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Symphony No. 19 (Mozart)

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(Redirected from K. 132) 1772 composition by W. A. Mozart
Mozart in 1770
I. Allegro
II. Andante
III. Menuetto
IV. Allegro
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Symphony No. 19 in E-flat major, K. 132, is a symphony composed by Wolfgang Amadeus Mozart in July 1772.

Structure

The symphony is scored for two oboes, four horns (two in E-flat high, two in E-flat low), and strings.


\relative c' { \set Staff.midiInstrument = #"string ensemble 1"
  \tempo "Allegro" \set Score.tempoHideNote = ##t \tempo 4 = 150
  \key es \major
  es4.\f\trill d16 es g4 es |
  bes2 r4 as'8.(\p g16) |
  g8-. r es'8.( d16) d8-. r c8.( bes16) |
  bes4.( c8) bes4-. as-. |
  g2
}

There are four movements:

  1. Allegro,
    4
  2. Andante,
    8
  3. Menuetto – Trio,
    4
  4. Allegro,
    2

The first movement opens with a motif that Mozart would later use at the beginning of his twenty-second piano concerto in the same key. The exposition is brief and there is no repeat. The development focuses on new material.

There is also an alternative slow movement, marked Andantino grazioso. The tempo marks in the first, second and fourth movements were written in the hand of Leopold Mozart.

The finale is a French rondo in seven-part form (ABACADA). Each part of the rondo is repeated except for the final A.

References

  1. ^ Mozart, Wolfgang Amadeus (2005). Die Sinfonien III. Translated by Robinson, J. Branford. Kassel: Bärenreiter. p. XI. ISMN M-006-20466-3
  2. ^ Brown, A. Peter, The Symphonic Repertoire (Volume 2). Indiana University Press (ISBN 0-253-33487-X), p. 367 (2002).

External links

Wolfgang Amadeus Mozart
Biography
Music
Editions
Family
Influences
Related
Symphonies by Wolfgang Amadeus Mozart
Unnumbered
Numbered
Adapted from serenades
Lost
  • Symphonies of doubtful authenticity.
  • No. 2 now attributed to Leopold Mozart.
  • No. 3 now attributed to Carl Friedrich Abel (although Mozart changed the instrumentation).
  • Symphonies generally agreed to be spurious today, but included in either the old or new complete editions.
  • No. 37 now attributed to Michael Haydn, except for the slow introduction which Mozart added.
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