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William Ruhlmann of AllMusic wrote "The arrangements are full of electronic keyboard washes, popping basslines, and soulful female backup vocals with the occasional piercing saxophone part, all in support of (and at times overwhelming) Wilson's smoky alto vocals... But the quality of the songwriting lets Wilson down, and, anyway, the approach is not natural to her. She is jazzier and classier than this kind of thing, and while she made a valiant attempt to meet the R&B charts more than halfway, she is not heard at her best here".
