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Serenade No. 9 (Mozart)

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A post horn, for which this serenade is nicknamed

The Serenade for Orchestra No. 9 in D major K. 320, Posthorn, was written by Wolfgang Amadeus Mozart in Salzburg, in 1779. The manuscript is dated 3 August 1779 and was intended for the University of Salzburg's "Finalmusik" ceremony that year.

The serenade is scored for 2 flutes, piccolo, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, post horn, timpani and strings. It has seven movements:

  1. Adagio maestosoAllegro con spirito
  2. Minuetto
  3. Concertante: Andante grazioso in G major
  4. Rondeau: Allegro ma non troppo in G major
  5. Andantino in D minor
  6. Minuetto – Trio 1 and 2
  7. Finale: Presto

The Concertante and Rondeau movements feature prominent concertante sections for flutes, oboes, and bassoons. These were performed on their own in a concert in the old Vienna Burgtheater on 23 March 1783, along with the Haffner symphony, an aria from Idomeneo, and several other works.

The first trio of the second minuet features a solo piccolo (called "flautino" in the manuscript) played over strings. The second trio of the second minuet features a solo for the post horn. This solo gives the serenade its nickname.

A typical performance lasts approximately 45 minutes.

Notes

  1. Sadie, Stanley. Mozart: The Early Years, 1756–1781, pp. 503–505, New York: W.W. Norton & Co. (2006) ISBN 0-393-06112-4.
  2. "Mozart's concert at the Burgtheater, Vienna: 23 March 1783", Mozart & Material Culture

External links

Wolfgang Amadeus Mozart
Biography
Music
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Related
Serenades by Wolfgang Amadeus Mozart

List of compositions by Wolfgang Amadeus Mozart

Symphonies by Wolfgang Amadeus Mozart
Unnumbered
Numbered
Adapted from serenades
Lost
  • Symphonies of doubtful authenticity.
  • No. 2 now attributed to Leopold Mozart.
  • No. 3 now attributed to Carl Friedrich Abel (although Mozart changed the instrumentation).
  • Symphonies generally agreed to be spurious today, but included in either the old or new complete editions.
  • No. 37 now attributed to Michael Haydn, except for the slow introduction which Mozart added.
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