In music and musical analysis, a subsidiary chord is an elaboration of a principal harmonic chord in a chord progression.
If the principal chord (X) is partially replaced by the subsidiary (Y), there are three possible positions - beginning, middle, and end - for the subsidiary:
- X–Ya
- Y–X
- X–Y–X
For example, a subsidiary chord in a modulation.
A subsidiary chord may be a chord with related function and/or sharing pitches, for example in E major, C♯m (C♯-E-G♯) as a subsidiary for E (E-G♯-B), which share two of three pitches and are related as tonic parallel (vi) and tonic (I).
See also
References
- van der Merwe, Peter (2005). Roots of the Classical: The Popular Origins of Western Music, p.501. ISBN 0-19-816647-8.
- Becker, Julius (1845). A concise treatise on harmony, p.17. Ewer & Co.
Further reading
- Van der Merwe (2005), p. 428.
Chords | ||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
By form |
| |||||||||||||
By function |
| |||||||||||||
Techniques | ||||||||||||||
Other |