Misplaced Pages

Portal:India

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
(Redirected from India Portal) Wikimedia portal
Portal maintenance status: (June 2018)
  • This portal's subpages have been checked by an editor, and are needed.
Please take care when editing, especially if using automated editing software. Learn how to update the maintenance information here.
Parent portals : Geography / Asia / India
Portal topics
Activities
Culture
Geography
Health
History
Mathematics
Nature
People
Philosophy
Religion
Society
Technology
Random portal
Welcome to the
PORTAL

Introduction

Flag of India
Flag of India
Location on the world map
Location on the world map

India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country in the world by area and the most populous country. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

National Anthem of India   More about India ... Refresh with new selections below (purge)

Featured article – show another

This is a Featured article, which represents some of the best content on English Misplaced Pages..
  • Image 1 Darjeeling (/dɑːrˈdʒiːlɪŋ/, Nepali: , Bengali: ) is a city in the northernmost region of the Indian state of West Bengal. Located in the Eastern Himalayas, it has an average elevation of 2,045 metres (6,709 ft). To the west of Darjeeling lies the easternmost province of Nepal, to the east the Kingdom of Bhutan, to the north the Indian state of Sikkim, and farther north the Tibet Autonomous Region region of China. Bangladesh lies to the south and southeast, and most of the state of West Bengal lies to the south and southwest, connected to the Darjeeling region by a narrow tract. Kangchenjunga, the world's third-highest mountain, rises to the north and is prominently visible on clear days. In the early 19th century, during East India Company rule in India, Darjeeling was identified as a potential summer retreat for British officials, soldiers and their families. The narrow mountain ridge was leased from the Kingdom of Sikkim, and eventually annexed to British India. Experimentation with growing tea on the slopes below Darjeeling was highly successful. Thousands of labourers were recruited chiefly from Nepal to clear the forests, build European-style cottages and work in the tea plantations. The widespread deforestation displaced the indigenous peoples. Residential schools were established in and around Darjeeling for the education of children of the domiciled British in India. By the late-19th century, a novel narrow-gauge mountain railway, the Darjeeling Himalayan Railway, was bringing summer residents into the town and carrying a freight of tea out for export to the world. After India's independence in 1947, as the British left Darjeeling, its cottages were purchased by wealthy Indians from the plains and its tea plantations by out-of-town Indian business owners and conglomerates. (Full article...) Image 1

    Darjeeling (/dɑːrˈdʒiːlɪŋ/, Nepali: [ˈdard͡ziliŋ], Bengali: [ˈdarˌdʒiliŋ]) is a city in the northernmost region of the Indian state of West Bengal. Located in the Eastern Himalayas, it has an average elevation of 2,045 metres (6,709 ft). To the west of Darjeeling lies the easternmost province of Nepal, to the east the Kingdom of Bhutan, to the north the Indian state of Sikkim, and farther north the Tibet Autonomous Region region of China. Bangladesh lies to the south and southeast, and most of the state of West Bengal lies to the south and southwest, connected to the Darjeeling region by a narrow tract. Kangchenjunga, the world's third-highest mountain, rises to the north and is prominently visible on clear days.

    In the early 19th century, during East India Company rule in India, Darjeeling was identified as a potential summer retreat for British officials, soldiers and their families. The narrow mountain ridge was leased from the Kingdom of Sikkim, and eventually annexed to British India. Experimentation with growing tea on the slopes below Darjeeling was highly successful. Thousands of labourers were recruited chiefly from Nepal to clear the forests, build European-style cottages and work in the tea plantations. The widespread deforestation displaced the indigenous peoples. Residential schools were established in and around Darjeeling for the education of children of the domiciled British in India. By the late-19th century, a novel narrow-gauge mountain railway, the Darjeeling Himalayan Railway, was bringing summer residents into the town and carrying a freight of tea out for export to the world. After India's independence in 1947, as the British left Darjeeling, its cottages were purchased by wealthy Indians from the plains and its tea plantations by out-of-town Indian business owners and conglomerates. (Full article...)
  • Image 2 Portrait by Charles Dana Gibson, c. 1903 Margaret Ives Abbott (June 15, 1878 – June 10, 1955) was an American amateur golfer. She was the first American woman to win an Olympic event: the women's golf tournament at the 1900 Summer Olympics. (Although, the first woman ever to win an Olympic event, Hélène de Pourtalès, was American-born, but married into Swiss nobility.) Born in Calcutta (now Kolkata), British Raj, in 1878, Abbott moved with her family to Chicago in 1884. She joined the Chicago Golf Club in Wheaton, Illinois, where she received coaching from Charles B. Macdonald and H. J. Whigham. In 1899, she traveled with her mother to Paris to study art. The following year, along with her mother, she signed up for a women's golf tournament without realizing that it was the second modern Olympics. Abbott won the tournament with a score of 47 strokes; her mother tied for seventh place. Abbott received a porcelain bowl as a prize. (Full article...) Image 2
    Portrait by Charles Dana Gibson, c. 1903
    Margaret Ives Abbott (June 15, 1878 – June 10, 1955) was an American amateur golfer. She was the first American woman to win an Olympic event: the women's golf tournament at the 1900 Summer Olympics. (Although, the first woman ever to win an Olympic event, Hélène de Pourtalès, was American-born, but married into Swiss nobility.)

    Born in Calcutta (now Kolkata), British Raj, in 1878, Abbott moved with her family to Chicago in 1884. She joined the Chicago Golf Club in Wheaton, Illinois, where she received coaching from Charles B. Macdonald and H. J. Whigham. In 1899, she traveled with her mother to Paris to study art. The following year, along with her mother, she signed up for a women's golf tournament without realizing that it was the second modern Olympics. Abbott won the tournament with a score of 47 strokes; her mother tied for seventh place. Abbott received a porcelain bowl as a prize. (Full article...)
  • Image 3 The Legend of Bhagat Singh is a 2002 Indian Hindi-language biographical period film directed by Rajkumar Santoshi. The film is about Bhagat Singh, a revolutionary who fought for Indian independence along with fellow members of the Hindustan Socialist Republican Association. It features Ajay Devgan as the titular character along with Sushant Singh, D. Santosh and Akhilendra Mishra as the other lead characters. Raj Babbar, Farida Jalal and Amrita Rao play supporting roles. The film chronicles Singh's life from his childhood where he witnesses the Jallianwala Bagh massacre until the day he was hanged to death before the official trial dated 24 March 1931. The film was produced by Kumar and Ramesh Taurani's Tips Industries on a budget of ₹200–250 million (about US$4.2–5.2 million in 2002). The story and dialogue were written by Santoshi and Piyush Mishra respectively, while Anjum Rajabali drafted the screenplay. K. V. Anand, V. N. Mayekar and Nitin Chandrakant Desai were in charge of the cinematography, editing and production design respectively. Principal photography took place in Agra, Manali, Mumbai and Pune from January to May 2002. The soundtrack and film score were composed by A. R. Rahman, with the songs "Mera Rang De Basanti" and "Sarfaroshi Ki Tamanna" being well received in particular. (Full article...) Image 3The Legend of Bhagat Singh is a 2002 Indian Hindi-language biographical period film directed by Rajkumar Santoshi. The film is about Bhagat Singh, a revolutionary who fought for Indian independence along with fellow members of the Hindustan Socialist Republican Association. It features Ajay Devgan as the titular character along with Sushant Singh, D. Santosh and Akhilendra Mishra as the other lead characters. Raj Babbar, Farida Jalal and Amrita Rao play supporting roles. The film chronicles Singh's life from his childhood where he witnesses the Jallianwala Bagh massacre until the day he was hanged to death before the official trial dated 24 March 1931.

    The film was produced by Kumar and Ramesh Taurani's Tips Industries on a budget of 200–250 million (about US$4.2–5.2 million in 2002). The story and dialogue were written by Santoshi and Piyush Mishra respectively, while Anjum Rajabali drafted the screenplay. K. V. Anand, V. N. Mayekar and Nitin Chandrakant Desai were in charge of the cinematography, editing and production design respectively. Principal photography took place in Agra, Manali, Mumbai and Pune from January to May 2002. The soundtrack and film score were composed by A. R. Rahman, with the songs "Mera Rang De Basanti" and "Sarfaroshi Ki Tamanna" being well received in particular. (Full article...)
  • Image 4 INS Vikrant in 1984 INS Vikrant (from Sanskrit vikrānta, "courageous") was a Majestic-class aircraft carrier of the Indian Navy. The ship was laid down as HMS Hercules for the British Royal Navy during World War II, but was put on hold when the war ended. India purchased the incomplete carrier in 1957, and construction was completed in 1961. Vikrant was commissioned as the first aircraft carrier of the Indian Navy and played a key role in enforcing the naval blockade of East Pakistan during the Indo-Pakistani War of 1971. In its later years, the ship underwent major refits to embark modern aircraft, before being decommissioned in January 1997. She was preserved as a museum ship in Naval Docks, Mumbai until 2012. In January 2014, the ship was sold through an online auction and scrapped in November 2014 after final clearance from the Supreme Court. (Full article...) Image 4
    INS Vikrant in 1984
    INS Vikrant (from Sanskrit vikrānta, "courageous") was a Majestic-class aircraft carrier of the Indian Navy. The ship was laid down as HMS Hercules for the British Royal Navy during World War II, but was put on hold when the war ended. India purchased the incomplete carrier in 1957, and construction was completed in 1961. Vikrant was commissioned as the first aircraft carrier of the Indian Navy and played a key role in enforcing the naval blockade of East Pakistan during the Indo-Pakistani War of 1971.

    In its later years, the ship underwent major refits to embark modern aircraft, before being decommissioned in January 1997. She was preserved as a museum ship in Naval Docks, Mumbai until 2012. In January 2014, the ship was sold through an online auction and scrapped in November 2014 after final clearance from the Supreme Court. (Full article...)
  • Image 5 A Bengal tigress in Kanha Tiger Reserve, India The tiger (Panthera tigris) is a large cat and a member of the genus Panthera native to Asia. It has a powerful, muscular body with a large head and paws, a long tail and orange fur with black, mostly vertical stripes. It is traditionally classified into nine recent subspecies, though some recognise only two subspecies, mainland Asian tigers and the island tigers of the Sunda Islands. Throughout the tiger's range, it inhabits mainly forests, from coniferous and temperate broadleaf and mixed forests in the Russian Far East and Northeast China to tropical and subtropical moist broadleaf forests on the Indian subcontinent and Southeast Asia. The tiger is an apex predator and preys mainly on ungulates, which it takes by ambush. It lives a mostly solitary life and occupies home ranges, defending these from individuals of the same sex. The range of a male tiger overlaps with that of multiple females with whom he mates. Females give birth to usually two or three cubs that stay with their mother for about two years. When becoming independent, they leave their mother's home range and establish their own. (Full article...) Image 5
    A Bengal tigress in Kanha Tiger Reserve, India
    The tiger (Panthera tigris) is a large cat and a member of the genus Panthera native to Asia. It has a powerful, muscular body with a large head and paws, a long tail and orange fur with black, mostly vertical stripes. It is traditionally classified into nine recent subspecies, though some recognise only two subspecies, mainland Asian tigers and the island tigers of the Sunda Islands.

    Throughout the tiger's range, it inhabits mainly forests, from coniferous and temperate broadleaf and mixed forests in the Russian Far East and Northeast China to tropical and subtropical moist broadleaf forests on the Indian subcontinent and Southeast Asia. The tiger is an apex predator and preys mainly on ungulates, which it takes by ambush. It lives a mostly solitary life and occupies home ranges, defending these from individuals of the same sex. The range of a male tiger overlaps with that of multiple females with whom he mates. Females give birth to usually two or three cubs that stay with their mother for about two years. When becoming independent, they leave their mother's home range and establish their own. (Full article...)
  • Image 6 Sir Robert Eric Mortimer Wheeler CH CIE MC TD FRS FBA FSA (10 September 1890 – 22 July 1976) was a British archaeologist and officer in the British Army. Over the course of his career, he served as Director of both the National Museum of Wales and London Museum, Director-General of the Archaeological Survey of India, and the founder and Honorary Director of the Institute of Archaeology in London, in addition to writing twenty-four books on archaeological subjects. Born in Glasgow to a middle-class family, Wheeler was raised largely in Yorkshire before moving to London in his teenage years. After studying classics at University College London (UCL), he began working professionally in archaeology, specialising in the Romano-British period. During World War I he volunteered for service in the Royal Artillery, being stationed on the Western Front, where he rose to the rank of major and was awarded the Military Cross. Returning to Britain, he obtained his doctorate from UCL before taking on a position at the National Museum of Wales, first as Keeper of Archaeology and then as Director, during which time he oversaw excavation at the Roman forts of Segontium, Y Gaer, and Isca Augusta with the aid of his first wife, Tessa Wheeler. Influenced by the archaeologist Augustus Pitt Rivers, Wheeler argued that excavation and the recording of stratigraphic context required an increasingly scientific and methodical approach, developing the "Wheeler method". In 1926, he was appointed Keeper of the London Museum; there, he oversaw a reorganisation of the collection, successfully lobbied for increased funding, and began lecturing at UCL. (Full article...) Image 6Sir Robert Eric Mortimer Wheeler CH CIE MC TD FRS FBA FSA (10 September 1890 – 22 July 1976) was a British archaeologist and officer in the British Army. Over the course of his career, he served as Director of both the National Museum of Wales and London Museum, Director-General of the Archaeological Survey of India, and the founder and Honorary Director of the Institute of Archaeology in London, in addition to writing twenty-four books on archaeological subjects.

    Born in Glasgow to a middle-class family, Wheeler was raised largely in Yorkshire before moving to London in his teenage years. After studying classics at University College London (UCL), he began working professionally in archaeology, specialising in the Romano-British period. During World War I he volunteered for service in the Royal Artillery, being stationed on the Western Front, where he rose to the rank of major and was awarded the Military Cross. Returning to Britain, he obtained his doctorate from UCL before taking on a position at the National Museum of Wales, first as Keeper of Archaeology and then as Director, during which time he oversaw excavation at the Roman forts of Segontium, Y Gaer, and Isca Augusta with the aid of his first wife, Tessa Wheeler. Influenced by the archaeologist Augustus Pitt Rivers, Wheeler argued that excavation and the recording of stratigraphic context required an increasingly scientific and methodical approach, developing the "Wheeler method". In 1926, he was appointed Keeper of the London Museum; there, he oversaw a reorganisation of the collection, successfully lobbied for increased funding, and began lecturing at UCL. (Full article...)
  • Image 7 Dilwale Dulhania Le Jayenge (transl.  The Brave-Hearted Will Take the Bride), also known by the initialism DDLJ, is a 1995 Indian Hindi-language musical romance film written and directed by Aditya Chopra in his directorial debut and produced by his father Yash Chopra. Released on 20 October 1995, the film stars Shah Rukh Khan and Kajol as Raj and Simran, two young non-resident Indians, who fall in love during a vacation through Europe with their friends. Raj tries to win over Simran's family so the couple can marry, but Simran's father has long since promised her hand to his friend's son. The film was shot in India, London, and Switzerland, from September 1994 to August 1995. With an estimated total gross of ₹102.5 crore (today's adjusted gross ₹524 crore), with ₹89 crore (today's adjusted gross ₹455 crore) earned in India and ₹13.50 crore (today's adjusted gross ₹69 crore) in overseas, the film was the highest-grossing Indian film of 1995 and one of the most successful Indian films in history. When adjusted for inflation, it is the second highest-grossing Indian film of the 1990s, behind Hum Aapke Hain Koun..! It won 10 Filmfare Awards—the most for a single film at that time—and the National Film Award for Best Popular Film Providing Wholesome Entertainment. Its soundtrack album became one of the most popular of the 1990s. (Full article...) Image 7Dilwale Dulhania Le Jayenge (transl.The Brave-Hearted Will Take the Bride), also known by the initialism DDLJ, is a 1995 Indian Hindi-language musical romance film written and directed by Aditya Chopra in his directorial debut and produced by his father Yash Chopra. Released on 20 October 1995, the film stars Shah Rukh Khan and Kajol as Raj and Simran, two young non-resident Indians, who fall in love during a vacation through Europe with their friends. Raj tries to win over Simran's family so the couple can marry, but Simran's father has long since promised her hand to his friend's son. The film was shot in India, London, and Switzerland, from September 1994 to August 1995.

    With an estimated total gross of ₹102.5 crore (today's adjusted gross ₹524 crore), with ₹89 crore (today's adjusted gross ₹455 crore) earned in India and ₹13.50 crore (today's adjusted gross ₹69 crore) in overseas, the film was the highest-grossing Indian film of 1995 and one of the most successful Indian films in history. When adjusted for inflation, it is the second highest-grossing Indian film of the 1990s, behind Hum Aapke Hain Koun..! It won 10 Filmfare Awards—the most for a single film at that time—and the National Film Award for Best Popular Film Providing Wholesome Entertainment. Its soundtrack album became one of the most popular of the 1990s. (Full article...)
  • Image 8 Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll. The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself. The election came at a time of public debate about Britain's role in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...) Image 8
    Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll.

    The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself.

    The election came at a time of public debate about Britain's role in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...)
  • Image 9 Khan in 1991 Prince Sadruddin Aga Khan (17 January 1933 – 12 May 2003) was a French-born statesman and activist who served as United Nations High Commissioner for Refugees from 1966 to 1977, during which he reoriented the agency's focus beyond Europe and prepared it for an explosion of complex refugee issues. He was also a proponent of greater collaboration between non-governmental organizations (NGOs) and UN agencies. The Prince's interest in ecological issues led him to establish the Bellerive Foundation in the late 1970s, and he was a knowledgeable and respected collector of Islamic art. Born in Paris, France, he was the son of Sir Sultan Mahomed Shah Aga Khan and Princess Andrée Aga Khan. He married twice, but had no children of his own. Prince Sadruddin died of cancer at the age of 70, and was buried in Switzerland. (Full article...) Image 9
    Khan in 1991
    Prince Sadruddin Aga Khan (17 January 1933 – 12 May 2003) was a French-born statesman and activist who served as United Nations High Commissioner for Refugees from 1966 to 1977, during which he reoriented the agency's focus beyond Europe and prepared it for an explosion of complex refugee issues. He was also a proponent of greater collaboration between non-governmental organizations (NGOs) and UN agencies. The Prince's interest in ecological issues led him to establish the Bellerive Foundation in the late 1970s, and he was a knowledgeable and respected collector of Islamic art.

    Born in Paris, France, he was the son of Sir Sultan Mahomed Shah Aga Khan and Princess Andrée Aga Khan. He married twice, but had no children of his own. Prince Sadruddin died of cancer at the age of 70, and was buried in Switzerland. (Full article...)
  • Image 10 Reginald Heber (21 April 1783 – 3 April 1826) was an English Anglican bishop, a man of letters, and hymn-writer. After 16 years as a country parson, he served as Bishop of Calcutta until his death at the age of 42. The son of a rich landowner and cleric, Heber gained fame at the University of Oxford as a poet. After graduation he made an extended tour of Scandinavia, Russia and Central Europe. Ordained in 1807, he took over his father's old parish, Hodnet, Shropshire. He also wrote hymns and general literature, including a study of the works of the 17th-century cleric Jeremy Taylor. He was consecrated Bishop of Calcutta in October 1823. He travelled widely and worked to improve the spiritual and general living conditions of his flock. Arduous duties, a hostile climate and poor health led to his collapse and death after less than three years in India. Memorials were erected there and in St Paul's Cathedral, London. A collection of his hymns appeared soon after his death. "Holy, Holy, Holy! Lord God Almighty" remains popular for Trinity Sunday, while "Brightest and Best" is frequently sung during Epiphany. (Full article...) Image 10

    Reginald Heber (21 April 1783 – 3 April 1826) was an English Anglican bishop, a man of letters, and hymn-writer. After 16 years as a country parson, he served as Bishop of Calcutta until his death at the age of 42. The son of a rich landowner and cleric, Heber gained fame at the University of Oxford as a poet. After graduation he made an extended tour of Scandinavia, Russia and Central Europe. Ordained in 1807, he took over his father's old parish, Hodnet, Shropshire. He also wrote hymns and general literature, including a study of the works of the 17th-century cleric Jeremy Taylor.

    He was consecrated Bishop of Calcutta in October 1823. He travelled widely and worked to improve the spiritual and general living conditions of his flock. Arduous duties, a hostile climate and poor health led to his collapse and death after less than three years in India. Memorials were erected there and in St Paul's Cathedral, London. A collection of his hymns appeared soon after his death. "Holy, Holy, Holy! Lord God Almighty" remains popular for Trinity Sunday, while "Brightest and Best" is frequently sung during Epiphany. (Full article...)
  • Image 11 Map 1: Mysore and Coorg in a map of peninsular India showing shifting boundaries The political history of the region on the Deccan Plateau in west-central peninsular India (Map 1) that was later divided into Mysore state and Coorg province saw many changes after the fall of the Hindu Vijayanagara Empire in 1565. The rise of Sultan Haidar Ali in 1761 introduced a new period. At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the Muslim Nawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...) Image 11
    Mysore is shown in west-central peninsular India with the Madras Presidency bordering it on the east, west, and south, with the Arabian Sea, Indian Ocean, and the Bay of Bengal surrounding the peninsula, and with Sri Lanka in the vicinity to the south-east
    Map 1: Mysore and Coorg in a map of peninsular India showing shifting boundaries


    The political history of the region on the Deccan Plateau in west-central peninsular India (Map 1) that was later divided into Mysore state and Coorg province saw many changes after the fall of the Hindu Vijayanagara Empire in 1565. The rise of Sultan Haidar Ali in 1761 introduced a new period.

    At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the Muslim Nawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
  • Image 12 Portrait by Rudolf Swoboda, 1888 Mohammed Abdul Karim (1863 — 20 April 1909), also known as "the Munshi", was an Indian attendant of Queen Victoria. He served her during the final fourteen years of her reign, gaining her maternal affection over that time. Karim was born the son of a hospital assistant at Lalitpur, near Jhansi in British India. In 1887, the year of Victoria's Golden Jubilee, Karim was one of two Indians selected to become servants to the Queen. Victoria came to like him a great deal and gave him the title of "Munshi" ("clerk" or "teacher"). Victoria appointed him to be her Indian Secretary, showered him with honours, and obtained a land grant for him in India. (Full article...) Image 12
    Portrait by Rudolf Swoboda, 1888
    Mohammed Abdul Karim (1863 — 20 April 1909), also known as "the Munshi", was an Indian attendant of Queen Victoria. He served her during the final fourteen years of her reign, gaining her maternal affection over that time.

    Karim was born the son of a hospital assistant at Lalitpur, near Jhansi in British India. In 1887, the year of Victoria's Golden Jubilee, Karim was one of two Indians selected to become servants to the Queen. Victoria came to like him a great deal and gave him the title of "Munshi" ("clerk" or "teacher"). Victoria appointed him to be her Indian Secretary, showered him with honours, and obtained a land grant for him in India. (Full article...)
  • Image 13 Basohli miniature, c. 1730. National Museum, New Delhi Ganesha (Sanskrit: गणेश, IAST: Gaṇeśa), also spelled Ganesh, and also known as Ganapati, Vinayaka, Lambodara and Pillaiyar, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India. Although Ganesha has many attributes, he is readily identified by his elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning. Several texts relate anecdotes associated with his birth and exploits. (Full article...) Image 13
    Basohli miniature, c. 1730. National Museum, New Delhi
    Ganesha (Sanskrit: गणेश, IAST: Gaṇeśa), also spelled Ganesh, and also known as Ganapati, Vinayaka, Lambodara and Pillaiyar, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India.

    Although Ganesha has many attributes, he is readily identified by his elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning. Several texts relate anecdotes associated with his birth and exploits. (Full article...)
  • Image 14 Nyctibatrachus major, the Malabar night frog, large wrinkled frog, or Boulenger's narrow-eyed frog is a species of frog in the family Nyctibatrachidae, commonly known as the robust frogs. It was described in 1882 by the zoologist George Albert Boulenger, and is the type species of the genus Nyctibatrachus. It is a large frog for its genus, with an adult snout–vent length of 31.5–52.0 mm (1.24–2.05 in) for males and 43.7–54.2 mm (1.72–2.13 in) for females. It is mainly brownish to greyish in colour, with a dark greyish-brown upperside, a greyish-white underside, and light grey sides. It also has a variety of grey or brown markings. When preserved in ethanol, it is mostly greyish-brown to grey, with whitish sides. Sexes can be told apart by the presence of the femoral glands (bulbous glands near the inner thigh) in males. The species is endemic to the Western Ghats mountain range of India, where it is found in Kerala, Tamil Nadu, and Karnataka. Adults inhabit fast-moving forest streams at elevations of up to 900 m (3,000 ft) and have highly specific habitat requirements. Adults are mostly found in or near water and are nocturnal; subadults can be found during both the night and day. Its diet mainly consists of other frogs and insect larvae. Over a period of several days or weeks, females lay multiple small clutches of eggs on leaves and rocks overhanging water; tadpoles drop into the water below on hatching. The species is currently classified as being vulnerable on the IUCN Red List owing to its small and fragmented range and ongoing habitat degradation. Threats to the species include habitat loss, increased human presence near the streams it inhabits, and possibly nitrate pollution caused by fertiliser overuse. (Full article...) Image 14

    Nyctibatrachus major, the Malabar night frog, large wrinkled frog, or Boulenger's narrow-eyed frog is a species of frog in the family Nyctibatrachidae, commonly known as the robust frogs. It was described in 1882 by the zoologist George Albert Boulenger, and is the type species of the genus Nyctibatrachus. It is a large frog for its genus, with an adult snout–vent length of 31.5–52.0 mm (1.24–2.05 in) for males and 43.7–54.2 mm (1.72–2.13 in) for females. It is mainly brownish to greyish in colour, with a dark greyish-brown upperside, a greyish-white underside, and light grey sides. It also has a variety of grey or brown markings. When preserved in ethanol, it is mostly greyish-brown to grey, with whitish sides. Sexes can be told apart by the presence of the femoral glands (bulbous glands near the inner thigh) in males.

    The species is endemic to the Western Ghats mountain range of India, where it is found in Kerala, Tamil Nadu, and Karnataka. Adults inhabit fast-moving forest streams at elevations of up to 900 m (3,000 ft) and have highly specific habitat requirements. Adults are mostly found in or near water and are nocturnal; subadults can be found during both the night and day. Its diet mainly consists of other frogs and insect larvae. Over a period of several days or weeks, females lay multiple small clutches of eggs on leaves and rocks overhanging water; tadpoles drop into the water below on hatching. The species is currently classified as being vulnerable on the IUCN Red List owing to its small and fragmented range and ongoing habitat degradation. Threats to the species include habitat loss, increased human presence near the streams it inhabits, and possibly nitrate pollution caused by fertiliser overuse. (Full article...)
  • Image 15 Jinnah in 1945 Muhammad Ali Jinnah (born Mahomedali Jinnahbhai; 25 December 1876 – 11 September 1948) was a barrister, politician, and the founder of Pakistan. Jinnah served as the leader of the All-India Muslim League from 1913 until the inception of Pakistan on 14 August 1947 and then as Pakistan's first governor-general until his death. Born at Wazir Mansion in Karachi, Jinnah was trained as a barrister at Lincoln's Inn in London, England. Upon his return to India, he enrolled at the Bombay High Court, and took an interest in national politics, which eventually replaced his legal practice. Jinnah rose to prominence in the Indian National Congress in the first two decades of the 20th century. In these early years of his political career, Jinnah advocated Hindu–Muslim unity, helping to shape the 1916 Lucknow Pact between the Congress and the All-India Muslim League, in which Jinnah had also become prominent. Jinnah became a key leader in the All-India Home Rule League, and proposed a fourteen-point constitutional reform plan to safeguard the political rights of Muslims in the Indian subcontinent. In 1920, however, Jinnah resigned from the Congress when it agreed to follow a campaign of satyagraha, which he regarded as political anarchy. (Full article...) Image 15
    Jinnah in 1945
    Muhammad Ali Jinnah (born Mahomedali Jinnahbhai; 25 December 1876 – 11 September 1948) was a barrister, politician, and the founder of Pakistan. Jinnah served as the leader of the All-India Muslim League from 1913 until the inception of Pakistan on 14 August 1947 and then as Pakistan's first governor-general until his death.

    Born at Wazir Mansion in Karachi, Jinnah was trained as a barrister at Lincoln's Inn in London, England. Upon his return to India, he enrolled at the Bombay High Court, and took an interest in national politics, which eventually replaced his legal practice. Jinnah rose to prominence in the Indian National Congress in the first two decades of the 20th century. In these early years of his political career, Jinnah advocated Hindu–Muslim unity, helping to shape the 1916 Lucknow Pact between the Congress and the All-India Muslim League, in which Jinnah had also become prominent. Jinnah became a key leader in the All-India Home Rule League, and proposed a fourteen-point constitutional reform plan to safeguard the political rights of Muslims in the Indian subcontinent. In 1920, however, Jinnah resigned from the Congress when it agreed to follow a campaign of satyagraha, which he regarded as political anarchy. (Full article...)
  • Image 16 Narayan in 1974 Ram Narayan (IPA: ; 25 December 1927 – 9 November 2024), often referred to with the title Pandit, was an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player. Narayan was born near Udaipur and learned to play the sarangi at an early age. He studied under sarangi players and singers and, as a teenager, worked as a music teacher and travelling musician. All India Radio, Lahore, hired Narayan as an accompanist for vocalists in 1944. Narayan relocated to Delhi following the partition of India in 1947, but, wishing to go beyond accompaniment and frustrated with his supporting role, moved to Mumbai in 1949 to work in Indian cinema. (Full article...) Image 16
    Narayan in 1974
    Ram Narayan (IPA: [raːm naːˈɾaːjəɳ]; 25 December 1927 – 9 November 2024), often referred to with the title Pandit, was an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player.

    Narayan was born near Udaipur and learned to play the sarangi at an early age. He studied under sarangi players and singers and, as a teenager, worked as a music teacher and travelling musician. All India Radio, Lahore, hired Narayan as an accompanist for vocalists in 1944. Narayan relocated to Delhi following the partition of India in 1947, but, wishing to go beyond accompaniment and frustrated with his supporting role, moved to Mumbai in 1949 to work in Indian cinema. (Full article...)
  • Image 17 Taare Zameen Par (lit. 'Stars on Earth'), also known as Like Stars on Earth in English, is a 2007 Indian Hindi-language drama film produced and directed by Aamir Khan. It stars Khan himself, with Darsheel Safary, Tanay Chheda, Vipin Sharma and Tisca Chopra. It explores the life and imagination of Ishaan (Safary), an artistically gifted 8-year-old boy whose poor academic performance leads his parents to send him to a boarding school, where a new art teacher Nikumbh (Khan) suspects that he is dyslexic and helps him to overcome his reading disorder. Creative director and writer Amole Gupte developed the idea with his wife Deepa Bhatia, who was the film's editor. Shankar–Ehsaan–Loy composed the score, and Prasoon Joshi wrote the lyrics for many of the songs. Principal photography took place in Mumbai, and in Panchgani's New Era High School, where some of the school's students participated in the filming. (Full article...) Image 17Taare Zameen Par (lit. 'Stars on Earth'), also known as Like Stars on Earth in English, is a 2007 Indian Hindi-language drama film produced and directed by Aamir Khan. It stars Khan himself, with Darsheel Safary, Tanay Chheda, Vipin Sharma and Tisca Chopra. It explores the life and imagination of Ishaan (Safary), an artistically gifted 8-year-old boy whose poor academic performance leads his parents to send him to a boarding school, where a new art teacher Nikumbh (Khan) suspects that he is dyslexic and helps him to overcome his reading disorder.

    Creative director and writer Amole Gupte developed the idea with his wife Deepa Bhatia, who was the film's editor. Shankar–Ehsaan–Loy composed the score, and Prasoon Joshi wrote the lyrics for many of the songs. Principal photography took place in Mumbai, and in Panchgani's New Era High School, where some of the school's students participated in the filming. (Full article...)
  • Image 18 Koechlin in 2017 Kalki Koechlin (/ˈkʌlki kɛˈklæ̃/ ⓘ; born 10 January 1984) is a French actress and writer who works in films and stage. Known for her unconventional body of work, particularly in Hindi films, she is the recipient of several accolades, including a National Film Award and a Filmfare Award. Although a French citizen, she has been raised and lived most of her life in India. Born in Pondicherry, India, Koechlin was drawn to theater from a young age. She studied drama at Goldsmiths, University of London, and worked simultaneously with a local theater company. After returning to India, she made her Hindi film debut as Chanda in the black comedy-drama Dev.D. (2009), winning the Filmfare Award for Best Supporting Actress. She subsequently starred in two of the highest-grossing Hindi films of their respective years, the comedy-dramas Zindagi Na Milegi Dobara (2011) and Yeh Jawaani Hai Deewani (2013), both of which garnered her nominations for the Filmfare Award for Best Supporting Actress. Koechlin also starred in and co-write the crime thriller That Girl in Yellow Boots (2011). (Full article...) Image 18
    Koechlin in 2017
    Kalki Koechlin (/ˈkʌlki kɛˈklæ̃/ ; born 10 January 1984) is a French actress and writer who works in films and stage. Known for her unconventional body of work, particularly in Hindi films, she is the recipient of several accolades, including a National Film Award and a Filmfare Award. Although a French citizen, she has been raised and lived most of her life in India.

    Born in Pondicherry, India, Koechlin was drawn to theater from a young age. She studied drama at Goldsmiths, University of London, and worked simultaneously with a local theater company. After returning to India, she made her Hindi film debut as Chanda in the black comedy-drama Dev.D. (2009), winning the Filmfare Award for Best Supporting Actress. She subsequently starred in two of the highest-grossing Hindi films of their respective years, the comedy-dramas Zindagi Na Milegi Dobara (2011) and Yeh Jawaani Hai Deewani (2013), both of which garnered her nominations for the Filmfare Award for Best Supporting Actress. Koechlin also starred in and co-write the crime thriller That Girl in Yellow Boots (2011). (Full article...)
  • Image 19 The central image at Vithoba Temple in Pandharpur Vithoba (IAST: Viṭhobā), also known as Vitthala (IAST: Viṭṭhala), and Panduranga (IAST: Pāṇḍuraṅga), is a Hindu deity predominantly worshipped in the Indian states of Maharashtra and Karnataka. He is a form of the Hindu deity Vishnu in his avatar: Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai. Vithoba is the focus of an essentially monotheistic, non-ritualistic bhakti-driven Varkari faith in Maharashtra and the Haridasa sect established in Dvaita Vedanta in Karnataka. Vithoba Temple, Pandharpur is his main temple. Vithoba legends revolve around his devotee Pundalik who is credited for bringing the deity to Pandharpur, and around Vithoba's role as a saviour to the poet-saints of the Varkari faith. The Varkari poet-saints are known for their unique genre of devotional lyric, the abhang, dedicated to Vithoba and composed in Marathi. Other devotional literature dedicated to Vithoba includes the Kannada hymns of the Haridasa and the Marathi versions of the generic aarti songs associated with rituals of offering light to the deity. The most important festivals of Vithoba are held on Shayani Ekadashi in the month of Ashadha, and Prabodhini Ekadashi in the month of Kartika. (Full article...) Image 19
    The central image at Vithoba Temple in Pandharpur
    Vithoba (IAST: Viṭhobā), also known as Vitthala (IAST: Viṭṭhala), and Panduranga (IAST: Pāṇḍuraṅga), is a Hindu deity predominantly worshipped in the Indian states of Maharashtra and Karnataka. He is a form of the Hindu deity Vishnu in his avatar: Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai.

    Vithoba is the focus of an essentially monotheistic, non-ritualistic bhakti-driven Varkari faith in Maharashtra and the Haridasa sect established in Dvaita Vedanta in Karnataka. Vithoba Temple, Pandharpur is his main temple. Vithoba legends revolve around his devotee Pundalik who is credited for bringing the deity to Pandharpur, and around Vithoba's role as a saviour to the poet-saints of the Varkari faith. The Varkari poet-saints are known for their unique genre of devotional lyric, the abhang, dedicated to Vithoba and composed in Marathi. Other devotional literature dedicated to Vithoba includes the Kannada hymns of the Haridasa and the Marathi versions of the generic aarti songs associated with rituals of offering light to the deity. The most important festivals of Vithoba are held on Shayani Ekadashi in the month of Ashadha, and Prabodhini Ekadashi in the month of Kartika. (Full article...)
  • Image 20 The red panda (Ailurus fulgens), also known as the lesser panda, is a small mammal native to the eastern Himalayas and southwestern China. It has dense reddish-brown fur with a black belly and legs, white-lined ears, a mostly white muzzle and a ringed tail. Its head-to-body length is 51–63.5 cm (20.1–25.0 in) with a 28–48.5 cm (11.0–19.1 in) tail, and it weighs between 3.2 and 15 kg (7.1 and 33.1 lb). It is well adapted to climbing due to its flexible joints and curved semi-retractile claws. The red panda was formally described in 1825. The two currently recognised subspecies, the Himalayan and the Chinese red panda, genetically diverged about 250,000 years ago. The red panda's place on the evolutionary tree has been debated, but modern genetic evidence places it in close affinity with raccoons, weasels, and skunks. It is not closely related to the giant panda, which is a bear, though both possess elongated wrist bones or "false thumbs" used for grasping bamboo. The evolutionary lineage of the red panda (Ailuridae) stretches back around 25 to 18 million years ago, as indicated by extinct fossil relatives found in Eurasia and North America. (Full article...) Image 20

    The red panda (Ailurus fulgens), also known as the lesser panda, is a small mammal native to the eastern Himalayas and southwestern China. It has dense reddish-brown fur with a black belly and legs, white-lined ears, a mostly white muzzle and a ringed tail. Its head-to-body length is 51–63.5 cm (20.1–25.0 in) with a 28–48.5 cm (11.0–19.1 in) tail, and it weighs between 3.2 and 15 kg (7.1 and 33.1 lb). It is well adapted to climbing due to its flexible joints and curved semi-retractile claws.

    The red panda was formally described in 1825. The two currently recognised subspecies, the Himalayan and the Chinese red panda, genetically diverged about 250,000 years ago. The red panda's place on the evolutionary tree has been debated, but modern genetic evidence places it in close affinity with raccoons, weasels, and skunks. It is not closely related to the giant panda, which is a bear, though both possess elongated wrist bones or "false thumbs" used for grasping bamboo. The evolutionary lineage of the red panda (Ailuridae) stretches back around 25 to 18 million years ago, as indicated by extinct fossil relatives found in Eurasia and North America. (Full article...)
  • Image 21 Anbe Sivam (transl. Love Is God) is a 2003 Indian Tamil-language slice-of-life drama film directed by Sundar C and produced by K. Muralitharan, V. Swaminathan and G. Venugopal under the banner of Lakshmi Movie Makers. The film was written by Kamal Haasan, and Madhan provided the dialogues. Anbe Sivam stars Haasan, Madhavan and Kiran Rathod, with Nassar, Santhana Bharathi, Seema and Uma Riyaz Khan playing supporting characters. The film tells the story of Nallasivam and Anbarasu, two men of contrasting personalities who undertake an unexpected journey from Bhubaneswar to Chennai. Produced on a budget of ₹120 million, Anbe Sivam takes on themes such as communism, atheism, and altruism and depicts Haasan's humanist views. The music was composed by Vidyasagar. Arthur A. Wilson served as the cinematographer and M. Prabhaharan served as the art director. (Full article...) Image 21Anbe Sivam (transl. Love Is God) is a 2003 Indian Tamil-language slice-of-life drama film directed by Sundar C and produced by K. Muralitharan, V. Swaminathan and G. Venugopal under the banner of Lakshmi Movie Makers. The film was written by Kamal Haasan, and Madhan provided the dialogues. Anbe Sivam stars Haasan, Madhavan and Kiran Rathod, with Nassar, Santhana Bharathi, Seema and Uma Riyaz Khan playing supporting characters. The film tells the story of Nallasivam and Anbarasu, two men of contrasting personalities who undertake an unexpected journey from Bhubaneswar to Chennai.

    Produced on a budget of 120 million, Anbe Sivam takes on themes such as communism, atheism, and altruism and depicts Haasan's humanist views. The music was composed by Vidyasagar. Arthur A. Wilson served as the cinematographer and M. Prabhaharan served as the art director. (Full article...)
  • Image 22 Collins on an 1899 postcard Arthur Edward Jeune Collins (18 August 1885 – 11 November 1914) was an English cricketer and soldier. He held, for 116 years, the record of highest score in cricket: as a 13-year-old schoolboy, he scored 628 not out over four afternoons in June 1899. Collins's record-making innings drew a large crowd and increasing media interest; spectators at the Old Cliftonian match being played nearby were drawn away to watch the junior school house cricket match in which Collins was playing. Despite this achievement, Collins never played first-class cricket. Collins's 628 not out stood as the record score until January 2016 when an Indian boy, Pranav Dhanawade, scored 1009 in a single innings. Collins joined the British Army in 1902 and studied at the Royal Military Academy, Woolwich, before becoming an officer in the Royal Engineers. He served in France during the First World War, where he was killed in action in 1914 during the First Battle of Ypres. Collins had been mentioned in despatches and also represented the Royal Military Academy at cricket and rugby union. (Full article...) Image 22
    Collins on an 1899 postcard
    Arthur Edward Jeune Collins (18 August 1885 – 11 November 1914) was an English cricketer and soldier. He held, for 116 years, the record of highest score in cricket: as a 13-year-old schoolboy, he scored 628 not out over four afternoons in June 1899. Collins's record-making innings drew a large crowd and increasing media interest; spectators at the Old Cliftonian match being played nearby were drawn away to watch the junior school house cricket match in which Collins was playing. Despite this achievement, Collins never played first-class cricket. Collins's 628 not out stood as the record score until January 2016 when an Indian boy, Pranav Dhanawade, scored 1009 in a single innings.

    Collins joined the British Army in 1902 and studied at the Royal Military Academy, Woolwich, before becoming an officer in the Royal Engineers. He served in France during the First World War, where he was killed in action in 1914 during the First Battle of Ypres. Collins had been mentioned in despatches and also represented the Royal Military Academy at cricket and rugby union. (Full article...)
  • Image 23 The frontispiece of the 1920 edition of Tod's Annals and Antiquities of Rajast'han Lieutenant-Colonel James Tod (20 March 1782 – 18 November 1835) was an officer of the British East India Company and an Oriental scholar. He combined his official role and his amateur interests to create a series of works about the history and geography of India, and in particular the area then known as Rajputana that corresponds to the present day state of Rajasthan, and which Tod referred to as Rajast'han. Tod was born in London and educated in Scotland. He joined the East India Company as a military officer and travelled to India in 1799 as a cadet in the Bengal Army. He rose quickly in rank, eventually becoming captain of an escort for an envoy in a Sindian royal court. After the Third Anglo-Maratha War, during which Tod was involved in the intelligence department, he was appointed Political Agent for some areas of Rajputana. His task was to help unify the region under the control of the East India Company. During this period Tod conducted most of the research that he would later publish. Tod was initially successful in his official role, but his methods were questioned by other members of the East India Company. Over time, his work was restricted and his areas of oversight were significantly curtailed. In 1823, owing to declining health and reputation, Tod resigned his post as Political Agent and returned to England. (Full article...) Image 23
    The frontispiece of the 1920 edition of Tod's Annals and Antiquities of Rajast'han
    Lieutenant-Colonel James Tod (20 March 1782 – 18 November 1835) was an officer of the British East India Company and an Oriental scholar. He combined his official role and his amateur interests to create a series of works about the history and geography of India, and in particular the area then known as Rajputana that corresponds to the present day state of Rajasthan, and which Tod referred to as Rajast'han.

    Tod was born in London and educated in Scotland. He joined the East India Company as a military officer and travelled to India in 1799 as a cadet in the Bengal Army. He rose quickly in rank, eventually becoming captain of an escort for an envoy in a Sindian royal court. After the Third Anglo-Maratha War, during which Tod was involved in the intelligence department, he was appointed Political Agent for some areas of Rajputana. His task was to help unify the region under the control of the East India Company. During this period Tod conducted most of the research that he would later publish. Tod was initially successful in his official role, but his methods were questioned by other members of the East India Company. Over time, his work was restricted and his areas of oversight were significantly curtailed. In 1823, owing to declining health and reputation, Tod resigned his post as Political Agent and returned to England. (Full article...)
  • Image 24 Ahalya by Raja Ravi Varma (1848–1906) In Hinduism, Ahalya (Sanskrit: अहल्या, IAST: Ahalyā) also spelt as Ahilya, is the wife of the sage Gautama Maharishi. Many Hindu scriptures describe her legend of seduction by the king of the gods Indra, her husband's curse for her infidelity, and her liberation from the curse by the god Rama. Created by the god Brahma as the most beautiful woman, Ahalya was married to the much older Gautama. In the earliest full narrative, when Indra comes disguised as her husband, Ahalya sees through his disguise but nevertheless accepts his advances. Later sources often absolve her of all guilt, describing how she falls prey to Indra's trickery. In all narratives, Ahalya and Indra are cursed by Gautama. The curse varies from text to text, but almost all versions describe Rama as the eventual agent of her liberation and redemption. Although early texts describe how Ahalya must atone by undergoing severe penance while remaining invisible to the world and how she is purified by offering Rama hospitality, in the popular retelling developed over time, Ahalya is cursed to become a stone and regains her human form after she is brushed by Rama's foot. (Full article...) Image 24
    Ahalya by Raja Ravi Varma (1848–1906)
    In Hinduism, Ahalya (Sanskrit: अहल्या, IAST: Ahalyā) also spelt as Ahilya, is the wife of the sage Gautama Maharishi. Many Hindu scriptures describe her legend of seduction by the king of the gods Indra, her husband's curse for her infidelity, and her liberation from the curse by the god Rama.

    Created by the god Brahma as the most beautiful woman, Ahalya was married to the much older Gautama. In the earliest full narrative, when Indra comes disguised as her husband, Ahalya sees through his disguise but nevertheless accepts his advances. Later sources often absolve her of all guilt, describing how she falls prey to Indra's trickery. In all narratives, Ahalya and Indra are cursed by Gautama. The curse varies from text to text, but almost all versions describe Rama as the eventual agent of her liberation and redemption. Although early texts describe how Ahalya must atone by undergoing severe penance while remaining invisible to the world and how she is purified by offering Rama hospitality, in the popular retelling developed over time, Ahalya is cursed to become a stone and regains her human form after she is brushed by Rama's foot. (Full article...)
  • Image 25 Aravan worshipped at Sri Mariamman Temple, Singapore. A cobra hood is sheltering Aravan's head. Iravan also known as Iravat and Iravant, is a minor character from the Hindu epic Mahabharata. The son of Pandava prince Arjuna (one of the main heroes of the Mahabharata) and the Naga princess Ulupi, Iravan is the central deity of the cult of Kuttantavar (Kuttandavar) which is also the name commonly given to him in that tradition—and plays a major role in the sect of Draupadi. Both these sects are of Tamil origin, from a region of the country where he is worshipped as a village deity and is known as Aravan. He is also a patron god of well-known transgender communities called Alis (also Aravani in Tamil, and Hijra throughout South Asia). The Mahabharata portrays Iravan as dying a heroic death on the 8th day of the 18-day Kurukshetra War (Mahabharata war), the epic's main subject. However, the South Indian traditions have a supplementary practice of honouring Aravan's self-sacrifice to the goddess Kali to ensure her favour and the victory of the Pandavas in the war. The Kuttantavar tradition focuses on one of the three boons granted to Aravan by the god Krishna in honour of this self-sacrifice. Aravan requested that he be married before his death. Krishna satisfied this boon in his female form, Mohini. In Koovagam, Tamil Nadu, this incident is re-enacted in an 18-day festival, first by a ceremonial marriage of Aravan to Alis (hijra) and male villagers (who have taken vows to Aravan) and then by their widowhood after ritual re-enactment of Aravan's sacrifice. (Full article...) Image 25
    Aravan worshipped at Sri Mariamman Temple, Singapore. A cobra hood is sheltering Aravan's head.
    Iravan also known as Iravat and Iravant, is a minor character from the Hindu epic Mahabharata. The son of Pandava prince Arjuna (one of the main heroes of the Mahabharata) and the Naga princess Ulupi, Iravan is the central deity of the cult of Kuttantavar (Kuttandavar) which is also the name commonly given to him in that tradition—and plays a major role in the sect of Draupadi. Both these sects are of Tamil origin, from a region of the country where he is worshipped as a village deity and is known as Aravan. He is also a patron god of well-known transgender communities called Alis (also Aravani in Tamil, and Hijra throughout South Asia).

    The Mahabharata portrays Iravan as dying a heroic death on the 8th day of the 18-day Kurukshetra War (Mahabharata war), the epic's main subject. However, the South Indian traditions have a supplementary practice of honouring Aravan's self-sacrifice to the goddess Kali to ensure her favour and the victory of the Pandavas in the war. The Kuttantavar tradition focuses on one of the three boons granted to Aravan by the god Krishna in honour of this self-sacrifice. Aravan requested that he be married before his death. Krishna satisfied this boon in his female form, Mohini. In Koovagam, Tamil Nadu, this incident is re-enacted in an 18-day festival, first by a ceremonial marriage of Aravan to Alis (hijra) and male villagers (who have taken vows to Aravan) and then by their widowhood after ritual re-enactment of Aravan's sacrifice. (Full article...)
More featured articles

Selected pictures

Featured list – show another

This is a Featured list, which the Misplaced Pages community considers to be the best lists on English Misplaced Pages. More featured lists

Good article – show another

This is a Good article, an article that meets a core set of high editorial standards.
  • Image 1 Defence of the Arrah House, 1857 (1858) by William Tayler The siege of Arrah (27 July – 3 August 1857) took place during the Indian Mutiny (also known as the Indian Rebellion of 1857). It was the eight-day defence of a fortified outbuilding, occupied by a combination of 18 civilians and 50 members of the Bengal Military Police Battalion, against 2,500 to 3,000 mutinying Bengal Native Infantry sepoys from three regiments and an estimated 8,000 men from irregular forces commanded by Kunwar Singh, the local zamindar or chieftain who controlled the Jagdishpur estate. An attempt to break the siege failed, with around 290 casualties out of around 415 men in the relief party. Shortly afterwards, a second relief effort consisting of 225 men and three artillery guns—carried out despite specific orders that it should not take place—dispersed the forces surrounding the building, suffering two casualties, and the besieged party escaped. Only one member of the besieged group was injured. (Full article...) Image 1
    Defence of the Arrah House, 1857 (1858) by William Tayler
    The siege of Arrah (27 July – 3 August 1857) took place during the Indian Mutiny (also known as the Indian Rebellion of 1857). It was the eight-day defence of a fortified outbuilding, occupied by a combination of 18 civilians and 50 members of the Bengal Military Police Battalion, against 2,500 to 3,000 mutinying Bengal Native Infantry sepoys from three regiments and an estimated 8,000 men from irregular forces commanded by Kunwar Singh, the local zamindar or chieftain who controlled the Jagdishpur estate.

    An attempt to break the siege failed, with around 290 casualties out of around 415 men in the relief party. Shortly afterwards, a second relief effort consisting of 225 men and three artillery guns—carried out despite specific orders that it should not take place—dispersed the forces surrounding the building, suffering two casualties, and the besieged party escaped. Only one member of the besieged group was injured. (Full article...)
  • Image 2 Talvar (transl. Sword), released internationally as Guilty, is a 2015 Indian Hindi-language crime-thriller drama film directed by Meghna Gulzar and written by Vishal Bhardwaj. Produced by Bhardwaj and Vineet Jain, the film is loosely based on the 2008 Noida double murder case involving a teenage girl and her family's servant. Starring Irrfan Khan, Konkona Sen Sharma and Neeraj Kabi, the film follows the investigation of a case from three different perspectives in which her parents are either guilty or innocent of the murder charges by the police investigation, the first Central Bureau of Investigation (CBI) probe and an investigation by a different CBI team. It was conceived by Bhardwaj after he met some of the police officials who were investigating the case. He later met Meghna, and expressed his desire to produce a film with her; they then came up with the idea of making a film about the real-life case. They researched the case for two years and found several contradictions, with each view having some validity. Bhardwaj's script was an example of the Rashomon effect. Pankaj Kumar was the film's director of photography, and A. Sreekar Prasad was its editor. (Full article...) Image 2Talvar (transl. Sword), released internationally as Guilty, is a 2015 Indian Hindi-language crime-thriller drama film directed by Meghna Gulzar and written by Vishal Bhardwaj. Produced by Bhardwaj and Vineet Jain, the film is loosely based on the 2008 Noida double murder case involving a teenage girl and her family's servant. Starring Irrfan Khan, Konkona Sen Sharma and Neeraj Kabi, the film follows the investigation of a case from three different perspectives in which her parents are either guilty or innocent of the murder charges by the police investigation, the first Central Bureau of Investigation (CBI) probe and an investigation by a different CBI team.

    It was conceived by Bhardwaj after he met some of the police officials who were investigating the case. He later met Meghna, and expressed his desire to produce a film with her; they then came up with the idea of making a film about the real-life case. They researched the case for two years and found several contradictions, with each view having some validity. Bhardwaj's script was an example of the Rashomon effect. Pankaj Kumar was the film's director of photography, and A. Sreekar Prasad was its editor. (Full article...)
  • Image 3 Salil Ashok Ankola (pronunciation; born 1 March 1968) is a former international cricketer who played one Test match and 20 One Day Internationals (ODIs) from 1989 to 1997 for India. A right-arm fast-medium bowler, he played first-class cricket for Mumbai, regularly opening the bowling. Ankola's consistency for Mumbai team earned him a spot for representing India during their tour of Pakistan in 1989–90. After the first Test match at Karachi, he was dropped for the subsequent matches in the series owing to injuries. After a brief phase of playing first-class cricket, Ankola was called for the Indian ODI team during 1993, eventually led to being a part of the 1996 Cricket World Cup. At 28, Ankola retired from international cricket to pursue acting. Since then he went on to appear in a number of Indian soap operas and a few Hindi films. In 2020, he was selected as the chief selector of the Mumbai Cricket Association. He was a selector of the National team from January 2023 till August 2024. (Full article...) Image 3Salil Ashok Ankola (pronunciation; born 1 March 1968) is a former international cricketer who played one Test match and 20 One Day Internationals (ODIs) from 1989 to 1997 for India. A right-arm fast-medium bowler, he played first-class cricket for Mumbai, regularly opening the bowling. Ankola's consistency for Mumbai team earned him a spot for representing India during their tour of Pakistan in 1989–90. After the first Test match at Karachi, he was dropped for the subsequent matches in the series owing to injuries. After a brief phase of playing first-class cricket, Ankola was called for the Indian ODI team during 1993, eventually led to being a part of the 1996 Cricket World Cup. At 28, Ankola retired from international cricket to pursue acting. Since then he went on to appear in a number of Indian soap operas and a few Hindi films. In 2020, he was selected as the chief selector of the Mumbai Cricket Association. He was a selector of the National team from January 2023 till August 2024. (Full article...)
  • Image 4 Royal Stag, also known as Seagram's Royal Stag, is an Indian whisky launched in 1995. It is available in many countries across the world in various pack sizes. It is Pernod Ricard's best selling brand by volume. It is a blend of grain spirits and imported Scotch malts. It is commonly available in 1 L, 750 mL, 375 mL and 180 mL bottles and also available in 90 mL and 60 mL bottles. The brand is named after a species of deer famous for its antlers, that is also featured in its logo. It is produced in several company-owned as well as bottler-owned distilleries. It was the first whisky brand launched in India that did not use any artificial flavours. Pernod Ricard has identified Royal Stag along with Seagram's Imperial Blue, Seagram's Blenders Pride, Chivas Regal and Seagram's 100 Pipers as the company's five core brands to build its spirits business in India. Royal Stag sold 12.3 million cases in 2011, toppling Absolut Vodka, to become Pernod Ricard's biggest selling brand in its global portfolio of alcoholic beverages. Royal Stag sold 18 million cases in 2016. (Full article...) Image 4

    Royal Stag, also known as Seagram's Royal Stag, is an Indian whisky launched in 1995. It is available in many countries across the world in various pack sizes. It is Pernod Ricard's best selling brand by volume. It is a blend of grain spirits and imported Scotch malts. It is commonly available in 1 L, 750 mL, 375 mL and 180 mL bottles and also available in 90 mL and 60 mL bottles. The brand is named after a species of deer famous for its antlers, that is also featured in its logo. It is produced in several company-owned as well as bottler-owned distilleries. It was the first whisky brand launched in India that did not use any artificial flavours.

    Pernod Ricard has identified Royal Stag along with Seagram's Imperial Blue, Seagram's Blenders Pride, Chivas Regal and Seagram's 100 Pipers as the company's five core brands to build its spirits business in India. Royal Stag sold 12.3 million cases in 2011, toppling Absolut Vodka, to become Pernod Ricard's biggest selling brand in its global portfolio of alcoholic beverages. Royal Stag sold 18 million cases in 2016. (Full article...)
  • Image 5 Neila Sathyalingam (8 February 1938 – 9 March 2017) was a Singaporean classical Indian dancer, choreographer and instructor of Sri Lankan Tamil origin. An alumna of Kalakshetra in Madras (now Chennai) under the tutelage of Srimathi Rukmini Devi Arundale, she emigrated with her family to Singapore in 1974. In 1977 she and her husband founded the performance arts company Apsaras Arts, which has staged performances throughout the world. She was the company's artistic director and continued to teach dance. In 1983, Neila was appointed the dance instructor and choreographer for the Indian Dance Group of the People's Association (PA)—a state board in Singapore—where she remained a resident choreographer. She was also an artistic adviser to Singapore's National Arts Council. For her contributions to dance, Neila was awarded the Singaporean Cultural Medallion in 1989. She became a Singapore citizen in 1994. (Full article...) Image 5Neila Sathyalingam (8 February 1938 – 9 March 2017) was a Singaporean classical Indian dancer, choreographer and instructor of Sri Lankan Tamil origin. An alumna of Kalakshetra in Madras (now Chennai) under the tutelage of Srimathi Rukmini Devi Arundale, she emigrated with her family to Singapore in 1974. In 1977 she and her husband founded the performance arts company Apsaras Arts, which has staged performances throughout the world. She was the company's artistic director and continued to teach dance.

    In 1983, Neila was appointed the dance instructor and choreographer for the Indian Dance Group of the People's Association (PA)—a state board in Singapore—where she remained a resident choreographer. She was also an artistic adviser to Singapore's National Arts Council. For her contributions to dance, Neila was awarded the Singaporean Cultural Medallion in 1989. She became a Singapore citizen in 1994. (Full article...)
  • Image 6 Rudaali (pronounced "roo-dah-lee"; transl. Female weeper) is a 1993 Indian Hindi-language drama film directed by Kalpana Lajmi, written by Lajmi and Gulzar and based on a 1979 short story of the same name by Bengali author Mahasweta Devi. Set in a small village in Rajasthan, the film stars Dimple Kapadia as Shanichari, a lonely and hardened woman who, despite a lifetime of misfortune and abandonment, is unable to express grief through crying and is challenged with a new job as a professional mourner. Raakhee, Raj Babbar, and Amjad Khan appear in supporting roles. Produced by the National Film Development Corporation of India and Doordarshan, the film was labelled part of India's neo-realist parallel cinema, but it employed several of the common elements of mainstream Hindi cinema, including songs composed by Bhupen Hazarika. Rudaali was a critical and unexpected commercial success. Particular critical praise was directed at Kapadia's performance, with further appreciation of the film's script, music, technical achievements, and Lajmi's direction. The film won three National Film Awards, including Best Actress for Kapadia, and was nominated for three Filmfare Awards, earning Kapadia a Critics Award for Best Performance. Kapadia won Best Actress honours at the 8th Damascus International Film Festival and the 38th Asia-Pacific Film Festival, where Hazarika was awarded for his music. The film was selected as the Indian entry for Best Foreign Language Film at the 66th Academy Awards, but was not nominated. (Full article...) Image 6Rudaali (pronounced "roo-dah-lee"; transl. Female weeper) is a 1993 Indian Hindi-language drama film directed by Kalpana Lajmi, written by Lajmi and Gulzar and based on a 1979 short story of the same name by Bengali author Mahasweta Devi. Set in a small village in Rajasthan, the film stars Dimple Kapadia as Shanichari, a lonely and hardened woman who, despite a lifetime of misfortune and abandonment, is unable to express grief through crying and is challenged with a new job as a professional mourner. Raakhee, Raj Babbar, and Amjad Khan appear in supporting roles. Produced by the National Film Development Corporation of India and Doordarshan, the film was labelled part of India's neo-realist parallel cinema, but it employed several of the common elements of mainstream Hindi cinema, including songs composed by Bhupen Hazarika.

    Rudaali was a critical and unexpected commercial success. Particular critical praise was directed at Kapadia's performance, with further appreciation of the film's script, music, technical achievements, and Lajmi's direction. The film won three National Film Awards, including Best Actress for Kapadia, and was nominated for three Filmfare Awards, earning Kapadia a Critics Award for Best Performance. Kapadia won Best Actress honours at the 8th Damascus International Film Festival and the 38th Asia-Pacific Film Festival, where Hazarika was awarded for his music. The film was selected as the Indian entry for Best Foreign Language Film at the 66th Academy Awards, but was not nominated. (Full article...)
  • Image 7 King of Bollywood is a biography by the film critic and journalist Anupama Chopra, chronicling the life and career of Shah Rukh Khan. The book describes his personal life such as his birth in 1965 in New Delhi and his marriage to Gauri Chibber in 1991. The book also outlines his career as an actor, film producer, and television presenter. It was published by Grand Central Publishing on 9 August 2007 and became a commercial success. Its critical reception was positive, with Chopra's writing garnering appreciation. Chopra came up the idea of the book while writing for Dilwale Dulhania Le Jayenge (2002), about the 1995 film of the same name. In the summer of 2003, she told him about the project; although his initial reaction was reluctant, Chopra tried to persuade him for around six months and Khan eventually changed his mind. The book took three years to complete, with Chopra meeting Khan's close friends, school teachers, and collaborators in her writing process. (Full article...) Image 7King of Bollywood is a biography by the film critic and journalist Anupama Chopra, chronicling the life and career of Shah Rukh Khan. The book describes his personal life such as his birth in 1965 in New Delhi and his marriage to Gauri Chibber in 1991. The book also outlines his career as an actor, film producer, and television presenter. It was published by Grand Central Publishing on 9 August 2007 and became a commercial success. Its critical reception was positive, with Chopra's writing garnering appreciation.

    Chopra came up the idea of the book while writing for Dilwale Dulhania Le Jayenge (2002), about the 1995 film of the same name. In the summer of 2003, she told him about the project; although his initial reaction was reluctant, Chopra tried to persuade him for around six months and Khan eventually changed his mind. The book took three years to complete, with Chopra meeting Khan's close friends, school teachers, and collaborators in her writing process. (Full article...)
  • Image 8 Rudraveena (lit. 'Strings of fury'; referring to the instrument of the same name) is a 1988 Indian Telugu-language musical-drama film directed and co-written by K. Balachander. Produced by Nagendra Babu's Anjana Productions, the film stars Chiranjeevi alongside Tamil actor Gemini Ganesan (in his only appearance in Telugu cinema) and Shobana. It also marked the acting debut of Kannada actor and filmmaker Ramesh Aravind in Telugu cinema. P. L. Narayana, Prasad Babu, Sumithra, Devilalitha, and Brahmanandam play supporting roles. Rudraveena focuses on the ideological conflicts between 'Bilahari' Ganapathi Sastry, a reputed carnatic musician and his younger son Suryanarayana "Suryam" Sastry. Sastry's discrimination towards the people belonging to lower castes is criticised by his son, Suryam, who believes in society's welfare and walks out for good later. The events that led to the change in Sastry's views form the remaining part of the story. Ganesh Patro wrote the film's dialogue and worked on the script with Balachander for two months, though it was tweaked many times during the shoot. Ilaiyaraaja composed the soundtrack and background score. R. Raghunadha Reddy was the director of photography. Ganesh Kumar edited the film and Mohanam was the art director. (Full article...) Image 8Rudraveena (lit. 'Strings of fury'; referring to the instrument of the same name) is a 1988 Indian Telugu-language musical-drama film directed and co-written by K. Balachander. Produced by Nagendra Babu's Anjana Productions, the film stars Chiranjeevi alongside Tamil actor Gemini Ganesan (in his only appearance in Telugu cinema) and Shobana. It also marked the acting debut of Kannada actor and filmmaker Ramesh Aravind in Telugu cinema. P. L. Narayana, Prasad Babu, Sumithra, Devilalitha, and Brahmanandam play supporting roles.

    Rudraveena focuses on the ideological conflicts between 'Bilahari' Ganapathi Sastry, a reputed carnatic musician and his younger son Suryanarayana "Suryam" Sastry. Sastry's discrimination towards the people belonging to lower castes is criticised by his son, Suryam, who believes in society's welfare and walks out for good later. The events that led to the change in Sastry's views form the remaining part of the story. Ganesh Patro wrote the film's dialogue and worked on the script with Balachander for two months, though it was tweaked many times during the shoot. Ilaiyaraaja composed the soundtrack and background score. R. Raghunadha Reddy was the director of photography. Ganesh Kumar edited the film and Mohanam was the art director. (Full article...)
  • Image 9 The Gateway of India The Gateway of India is an arch-monument completed in 1924 on the waterfront of Mumbai (Bombay), India. It was erected to commemorate the landing of George V for his coronation as the Emperor of India in December 1911 at Strand Road near Wellington Fountain. He was the first British monarch to visit India. The foundation stone was laid in March 1913 for a monument built in the Indo-Islamic style, inspired by elements of 16th-century Gujarati architecture. The final design of the monument by architect George Wittet was sanctioned only in 1914, and construction was completed in 1924. The structure is a memorial arch made of basalt, which is 26 metres (85 feet) high, with an architectural resemblance to a triumphial arch as well as Gujarati architecture of the time. (Full article...) Image 9
    The Gateway of India
    The Gateway of India is an arch-monument completed in 1924 on the waterfront of Mumbai (Bombay), India. It was erected to commemorate the landing of George V for his coronation as the Emperor of India in December 1911 at Strand Road near Wellington Fountain. He was the first British monarch to visit India.

    The foundation stone was laid in March 1913 for a monument built in the Indo-Islamic style, inspired by elements of 16th-century Gujarati architecture. The final design of the monument by architect George Wittet was sanctioned only in 1914, and construction was completed in 1924. The structure is a memorial arch made of basalt, which is 26 metres (85 feet) high, with an architectural resemblance to a triumphial arch as well as Gujarati architecture of the time. (Full article...)
  • Image 10 The Bobbili Fort, located in the Vizianagaram district of the Indian state of Andhra Pradesh, was built during the middle of the 19th century in Bobbili. It has a historical link to the nearby mud fort of the same name which was destroyed during the Bobbili war in 1757 in a feud between the Rajas of Bobbili and the neighbouring Maharaja of Vizianagaram. Chinna Ranga Rao, who survived the Battle of Bobbili as a child was, at a later date, installed as the Raja of Bobbili. The successors of his lineage constructed the present Bobbili Fort following their improved economic conditions in the middle of the 19th century. (Full article...) Image 10The Bobbili Fort, located in the Vizianagaram district of the Indian state of Andhra Pradesh, was built during the middle of the 19th century in Bobbili. It has a historical link to the nearby mud fort of the same name which was destroyed during the Bobbili war in 1757 in a feud between the Rajas of Bobbili and the neighbouring Maharaja of Vizianagaram.

    Chinna Ranga Rao, who survived the Battle of Bobbili as a child was, at a later date, installed as the Raja of Bobbili. The successors of his lineage constructed the present Bobbili Fort following their improved economic conditions in the middle of the 19th century. (Full article...)
  • Image 11 A. a. antigone from India with the distinct white "collar" The sarus crane (Antigone antigone) is a large nonmigratory crane found in parts of the Indian subcontinent, Southeast Asia, and northern Australia. The tallest of the flying birds, standing at a height of up to 1.8 m (5 ft 11 in), they are a conspicuous species of open wetlands in South Asia, seasonally flooded Dipterocarpus forests in Southeast Asia, and Eucalyptus-dominated woodlands and grasslands in Australia. The sarus crane is easily distinguished from other cranes in the region by its overall grey colour and the contrasting red head and upper neck. They forage on marshes and shallow wetlands for roots, tubers, insects, crustaceans, and small vertebrate prey. Like other cranes, they form long-lasting pair bonds and maintain territories within which they perform territorial and courtship displays that include loud trumpeting, leaps, and dance-like movements. In India, they are considered symbols of marital fidelity, believed to mate for life and pine the loss of their mates, even to the point of starving to death. (Full article...) Image 11
    A. a. antigone from India with the distinct white "collar"
    The sarus crane (Antigone antigone) is a large nonmigratory crane found in parts of the Indian subcontinent, Southeast Asia, and northern Australia. The tallest of the flying birds, standing at a height of up to 1.8 m (5 ft 11 in), they are a conspicuous species of open wetlands in South Asia, seasonally flooded Dipterocarpus forests in Southeast Asia, and Eucalyptus-dominated woodlands and grasslands in Australia.

    The sarus crane is easily distinguished from other cranes in the region by its overall grey colour and the contrasting red head and upper neck. They forage on marshes and shallow wetlands for roots, tubers, insects, crustaceans, and small vertebrate prey. Like other cranes, they form long-lasting pair bonds and maintain territories within which they perform territorial and courtship displays that include loud trumpeting, leaps, and dance-like movements. In India, they are considered symbols of marital fidelity, believed to mate for life and pine the loss of their mates, even to the point of starving to death. (Full article...)
  • Image 12 Clouded leopard in Kaeng Krachan National Park The clouded leopard (Neofelis nebulosa), also called mainland clouded leopard, is a wild cat inhabiting dense forests from the foothills of the Himalayas through Northeast India and Bhutan to mainland Southeast Asia into South China. It was first described in 1821 on the basis of a skin of an individual from China. The clouded leopard has large dusky-grey blotches and irregular spots and stripes reminiscent of clouds. Its head-and-body length ranges from 68.6 to 108 cm (27.0 to 42.5 in) with a 61 to 91 cm (24 to 36 in) long tail. It uses its tail for balancing when moving in trees and is able to climb down vertical tree trunks head first. It rests in trees during the day and hunts by night on the forest floor. The clouded leopard is the sister taxon to other pantherine cats, having genetically diverged 9.32 to 4.47 million years ago. Today, the clouded leopard is locally extinct in Singapore, Taiwan, and possibly also in Hainan Island and Vietnam. The wild population is believed to be in decline with fewer than 10,000 adults and no more than 1,000 in each subpopulation. It has therefore been listed as Vulnerable on the IUCN Red List since 2008. The population is threatened by large–scale deforestation and commercial poaching for the wildlife trade. Its body parts are offered for decoration and clothing, though it is legally protected in most range countries. (Full article...) Image 12
    Clouded leopard in Kaeng Krachan National Park
    The clouded leopard (Neofelis nebulosa), also called mainland clouded leopard, is a wild cat inhabiting dense forests from the foothills of the Himalayas through Northeast India and Bhutan to mainland Southeast Asia into South China. It was first described in 1821 on the basis of a skin of an individual from China. The clouded leopard has large dusky-grey blotches and irregular spots and stripes reminiscent of clouds. Its head-and-body length ranges from 68.6 to 108 cm (27.0 to 42.5 in) with a 61 to 91 cm (24 to 36 in) long tail. It uses its tail for balancing when moving in trees and is able to climb down vertical tree trunks head first. It rests in trees during the day and hunts by night on the forest floor.

    The clouded leopard is the sister taxon to other pantherine cats, having genetically diverged 9.32 to 4.47 million years ago. Today, the clouded leopard is locally extinct in Singapore, Taiwan, and possibly also in Hainan Island and Vietnam. The wild population is believed to be in decline with fewer than 10,000 adults and no more than 1,000 in each subpopulation. It has therefore been listed as Vulnerable on the IUCN Red List since 2008. The population is threatened by large–scale deforestation and commercial poaching for the wildlife trade. Its body parts are offered for decoration and clothing, though it is legally protected in most range countries. (Full article...)
  • Image 13 Irfan Pathan (pronunciation; born 27 October 1984) is an Indian cricket commentator, analyst and former cricketer. He was a bowling all-rounder and member of the Indian cricket team that won the inaugural 2007 ICC Twenty20 World Cup and 2013 ICC Champions Trophy. Beginning his career as a fast-medium swing and seam bowler, Pathan broke into the national team soon after turning 19, and evoked comparisons with Pakistan's Wasim Akram with his promising performances and prodigious swing. In early 2006, Pathan became the only bowler to take a Test hat-trick in the first over of the match (vs Pakistan at Karachi). However, the productive run did not last and after the start of 2006, Pathan began to steadily lose pace and swing, and his wicket-taking dwindled. Although Pathan's batting continued to be productive, he was not regarded as a specialist and was dropped from the team in both Tests and ODIs by the end of 2006, and by 2007 was no longer in the squad until his return in the 2007 World Twenty20. (Full article...) Image 13

    Irfan Pathan (pronunciation; born 27 October 1984) is an Indian cricket commentator, analyst and former cricketer. He was a bowling all-rounder and member of the Indian cricket team that won the inaugural 2007 ICC Twenty20 World Cup and 2013 ICC Champions Trophy.

    Beginning his career as a fast-medium swing and seam bowler, Pathan broke into the national team soon after turning 19, and evoked comparisons with Pakistan's Wasim Akram with his promising performances and prodigious swing. In early 2006, Pathan became the only bowler to take a Test hat-trick in the first over of the match (vs Pakistan at Karachi). However, the productive run did not last and after the start of 2006, Pathan began to steadily lose pace and swing, and his wicket-taking dwindled. Although Pathan's batting continued to be productive, he was not regarded as a specialist and was dropped from the team in both Tests and ODIs by the end of 2006, and by 2007 was no longer in the squad until his return in the 2007 World Twenty20. (Full article...)
  • Image 14 Anbe Vaa (/ənbeɪ vɑː/ transl. Come, My Love) is a 1966 Indian Tamil-language romantic comedy film written and directed by A. C. Tirulokchandar. The film stars M. G. Ramachandran and B. Saroja Devi, with S. A. Ashokan, Nagesh, T. R. Ramachandran, P. D. Sambandam, Manorama and T. P. Muthulakshmi in supporting roles. Based on the 1961 American film Come September, it follows JB, a wealthy industrialist who goes on vacation to his bungalow in Shimla, only to discover that his caretaker and his wife have left for Kasi after renting the bungalow to a family. The rest of the film revolves around JB's response to this situation. Anbe Vaa was the first colour film of AVM Productions, and was shot in Eastmancolor. It was also the studio and Tirulokchandar's only collaboration with Ramachandran. Principal photography began in August 1965 and shooting took place in Shimla, Ooty, and at the hill station of Kufri. The soundtrack and background music were composed by M. S. Viswanathan while the lyrics for the songs were written by Vaali. (Full article...) Image 14Anbe Vaa (/ənbeɪ vɑː/ transl. Come, My Love) is a 1966 Indian Tamil-language romantic comedy film written and directed by A. C. Tirulokchandar. The film stars M. G. Ramachandran and B. Saroja Devi, with S. A. Ashokan, Nagesh, T. R. Ramachandran, P. D. Sambandam, Manorama and T. P. Muthulakshmi in supporting roles. Based on the 1961 American film Come September, it follows JB, a wealthy industrialist who goes on vacation to his bungalow in Shimla, only to discover that his caretaker and his wife have left for Kasi after renting the bungalow to a family. The rest of the film revolves around JB's response to this situation.

    Anbe Vaa was the first colour film of AVM Productions, and was shot in Eastmancolor. It was also the studio and Tirulokchandar's only collaboration with Ramachandran. Principal photography began in August 1965 and shooting took place in Shimla, Ooty, and at the hill station of Kufri. The soundtrack and background music were composed by M. S. Viswanathan while the lyrics for the songs were written by Vaali. (Full article...)
  • Image 15 A panoramic view of Nagore Dargah; dome, sacred water tank and the five minarets Nagore Dargah (also called Nagoor Dargah or Syed Shahul Hameed Dargah or Nagore Andavar dargah) is a dargah built over the tomb of the Sufi saint Nagore Syed Abdul Qadir Shahul Hamid (1490–1579 CE). It is located in Nagore, a coastal town in the South Indian state of Tamil Nadu. The outer doors of the dargah are kept open always, while the internal doors are open from 4:00 am to 07:00 am and from 6:00 pm to 10:00 pm. On Fridays, the doors are additionally kept open between 12:00 pm and 2:30 pm. Shahul Hamid is believed to have performed many miracles in Nagore, and cured the physical affliction of king Achuthappa Nayak, a 16th-century Hindu ruler of Thanjavur. He is locally referred to as Nagore Andavar, meaning the "Ruler of Nagore" and Qadir wali baba. Nagore dargah as it stands now, is believed to have been built by ardent devotees of Shahul Hamid, with major contribution from Hindus. There are five minarets in the dargah, with the Hindu Maratha ruler of Thanjavur Pratap Singh (1739–1763 CE), building the tallest minaret. The dargah is a major pilgrimage centre that attracts pilgrims from both sufi Islam and Hinduism, symbolizing peaceful coexistence between the two religions. The most prominent event celebrated at Nagore Dargah is the Kanduri festival (Urus Mubarak), a fourteen-day commemoration of the death anniversary of Shahul Hamid. Common worship practices at Nagore dargah include the presentation of offerings, accompanied by the playing of musical instruments like nadaswaram, typical of Hindu religious tradition. The Shifa Gunta, a pool within the precincts of the dargah, is considered sacred; pilgrims take a holy dip in it. The hereditary Kalifa performs all the official and duties of the dargah. The governance and upkeep of the dargah are overseen by an 11 Member board of trustees, which operates under a court-decreed scheme established by the Madras High Court. (Full article...) Image 15
    A panoramic view of Nagore Dargah; dome, sacred water tank and the five minarets
    Nagore Dargah (also called Nagoor Dargah or Syed Shahul Hameed Dargah or Nagore Andavar dargah) is a dargah built over the tomb of the Sufi saint Nagore Syed Abdul Qadir Shahul Hamid (1490–1579 CE). It is located in Nagore, a coastal town in the South Indian state of Tamil Nadu. The outer doors of the dargah are kept open always, while the internal doors are open from 4:00 am to 07:00 am and from 6:00 pm to 10:00 pm. On Fridays, the doors are additionally kept open between 12:00 pm and 2:30 pm. Shahul Hamid is believed to have performed many miracles in Nagore, and cured the physical affliction of king Achuthappa Nayak, a 16th-century Hindu ruler of Thanjavur. He is locally referred to as Nagore Andavar, meaning the "Ruler of Nagore" and Qadir wali baba. Nagore dargah as it stands now, is believed to have been built by ardent devotees of Shahul Hamid, with major contribution from Hindus. There are five minarets in the dargah, with the Hindu Maratha ruler of Thanjavur Pratap Singh (1739–1763 CE), building the tallest minaret. The dargah is a major pilgrimage centre that attracts pilgrims from both sufi Islam and Hinduism, symbolizing peaceful coexistence between the two religions.

    The most prominent event celebrated at Nagore Dargah is the Kanduri festival (Urus Mubarak), a fourteen-day commemoration of the death anniversary of Shahul Hamid. Common worship practices at Nagore dargah include the presentation of offerings, accompanied by the playing of musical instruments like nadaswaram, typical of Hindu religious tradition. The Shifa Gunta, a pool within the precincts of the dargah, is considered sacred; pilgrims take a holy dip in it. The hereditary Kalifa performs all the official and duties of the dargah. The governance and upkeep of the dargah are overseen by an 11 Member board of trustees, which operates under a court-decreed scheme established by the Madras High Court. (Full article...)
  • Image 16 Budha (Mercury) with consort Ilā Ila (Sanskrit: इल) or Ilā (Sanskrit: इला) is a deity in Hindu legends, known for their sex changes. As a man, he is known as Ila or Sudyumna and as a woman, is called Ilā. Ilā is considered the chief progenitor of the Lunar dynasty of Indian kings – also known as the Aillas ("descendants of Ilā"). While many versions of the tale exist, Ila is usually described as a daughter or son of Vaivasvata Manu and thus the sibling of Ikshvaku, the founder of the Solar Dynasty. In versions in which Ila is born female, she changes into a male form by divine grace soon after her birth. After mistakenly entering a sacred grove as an adult, Ila is either cursed to change his/her gender every month or cursed to become a woman. As a woman, Ilā married Budha, the god of the planet Mercury and the son of the lunar deity Chandra (Soma), and bore him a son called Pururavas, the father of the Lunar dynasty. After the birth of Pururavas, Ilā has transformed into a man again and fathered three sons. (Full article...) Image 16
    Budha (Mercury) with consort Ilā
    Ila (Sanskrit: इल) or Ilā (Sanskrit: इला) is a deity in Hindu legends, known for their sex changes. As a man, he is known as Ila or Sudyumna and as a woman, is called Ilā. Ilā is considered the chief progenitor of the Lunar dynasty of Indian kings – also known as the Aillas ("descendants of Ilā").

    While many versions of the tale exist, Ila is usually described as a daughter or son of Vaivasvata Manu and thus the sibling of Ikshvaku, the founder of the Solar Dynasty. In versions in which Ila is born female, she changes into a male form by divine grace soon after her birth. After mistakenly entering a sacred grove as an adult, Ila is either cursed to change his/her gender every month or cursed to become a woman. As a woman, Ilā married Budha, the god of the planet Mercury and the son of the lunar deity Chandra (Soma), and bore him a son called Pururavas, the father of the Lunar dynasty. After the birth of Pururavas, Ilā has transformed into a man again and fathered three sons. (Full article...)
  • Image 17 Veera (transl. Valour) is a 1994 Indian Tamil-language romantic comedy film directed by Suresh Krissna and written by Panchu Arunachalam. It is a remake of the Telugu film Allari Mogudu (1992) and stars Rajinikanth, Meena and Roja with Janagaraj, Senthil, Vadivukkarasi, J. Livingston, Mahesh Anand, Vinu Chakravarthy, Ajay Rathnam, Vivek and Charuhasan in supporting roles. The film is about a man who marries twice because of circumstances beyond his control and is forced to live a double life to cover his tracks. Krissna initially refused to remake Allari Mogudu because he disliked it but agreed after Rajinikanth told him their next film after Annaamalai (1992) should be different to avoid comparisons. The screenplay of Veera was written to be substantially different from the original; it was tailored to Rajinikanth's style and had logic added to the scenario. Arunachalam, who made script changes, received sole screenwriting credit. The film was produced by Arunachalam's wife Meena, photographed by P. S. Prakash and edited by Ganesh–Kumar. (Full article...) Image 17Veera (transl. Valour) is a 1994 Indian Tamil-language romantic comedy film directed by Suresh Krissna and written by Panchu Arunachalam. It is a remake of the Telugu film Allari Mogudu (1992) and stars Rajinikanth, Meena and Roja with Janagaraj, Senthil, Vadivukkarasi, J. Livingston, Mahesh Anand, Vinu Chakravarthy, Ajay Rathnam, Vivek and Charuhasan in supporting roles. The film is about a man who marries twice because of circumstances beyond his control and is forced to live a double life to cover his tracks.

    Krissna initially refused to remake Allari Mogudu because he disliked it but agreed after Rajinikanth told him their next film after Annaamalai (1992) should be different to avoid comparisons. The screenplay of Veera was written to be substantially different from the original; it was tailored to Rajinikanth's style and had logic added to the scenario. Arunachalam, who made script changes, received sole screenwriting credit. The film was produced by Arunachalam's wife Meena, photographed by P. S. Prakash and edited by Ganesh–Kumar. (Full article...)
  • Image 18 Bhopal: A Prayer for Rain is a 2014 Indian English-language historical drama film directed by Ravi Kumar. Based on the Bhopal disaster that happened in India on 2–3 December 1984, the film stars Martin Sheen, Mischa Barton, Kal Penn, Rajpal Yadav, Tannishtha Chatterjee and Fagun Thakrar. Benjamin Wallfisch composed the film's music. Kumar's idea for making a film based on the Bhopal disaster came after he read a book about it. Shot over a period of 18 months, it was originally scheduled for a late 2010 release. However, the lack of responses from distributors kept delaying the release. In April 2013, a new trailer was released and the film received a market screening at the 2013 Cannes Film Festival on 16 and 19 May. It was also screened at Pan Asia, Dingle and the Tokyo International film festivals. Bhopal: A Prayer for Rain was released in the United States on 7 November 2014 and in India on 5 December 2014. A private screening of the film was held at the youth assembly in the United Nations on 7 August 2014. (Full article...) Image 18Bhopal: A Prayer for Rain is a 2014 Indian English-language historical drama film directed by Ravi Kumar. Based on the Bhopal disaster that happened in India on 2–3 December 1984, the film stars Martin Sheen, Mischa Barton, Kal Penn, Rajpal Yadav, Tannishtha Chatterjee and Fagun Thakrar. Benjamin Wallfisch composed the film's music. Kumar's idea for making a film based on the Bhopal disaster came after he read a book about it. Shot over a period of 18 months, it was originally scheduled for a late 2010 release. However, the lack of responses from distributors kept delaying the release.

    In April 2013, a new trailer was released and the film received a market screening at the 2013 Cannes Film Festival on 16 and 19 May. It was also screened at Pan Asia, Dingle and the Tokyo International film festivals. Bhopal: A Prayer for Rain was released in the United States on 7 November 2014 and in India on 5 December 2014. A private screening of the film was held at the youth assembly in the United Nations on 7 August 2014. (Full article...)
  • Image 19 Pokiri (transl. Rogue) is a 2006 Indian Telugu-language action thriller film written and directed by Puri Jagannadh. The film was produced by Jagannadh and Manjula Ghattamaneni by their respective production companies Vaishno Academy and Indira Productions. The film stars Mahesh Babu, Ileana, Prakash Raj, Nassar, Ashish Vidyarthi and Sayaji Shinde. In the film, a local goon whose killer instincts earns him not only his girlfriend's disapproval and a corrupt cop's enmity, but also the attention of a wanted crime boss. The film was made on a budget of around ₹12 crore. principal photography commenced in November 2005 and lasted until April 2006. Most of the film was shot in and around Hyderabad and Chennai, except for a song which was shot at the province of Phuket in Thailand and the city of Bangkok. Shyam K. Naidu was the film's cinematographer, and it was edited by Marthand K. Venkatesh. The soundtrack and film score were composed by Mani Sharma. (Full article...) Image 19Pokiri (transl. Rogue) is a 2006 Indian Telugu-language action thriller film written and directed by Puri Jagannadh. The film was produced by Jagannadh and Manjula Ghattamaneni by their respective production companies Vaishno Academy and Indira Productions. The film stars Mahesh Babu, Ileana, Prakash Raj, Nassar, Ashish Vidyarthi and Sayaji Shinde. In the film, a local goon whose killer instincts earns him not only his girlfriend's disapproval and a corrupt cop's enmity, but also the attention of a wanted crime boss.

    The film was made on a budget of around ₹12 crore. principal photography commenced in November 2005 and lasted until April 2006. Most of the film was shot in and around Hyderabad and Chennai, except for a song which was shot at the province of Phuket in Thailand and the city of Bangkok. Shyam K. Naidu was the film's cinematographer, and it was edited by Marthand K. Venkatesh. The soundtrack and film score were composed by Mani Sharma. (Full article...)
  • Image 20 The Padma Bhushan (IAST: Padma Bhūṣaṇa, lit. 'Lotus Decoration') is the third-highest civilian award in the Republic of India, preceded by the Bharat Ratna and the Padma Vibhushan and followed by the Padma Shri. Instituted on 2 January 1954, the award is given for "distinguished service of a high order ... without distinction of race, occupation, position or sex". The award criteria includes "service in any field including service rendered by Government servants" including doctors and scientists, but exclude those working with the public sector undertakings. As of 2020, the award has been bestowed on 1270 individuals, including twenty-four posthumous and ninety-seven non-citizen recipients. The Padma Awards Committee is constituted every year by the Prime Minister of India and the recommendations for the award are submitted between 1 May and 15 September. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, Bharat Ratna and Padma Vibhushan awardees, the Institutes of Excellence, Ministers, Chief Ministers and Governors of States, Members of Parliament, and private individuals. The committee later submits their recommendations to the Prime Minister and the President of India for further approval. The award recipients are announced on 26 January, the Republic Day of India. (Full article...) Image 20

    The Padma Bhushan (IAST: Padma Bhūṣaṇa, lit. 'Lotus Decoration') is the third-highest civilian award in the Republic of India, preceded by the Bharat Ratna and the Padma Vibhushan and followed by the Padma Shri. Instituted on 2 January 1954, the award is given for "distinguished service of a high order ... without distinction of race, occupation, position or sex". The award criteria includes "service in any field including service rendered by Government servants" including doctors and scientists, but exclude those working with the public sector undertakings. As of 2020, the award has been bestowed on 1270 individuals, including twenty-four posthumous and ninety-seven non-citizen recipients.

    The Padma Awards Committee is constituted every year by the Prime Minister of India and the recommendations for the award are submitted between 1 May and 15 September. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, Bharat Ratna and Padma Vibhushan awardees, the Institutes of Excellence, Ministers, Chief Ministers and Governors of States, Members of Parliament, and private individuals. The committee later submits their recommendations to the Prime Minister and the President of India for further approval. The award recipients are announced on 26 January, the Republic Day of India. (Full article...)
  • Image 21 The Battle of Tellicherry was a naval action fought off the Indian port of Tellicherry between British and French warships on 18 November 1791 during the Third Anglo-Mysore War. Britain and France were not at war at the time of the engagement, but French support for the Kingdom of Mysore in the conflict with the British East India Company had led to Royal Navy patrols stopping and searching French ships sailing for the Mysorean port of Mangalore. When a French convoy from Mahé passed the British port of Tellicherry in November 1791, Commodore William Cornwallis sent a small squadron to intercept the French ships. As the British force under Captain Sir Richard Strachan approached the convoy, the escorting frigate Résolue opened fire. A general action followed, with Strachan succeeding in forcing the French ship to surrender within twenty minutes and both sides suffering damage and casualties. All of the French vessels were searched and subsequently returned to Mahé, the local French authorities reacting furiously at what they perceived as a violation of their neutral position. Messages were sent from Commodore Saint-Félix back to France reporting the action but they evoked little response. Although under normal circumstances the battle might have provoked a diplomatic incident, the upheavals of the ongoing French Revolution meant that the despatches had little effect. (Full article...) Image 21The Battle of Tellicherry was a naval action fought off the Indian port of Tellicherry between British and French warships on 18 November 1791 during the Third Anglo-Mysore War. Britain and France were not at war at the time of the engagement, but French support for the Kingdom of Mysore in the conflict with the British East India Company had led to Royal Navy patrols stopping and searching French ships sailing for the Mysorean port of Mangalore. When a French convoy from Mahé passed the British port of Tellicherry in November 1791, Commodore William Cornwallis sent a small squadron to intercept the French ships.

    As the British force under Captain Sir Richard Strachan approached the convoy, the escorting frigate Résolue opened fire. A general action followed, with Strachan succeeding in forcing the French ship to surrender within twenty minutes and both sides suffering damage and casualties. All of the French vessels were searched and subsequently returned to Mahé, the local French authorities reacting furiously at what they perceived as a violation of their neutral position. Messages were sent from Commodore Saint-Félix back to France reporting the action but they evoked little response. Although under normal circumstances the battle might have provoked a diplomatic incident, the upheavals of the ongoing French Revolution meant that the despatches had little effect. (Full article...)
  • Image 22 The Fairy Queen in 2011, note the dual gauge The Fairy Queen, also known as the East Indian Railway No. 22, is a steam locomotive which was built in 1855. It was restored by Loco Works Perambur, Chennai in 1997, and housed at the Rewari Railway Heritage Museum. The train occasionally runs between New Delhi and Alwar. In 1998 it was listed in the Guinness Book of Records as the world's oldest steam locomotive in regular service. The Fairy Queen runs on the same route as the Palace on Wheels, the tourist train launched in 1982, and was awarded the National Tourism Award in 1999. (Full article...) Image 22
    The Fairy Queen in 2011,
    note the dual gauge
    The Fairy Queen, also known as the East Indian Railway No. 22, is a steam locomotive which was built in 1855. It was restored by Loco Works Perambur, Chennai in 1997, and housed at the Rewari Railway Heritage Museum.

    The train occasionally runs between New Delhi and Alwar. In 1998 it was listed in the Guinness Book of Records as the world's oldest steam locomotive in regular service. The Fairy Queen runs on the same route as the Palace on Wheels, the tourist train launched in 1982, and was awarded the National Tourism Award in 1999. (Full article...)
  • Image 23 The Yogatattva Upanishad (Sanskrit: योगतत्त्व उपनिषत्, IAST: Yogatattva Upaniṣhad), also called as Yogatattvopanishad (योगतत्त्वोपनिषत्), is an important Upanishad within Hinduism. A Sanskrit text, it is one of eleven Yoga Upanishads attached to the Atharvaveda, and one of twenty Yoga Upanishads in the four Vedas. It is listed at number 41 in the serial order of the Muktika enumerated by Rama to Hanuman in the modern era anthology of 108 Upanishads. It is, as an Upanishad, a part of the corpus of Vedanta literature collection that present the philosophical concepts of Hinduism. Two major versions of its manuscripts are known. One has fifteen verses but attached to Atharvaveda, while another very different and augmented manuscript exists in the Telugu language which has one hundred and forty two verses and is attached to the Krishna Yajurveda. The text is notable for describing Yoga in the Vaishnavism tradition. (Full article...) Image 23The Yogatattva Upanishad (Sanskrit: योगतत्त्व उपनिषत्, IAST: Yogatattva Upaniṣhad), also called as Yogatattvopanishad (योगतत्त्वोपनिषत्), is an important Upanishad within Hinduism. A Sanskrit text, it is one of eleven Yoga Upanishads attached to the Atharvaveda, and one of twenty Yoga Upanishads in the four Vedas. It is listed at number 41 in the serial order of the Muktika enumerated by Rama to Hanuman in the modern era anthology of 108 Upanishads. It is, as an Upanishad, a part of the corpus of Vedanta literature collection that present the philosophical concepts of Hinduism.

    Two major versions of its manuscripts are known. One has fifteen verses but attached to Atharvaveda, while another very different and augmented manuscript exists in the Telugu language which has one hundred and forty two verses and is attached to the Krishna Yajurveda. The text is notable for describing Yoga in the Vaishnavism tradition. (Full article...)
  • Image 24 Qureshi in 2018 Huma Saleem Qureshi (pronounced ; born 28 July 1986) is an Indian actress who primarily appears in Hindi-language films. Her accolades include a Filmfare OTT Award along with nominations for three Filmfare Awards. Qureshi studied history in Delhi while she worked as a theatre actor and model. She then moved to Mumbai and signed a two-year contract with Hindustan Unilever to appear in television commercials. During the shoot for a Samsung mobile commercial, Anurag Kashyap noticed her acting ability and signed her for a three-film deal with his company, marking her film debut with a supporting role in the two-part 2012 crime drama Gangs of Wasseypur. Her performance in the film earned her a nomination for the Filmfare Award for Best Supporting Actress. (Full article...) Image 24
    Qureshi in 2018
    Huma Saleem Qureshi (pronounced [ˈɦʊmaː səˈliːm qʊˈɾɛːʃiː]; born 28 July 1986) is an Indian actress who primarily appears in Hindi-language films. Her accolades include a Filmfare OTT Award along with nominations for three Filmfare Awards.

    Qureshi studied history in Delhi while she worked as a theatre actor and model. She then moved to Mumbai and signed a two-year contract with Hindustan Unilever to appear in television commercials. During the shoot for a Samsung mobile commercial, Anurag Kashyap noticed her acting ability and signed her for a three-film deal with his company, marking her film debut with a supporting role in the two-part 2012 crime drama Gangs of Wasseypur. Her performance in the film earned her a nomination for the Filmfare Award for Best Supporting Actress. (Full article...)
  • Image 25 Lagaan: Once Upon a Time in India, or simply Lagaan, (transl. Land tax) is a 2001 Indian Hindi-language epic period musical sports drama film written and directed by Ashutosh Gowariker. The film was produced by Aamir Khan, who stars alongside debutant Gracy Singh and British actors Rachel Shelley and Paul Blackthorne. Set in 1893, during the late Victorian period of British colonial rule in India, the film follows the inhabitants of a village in Central India, who, burdened by high taxes and several years of drought, are challenged by an arrogant British Indian Army officer to a game of cricket as a wager to avoid paying the taxes they owe. The villagers face the arduous task of learning a game that is alien to them and playing for a victory. Produced on a budget of ₹25 crore (US$5.3 million), Lagaan was the most expensive Indian film at the time of its release. It faced multiple challenges during production: Khan was initially skeptical to star in a sports film, and later, prospective producers called for budget cuts and script modifications. Eventually, the film would become the maiden project of Aamir Khan Productions, and mark Khan's foray into film production. Gowariker was inspired by aspects of sports drama Naya Daur (1957) in developing the film. The language featured in the film was based on Awadhi, but was diluted with standard Hindi for modern audiences. Principal photography took place in villages near Bhuj. Nitin Chandrakant Desai served as art director, while Bhanu Athaiya was the costume designer. The original soundtrack was composed by A. R. Rahman, with lyrics written by Javed Akhtar. (Full article...) Image 25Lagaan: Once Upon a Time in India, or simply Lagaan, (transl. Land tax) is a 2001 Indian Hindi-language epic period musical sports drama film written and directed by Ashutosh Gowariker. The film was produced by Aamir Khan, who stars alongside debutant Gracy Singh and British actors Rachel Shelley and Paul Blackthorne. Set in 1893, during the late Victorian period of British colonial rule in India, the film follows the inhabitants of a village in Central India, who, burdened by high taxes and several years of drought, are challenged by an arrogant British Indian Army officer to a game of cricket as a wager to avoid paying the taxes they owe. The villagers face the arduous task of learning a game that is alien to them and playing for a victory.

    Produced on a budget of ₹25 crore (US$5.3 million), Lagaan was the most expensive Indian film at the time of its release. It faced multiple challenges during production: Khan was initially skeptical to star in a sports film, and later, prospective producers called for budget cuts and script modifications. Eventually, the film would become the maiden project of Aamir Khan Productions, and mark Khan's foray into film production. Gowariker was inspired by aspects of sports drama Naya Daur (1957) in developing the film. The language featured in the film was based on Awadhi, but was diluted with standard Hindi for modern audiences. Principal photography took place in villages near Bhuj. Nitin Chandrakant Desai served as art director, while Bhanu Athaiya was the costume designer. The original soundtrack was composed by A. R. Rahman, with lyrics written by Javed Akhtar. (Full article...)
More good articles

News

1 January 2025 –
Five people are killed in a familicide mass stabbing when a son kills his four sisters and mother in Lucknow, Uttar Pradesh, India. (The Hindu)
30 December 2024 –
The Indian Space Research Organisation successfully launches its Polar Satellite Launch Vehicle rocket carrying the Space Docking Experiment twin satellite mission from the Satish Dhawan Space Centre in Andhra Pradesh, with the satellites expected to perform a docking maneuver on January 7, 2025. (DW) (The Times of India)
26 December 2024 – Death and state funeral of Manmohan Singh
Former prime minister of India Manmohan Singh dies at age of 92. (The Times of India)
22 December 2024 – 2024–25 South-West Indian Ocean cyclone season
The death toll from Cyclone Chido in Cabo Delgado, Mozambique, increases to 94. (DW)
21 December 2024 –
Two people are killed and three others are missing when an under-construction six-story building collapses in Sohana village, Mohali district, India. (Zee News)

Did you know...

Topics related to India

History

Timeline of Indian history, Indus Valley Civilisation, Dholavira, Science and technology in ancient India, Meluhha, Aryan invasion theory, Out of India theory, Greek conquests in India, Indian maritime history, Maurya Empire, Ashoka, Shunga Empire, Hoysala Empire, Vijayanagara, Satavahana dynasty, Indo-Greek Kingdom, Indo-Scythians, Indo-Parthian Kingdom, Kushan Empire, Western Satraps, Gupta Empire, Chola dynasty, Pala Empire, Islamic incursions in India, Mughal Empire, Maratha Empire, British Raj, East India Company, Governor-General, Viceroy, War of Independence, 1857, Indian independence movement, Indian National Army, Azad Hind, Quit India Movement, Partition of India, History of Republic of India, Non-Aligned Movement, Sino-Indian War, Indo-Pakistani War of 1947–1948, Indo-Pakistani War of 1965, Indo-Pakistani War of 1971, Kargil War, 2001–02 India–Pakistan standoff, Military, Demographic


Politics

Law, Hindu law, Constitution, Political parties (Indian National Congress, Bharatiya Janata Party), Foreign relations, Elections, Political divisions, Reservation in India


Government

Government agencies, Legislative branch (Lok Sabha, Rajya Sabha) Executive branch (President & Vice President, Prime Minister & Deputy Prime Minister, Cabinet Ministers, Cabinet Secretary, Election Commission, Foreign Minister; Law enforcement: CBI, CID, Intelligence: IB, RAW), Directorate General of Income Tax Investigation Judicial branch (Supreme Court), Armed Forces (Army, Navy, Air Force, Border Security Force, Coast Guard)


Geography

Himalayas, Western Ghats, Eastern Ghats, Indo-Gangetic Plain, Deccan Plateau, Thar Desert, Ganges, Rann of Kutch, Brahmaputra River, Northeast India; Mountains, Valleys, Islands, Rivers; States and union territories, Cities, Districts, Regions, Fauna, Flora


Economy

Rupee, Bombay Stock Exchange, National Stock Exchange, Standard of living, Companies, Reserve Bank of India, Energy policy (Solar, Wind, Nuclear), Tourism, Transport (Expressways, Rail transport, Auto rickshaw),


Demographics

Languages, Standard of living, Religion


Arts & Culture

Music (Carnatic, Hindustani, Indi-pop), Dance, Languages, Literature, Architecture, Film & TV, Cuisine, Holidays, Folklore, Education, Media, Indian martial arts


Science & Tech

Indian Council of Agricultural Research (ICAR), Indian Institute of Astrophysics, National Centre for Software Technology, AIIMS, IISc, IIT, NIT, BITS-Pilani, INRegistry, Indian numbering system, Indian Space Research Organisation, National Internet Exchange of India, ICRISAT, International Institute of Information Technology, Hyderabad


Other

Indian English, Indian nationality law, Numbering system, Indian Space Research Organisation, Telecommunications, National Highways Development Project, Flag, Vehicle registration plates, Indian nationalism, Metrication in India

Outline of Indian topics ...

Categories

Category puzzle
Category puzzle
Select to view subcategories India India-related lists Buildings and structures in India Culture of India Economy of India Education in India Environment of India Geography of India Government of India Health in India History of India Organisations based in India Indian people Politics of India Society of India Images of India India stubs

Related portals


Religions in India


Indian Subcontinent


Other countries


Wikipedias in Indian languages

Associated Wikimedia

The following Wikimedia Foundation sister projects provide more on this subject:

Discover Misplaced Pages using portals Purge server cache Categories: