Symphony No. 17 (Mozart) - Misplaced Pages

(Redirected from K. 129)

1. 00′ 00″ Allegro
2. 04′ 50″ Andante
3. 10′ 10″ Allegro
Performed by the Tsumugi Orchestra conducted by Takashi Inoue (2013)

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Symphony No. 17 in G major, K. 129, is the second of three symphonies completed by Wolfgang Amadeus Mozart in May 1772, when he was 16 years old, but some of its sections may have been written earlier.

Structure

Mozart wrote the symphony in three movements and is scored for two oboes, two horns, and strings.

$\relative c' { \override Score.NonMusicalPaperColumn #'line-break-permission = ##f \tempo "Allegro" \key g \major <g d' b' g'>2.\f b'8.\trill( a32 b) | c4 b16( c8.) d16( c8.) b16( c8.) | cis16( d8.) d4 r d8.\trill( c32 d) | e8 r c' r fis, r a r | }$

Allegro,
₄
Andante,
₄ C major
Allegro,
₈

The first movement is notable for its use of the Mannheim crescendo, while the second movement features a solo violin.

References

Mozart, Wolfgang Amadeus (2005). Die Sinfonien III. Translated by Robinson, J. Branford. Kassel: Bärenreiter-Verlag. p. X. ISMN M-006-20466-3

External links

Symphony in G K. 129: Score and critical report (in German) in the Neue Mozart-Ausgabe
Symphony No. 17: Scores at the International Music Score Library Project

Wolfgang Amadeus Mozart

Biography

Music

Editions	Köchel catalogue Alte Mozart-Ausgabe Neue Mozart-Ausgabe

Family

Leopold Mozart (father)
Anna Maria Mozart (mother)
Maria Anna Mozart (Nannerl) (sister)
Constanze Mozart (wife)
Maria Anna Thekla Mozart (Bäsle) (first cousin)
Franz Xaver Wolfgang Mozart (son)
Karl Thomas Mozart (son)
Johann Georg Mozart (paternal grandfather)
Franz Mozart (paternal great-grandfather)
Joseph Lange (brother-in-law)
Cäcilia Weber (mother-in-law)
Josepha Weber (sister-in-law)
Aloysia Weber (sister-in-law)
Sophie Weber (sister-in-law)

Influences

Category

v t e Symphonies by Wolfgang Amadeus Mozart
Unnumbered	K. 19a K. 45a (Old Lambach) K. 76 K. 45b K. 74g K. 81 K. 95 K. 97 K. 75 K. 111+120 K. 96 K. 161 K. 135+61h K. 196+121 K. 208+102 K. Anh. C 11.04 K. Anh. C 11.18
Numbered	No. 1 (K. 16) No. 2 (K. 17) No. 3 (K. 18) No. 4 (K. 19) No. 5 (K. 22) No. 6 (K. 43) No. 7 (K. 45) No. 8 (K. 48) No. 9 (K. 73) No. 10 (K. 74) No. 11 (K. 84) No. 12 (K. 110) No. 13 (K. 112) No. 14 (K. 114) No. 15 (K. 124) No. 16 (K. 128) No. 17 (K. 129) No. 18 (K. 130) No. 19 (K. 132) No. 20 (K. 133) No. 21 (K. 134) No. 22 (K. 162) No. 23 (K. 181) No. 24 (K. 182) No. 25 (K. 183) No. 26 (K. 184) No. 27 (K. 199) No. 28 (K. 200) No. 29 (K. 201) No. 30 (K. 202) No. 31 (K. 297) (Paris) No. 32 (K. 318) No. 33 (K. 319) No. 34 (K. 338) No. 35 (K. 385) (Haffner) No. 36 (K. 425) (Linz) No. 37 (K. 444) No. 38 (K. 504) (Prague) No. 39 (K. 543) No. 40 (K. 550) No. 41 (K. 551) (Jupiter)
Adapted from serenades	K. 204 K. 250 K. 320
Lost	K. 19b K. 66c K. 66d K. 66e K. Anh. C 11.07 K. Anh. C 11.08
Symphonies of doubtful authenticity. No. 2 now attributed to Leopold Mozart. No. 3 now attributed to Carl Friedrich Abel (although Mozart changed the instrumentation). Symphonies generally agreed to be spurious today, but included in either the old or new complete editions. No. 37 now attributed to Michael Haydn, except for the slow introduction which Mozart added. List of symphonies by Wolfgang Amadeus Mozart List of spurious/doubtful Mozart symphonies

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