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Wonder Woman is a fictional character, a DC Comics superheroine created by William Moulton Marston. She first appeared in All Star Comics #8 (December 1941). The Wonder Woman title has been published by DC Comics almost continuously except for a brief hiatus in 1986. Due to her depiction as a heroine fighting for justice and to reduce male domination over the world, Wonder Woman is widely considered a feminist icon.
Wonder Woman is a warrior princess of the Amazons (based on the Amazons of Greek mythology) and is known in her homeland as Diana of Themyscira. She is gifted with a wide range of superhuman powers and superior combat and battle skill. Also well-known is her arsenal of weapons, such as the Lasso of Truth, a pair of indestructible bracelets, a tiara which serves as a projectile, and, in some stories, an invisible airplane.
Created during World War II, the character was initially depicted fighting the Axis military forces, as well as an assortment of supervillains. Since then, Wonder Woman has earned a formidable cast of enemies bent on eliminating the Amazon such as classic villains like Cheetah, Ares and Circe and newer ones like Genocide, The Circle and many gods and monsters from Greek mythology . Wonder Woman has also regularly appeared in comic books featuring the superhero teams Justice Society (from 1941) and Justice League (from 1960).
In addition to the comics, the character has appeared in other media; most notably, the 1975–1979 Wonder Woman TV series starring Lynda Carter, as well as animated series such as the Super Friends and Justice League. Although a number of attempts have been made to adapt the character to live-action film, none have yet emerged from development hell. An animated film was released in 2009, with Keri Russell voicing the title role. In 2011, Adrianne Palicki starred in the TV series pilot of Wonder Woman that did not get picked up due to "scheduling issues". In September 2012, it was revealed that CW, the creator of popular Superman show Smallville, was developing a potential Wonder Woman origin TV series titled "Amazon". Wonder Woman's popularity has led to her appearing in the form of a variety of toys, merchandise and pin-ups.
History
Main article: History of Wonder WomanCreation
In an October 25, 1940 interview published in Family Circle titled "Don't Laugh at the Comics", William Moulton Marston described what he saw as the great educational potential of comic books. This article caught the attention of comics publisher Max Gaines, who hired Marston as an educational consultant for National Periodicals and All-American Publications, two of the companies that would merge to form DC Comics. At that time, Marston decided to develop a new superhero. Family Circle published a follow-up article two years later from issue of the Boston University alumni magazine, it was Marston's wife Elizabeth's idea to create a female superheroine:
William Moulton Marston, a psychologist already famous for inventing the polygraph (forerunner to the magic lasso), struck upon an idea for a new kind of superhero, one who would triumph not with fists or firepower, but with love. "Fine," said Elizabeth. "But make her a woman."
Marston introduced the idea to Gaines, co-founder of All-American Publications. Given the go-ahead, Marston developed Wonder Woman with Elizabeth, whom Marston believed to be a model of that era's unconventional, liberated woman. Marston was also inspired by Olive Byrne, who lived with the couple in a polygamous/polyamorous relationship. Both women served as exemplars for the character and greatly influenced the character's creation. Wonder Woman debuted in All Star Comics #8 (December 1941) , scripted by Marston and with art by Harry G. Peter.
Marston was the creator of a systolic-blood-pressure-measuring apparatus, which was crucial to the development of the polygraph (lie detector). Marston's experience with polygraphs convinced him that women were more honest and reliable than men and could work more efficiently.
"Wonder Woman is psychological propaganda for the new type of woman who should, I believe, rule the world," Marston wrote. Although Gloria Steinem placed Wonder Woman on the first standalone cover of Ms. in 1972, Marston, writing in an earlier time, designed Wonder Woman to represent a particular form of female empowerment.
In a 1943 issue of The American Scholar, Marston wrote:
Not even girls want to be girls so long as our feminine archetype lacks force, strength, and power. Not wanting to be girls, they don't want to be tender, submissive, peace-loving as good women are. Women's strong qualities have become despised because of their weakness. The obvious remedy is to create a feminine character with all the strength of Superman plus all the allure of a good and beautiful woman.
During this period, Wonder Woman joined the Justice Society of America as the female member, albeit as the group's secretary, since the custom was that characters who had their own comic books would hold only honorary membership.
Evolution of the character
Initially, Wonder Woman was an Amazon champion who wins the right to return Steve Trevor — a United States intelligence officer whose plane had crashed on the Amazons' isolated island homeland — to "Man's World" and to fight crime and the evil of the Nazis.
During the Silver Age, Wonder Woman's origin was revamped, along with other characters'. The new origin story increased the character's Hellenic and mythological roots: receiving the blessing of each deity in her crib, Diana is destined to become "beautiful as Aphrodite, wise as Athena, as strong as Hercules, and as swift as Hermes."
At the end of the 1960s, under the guidance of Mike Sekowsky, Wonder Woman surrendered her powers in order to remain in Man's World rather than accompany her fellow Amazons to another dimension. Becoming a mod boutique owner, the powerless Diana Prince acquired a Chinese mentor named I Ching. Under I Ching's guidance, Diana learned martial arts and weapons skills and engaged in adventures that encompassed a variety of genres, from espionage to mythology.
Due in part to popular demand—including Gloria Steinem choosing to feature the original super-powered version of Wonder Woman on the cover of the first issue of her Ms. Magazine—in the early 1970s the character returned to her superhero roots in Justice League of America and to the World War II era in her own title.
Following the 1985 Crisis on Infinite Earths series, George Pérez, Len Wein, and Greg Potter relaunched the character, writing Wonder Woman as an emissary and ambassador from Themyscira to Patriarch's World, charged with the mission of bringing peace to the outside world. Pérez incorporated a variety of deities and concepts from Greek mythology in Wonder Woman's stories and origin. His relaunch of the character acted as the foundation for the more modern Wonder Woman stories as the widely-accepted origin of Diana being birthed out of clay and being blessed and brought to life by the Greek deities was created during this run. This relaunch was a critical and commercial success.
In August 2010 (issue #600), J. Michael Straczynski took over the series' writing duties and introduced Wonder Woman to a alternate timeline created by the Gods in which Paradise Island had been destroyed and the Amazons being scattered around the world. In this timeline, Diana is an orphan raised in New York who is learning to cope with her powers. The entire world has forgotten Wonder Woman's existence and the main story of this run was of Diana trying to restore reality even though she does not properly remember it herself. A trio of Death Goddesses called the Morrigan acted as the main enemy of Wonder Woman. In this run, Wonder Woman wore a new costume designed by Jim Lee. Straczynski determined the plot and continued writing duties till Wonder Woman #605. Writer Phil Hester then continued his run, which ultimately concluded in Wonder Woman #614.
In 2011, DC Comics relaunched its entire line of publications to attract a new generation of readers. In this new continuity, Wonder Woman wears a costume similar to her original costume. Her origin is significantly changed and she is no longer a clay figure brought to life by the magic of the gods; instead, she is a demigoddess, the natural-born daughter of Hippolyta and Zeus. In August 2012, she and Superman shared a kiss in Justice League #12, hinting a possible romance, which, according to Chief Creative Officer and Justice League writer Geoff Johns, will be the new status quo.
Secret Identity
Wonder Woman's secret identity is that of Diana Prince. Through the popularity of her Wonder Woman alter ego, the personality, concept, and name of Diana Prince have become ingrained in popular culture, becoming synonymous with secret identities and innocuous fronts for ulterior motives and activities.
First written in the earliest Wonder Woman comics, Diana Prince's role was multifaceted. Unlike the Superman alter-ego of Clark Kent, who was originally little more than a front for Superman's activities, and who adopted a passive "mild-mannered" persona to conceal his underlying strength, Prince's identity functioned both to position Wonder Woman so that she could learn of situations requiring her intervention and to allow the character to embody feminist and other ideals espoused by Charles Moulton. For example, Diana Prince was originally a nurse and then an officer in military intelligence, starting in the typical woman's role of secretary but gradually earning more autonomy, including the authority to interrogate espionage suspects, eventually becoming an intelligence officer in her own right and, over the years, rising from Lieutenant to Major. Although Diana Prince was frequently told not to accompany Trevor at pivotal moments of adventures because it was no place for a woman, Diana was actually the most competent person to tackle a crisis, whether by exercising her knowledge or her power as Wonder Woman, riding in with an all-girl cavalry of Etta Candy and the Beeta Lambda sorority. In fact, for a period of time in the 1960s, Wonder Woman lost her powers and functioned exclusively as a non-powered Diana Prince who nonetheless experienced high adventure as a Modesty Blaise-type character.
Wonder Woman was broadcast worldwide killing a villain named Maxwell Lord, as he was mind controlling Superman into killing Batman and the only way to stop him was to kill him, so as a last resort Diana snapped his neck. Due to the trauma of killing and the aftermath of Infinite Crisis, the Amazon went into a year's exile. This exile ended the viability of her initially intended mission of being an ambassador and teacher of Amazon principles. Once she returned to public life, Diana realized that her life as a full-time celebrity superhero and ambassador had kept her removed from humanity. Because of this she again donned the persona of Diana Prince and became an agent at the Department of Metahuman Affairs. During a later battle with Circe, the witch placed a spell on Diana leaving Wonder Woman powerless when in the role of Diana Prince.
In the current New 52 universe, Diana does not have a secret identity as stated in an interview by series writer Brian Azzarello.
Personality
While many writers have depicted Diana in different personalities, what has remained constant is her ability to feel compassion and give love without discrimination. This trait had been the reason for her induction into the Star Sapphires. While righteous and against killing like her comrades Superman and Batman, the modern version of the character has been shown to perform lethal and fatal actions when left with no other alternative. A primary example of this is when she snapped Maxwell Lord's neck, building the events that led to Infinite Crisis. The reason for this was that he was mind-controlling Superman into killing Batman and when Diana caught him in her lasso, he revealed that the only way to stop him was to kill him.
Wonder Woman's personality and tone has wavered between that of a typical bloodthirsty warrior, a highly compassionate and calm Ambassador, and sometimes also as a naive and innocent person. Writer Gail Simone was applauded for her portrayal of Wonder Woman during her run on the series, with comics reviewer Dan Phillips of IGN noting that "she's molded Diana into a very relatable and sympathetic character."
The New 52 version of the character has been portrayed to be a more young, headstrong, loving, fierce and willful person. Brian Azzarello stated in a video interview with DC Comics that they're building a very "confident", "impulsive" and "good-hearted" character in her and that her strength and weakness both is her compassion for others.
Powers and abilities
Pre-Crisis
The Golden Age Wonder Woman was endowed with superhuman strength and speed. Compared to a normal human being, she was much stronger- an example of this is when she was able to tear a steel door off its hinges. In one of her earliest appearances, she is shown running easily at 60 mph, and later jumps from a building and lands on the balls of her feet. It was implied, and ultimately confirmed, that any woman who underwent Amazon training would gain superhuman strength and speed.
Her powers would be removed in accordance with "Aphrodite's Law" if she allowed herself to be bound or chained by a male. However the effects of this varied.
In the comic books, with the inclusion of Wonder Girl and "Wonder Tot" in Diana's back-story, writers provided new explanations of her powers; the character became capable of feats which her sister Amazons could not equal. Wonder Woman (vol. 1) #105 reveals that Diana was formed from clay by the Queen of the Amazons and was imbued with the attributes of the Greek and Roman gods by Athena — "beautiful as Aphrodite, wise as Athena, as swift as Hermes, and as strong as Hercules." Wonder Woman's Amazon training also gave her limited telepathy, profound scientific knowledge, and the ability to speak every language known to man and beyond. She was even fluent in caveman and Martian.
Although Wonder Woman's mythos was returned to its original interpretation between 1966 and 1967, new abilities were added: super breath, the ability to blow jet streams or transform water into snow, which apparently came from Hercules; ventriloquism; imperviousness to extremes of heat and cold; the ability to ride the air currents as if flying, even sensing air updrafts with her fingers; telepathy, including the ability to project images; microscopic vision; the ability to bestow wisdom to other beings; the ability to throw her tiara with such skill it could stop bullets; and others.
Depending on the writer, Diana's invulnerability and power varied greatly according to the needs of the story.
In the Silver and Bronze ages of comics, Wonder Woman was able to further increase her strength. In times of great need, removing her bracelets would temporarily augment her power tenfold, but go insane in the process.
Post-Crisis
In the Post-Crisis universe, Wonder Woman receives her powers as a blessing from the Olympian deities.
Demeter, the goddess of agriculture and fertility, blessed Diana with strength drawn from the Earth spirit Gaea, making her one of the physically strongest heroes in the DC Universe and the strongest female heroine of all in the DC Universe. Pallas Athena, the goddess of wisdom and war, granted Diana great wisdom, intelligence, and military prowess. Athena's gift has enabled Diana to master over a dozen languages (including those of alien origin), multiple complex crafts, sciences and philosophies, as well as leadership, military strategy, and armed and unarmed combat. She can mimic voices, although it is more difficult for her to mimic a man's voice. More recently, Athena bound her own eyesight to Diana's, granting her increased empathy. Artemis, goddess of the hunt, animals, and the Moon, graced Diana with the Eyes of the Hunter and Unity with Beasts. The Eyes of the Hunter ability gives Diana a full range of enhanced senses, including telescopic vision and super hearing. Unity with Beasts grants her the ability of empathy particularly that to communicate with all forms of animal life and to calm even the most ferocious of beasts. Hestia, goddess of hearth and home, granted Diana "sisterhood with fire, that it might open men's hearts to her." This power has been shown to control the "Fires of Truth," which Diana wields through her lasso, making anyone bound by it unable to lie. This ability also grants her resistance to both normal and supernatural fire. Hermes, the messenger god of speed, granted Diana superhuman speed and the ability to fly. She is one of the fastest beings (obviously inferior to the Flash Family and an equal to Superman). She is capable of flying at speeds approaching half the speed of light. She is swift enough to deflect bullets, lasers, and other projectiles with her virtually impenetrable bracelets. In recent Justice League stories, she even kept up with the Flash and the two also used their superspeed to save a city in The Brave and The Bold. After the 2011 relaunch of the character, Wonder Woman does not naturally possess the power of flight. She gains it once she is hit by a feather thrown by Hermes.
While not invulnerable, she is capable of withstanding great concussive force
Diana possesses the ability to relieve her body of physical injury and toxins by becoming one with the Earth's soil and then reforming her body whole again. During John Byrne's run, it was stated that this is a ritual so sacred that it is used only in the most dire of circumstances.
She is able to astrally project herself into various lands of myth. Her physical body reacts to whatever happens to her on the mythical astral plane, leaving her body cut, bruised, or sometimes strengthened once her mind and body are reunited. She can apparently leave the planet through meditation, and did this once to rescue Artemis while she was in hell.
After the 2011 relaunch, Diana has gained new powers. As the natural born daughter of Hippolyta and Zeus, she has inherited some of her father's powers, which is suppressed by wearing her bracers. She uses these powers in battle against Artemis (the Goddess; not the Amazon) and quickly renders her unconscious with a series of carefully positioned counter-attacks. While using her godly strength, her costume and accoutrements lit up and her eyes glowed like her father's.
Skills and Resources
All versions of Diana depict her as a masterful athlete, acrobat, fighter and strategist, trained and experienced in many ancient and modern forms of armed and unarmed combat, including exclusively Amazonian martial arts. In some versions, her mother trained her, as Wonder Girl, for a future career as Wonder Woman. From the beginning, she is portrayed as highly skilled in using her Amazon bracelets to stop bullets and in wielding her golden lasso. She is a superior warrior who has beaten Batman, Big Barda, and Black Canary in sparring matches. Batman once noted her as the "best melee fighter in the world". The modern version of the character is known to use lethal force when she deems it necessary. In The New 52 continuity, her superior combat skills are the product of her training with Ares in her childhood.
Diana has an arsenal of powerful god-forged weapons at her disposal, but her signature weapons are her indestructible bracelets and the Lasso of Truth.
Her bulletproof bracelets were formed from the remnants of Athena's legendary shield, the Aegis, to be awarded to her champion. The shield was made from the indestructible hide of the great she-goat, Amalthea, who suckled Zeus as an infant. These forearm guards have thus far proven indestructible and able to absorb the impact of incoming attacks, allowing Wonder Woman to deflect automatic weapon fire and energy blasts. Diana can also slam the bracelets together to create a wave of concussive force capable of making Superman's ears bleed. Recently, she gained the ability to channel Zeus's lightning through her bracelets as well. Zeus explained to her that this power had been contained within the bracelets since their creation, because they were once part of the Aegis, and that he had only recently unlocked it for her use. After the 2011 relaunch of the character, it was revealed that Diana was the daughter of Zeus and Hippolyta and that she wears the bracelets to keep the powers she has inherited from Zeus in check.
The Lasso of Truth, or Lariat of Hestia, was forged by Hephaestus from the golden girdle of Gaea. It is virtually indestructible; the only times it has been broken were when truth itself was challenged, such as when she confronted Rama Khan of Jarhanpur, and by Bizarro in Matt Wagner's non-canonical Batman/Superman/Wonder Woman: Trinity. In Sensation Comics #6 (June 1942), Hippolyta claims that not even Hercules can break it. The Lasso burns with a magical aura called the Fires of Hestia, forcing anyone within the Lasso's confines to be truthful. It also at one time had the power to force anyone caught to obey any command given them, even overriding other kinds of mind control; this was effective enough to defeat strong-willed beings like Captain Marvel. Diana wields the lasso with great precision and accuracy and can use it as a whip or noose.
As early as the 1950s, Wonder Woman's Golden Tiara has also doubled as a dagger, and throwing weapon, returning to her like a boomerang. Its sharpness and mystical nature proved enough to cut even Superman. It is also possible for Diana to contact Amazons back on Themyscira using the telepathic power of the red star shaped, star ruby, in the centre of her tiara.
Diana once possessed the Sandals of Hermes, or talaria, which granted the wearer great speed and flight, and the ability to travel beyond the mystical veil that protected the island of Themiscyra from Man's World. Diana also once possessed the Gauntlets of Atlas, which magnify the physical strength and stamina of the wearer.
The Golden, Silver, and Bronze Age portrayals of Wonder Woman showed her using an Invisible plane that could be controlled by mental command. It was variously described as being either a creation of Amazon technology or the legendary winged horse Pegasus transformed into an aircraft, in any case it is the first recorded use of cloaking device technology. Its appearance varied as well; originally it had a propeller, while later it was drawn as a jet aircraft resembling a stealth aircraft.
Diana occasionally uses additional weaponry in formal battle, such as ceremonial golden armour with golden wings, pteruges, chest-plate, and golden helmet in the shape of an eagle's head. She also possesses a sword forged by Hephaestus that is sharp enough to cut the electrons off an atom.
As a recent temporary inductee into the Star Sapphires, Wonder Woman gained access to the violet power ring of love. This ring allowed her to alter her costume at will, create solid-light energy constructs, and reveal a person's true love to them. She was able to combine the energy with her lasso to enhance its ability.
Costume
Wonder Woman's costume has been immensely popular and has varied from time to time, although almost all of her costume reincarnations have retained the W emblem, the tiara, the bracelets and her signature stars. At the time of her debut, Wonder Woman sported a red top with a golden eagle emblem, a white belt, a star-spangled blue skirt and red and golden go-go boots. This costume was entirely based on the American flag, as Wonder Woman at that time was purely an American icon. Later in 1942, Wonder Woman's costume received a slight change- the skirt was converted entirely into skin-tight shorts and she wore sandals. While earlier most of her back was exposed, during the imposition of the Comics Code Authority in the mid-1950s, Wonder Woman's costume was rectified to make her back substantially covered to comply with the Authority's rule of minimum exposure. During Mike Sekowsky's run in the late 1960s, Diana surrendered her powers and started using her own skill to fight crime. She then wore a series of jumpsuits as her attire, most popular out of these was a white one. After Sekowsky's run ended in the early 1970s, Diana's roots were reverted back to her old mythological ones and she wore a more modernized version of her original costume, a predecessor to her iconic "bathing suit" costume. Later on in the 1976, her white belt was turned into a yellow one.
After Crisis On Infinite Earths, George Pérez rebooted the character in 1987. She now wore a costume similar to her 1970s one, but now with a larger golden belt. This costume continued until William Messner-Loebs' run had Diana pass on the role of Wonder Woman to Artemis. Now no longer Wonder Woman, Diana sported a new black biker-girl costume designed by artist Mike Deodato Jr.. After John Byrne took over writing and art duties, he redesigned the Wonder Woman costume (Diana was back as Wonder Woman at the end of Loebs' run) and made the emblem join the belt.
Her costume did not receive any prominent change until after Infinite Crisis. Her W shaped eagle emblem was turned into a chest-plate and her belt was also shaped into a W. This costume continued until issue #600. J. Michael Straczynski's run of Wonder Woman's altered timeline changed her costume drastically. Her costume was redesigned by Jim Lee and included a redesigned emblem, a golden and red top, black pants and a later discontinued blue-black jacket.
Another costume change came after DC Comics relaunched its entire line of publications dubbed The New 52. Her original swim-suit costume was restored, although the colours had changed from red and blue to red and black. Her chest-plate, belt and tiara had also changed from gold to silver. She also wears many accessories such as arm and neck jewellery. The design previously included black pants, but they were removed and the swimsuit look was restored during the time of publication. This is Diana's current costume.
Reception
Wonder Woman was named the 20th greatest comic book character by Empire magazine. She was ranked sixth in Comics Buyer's Guide's "100 Sexiest Women in Comics" list. In May 2011, Wonder Woman placed fifth on IGN's Top 100 Comic Book Heroes of All Time.
In other media
Main articles: Wonder Woman in other media and Cultural impact of Wonder WomanWonder Woman has appeared in a wide variety of media outside of comic books since her initial appearance including comic strips, film, television and video games.
In media outside of comics, she is perhaps the best known for her self-titled TV series which originally aired from 1975 to 1979. It starred Lynda Carter in the lead role as Wonder Woman. The show earned solid ratings and helped Wonder Woman reach the peak of her popularity.
In the animation stream, Wonder Woman has appeared in a variety of shows- notably Super Friends, Justice League and Justice League Unlimited. She has starred in her own animated film too, which released in 2009. The title role was voiced by Keri Russell. The film was well-received and much appreciated. She has also appeared in other animated films, mostly those based on the Justice League.
The CW, Warner Bros. Television and DC Comics are developing a script for a possible television series, titled Amazon, about the origin of Wonder Woman.
Collected editions
Title | Material collected | ISBN |
---|---|---|
Wonder Woman Chronicles, Vol. 1 | All Star Comics #8, Sensation Comics #1–9, Wonder Woman #1 | 978-1401226442 |
Wonder Woman Chronicles, Vol. 2 | Sensation Comics #10–14, Wonder Woman #2-3, Comics Cavalcade #1 | 978-1401232405 |
Wonder Woman Archive Edition, Vol. 1 | All Star Comics #8, Sensation Comics #1–12, Wonder Woman #1 | 978-1563894022 |
Wonder Woman Archive Edition, Vol. 2 | Sensation Comics #13–17, Wonder Woman #2–4 | 978-1563895944 |
Wonder Woman Archive Edition, Vol. 3 | Sensation Comics #18–24, Wonder Woman #5–7 | 978-1563898143 |
Wonder Woman Archive Edition, Vol. 4 | Sensation Comics #25–32, Wonder Woman #8–9 | 978-1401201456 |
Wonder Woman Archive Edition, Vol. 5 | Sensation Comics #33–40, Wonder Woman #10–12 | 978-1401212704 |
Wonder Woman Archive Edition, Vol. 6 | Sensation Comics #41–48, Wonder Woman #13–15 | 978-1401227340 |
Showcase Presents Wonder Woman, Vol. 1 | Wonder Woman #98–117 | 978-1401213732 |
Showcase Presents Wonder Woman, Vol. 2 | Wonder Woman #118–137 | 978-1401219482 |
Showcase Presents Wonder Woman, Vol. 3 | Wonder Woman #138–156 | 978-1401225247 |
Showcase Presents Wonder Woman, Vol. 4 | Wonder Woman #157–177 | 1-4012-3289-2 |
Diana Prince: Wonder Woman, Vol. 1 | Wonder Woman #178–184 | 978-1401216603 |
Diana Prince: Wonder Woman, Vol. 2 | Wonder Woman #185–189, Superman's Girlfriend Lois Lane #93, The Brave and the Bold #87 | 978-1401218256 |
Diana Prince: Wonder Woman, Vol. 3 | Wonder Woman #190–198, World's Finest #204 | 978-1401219475 |
Diana Prince: Wonder Woman, Vol. 4 | Wonder Woman #199–204, The Brave and the Bold #105 | 978-1401221508 |
Wonder Woman: The Twelve Labors | Wonder Woman #212–222 | 978-1401234942 |
Wonder Woman, Vol. 1: Gods and Mortals | Wonder Woman vol. 2, #1–7 | 978-1401201975 |
Wonder Woman, Vol. 2: Challenge of the Gods | Wonder Woman vol. 2, #7–14 | 978-1401203245 |
Wonder Woman, Vol. 3: Beauty and the Beasts | Wonder Woman vol. 2, #15–19, Action Comics #600 | 978-1401204846 |
Wonder Woman, Vol. 4: Destiny Calling | Wonder Woman vol. 2, #20–24, Annual #1 | 978-1401209438 |
Wonder Woman: The Contest | Wonder Woman vol. 2, #0, #90–93 | 978-1563891946 |
Wonder Woman: The Challenge of Artemis | Wonder Woman vol. 2, #94–100 | 978-1563892646 |
Wonder Woman: Second Genesis | Wonder Woman vol. 2, #101–105 | 978-1435218093 |
Wonder Woman: Lifelines | Wonder Woman vol. 2, #106–112 | 978-1563894039 |
Wonder Woman: Paradise Lost | Wonder Woman vol. 2, #164–170, Secret Files #2 | 978-1563897924 |
Wonder Woman: Paradise Found | Wonder Woman vol. 2, #171–177, Secret Files #3 | 978-1563899560 |
Wonder Woman: Down to Earth | Wonder Woman vol. 2, #195–200 | 978-1401202262 |
Wonder Woman: Bitter Rivals | Wonder Woman vol. 2, #201–205 | 978-1401204624 |
Wonder Woman: Eyes of Gorgon | Wonder Woman vol. 2, #206–213 | 978-1401207977 |
Wonder Woman: Land of the Dead | Wonder Woman vol. 2, #214–217, The Flash #219 | 978-1401209384 |
Wonder Woman: Mission's End | Wonder Woman vol. 2, #218–226 | 978-1401210939 |
Wonder Woman: Who is Wonder Woman? | Wonder Woman vol. 3, #1–4, Annual #1 | 978-1401212346 |
Wonder Woman: Love and Murder | Wonder Woman vol. 3, #6–10 | 978-1401217082 |
Wonder Woman: Amazons Attack! | Wonder Woman vol. 3, #11-13 | 9781401215439 |
Wonder Woman: The Circle | Wonder Woman vol. 3, #14–19 | 978-1401219321 |
Wonder Woman: Ends of the Earth | Wonder Woman vol. 3, #20–25 | 978-1401221362 |
Wonder Woman: Rise of the Olympian | Wonder Woman vol. 3, #26–33 | 978-1401225131 |
Wonder Woman: Warkiller | Wonder Woman vol. 3, #34–39 | 978-1401227791 |
Wonder Woman: Contagion | Wonder Woman vol. 3, #40–44 | 978-1401229207 |
Wonder Woman: Odyssey, Vol. 1 | Wonder Woman vol. 3, #600-606 | 978-1401230777 |
Wonder Woman: Odyssey, Vol. 2 | Wonder Woman vol. 3, #607-614 | 978-1401234317 |
Wonder Woman Vol. 1: Blood | Wonder Woman vol. 4, #1-6 | 978-1401235638 Parameter error in {{ISBNT}}: checksum |
Wonder Woman Vol. 2: Guts | Wonder Woman vol. 4, #7-12 | N/A |
Miscellaneous | ||
Wonder Woman 80-Page Giant No. 1 (2002) | Wonder Woman vol. 1, #28; #105; #108; #144 (80-Page Giant retro style Annual) | SC: 1-56389-818-7 |
See also
- Alternative versions of Wonder Woman for Elseworlds and other characters to bear the title
- Amazons (DC Comics)
- Darna
- Diana Prince
- List of Wonder Woman enemies
- List of Wonder Woman supporting characters
- Orana (DC comics)
- Portrayal of women in comics
- List of female action heroes
- Woman warrior
- Wonder Woman in literature
References
- ^ Hendrix, Grady (December 11, 2007). "Out for Justice". The New York Sun.
- ^ Crawford, Philip. "The Legacy of Wonder Woman". School Library Journal. Retrieved 03/01/2007.
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(help) - Adalian, Josef (9/6/12). "The CW Is Developing a Wonder Woman Origins Series". Retrieved 16 September 2012.
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(help) - Byrne, Olive (August 14, 1942). "Our Women Are Our Future". The Wonder Woman Pages. Note: Olive Byrne, a former student, conducted the interview under the pseudonym "Olive Richard".
- ^ Lamb, Marguerite (Fall 2001). "Who Was Wonder Woman?". Bostonia.
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(help) - Daniels, Les (April 6, 2004). Wonder Woman: The Complete History. Chronicle Books. pp. 28–30. ISBN 978-0-8118-4233-4.
- Bunn, Geoffrey C. (1997). "The lie detector, Wonder Woman, and liberty: The life and work of William Moulton Marston". History of the Human Sciences. 10 (1). London: Routledge: 91–119.
- All Star Comics #12 (August/September 1942)
- All Star Comics #1 (1941)
- Wonder Woman (vol. 1) #98 (May 1958)
- ^ Wonder Woman (vol. 1) #105 (April 1959)
- Wonder Woman #179 (1968)
- Mangels, Andy (January 1, 1989). "Triple Threat The George Pérez Interview". Amazing Heroes (156). Fantagraphics Books: 30.
Wonder Woman's sales are some of the best the Amazing Amazon has ever experienced, and the book is a critical and popular success with its weaving of Greek mythology into a feminist and humanistic atmosphere.
- "Who destroyed Paradise Island?". DC Comics. April 15, 2010. Archived from the original on May 23, 2012. Retrieved May 23, 2012.
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(help) - Rogers, Vaneta (June 29, 2010). "JMS Talks Wonder Woman's New Look and New Direction". Newsarama. Archived from the original on May 23, 2012. Retrieved May 23, 2012.
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(help) - George, Richard (July 7, 2010). "Wonder Woman's New Era". IGN. Archived from the original on May 23, 2012. Retrieved May 23, 2012.
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(help) - Gustines, George Gene (June 29, 2010). "Makeover for Wonder Woman at 69". The New York Times. Archived from the original on May 23, 2012. Retrieved May 23, 2012.
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(help) - Ching, Albert (November 10, 2010). "JMS Leaving Superman and Wonder Woman for Earth One Sequel". Newsarama. Archived from the original on May 23, 2012. Retrieved May 23, 2012.
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(help) - "Superman and Wonder Woman kiss with powerful consequences". USATODAY.com. Retrieved September 21, 2012.
- "Superman-Wonder Woman Romance rocks DC Comics". MSNBC.com. Retrieved September 21, 2012.
- "Superman-and-Wonder Woman become the world's newest power couple". DCcomics.com. Retrieved September 21, 2012.
- Sensation Comics Issue #1 (1942)
- Wonder Woman Issue #178- #198
- Wonder Woman (vol. 2) Issue #219
- Infinite Crisis #7
- Who Is Wonder Woman? Part 5. DC Comics. 2007.
- Azzarello, Brian. "No, she (Wonder Woman) doesn't (have a secret identity". IGN. Retrieved September 21, 2011.
- Blackest Night #6 (2010)
- Wonder Woman (vol. 2) Issue #219
- Phillips, Dan. "Wonder Woman #16 review". IGN. Retrieved 1 October 2012.
- Azzarello (2012). NYCC 2012; Wonder Woman 101. New York Comic Con: DC Comics.
Wonder Woman's greatest strength is her compassion; her greatest weakness is her compassion
{{cite AV media}}
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(help) - Sensation Comics #6 (June 1942)
- Sensation Comics #46 (October 1945)
- Wonder Woman (vol. 1) #28 (March–April 1948)
- "Panel featuring Aphrodite's Law". SuperDickery.com. Retrieved September 3, 2008.
- ^ Wonder Woman (vol. 1) #115 (July 1960)
- Fleisher, Michael L. (September 1976). The Encyclopedia of Comic Book Heroes, Volume 2: Wonder Woman. Macmillan Publishers. ISBN 978-0-02-080080-4.
- Wonder Woman (vol. 1) #166 (November 1966), Wonder Woman (vol. 1) #229 (March 1977)
- Wonder Woman (vol. 2) #1 (February 1987)
- ^ Dougall, Alastair, ed. (2008). The DC Comics Encyclopedia. Dorling Kindersley. ISBN 978-0-7566-4119-1. OCLC 213309017.
- Johns, Geoff (February 2006). Wonder Woman: Land of the Dead. ISBN 978-1-4177-5102-0.
- ^ Beatty, Scott (November 2003). Wonder Woman: The Ultimate Guide to the Amazon Princess. Dorling Kindersley. ISBN 978-0-7894-9616-4.
- Wonder Woman (vol. 4) #12 (Sept. 2012)
- Jimenez, Phil et al The Essential Wonder Woman Encyclopedia Published by Random House Digital, Inc. 2010, p. 271, 116, 244 & 165.
- Wonder Woman (vol. 2) #30 (May 1989)
- Wonder Woman (vol. 2) #120 (April 1997)
- Wonder Woman (vol. 2) #56, #75, #77, #97 (July 1991 – May 1995); Wonder Woman Special #1 (May 1992); Artemis: Requiem #1 (June 1996)
- Azzarello, Brian (w), Chiang, Cliff (p), Chiang, Cliff (i). "Birth Right" Wonder Woman, vol. 4, no. 12 (October 2012).
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- Wonder Woman (vol. 3) #39 (February 2010)
- Brian Azzarello (w), Cliff Chiang (a). "Clay" "Wonder Woman", vol. 4, no. 3 (January 2012).
- Azzarello, Brian (w), Chiang, Cliff (p), Chiang, Cliff (i). "Birth Right" Wonder Woman, vol. 4, no. 12 (October 2012).
- JLA #62 (March 2002)
- Wagner, Matt (July 1, 2005). Batman/Superman/Wonder Woman: Trinity. DC Comics. ISBN 978-1-4012-0187-6.
- War of the Gods #1 (September 1991)
- Kanigher, Robert (August 22, 2007). Showcase Presents: Wonder Woman, Vol. 1. DC Comics. ISBN 978-1-4012-1373-2.
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- Sensation Comics Issue 1
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- Polo, Susana. "DC inexplicably, quitely changes Wonder Woman's costume… again". The Mary Sue. Retrieved July 13th, 2011.
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(help) - "The 50 Greatest Comic Book Characters - Wonder Woman". Empire.
- Frankenhoff, Brent (2011). Comics Buyer's Guide Presents: 100 Sexiest Women in Comics. Krause Publications. p. 14. ISBN 1-4402-2988-0.
- "Wonder Woman - #5 Top Comic Book Heroes". IGN. Retrieved 2012-01-19.
- Goldman, Eric. "The History of DC Comics on TV". IGN. Retrieved 9 October 2012.
- "Wonder Woman (2009)". Rotten Tomatoes. Retrieved November 27, 2009.
- Adalian, Josef (September 6, 2012). "The CW Is Developing a Wonder Woman Origins Series". Vulture. Retrieved September 6, 2012.
- Franich, Darren (September 6, 2012). "New Wonder Woman series in development at the CW". Entertainment Weekly. Retrieved September 6, 2012.
- Gennis, Sadie (September 7, 2012). "The CW Developing Wonder Woman Origin Series". TV Guide. Retrieved September 7, 2012.
External links
- Wonder Woman Official website at DC Comics.com
- Origin story of Wonder Woman at DC Comics.com
- Carol A. Strickland's Wonder Woman site
- AmazonArchives.com
- Wonder of Wonders
- Wonder Woman Wiki
- Glen, Joshua (April 4, 2004). "Wonder-working Power". The Boston Globe.
- Malcom, Andrew H. (February 18, 1992). "She's Behind the Match For That Man of Steel". The New York Times.
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