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M. Balamuralikrishna
Balamuralikrishna at Rajarani Music Festival, Bhubaneswar, Odisha
Background information
Birth name	Mangalampalli Balamuralikrishna
Born	(1930-07-06)6 July 1930 Sankaraguptam, East Godavari District, Andhra Pradesh, India
Died	22 November 2016(2016-11-22) (aged 86) Chennai, Tamil Nadu, India
Genres	Carnatic music
Occupations	Musician
Instruments	Viola Mridangam Kanjira
Years active	1938–2016
Labels	Lahari Music, Sangeetha, PM Audios & Entertainments, Aditya Music
Awards: Padma Vibhushan 1991

Mangalampalli Balamuralikrishna (6 July 1930 – 22 November 2016) was an Indian Carnatic vocalist, musician, multi-instrumentalist, playback singer, composer, and character actor. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1978. He has garnered two National Film Awards (1976, 1987), the Sangeet Natak Akademi Award in 1975, the Padma Vibhushan, India's second-highest civilian honor in 1991, for his contribution towards arts, the Mahatma Gandhi Silver Medal from UNESCO in 1995, the Chevalier of the Ordre des Arts et des Lettres by the French Government in 2005, the Sangeetha Kalanidhi by Madras Music Academy, and the Sangeetha Kalasikhamani in 1991, by the Fine Arts Society, Chennai to name a few.

Balamuralikrishna started his career at the age of six. In his life-time, he gave over 25,000 concerts worldwide. Apart from Pandit Bhimsen Joshi, he presented jugalbandi concerts (duets) with Pandit Hariprasad Chaurasia, Pandit Ajoy Chakrabarty and Kishori Amonkar, among others. He is also known for popularizing the compositions of Sri Bhadrachala Ramadasu, Sri Annamacharya, and others.

Balamuralikrishna's concerts combined sophisticated vocal skills and rhythmic patterns of classical music with the popular demand for entertainment value. Balamuralikrishna presented concerts in many countries, including the US, Canada, UK, Italy, France, Russia, Sri Lanka, Malaysia, Singapore, countries in the Middle East, and elsewhere. Apart from his native tongue, Telugu, he has also composed in other languages including Kannada, Sanskrit, Tamil, Malayalam, Hindi, Bengali, and Punjabi.

He appeared as a featured soloist with an award-winning British choir, performing the "Gitanjali Suite" with words from Rabindranath Tagore's Nobel Prize-winning poetry and music by "Dr. Joel", the noted UK-based Goan composer. His clear diction in several languages prompted an invitation to record Tagore's entire Rabindra Sangeet compositions in Bengali, preserving them for posterity. He had sung in French, and even ventured into jazz fusion, collaborating with the top Carnatic percussion teacher, Sri T.H. Subash Chandran, in a concert for Malaysian royalty.

Early life

Balamuralikrishna was born in a Brahmin family at Sankaraguptam, East Godavari District, Madras Presidency (now a part of Andhra Pradesh state). His father, Mangalampalli Pattabhiramayya, was a well known musician and his mother, Suryakanthamma, was a veena player. Balamuralikrishna's mother died when he was an infant and he was raised by his father. Observing his interest in music, his father put him under the tutelage of Parupalli Ramakrishnayya Pantulu, a direct descendant of the shishya parampara (lineage of disciples) of Tyagaraja. Under his guidance, the young Balamuralikrishna learned Carnatic music. At the age of eight, he gave his first full-fledged concert at a Thyagaraja Aradhana in Vijayawada. Musunuri Suryanarayana Murty Bhagavatar, a Harikatha performer, saw the musical talent in him and gave the prefix "Bala" (lit. child) to the young Balamuralikrishna. (Prior to this, his name was Muralikrishna; following Bhagavatar's addition of the prefix, he began to be known as Balamuralikrishna.)

Having begun his musical career at a very young age, by age fifteen he had mastered all the 72 melakartha ragas and had composed krithis in each of them. His Janaka Raga Manjari was published in 1952 and recorded as Raagaanga Ravali in a nine-volume series by the Sangeeta Recording Company. Not merely content with his fame as a Carnatic vocalist, he also played the kanjira, mridangam, viola, and violin. He accompanied various musicians on the violin. He also presented solo viola concerts. He was the person who introduced viola to classical Indian music.

Experimentation

Characteristic of Balamuralikrishna's musical journey have been his non-conformism, spirit of experimentation, and boundless creativity. Balamuralikrishna has experimented with the Carnatic music system by keeping its rich tradition untouched. Ragas such as Ganapathi, Sarvashri, Mahati, Lavangi etc. are credited to him. The ragas which he invented represent his quest for new frontiers. Ragas such as Lavangi are set to three or four notes in ascending and descending scale. Ragas such as Mahathi, Lavangi, Sidhdhi, Sumukham that he created have only four notes; while his other ragaa creations such as Sarva Sri, Omkaari, and Ganapathy have only three notes.

He also innovated in the tala (rhythm) system. He has incorporated "gati bhEdam" (గతి భేదం) in the "sashabda kriya" (సశబ్ద క్రియ). Actions that can produce sound/shabda (శబ్ద) in talas are called sashabda kriya – సశబ్ద క్రియ and are a part of the existing Tala chain. New chains are possible, too. Saint Arunagirinaadhar used to inject such systems in his famous Thirupugazh, but only as Sandham, while Balamuralikrishna is known to be the pioneer in bringing such Sandhams into a logical rhythm, with Angam and definition. Trimukhi, Panchamukhi, Saptamukhi, and Navamukhi are the basic classifications in his New Tala System.

He gave his authorisation to S. Ram Bharati to found "Academy of Performing Arts and Research" in Switzerland. He also worked on music therapy. After his death, his family started a trust in his name 'Dr.M.Balamuralikrishna Memorial Trust' to honor and keep his legacy alive. He has authored a musical therapy research paper with Shreya Kappagantula regarding "The Effects of Musical Therapy on Mental Disorders"

Compositions

Balamuralikrishna has over 400 compositions to his credit and is one of the very few people to have composed in all the 72 Melakarta Ragas and has created several ragas, with 4 notes and 3 notes and also has invented a new Tala system. His compositions encompass every genre in Carnatic Music including Varnas, Krithis, Thillanas, Bhavageethas.

Cinema

Balamuralikrishna has sung in several films in Telugu, Sanskrit, Malayalam, Kannada and Tamil. He made his acting debut with the Telugu film Bhakta Prahlada (1967) as Narada, and has acted in a few other films in Telugu, Tamil and malayalam.

Death

Balamuralikrishna died at his residence in Chennai on 22 November 2016; he was 86. He died in deep sleep at around five in the evening, due to a cardiac arrest. He was cremated with full state honours at Besant Nagar Crematorium in Chennai the very next day. Thousands attended his funeral. He is survived by three daughters and three sons who are all Doctors. His wife, Smt. Annapurna, outlived him for three months, and died on 16 February 2017.

Legacy

His family has formed the Dr. M. Balamurali Krishna Memorial Trust to represent him after his death.

Awards and honours

Civilian honours

• Padma Shri (1971)
• Padma Bhushan
• Padma Vibhushan (1991)
• Chevalier of the Ordre des Arts et des Lettres from the Government of France (2005)

National Film Awards (India)

• Best Male Playback Singer for the Kannada musical movie Hamsageethe (1975)
• Best Music Direction for the Kannada film Madhvacharya (1986)

Kerala State Film Award

• Best singer for Swathi Thirunal (1987)
• Best Classical Music Singer for Gramam (2010)

Tamil Nadu State Film Award

• Best Male Playback singer for Pasanga (2009)

Other honours

• Sangeet Natak Akademi Award (1975)
• Sangeetha Kalanidhi by Madras Music Academy (1978)
• Raja-Lakshmi Award in 1980 by Sri Raja-Lakshmi Foundation in Chennai
• Doctor of Letters from Shri Venkateshwara University (1981)
• Honorary PhD from Andhra University
• Doctor of Science from Andhra University
• Doctor of Letters from Andhra University
• Sangeetha Kalasikhamani by The Fine Arts Society, Chennai (1991)
• Mahatma Gandhi Silver Medal from UNESCO (1995)
• Natya Kalasikhamani The Fine Arts Society, Chennai (2001)
• Sangeetha Kalasarathy (2002)
• "Sangeetha Virinchi" title conferred by Sangeetha Bharathi music School, Auckland, New Zealand (2009)
• Lifetime Achievement Award by the Global Indian Music Academy Awards (2011)
• First Citizen Award from Vijayawada City
• "Wisdom Man of the Year" (1992)
• "Naada Maharishi" by the Nrityalaya Aesthetics Society (1996)

A documentary film, The Melody Man, was made on his life by the Government of India Films Division. The film was directed by National award winner Director Gul Bahar Singh.

• Telugu Book of Records honoured him for Telugu Legendary Personality in 2014 at Vijayawada

Ragas created

Talas created

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The 'Mukhi' Tala system builds on the traditional Adhi Tala or Chathusra Jaathi Triputa Tala ( I 0 0 ), however the first kriya or mukha (meaning face) of each anga takes the gathi of its tala name and the rest in chathusra gathi. For example: Panchamukhi – the first kriya of each anga will be in kanda gathi and so the tala consists of 35 Matras (5 + 4 + 4 + 4 | 5 + 4 | 5 + 4 || ).

Following this method, four Talas can be generated:

This scheme can be extended across all 35 sooladi thalas, however currently these four are in practice.

Compositions:

There have been many pallavis set to panchamukhi Tala such as 'Isai inbathirku ēdillaye ivulakil – sentamil' in ragam Lathangi composed by Amrutha Venkatesh and 'Aadi Vaa, Pirai Soodi Vaa, Aalavaai Naathane' in ragam Abheri composed by Rameshvaidya and tuned by S.J Jananiy and also others in Bilahari, Thodi and Kalyani composed by Dr. Balamuralikrishna himself.

There have also been Alarippus composed for Bharathanatyam in Panchamukhi.

Selected compositions

Albums and songs

Balamuralikrishna has composed songs few albums and has sung, list of albums and songs below

Film compositions

Balamuralikrishna acted in few films and gave his voice to some selected songs in Indian cinema.

References

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Further reading

• "There's no one way to teach". The Hindu. 28 February 2006.
• Swaminathan, Chitra (4 January 2008). "He defines 'style' as tradition". The Hindu. Archived from the original on 12 May 2008.{{cite news}}: CS1 maint: unfit URL (link)
• Khurana, Suanshu (2 September 2013). "God's Own Voice". The Financial Express. India. Archived from the original on 5 March 2016.

External links

• Murali and Me: A tribute by Prince Aswathi Thirunal Rama Varma.
• Balamuralikrishna with his musicians in Switzerland in 1992.
• Various devotional works of Balamuralikrishna.

• 1930 births
• 2016 deaths
• Male Carnatic singers
• Carnatic singers
• Chevaliers of the Ordre des Arts et des Lettres
• Kanjira players
• Kerala State Film Award winners
• Recipients of the Padma Shri in arts
• Recipients of the Padma Vibhushan in arts
• Recipients of the Sangeet Natak Akademi Award
• Recipients of the Sangeet Natak Akademi Fellowship
• Sangeetha Kalanidhi recipients
• Best Music Direction National Film Award winners
• Indian male playback singers
• Tamil playback singers
• Telugu playback singers
• Kannada playback singers
• People from East Godavari district
• Indian multi-instrumentalists
• People from Krishna district
• Film musicians from Andhra Pradesh
• Singers from Andhra Pradesh
• 20th-century Indian male singers
• 20th-century Indian singers
• 21st-century Indian male singers
• 21st-century Indian singers
• Best Male Playback Singer National Film Award winners
• Carnatic composers
• Sanskrit-language singers
• 20th-century violists
• 21st-century violists