Misplaced Pages

William Hood (art historian)

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)
This biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libelous.
Find sources: "William Hood" art historian – news · newspapers · books · scholar · JSTOR (November 2023) (Learn how and when to remove this message)
The topic of this article may not meet Misplaced Pages's general notability guideline. Please help to demonstrate the notability of the topic by citing reliable secondary sources that are independent of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be merged, redirected, or deleted.
Find sources: "William Hood" art historian – news · newspapers · books · scholar · JSTOR (November 2023) (Learn how and when to remove this message)
(Learn how and when to remove this message)

William Hood is an art historian and the Mildred C. Jay Professor of Art Emeritus at Oberlin College, where he taught from 1974 through 2007. Professor Hood taught the history of Italian Renaissance Art in Columbia University's Department of Art History and Archaeology from 2008 through 2010. He is currently teaching art history seminars at the New York University Institute of Fine Arts.

Research

His research interests center around Italian Renaissance art, as well as the art of 17th and 18th century France, Italy, and Spain. He has published on a variety of subjects in Renaissance and Baroque art. His book, Fra Angelico at San Marco, published by Yale University Press, won the 1993 George Wittenborn Memorial Book Award, the 1994 Eric Mitchell Prize and was a finalist in the Premio Salimbeni Competition in Italy. His book-in-progress is entitled Made Men: Afterlives of the Classical Nude.

Education and scholarship

Professor Hood received his B.F.A. and M.F.A. at the University of Georgia. He did his doctoral work at the New York University Institute of Fine Arts in New York and was awarded a Ph.D. in 1977. He has taught at Oberlin College since 1974 and holds the endowed Mildred C. Jay professorship in art history. He is a fellow at the American Academy in Rome, as well as the Harvard University Center for Italian Renaissance Studies at the Villa I Tatti in Florence, where he held two visiting professorships from 1989–90 and from 1999-2000. He is also a 2005 recipient of an Andrew W. Mellon fellowship at the Metropolitan Museum of Art in New York City.

References

  1. Profile, oberlin.edu. Accessed November 1, 2023.
  2. Profile, nyu.academia.edu. Accessed November 1, 2023.
  3. Profile, metmuseum.org. Accessed November 1, 2023.
Categories: