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William Brymner

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Canadian artist (1855–1925)
William Brymner
Portrait of William Brymner
Born(1855-12-14)December 14, 1855
Greenock, Scotland
DiedJune 18, 1925(1925-06-18) (aged 69)
Wallasey, England
NationalityCanadian
EducationAcadémie Julian
Known forPainter
Movementfounding member Canadian Art Club (1907-1915)

William Brymner, CMG RCA (December 14, 1855 – June 18, 1925) was a Canadian figure and landscape painter and educator. In addition to playing a key role in the development of Impressionism in Canada, Brymner taught numerous artists who became leading figures in Canadian modern art.

Early years

Born in Greenock, Scotland, the son of Douglas Brymner the first Dominion Archivist and Jean Thomson, Brymner moved with his family to Melbourne, Canada East in 1857. In 1864, his family moved to Montreal, Canada East. They later lived in the area of Ottawa, Canada West where Brymner attended the Ottawa Grammar School.

Following architectural studies, Brymner enrolled at the Académie Julian in Paris, France, in 1878, where his instructors were William-Adolphe Bouguereau and Tony Robert-Fleury. Both of his teachers were famous exponents of 'Grand manner' naturalism. During this period at the Salon Brymner became interested in the work of Jean-Louis Ernest Meissonier, who was already popular with the French public.

In the spring of 1884, Brymner travelled to Runswick Bay, North Yorkshire, England, with the British artist Frederick W. Jackson (1859-1918) and Scottish-Canadian artist James Kerr-Lawson (1862-1939). It was there that Brymner completed his major works A Wreath of Flowers (1884), which later served as his diploma submission for the Royal Canadian Academy of Arts, and The Lonely Orphans Taken to Her Heart (1884).

In January 1885, Brymner returned to Paris to resume his studies at the Académie Julian. During this time, he created the Barbizon school-inspired landscape painting Border of the Forest of Fontainebleau (1885), which was exhibited at the Paris Salon.

Returning to Canada in 1885, Brymner spent the summer in Baie-Saint-Paul in the Lower Saint Lawrence region of Quebec. There he created his first paintings depicting rural Quebec, a subject he frequently would return to throughout his career.

Later life

In 1886, Brymner settled in Montreal after staying in Paris "on and off for almost seven years." That year, he travelled to Western Canada via the newly completed Canadian Pacific Railway, hoping to take advantage of the fact that the CPR was commissioning landscapes of the Rocky Mountains. Brymner spent several weeks on the Siksika Nation Reserve near Gleichen (now Alberta), where he witnessed the severe hunger of the Siksika People due to the government's failure to provide adequate food rations. This experience culminated in one of Brymner's most haunting paintings, Giving Out Rations to the Blackfoot Indians, NWT (1886).

Upon his return from Western Canada, Brymner began teaching at the Art Association of Montreal, where he would remain for thirty years. Many members of the Beaver Hall Group studied under Brymner, who encouraged them to explore new modernist approaches to painting.

Brymner specialized in figure scenes and avoided large historical subjects except for his paintings of the Canadian Pacific Railway. Two Girls Reading of 1898 displays a careful treatment of light and an understanding of the force of a simple emphatic composition.

Pupils

Among Brymner's pupils were:

Recognition and awards

In 1883, he was made an associate of the Royal Canadian Academy of Arts (RCA). In 1904, he received a silver medal at the Canadian exhibition at the Louisiana Purchase Exposition. He was elected vice-president of the RCA in 1907 and president in 1909. In 1916, he was made a Companion of the Order of St Michael and St George and could use the honorary prefix C.M.G. after his name.

Artworks

Gallery

  • Bonsecours Church and Market, 1913 Bonsecours Church and Market, 1913
  • In the Orchard (Spring), 1892, National Gallery of Canada In the Orchard (Spring), 1892, National Gallery of Canada
  • Ile aux Coudres, c. 1900, National Gallery of Canada Ile aux Coudres, c. 1900, National Gallery of Canada
  • Near Louisbourg, Cape Breton c. 1904–1914, National Gallery of Canada Near Louisbourg, Cape Breton c. 1904–1914, National Gallery of Canada
  • Evening, 1907, National Gallery of Canada Evening, 1907, National Gallery of Canada
  • Young Lady, c. 1910, National Gallery of Canada Young Lady, c. 1910, National Gallery of Canada
  • A Wreath of Flowers, 1884. A Wreath of Flowers, 1884.
  • Lakeside view Lakeside view
  • Portrait of a boy Portrait of a boy
  • With Dolly at the Sabot-makers, 1883. With Dolly at the Sabot-makers, 1883.
  • Femme en train de tisser/La Femme au métier, 1885. Femme en train de tisser/La Femme au métier, 1885.
  • Nude figure, 1951. Nude figure, 1951.
  • daughter and her Dog, Bas Saint-Laurent/Fillette avec son chien, Bas Saint-Laurent (1905) daughter and her Dog, Bas Saint-Laurent/Fillette avec son chien, Bas Saint-Laurent (1905)
  • Maison de Champagne, 1890. Maison de Champagne, 1890.
  • Summer-Landscape (2), 1910. Summer-Landscape (2), 1910.
  • Le Champ-de-Mars en hiver, 1892. Le Champ-de-Mars en hiver, 1892.

Footnotes

  1. ^ Anderson, Jocelyn (2020). William Brymner: Life & Work. Toronto: Art Canada Institute. ISBN 978-1-4871-0238-8.
  2. Lisgar Alumni Association. A History of the Ottawa Collegiate Institute, 1843-1903. 1904.
  3. ^ Reid, Dennis (1988). A Concise History Of Canadian Painting: Second Edition. Toronto: Oxford University Press. pp. 94–95. ISBN 0-19-540663-X.
  4. ^ Boutilier, Alicia; Maréchal, Paul (2010). William Brymner: Artist, Teacher, Colleague. Kingston: Agnes Etherington Art Center. p. 129. ISBN 978-1-55339-251-4.
  5. "Biography – McNICOLL, HELEN GALLOWAY – Volume XIV (1911-1920) – Dictionary of Canadian Biography". biographi.ca. Archived from the original on 2019-02-07. Retrieved 2019-02-04.
  6. "Robert Pilot". Heffel.com. Archived from the original on 2 September 2015. Retrieved 5 October 2015.
  7. Williamson, Moncrieff. "Robert Harris: An Unconventional Biography". search.library.utoronto.ca. McClelland & Stewart, Toronto. p. 180-183. Retrieved 2021-05-02.
  8. "Collections | Musée national des beaux-arts du Québec | La Vieille Fileuse, île d'Orléans". MNBAQ. Archived from the original on 2019-06-30. Retrieved 2019-02-04.
  9. "A Wreath of Flowers". www.gallery.ca. Archived from the original on 2019-02-04. Retrieved 2019-02-04.
  10. "Collections | Musée national des beaux-arts du Québec | La Femme au métier". MNBAQ. Archived from the original on 2019-05-04. Retrieved 2019-02-04.
  11. "In the Orchard (Spring)". www.gallery.ca. Archived from the original on 2019-02-04. Retrieved 2019-02-04.
  12. "Early Moonrise in September". www.gallery.ca. Archived from the original on 2019-02-05. Retrieved 2019-02-04.
  13. "Île-aux-Coudres". www.gallery.ca. Archived from the original on 2019-02-04. Retrieved 2019-02-04.
  14. "Collections | Musée national des beaux-arts du Québec | La Vallée Saint-François, île d'Orléans". MNBAQ. Archived from the original on 2019-06-22. Retrieved 2019-02-04.
  15. "Evening". www.gallery.ca. Archived from the original on 2019-02-04. Retrieved 2019-02-04.
  16. "Near Louisbourg, Cape Breton, N.S." www.gallery.ca. Archived from the original on 2019-02-04. Retrieved 2019-02-04.
  17. "Young Lady". www.gallery.ca. Archived from the original on 2019-02-05. Retrieved 2019-02-04.
  18. "Fog on the Coast". www.gallery.ca. Archived from the original on 2019-02-04. Retrieved 2019-02-04.
  19. "Collections | Musée national des beaux-arts du Québec | Octobre sur la rivière Beaudet". MNBAQ. Archived from the original on 2019-06-22. Retrieved 2019-02-04.
  20. "Collections | Musée national des beaux-arts du Québec | Jeune Fille au chapeau bleu (La Breloque)". MNBAQ. Archived from the original on 2019-06-28. Retrieved 2019-02-04.

Bibliography

Cultural offices
Preceded byGeorge Agnew Reid President of the Royal Canadian Academy of Arts
1909-1918 		Succeeded byHomer Watson
Canadian Impressionism
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