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Catullus 45

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Poem by Catullus "Acme and Septimius" redirects here. For the painting by Frederic Leighton, see Acme and Septimius (Leighton).
Acme and Septimius, painting by Frederic Leighton

Catullus 45 is a poem by the Roman poet Catullus, describing the love between a fictional couple called Acme and Septimius. It is an over-the-top love poem that is ever so slightly tongue-in-cheek.

The meter of this poem is hendecasyllabic, a common form in Catullus' poetry.

Latin text and translation

Catullus 45 in Latin and English
Literal English Translation Original Latin Line

Septimius, holding his lover Acme
in his bosom, said, “my Acme,
if I do not love you desperately and I am not further
prepared to love you continually through all the years,
as much as he who is prepared to die many deaths,
alone in Libya and scorched India
may I come to meet the blue eyed lion.”
As he said this, Love sneezed approval on
the left as before on the right.
But Acme, bending back her head lightly,
and having kissed the drunken eyes
of the sweet boy with a purple mouth,
“so,” she said, “my love, dear Septimius,
let us serve this one master continually,
that a flame much greater and sharper
burn for me in the gentle marrow.”
As she said this, Love sneezed approval on
the left as before on the right.
Now, having set out from the good omen
their souls mutually love and are loved.
Poor little Septimius prefers Acme alone
to Syria and Britain:
the faithful Acme finds pleasure
and desire in Septimius alone.
Who has seen anybody more blessed,
who a luckier love?

Acmen Septimius suos amores
tenens in gremio ‘mea’' inquit ‘Acme,
ni te perdite amo atque amare porro
omnes sum assidue paratus annos,
quantum qui pote plurimum perire,
solus in Libya Indiaque tosta
caesio veniam obvius leoni.’
Hoc ut dixit, Amor sinistra ut ante
dextra sternuit approbationem.
At Acme leviter caput reflectens
et dulcis pueri ebrios ocellos
illo purpureo ore suaviata,
‘sic’ inquit ‘mea vita Septimille,
huic uni domino usque serviamus,
ut multo mihi maior acriorque
ignis mollibus ardet in medullis.’
Hoc ut dixit, Amor sinistra ut ante
dextra sternuit approbationem.
Nunc ab auspicio bono profecti
mutuis animis amant amantur.
Unam Septimius misellus Acmen
mavult quam Syrias Britanniasque:
uno in Septimio fidelis Acme
facit delicias libidinisque.
Quis ullos homines beatiores
vidit, quis Venerem auspicatiorem?

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45.8
45.9
45.10
45.11
45.12
45.13
45.14
45.15
45.16
45.17
45.18
45.19
45.20
45.21
45.22
45.23
45.24
45.25
45.26

Bibliography

  • Newton, R (1996). "Acme and Septimius Recounted: Catullus 45". Syllecta Classica. 7: 99–105. doi:10.1353/syl.1996.0017. S2CID 191454377.
  • Gratwick, AS (1992). "Those Sneezes: Catullus 45.8-9, 17-18". Classical Philology. 87 (3): 234–240. doi:10.1086/367311. S2CID 161869748.
  • Kitzinger, R (1991–1992). "Reading Catullus 45". Classical Journal. 87: 209–217.
  • Frueh, E (1990–1991). "Sinistra ut ante dextra: Reading catullus 45". Classical World. 84: 16–21.
  • Williams, MF (1988). "Amor's Head-Cold (frigus in Catullus 45)". Classical Journal. 83: 128–132.
  • Nielsen, R (1977). "Catullus 45 and Horace Odes 3.9: The Glass House". Ramus. 6 (2): 132–138. doi:10.1017/S0048671X00004185. S2CID 192923439.
  • Singleton, D (1971). "Form and irony in Catullus 45". Greece and Rome. 18 (2): 181–187. doi:10.1017/S0017383500018076. S2CID 161824128.
  • Akbar Khan, H (1968). "Catullus 45: What Sort of irony?". Latomus. 27: 3–12.
  • Ross, DO (1965). "Style and Content in Catullus 45". Classical Philology. 60 (4): 256–259. doi:10.1086/365048. S2CID 161458851.
The poems (Carmina) of Catullus
Lesbia poems
Invective poems
  • 10
  • 12
  • 14
  • 15
  • 16
  • 17
  • 21
  • 22
  • 23
  • 24
  • 25
  • 28
  • 29
  • 30
  • 33
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 47
  • 49
  • 52
  • 53
  • 54
  • 57
  • 59
  • 60
  • 69
  • 71
  • 73
  • 74
  • 77
  • 78
  • 80
  • 84
  • 88
  • 89
  • 90
  • 93
  • 95
  • 97
  • 98
  • 103
  • 108
  • 110
  • 111
  • 112
  • 113
  • 116
Unusual poetic meters
  • 4
  • 8
  • 11
  • 17
  • 22
  • 25
  • 29
  • 30
  • 31
  • 34
  • 37
  • 39
  • 44
  • 51
  • 52
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
Hendecasyllabic verse
  • 1
  • 2
  • 2b
  • 3
  • 5
  • 6
  • 7
  • 9
  • 10
  • 12
  • 13
  • 14
  • 14b
  • 15
  • 16
  • 21
  • 23
  • 24
  • 26
  • 27
  • 28
  • 32
  • 33
  • 35
  • 36
  • 38
  • 40
  • 41
  • 42
  • 43
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 58b
Elegiac couplets
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102
  • 103
  • 104
  • 105
  • 106
  • 107
  • 108
  • 109
  • 110
  • 111
  • 112
  • 113
  • 114
  • 115
  • 116
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