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The Dancing Girl of Izu

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Short story by Yasunari Kawabata
"The Dancing Girl of Izu"
Short story by Yasunari Kawabata
Original titleIzu no odoriko
TranslatorE. Seidensticker (1955)
J. Martin Holman (1997)
CountryJapan
LanguageJapanese
Publication
Published inBungei Jidai
Publication typeMagazine
Media typePrint
Publication date1926
Published in English1955 (abridged)

The Dancing Girl of Izu or The Izu Dancer (伊豆の踊子, Izu no odoriko) is a short story (or, accounting for its length, a novella) by Japanese writer and Nobel Prize winner Yasunari Kawabata first published in 1926.

Plot

Bronze statue dedicated to "The Dancing Girl of Izu"

The narrator, a twenty-year-old student from Tokyo, travels the Izu Peninsula during the last days of the summer holidays, a journey which he undertook out of a feeling of loneliness and melancholia. His paths repeatedly cross with a troupe of five travelling musicians, one man and four women, while heading for Mount Amagi tunnel. He is impressed by the beauty of the youngest looking woman in the troupe, who carries a heavy drum, and decides to follow them.

After traversing the tunnel, Eikichi, the troupe's male leader, starts a conversation with him, telling him that he and his companions are from Ōshima Island and on a short tour before the cold season sets in. In Yugano, where the group rests for the night, the narrator learns from Eikichi that the young woman, Kaoru, is his 14 year old sister. The other troupe members are Eikichi's wife Chiyoko, his mother-in-law, and a maid. In the evening, the musicians entertain guests in another inn in the village. The student hears Kaoru playing her drum, worrying if she might be harassed by her listeners.

The next day, the narrator witnesses the naked Kaoru coming out of the bath house, waving at him. The sight makes him laugh, realising that she is still a young, innocent girl. Although the day of his return to Tokyo is approaching, he accepts the musicians' offer to keep them company for another day. During a walk, the student overhears Kaoru and Chiyoko saying what a nice person he is, which enlightens him and distracts him both from his melancholia and from the fact that the group are poor, uneducated people. Eikichi's mother-in-law invites him to their home during his winter holidays, but later forbids Kaoru to accompany him to the cinema.

The next morning, the student enters a boat in Shimoda which takes him back to Tokyo, seen off by Eikichi and the grieving Kaoru. On the boat, he starts to cry, saddened by the parting but at the same time sensing a feeling of relief.

Publication history

Kawabata Yasunari made a trip to the peninsula Izu in the autumn of 1918 while being a student of the First Higher School in Tōkyō. In 1919, he published the short story Chiyo (ちよ) in a journal (校友会雑誌, kōyūkai zasshi) of his school with a dancer at its center. In 1922, he wrote a further version, 湯ヶ島での思ひ出 (yugashima de no omoide, Reminiscences in Yugashima), a manuscript of 107 pages, but published it partially only in 1948 in the collection 少年 (shōnen). The story The Dancing Girl of Izu was first published in Bungei Jidai magazine in two parts in 1926 and in book form by Kinseido in 1927 together with nine other stories.

Reception and legacy

Reviewing the 1997 American publication, Mark Morris in The New York Times called The Dancing Girl of Izu a "deceptively simple story about cleansing, purification", pointing out for one the "effacement of adult female sexuality and its replacement by an impossible white void of virginity", a common theme with Kawabata, as well as the protagonist's "personal absolution", received from people constantly living with the "stigma of social exclusion".

In his review of a 2000 anthology, Donald Richie rated The Izu Dancer as Kawabata's most famous and popular work, an autobiographical and "seemingly artless evocation of first love itself".

Translations

The Dancing Girl of Izu was first translated into English by Edward Seidensticker, being the first story by Kawabata which saw an English translation, and published in an abridged form as The Izu Dancer in The Atlantic Monthly in its 1955 edition. The translation is divided into six sections (I–VI), instead of the original seven (1–7). It is abridged at two parts that are speculated of being made for political reasons during the years of the cold war. Other, uncommented abbreviations are related to the scene at the end of the original section 3 concerning the games of Go and Five in a row, or to the scene in the latter half of the original section 4 concerning the reading from the travel notes of Mito Kōmon (水戸黄門漫遊記, Mito Kōmon man'yūki). Two new unabridged English translations, both in 1997, were provided by J. Martin Holman and again by Edward Seidensticker. In 1942, it was already published in German in a translation by Oscar Benl.

Contribution of the story to the awarding of the Nobel Prize

Translations of „Izu no odoriko“ until 1968

1968 received Kawabata Yasunari the Nobel Prize in Literature "for his narrative mastery, which with great sensibility expresses the essence of the Japanese mind". Although Anders Österling in his presentation speech on 10 December 1968 does not mention the story by name, he said:

In a youthful short story, which first drew attention to him at the age of twenty-seven, he tells of a student who, during lonely autumn walks on the peninsula of Izu, comes across a poor, despised dancing girl, with whom he has a touching love affair; she opens her pure heart and shows the young man a way to deep and genuine feeling.

Until the end of 1968 the story was translated into 9 different languages.

Adaptations

Films

Television

Kawabata's story has also been dramatised for Japanese television numerous times, including a 1993 version starring Takuya Kimura.

Popular culture

The story is well known in Japan, and today, Odoriko (lit. "dancing girl") is used as the name of express trains to the Izu area.

References

  1. Miller, J. Scott (2021). Historical Dictionary of Modern Japanese Literature and Theater. Rowman & Littlefield. p. 59.
  2. O'Neil, Patrick M. (2004). Great World Writers: Twentieth Century. Marshall Cavendish. p. 700.
  3. Lippit, Seiji M. (2002). Topographies of Japanese Modernism. Columbia University Press. p. 133.
  4. Kitsnik, Lauri (13 October 2014). "Gazing at Kaoru: star image in film adaptations of The Dancing Girl of Izu". Journal of Japanese and Korean Cinema. 6 (2): 118–133. doi:10.1080/17564905.2014.961711. Retrieved 19 December 2023.
  5. Grubor, Svetlana (10 July 2019). "Yasunari Kawabata and Neo-Sensualism in Japanese Literature on the Silk Road". The Journal of International Civilization Studies. doi:10.26899/inciss.272. Retrieved 19 December 2023.
  6. Chalk, Alan G. "Alan G. Chalk Guides to Japanese Films". Asian Educational Media Service. University of Illinois. Retrieved 19 December 2023.
  7. ^ "伊豆の踊子 (The Dancing Girl of Izu)". Kotobank (in Japanese). Retrieved 21 July 2021.
  8. Kawabata himself was 19 years old when he made his travel to Izu. Seidensticker translates therefore 二十歳 ("nijū(s)sai") as "nineteen".
  9. Afterword by Siegfried Schaarschmidt of the German booklet Die Tänzerin von Izu. Translated from the Japanese by Oscar Benl. Philipp Reclam jun., Stuttgart 1969, pp. 42–3.
  10. The first 4 sections appeared as 伊豆の踊子 in the January issue and sections 5 to 7 as the continuation 続伊豆の踊子 (zoku izu no odoriko) a month later.
  11. "伊豆の踊子". National Diet Library (in Japanese). Retrieved 27 August 2023.
  12. ^ Morris, Mark (12 October 1997). "Orphans: Stories by a Japanese Nobel laureate are part memoir, part fiction". The New York Times. Retrieved 21 July 2021.
  13. Richie, Donald (26 September 2000). "Welcome return of four classics". The Japan Times. Retrieved 21 July 2021.
  14. Seidensticker, Edward (January 1955). "The Izu Dancer. A Story by Yasunari Kawabata". theatlantic.com. Retrieved 2024-09-23.
  15. The original section 4 begins at the middle of the translated section III (at “We were to leave Yugano"), section IV starts (with "On the way back“) at the middle of section 4, and section 6 begins at the middle of section V (at "The Koshuya").
  16. Watson, S. Harrison (1991), "Ideological Transformation by Translation: "Izu no Odoriko"", Comparative Literature Studies, 1991, Vol. 28, No. 3, East-West Issue, vol. 28, Penn State University Press, pp. 310–321, JSTOR 40246796
  17. Kawabata, Yasunari (1997), The Dancing Girl of Izu and Other Stories, translated by Holman, J. Martin, Washington: Counterpoint Press, pp. 3–33, LCCN 97026835. In the Translator's Note (page ix), the author expresses his gratefulness "to be able to offer this first unabridged English translation of Kawabata's The Dancing Girl of Izu".
  18. Goossen, Theodore W., ed. (1997), The Oxford Book of Japanese Short Stories, Oxford: Oxford University Press, pp. 129–153, ISBN 978-0-19-958319-5, LCCN 96043437. In the Biographical Notes (page 445), it is said that "The Izu Dancer, best known early work, appears here for the first time in unabridged translation".
  19. Benl, Oscar (1942). Flüchtiges Leben. Moderne Japanische Erzählungen. Translated by Benl, Oscar. Berlin-Schöneberg: Landsmann-Verlag Gustav Langenscheidt junior. pp. 33–76.
  20. "All Nobel Prizes in Literature". nobelprize.org. The Nobel Foundation. Retrieved 2024-09-18.
  21. Österling, Andres (1968). "Presentation Speech at the Award Ceremony for The Nobel Prize in Literature". Retrieved 2024-09-23.
  22. Hagemann, Thomas (November 2018), "Kawabata in München: Aus der Vorgeschichte zur Nobelpreisverleihung von 1968", Hefte für Ostasiatische Literatur (in German), 65: 84–125, ISBN 978-3-86205-157-1 (Chinese and Korean added)
  23. ^ "永遠の宝、伊豆の踊子 河津町、映画4作のフィルム保管". Asahi Shinbun (morning Shizuoka ed.). 5 June 1999.
  24. ^ "Film adaptions of Izu no odoriko". Kinenote (in Japanese). Retrieved 21 July 2021.
  25. "Japanese TV adaptions of Izu no odoriko". テレビドラマデータベース (TV drama database) (in Japanese). Retrieved 21 July 2021.
  26. ""Odoriko Express" A direct train between Tokyo, Shimoda and southern area of Izu". izu-sakuraya.jp. Retrieved 21 July 2021.
Works by Yasunari Kawabata
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