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(Redirected from The Emperor of Ice Cream) Poem written by Wallace Stevens For the Brian Moore novel, see The Emperor of Ice-Cream (novel).

The Emperor of Ice-Cream

Recitation

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Call the roller of big cigars,
The muscular one, and bid him whip
In kitchen cups concupiscent curds.
Let the wenches dawdle in such dress
As they are used to wear, and let the boys
Bring flowers in last month's newspapers.
Let be be finale of seem.
The only emperor is the emperor of ice-cream.

Take from the dresser of deal,
Lacking the three glass knobs, that sheet
On which she embroidered fantails once
And spread it so as to cover her face.
If her horny feet protrude, they come
To show how cold she is, and dumb.
Let the lamp affix its beam.
The only emperor is the emperor of ice-cream.

"The Emperor of Ice-Cream" is a poem by Wallace Stevens's first collection of poetry, Harmonium (1923). Stevens' biographer, Paul Mariani, identifies the poem as one of Stevens' personal favorites from Harmonium. The poem "wears a deliberately commonplace costume", he wrote in a letter, "and yet seems to me to contain something of the essential gaudiness of poetry; that is the reason why I like it".

Structure and meaning

The simple poetic structure is of two stanzas related by an identical closing verse in each stanza. The poem is only clarified in its allusion upon completion of the reading of the second stanza which identifies a "cold" and "dumb" body as common references to a dead body. In this case a dead body is being prepared for a funeral.

According to the critic Helen Vendler, quoted by Austin Allen, the ice-cream in the poem is being prepared for serving at a funeral wake. The use of holiday sweets and heavy desserts for funerals is part of the culture of varying civilizations. In this case the reference is likely to pre-Castro Cuba, which Stevens visited during business trips to Florida. The "emperor" of ice cream is illustrated through imagery by Stevens as sufficiently ruddy to churn the ice-cream and blend its sugar in order to make the customary funeral treat used in the country.

In his book on Stevens, Thomas C. Grey sees the poem as a harsh didactic lesson studying the use of the metaphor of "coldness." Grey states, "Stevens knows the corruptions of coldness as well as its beauties. Chief among them is the heartless selfishness, represented by the sweet sinister cold of 'The Emperor of Ice-Cream.' In the kitchen a cigar-rolling man whips 'concupiscent curds' of ice cream as the wenches come and go; in the adjoining bedroom, a dead woman lies in undignified discard, 'cold ... and dumb' under a sheet, her horny feet protruding. Both rooms teach the cynical wisdom that 'The only emperor is the emperor of ice-cream': what you see is what you get; look out for Number One; enjoy the sweet cold before the bitter cold claims you."

According to Norman Foerster, instigator of the New Humanist movement in American criticism, this poem has been discussed for a long time, but maybe we mistake an exact meaning. Foerster wrote: “At this funeral (or wake) there is to be neither the pretense nor the fact of morbid grief.” These are expressed by ice-cream in this poem. At the same time there is neither disrespect for the dead nor a blinking of the fact of poverty and death. The world of his poem is a realistic and stable one.

According to Syunsuke Kamei, an honorary professor at the University of Tokyo and a scholar of American literature, this poem was composed by Stevens for his daughter. Stevens had a strong sense of fulfillment of life. He did not see death in a special light. This poem is telling us to take things easy, but seriously. Ice cream is an incarnation of a sense of fulfillment. It is easily melted, but it is a natural thing. Stevens tells us to enjoy the ice cream now. Ice-cream is a symbol of the summit of ordinary people’s delight.

In popular culture

Composer Roger Reynolds wrote an avant garde, mixed-media dramatization of the poem for eight vocal soloists, piano, percussion, and double bass in 1961–62.
In 1985, composer Gary Kulesha published a revision of his clarinet quartet named after the poem.
Misha Chellam of the acoustic pop group Speechwriters LLC wrote a song entitled "The Emperor of Ice Cream" while in his high school folk-pop group Sid and Me.
Ken Nordine, beat poet and innovator of a stylistic form known as "word jazz," recorded a rendition of Stevens's poem to the backing of eerily bubbly circus music on his 1994 album Upper Limbo.
Alternative rock group They Might Be Giants used the phrase "finale of seem" in their 1988 song "Pencil Rain".
Stephen King made several allusions to this poem; in his novels Salem's Lot and Insomnia; in the short story "Harvey's Dream" from the collection Just After Sunset, and in his miniseries Kingdom Hospital.
The poem was quoted in the film Pathology.
Dean Koontz referenced this poem in his book The Good Guy.
A soap made by the cosmetics company Lush is named "The Emperor of Icecream" after this poem.
The song "The King of Cream" by The Love Kills Theory is an homage to this poem.
The Emperor of Ice-Cream (1965) by Brian Moore is a coming-of-age novel set in Belfast.
An Irish band called itself Emperor of Ice Cream and released two EPs, Puerile and Skin Tight, in 1993.
The hero of Tom Perotta's Joe College reflects on the poem throughout the novel, wondering what the ice cream symbolizes.
The heroine of Laura McNeal's National Book Award-nominated novel Dark Water reads the poem for a high school class and wonders about its meaning.
Spenser, the hero of Robert B. Parker's novel School Days quotes from the poem.
Author Alan Moore was a member in a band named Emperors of Ice Cream which recorded two songs, "March of the Sinister Ducks" and "Old Gangsters Never Die".
Anthony Cappella published a novel The Empress of Ice-Cream in 2010.
The protagonist of Andrew Smith's novel Grasshopper Jungle frequently cites "The Emperor of Ice-Cream" as his favorite poem.
Ronald Shannon Jackson quotes the poem in various Last Exit performances.
The Empire of Ice Cream is the title of a novelette and a short-story collection of the same name by American writer Jeffrey Ford.
The character Amelia Davenport quotes a portion of the poem in the first episode of the television series Damnation.

References

Mariani, Paul. ‘’The Whole Harmonium: The Life of Wallace Stevens,’’ Simon & Schuster, 2016, pp. 149–198.
Stevens, Wallace. Letter to William Rose Benét. 6 January 1933.
^ Allen, Austin. "Wallace Stevens: "The Emperor of Ice-Cream": The chilly heart of a whimsical poem". Resources. Poetry Foundation. Archived from the original on 29 November 2014. Retrieved 16 November 2014.
Grey, Thomas. The Wallace Stevens Case. Harvard University Press. 1991. Page 99-100.
Foerster, Norman; Falk, Robert. American Poetry and Prose. Houghton Mifflin Company, 1960,
Waga Amerika bunkashi (My American Culture Journal)/ Shyunsuke Kamei / Tokyo: Iwanami Shoten. /2003
"Sid and Me – Misc – SWLLC Digital Archive – Speechwriters LLC Free MP3s". Fexum.com. Retrieved 2012-08-07.
"Lyrics:Pencil Rain – TMBW: The They Might Be Giants Knowledge Base". TMBW. Retrieved 2012-08-07.
"Publication: The Empire of Ice Cream". www.isfdb.org. Retrieved 2017-10-17.

Bibliography

Morse, Samuel French. "Wallace Stevens: The Poems of Our Climate – Harold Bloom's Vast Accumulation". The Wallace Stevens Journal. Volume 1, Numbers 3 & 4 (Fall/Winter 1977)
Stevens, Wallace. The Explicator. Vol VII (November 1948), unpaged.
Vendler, Helen (1984). Words Chosen Out of Desire. University of Tennessee Press.
The Emperor of Ice Cream: Cummings Study Guide

External links

Explanations of the meaning of this poem by Helen Vendler and others

v t e Harmonium by Wallace Stevens
"Earthy Anecdote" "Invective Against Swans" "The Paltry Nude Starts on a Spring Voyage" "The Plot Against the Giant" "Infanta Marina" "Domination of Black" "The Snow Man" "The Ordinary Women" "The Load Of Sugar-Cane" "Le Monocle de Mon Oncle" "Nuances of a Theme by Williams" "Metaphors of a Magnifico" "Ploughing on Sunday" "Cy Est Pourtraicte, Madame Ste Ursule, et Les Unze Mille Vierges" "Hibiscus on the Sleeping Shores" "Fabliau of Florida" "Doctor of Geneva" "Homunculus et la Belle Etoile" "The Comedian as the Letter C" "From the Misery of Don Joost" "O Florida, Venereal Soil" "Last Looks at the Lilacs" "The Worms at Heaven's Gate" "The Jack-Rabbit" "Valley Candle" "Anecdote of Men by the Thousand" "The Apostrophe to Vincentine" "Floral Decorations for Bananas" "Anecdote of Canna" "On the Manner of Addressing Clouds" "Of Heaven Considered as a Tomb " "Of the Surface of Things" "Anecdote of the Prince of Peacocks" "A High-Toned Old Christian Woman" "The Place of the Solitaires" "The Weeping Burgher" "The Curtains in the House of the Metaphysician" "Banal Sojourn" "Depression Before Spring" "The Emperor of Ice-Cream" "The Cuban Doctor" "Tea at the Palaz of Hoon" "Disillusionment of Ten O'Clock" "Sunday Morning" "The Virgin Carrying a Lantern" "Stars at Tallapoosa" "Explanation" "Six Significant Landscapes" "Bantam in Pine-Woods" "Anecdote of the Jar" "Palace of the Babies" "Frogs Eat Butterflies. Snakes Eat Frogs. Hogs Eat Snakes. Men Eat Hogs" "Jasmine's Beautiful Thoughts Underneath The Willow" "Cortège for Rosenbloom" "Tattoo" "The Bird with the Coppery, Keen Claws" "Life Is Motion" "The Wind Shifts" "Colloquy with a Polish Aunt" "Gubbinal" "Two Figures in Dense Violet Night" "Theory" "To the One of Fictive Music" "Hymn from a Watermelon Pavilion" "Peter Quince at the Clavier" "Thirteen Ways of Looking at a Blackbird" "Nomad Exquisite" "The Man Whose Pharynx Was Bad" "The Death of a Soldier" "Negation" "The Surprises of the Superhuman" "Sea Surface Full of Clouds" "The Revolutionists Stop for Orangeade" "Lunar Paraphrase" "Anatomy of Monotony" "The Public Square" "Indian River" "Tea"

Harmonium by Wallace Stevens

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