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Symphony, K. Anh. C 11.04

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The Symphony in F major "No. 56", K. 98/Anh.C 11.04, was once thought to have been written by Wolfgang Amadeus Mozart, but today is regarded as spurious. As of 2009, it is the only one of Mozart's symphonies published in the Alte Mozart-Ausgabe that has never been recorded. It is not included in the Neue Mozart-Ausgabe.


\relative c'' {
  \key f \major
  \tempo "Allegro"
  c4.\p d16 (c) c4 bes8 a g (f) f4 r2 d'4. e8 g (f) e-. d-. d (c) c4 r f8 f, a (g) g4 r a c8 (bes) bes4 d2\f c4.\p (d8) f,4 g
}

The symphony is scored for two oboes, two horns and strings. In contemporary orchestras, it was also usual to include bassoons and harpsichord if they were available in the orchestra to reinforce the bass line and act as the continuo. The duration is approximately 12–15 minutes.

The symphony consists of the following movements:

  1. Allegro,
    4
  2. Andante,
    4
  3. Menuetto,
    4
  4. Presto,
    4

In Vienna, an unknown person (possibly Franz Lorenz) compiled a "Sistematisch-Thematisches Verzeichnis der sämtlichen Compositionen von Wolfgang Amadeus Mozart" ("Systematic Thematic Catalogue of all composition by Wolfgang Amadeus Mozart"). A pencil note "1771 Milan Nov" can be found for K. 98. Ludwig Ritter von Köchel, who only knew the work in an arrangement for two pianos, considered the work authentic and included it into the first edition of the Köchel catalogue.

Wyzewa and Saint-Foix did not doubt the work's authenticity, but believed that Mozart only sketched the symphony and did not write it out completely. In his revision of Otto Jahn's Mozart biography Hermann Abert stated that the symphony was probably doubtful, listing many things uncharacteristic of Mozart's works and characteristic of other Mannheim composers, even noting a favourite phrase of Johann Stamitz in the beginning of the trio of the minuet.

The symphony has been attributed to Joseph Haydn, Michael Haydn and Leopold Mozart. Neal Zaslaw states that its authorship remains uncertain.

The Alte Mozart-Ausgabe (published 1879–1882) gives the numbering sequence 1–41 for the 41 numbered symphonies. The unnumbered symphonies (some, including K. 98, published in supplements to the Alte-Mozart Ausgabe until 1910) are sometimes given numbers in the range 42 to 56, even though they were written earlier than Mozart's Symphony No. 41 (written in 1788). The symphony K. 98 is given the number 56 in this numbering scheme.

References

  1. ^ Sometimes called No. 48, but this creates some confusion with the K. 111+120 symphony, also called No. 48.
  2. K. Anh. 223b in the third edition of the Köchel catalogue
  3. "Forum Thread:An idea regarding K098". Mozartforum.com. 1 August 2009. Archived from the original on 14 April 2012. Retrieved October 1, 2014.
  4. Pajot, Dennis (2007). "MozartForum: K098 Making a Case for the Symphony in F K.Anh C11.04". Mozartforum.com. Archived from the original on 8 August 2007. Retrieved October 1, 2014.
  5. Sixth edition of Köchel catalogue
  6. Theodore de Wyzewwa, Georges de Saint-Foix: Wolfgang Amedée Mozart, Sa vie musicale et son œuvre. Vol. I/II, Paris 1936 (new edition)
  7. Hermann Abert: W. A. Mozart. Revised and expanded edition of Otto Jahn's Mozart. Part One 1756–1782. 7th expanded edition, VEB Breitkopf & Härtel, Musikverlag, Leipzig 1955, 848 pages.
  8. Zaslaw, Neal (1991). Mozart's Symphonies: Context, Performance Practice, Reception. Oxford: Clarendon Press. ISBN 0-19-816286-3.

External links

Wolfgang Amadeus Mozart
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Symphonies by Wolfgang Amadeus Mozart
Unnumbered
Numbered
Adapted from serenades
Lost
  • Symphonies of doubtful authenticity.
  • No. 2 now attributed to Leopold Mozart.
  • No. 3 now attributed to Carl Friedrich Abel (although Mozart changed the instrumentation).
  • Symphonies generally agreed to be spurious today, but included in either the old or new complete editions.
  • No. 37 now attributed to Michael Haydn, except for the slow introduction which Mozart added.
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