| Arohanam | S R₂ M₁ P N₂ Ṡ |
|---|---|
| Avarohanam | Ṡ N₂ P M₁ R₂ G₂ R₂ S |
| Carnatic music |
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 Tanjavur-style tambura |
| Concepts |
| Compositions |
| Instruments |
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Shri ragam is an ancient ragam in the Carnatic tradition. It is also written as Sri or Sreerag. This scale does not have all the seven swaras (musical notes) in the ascending scale. Shree is the asampurna melakartha equivalent of Kharaharapriya, the 22nd Melakarta rāgam. It is the last of the 5 Ghana rāgams of Carnatic music. It is a popular rāgam that is considered to be highly auspicious.
Notably, Carnatic Shree takes the lower madhyamam being the asampurna scale equivalent of Kharaharapriya. It is not related to the Hindustani raga, Shree.
Structure and Lakshana
Shree is an asymmetric rāgam that does not contain gāndhāram or dhaivatam in the ascending scale. It is a audava-vakra-sampurna rāgam (or owdava, meaning pentatonic in ascending scale), where vakra indicates the zig-zag nature of jumping notes in descending scale. Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
This scale uses the notes chatushruti rishabham, sadharana gandharam, shuddha madhyamam, panchamam, chatushruti dhaivatam and kaisiki nishadam.
Popular compositions
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Shree rāgam has been decorated with compositions by many composers. A few of the popular kritis are listed here.
- Sami ninnekori, a Varnam by Karur Devudu Iyer in Telugu
- Mayanai - 5th Thiruppavai by Andal
- The fifth Pancharatna Kriti Endaro mahanubhavulu composed by Tyagaraja in Telugu, the last of the 5 gems
- Nama kumusumamula, Yuktamu gAdu by Tyagaraja in Telugu
- Sri Varalakshmi, Sri Muladhara Chakra Vinayaka , Sri Kamalambike, Sri Abhayamba, Sri Vishvanatham Bhaje, Tyagaraja Mahadhvajaaroha and Kameshvarena Samrakshitoham by Muthuswami Dikshitar in Sanskrit
- Karuna judu ninnu by Shyama Shastri in Telugu
- Vanajasana Vinuta composed by Subbaraya Shastri in Telugu
- Bhavayami Nanda and Reena Madadritha by Swathi Thirunal
- Vande Vasudevam (Sanskrit), Dinamu Dwadasi Nedu (Telugu), O! Pavanatmaja O! Ghanuda (Telugu) by Annamacharya
- Bandanene Ranga (9th Navaratna Malike), Adi Varahana (very rare composition on Lord Varaha) by Purandara Dasa in Kannada
- Mangalam Arul by Papanasam Sivan in Tamil
- Karuna Cheyvan Enthu by Irayimman Thampi in Malayalam
Film Songs
Language:Tamil
Tamil Devotional Songs
| Song | Album | Composer | Singer |
|---|---|---|---|
| Aadhaaram Neeyae | Sri Guru Bhagavan | Veeramani Kannan | S. P. Balasubrahmanyam |
Related rāgams
This section covers the theoretical and scientific aspect of this rāgam.
Scale similarities
- Madhyamavati is a rāgam which has a symmetric ascending and descending scale, which matches the ascending scale of Shree. Its ārohaṇa-avarohaṇa structure is S R2 M1 P N2 S : S N2 P M1 R2 S
- Manirangu is a rāgam which has gāndhāram in the descending scale, while all other notes in both the ascending and descending scale are same as Madhyamavati. Its ārohaṇa-avarohaṇa structure is S R2 M1 P N2 S : S N2 P M1 G2 R2 S
Notes
- Alternate notations:
- Hindustani: S R M P Ṉ Ṡ
- Western: C D F G B♭ C
- Alternate notations:
- Hindustani: Ṡ Ṉ P M R G̱ R S
- Western: C B♭ G F D E♭ D C
- Alternate notations:
- Hindustani: Ṡ Ṉ P D Ṉ P M R G̱ R S
- Western: C B♭ G A B♭ G F D E♭ D C
References
- ^ Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
- ^ Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras
| Janya ragas | |
|---|---|
| A-B | |
| D-J | |
| K-L | |
| M | |
| N-R | |
| S | |
| T-V |
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