo Hoshikuzu (2019)
Rettō Tajima for Mizu wa Umi ni Mukatte Nagareru (2020)
Kanehito Yamada and Tsukasa Abe for Frieren: Beyond Journey's End (2021)
Natsuko Taniguchi for Kyōshitsu no Katasumi de Seishun wa Hajimaru and Konya Sukiyaki da yo (2022)
Ganpu for Danchōtei Nichijō (2023)
Akihito Sakaue for Kanda Gokura-chō Shokunin-Banashi (2024)

Short Story
Award

Hisaichi Ishii for Gendai Shisō no Sōnanshātachi (2003)
Risu Akizuki for OL Shinkaron (2004)
Rieko Saibara for Jōkyō Monogatari and Mainichi Kaasan (2005)
Risa Itō for One Woman, Two Cats, Hey Pitan!, Onna no Mado (2006)
Hiromi Morishita for Ōsaka Hamlet (2007)
Yumiko Ōshima for Cher Gou-Gou...mon petit chat, mon petit ami (2008)
Hikaru Nakamura for Saint Young Men (2009)
Mari Yamazaki for Thermae Romae (2010)
Keisuke Yamashina for C-kyū Salaryman Kōza, Papa wa Nanda ka Wakaranai (2011)
Roswell Hosoki for Sake no Hosomichi (2012)
Yoshiie Gōda for Love of Machine (2013)
Yuki Shikawa for Onnoji (2014)
Sensha Yoshida (2015)
Tatsuya Nakazaki for Jimihen (2016)
Kahoru Fukaya for Yomawari Neko (2017)
Taro Yabe for Oya-san to Boku (2018)
Ken Koyama for Little Miss P (2019)
Yama Wayama for Captivated, by You (2020)
Hiroko Nobara for Kieta Mama Tomo and Tsuma wa Kuchi o Kiite Kuremasen (2021)
Izumi Okaya for Ii Toshi o and Hakumokuren wa Kirei ni Chiranai (2022)
Ebine Yamaji for Onna no Ko ga Iru Basho wa (2023)
Miri Masuda for Tsuyukusa Natsuko no Isshō (2024)

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