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Symphony, K. 19a (Mozart)

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The Symphony in F major, K. Anh. 223/19a, was written by Wolfgang Amadeus Mozart probably in early 1765 in London.

Mozart

The symphony is scored for two oboes, two horns and strings. In contemporary orchestras, it was also usual to include bassoons and harpsichord if they were available in the orchestra to reinforce the bass line and act as the continuo. The oboes are silent for the second movement. The duration is approximately 12–14 minutes.


\relative c'' {
  \tempo "Allegro assai"
  \key f \major
  f1\fp |
  a2..\fp f8 |
  e16 d8. d2\fp f16 d8. |
  b16 c8. c2\fp f16 a8. |
  g4-! e-! c-! bes-! |
}

The symphony consists of the following movements:

  1. Allegro assai,
    4
  2. Andante,
    4
  3. Presto,
    8

The symphony was lost until a copy in the hand of Leopold Mozart was found in 1980. The title page stated it to be composed when Wolfgang was 9 years old; that is, in 1765. However, since Leopold often advertised his son as being younger than his actual age, this date is questionable. Before the discovery, only incipits were known, from the archives of Breitkopf & Härtel and on the third page of the cover for the K. 19 symphony. (This cover had previously served as a cover for this symphony and a Symphony in C, K. 19b, still lost). The symphony had still not been found at the time of K.

The symphony is influenced by Johann Christian Bach. Harold Schonberg notes that the symphony "has no individuality" on account of Mozart's very young age at the time of its composition.

References

  1. Schonberg, The New York Times, July 8

External links

Wolfgang Amadeus Mozart
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Related
Symphonies by Wolfgang Amadeus Mozart
Unnumbered
Numbered
Adapted from serenades
Lost
  • Symphonies of doubtful authenticity.
  • No. 2 now attributed to Leopold Mozart.
  • No. 3 now attributed to Carl Friedrich Abel (although Mozart changed the instrumentation).
  • Symphonies generally agreed to be spurious today, but included in either the old or new complete editions.
  • No. 37 now attributed to Michael Haydn, except for the slow introduction which Mozart added.
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